⁣Recorded at Weltklang Studio Plauen, Germany in November 2018 by the Martin Miller Session Band in one continuous take.
Matthias Proctor - Vocals
Martin Miller - Guitar & Vocals
Nico Schliemann - Guitar & Vocals
Marius Leicht - Keyboards & Vocals
Benni Jud - Bass & Vocals
Felix Lehrmann - Drums
Martin Miller - Audio Mix & Video Edit
https://www.bennijud.com/
http://www.martinmillerguitar.com/
http://www.nicoschliemann.de/
https://www.youtube.com/nicoschliemann
https://felixlehrmann.de/
http://bit.ly/youtube_BIIDmusic_Matth...

⁣Safe and Effective: A Second Opinion shines a light on Covid-19 vaccine injuries and bereavements, but also to takes an encompassing look at the systemic failings that appear to have enabled them. We look at leading analysis of pharmaceutical trials, the role of the MHRA in regulating these products, the role of the SAGE behavioural scientists in influencing policy and the role of the media and Big Tech companies in supressing free and open debate on the subject.

Produced in collaboration with Oracle Films and Mark Sharman; Former ITV and BSkyB Executive and News Uncut, it's a self-financed, one-hour TV programme, formatted for 2 commercial breaks.

Join the discussion by following us on Telegram: t.me/OracleFilms

RESOURCE: https://www.oraclefilms.com/safeandeffective

⁣Huron University College professor refuses to abide by school’s vaccine mandate in the name of ethics.


Huron University College professor is speaking out against the institution’s vaccine mandate, questioning the ethics of “coercing people into medical procedures” for those refusing to get the COVID-19 vaccine. The professor states in the video, which has since been removed from YouTube, that she fears for her employment.


Julie Ponesse, an ethics professor at Huron University College which is affiliated with Western University, describes it as “ethically wrong” to require staff and students to be fully vaccinated, despite the policy also being encouraged by Ontario health officials.


“I am facing imminent dismissal after 20 years on the job. Because I will not submit to having an experimental vaccine injected into my body,” said Ponesse in the video.
“I don’t work in a high-risk environment. I’m not a doctor in an emergency room. I’m a teacher. I’m a university professor,” she adds.


This video comes amid a statement released Tuesday by Western University President and Vice-Chancellor Alan Shepard, after a “disturbing trend” involving several large gatherings near the campus in London, Ont., during frosh week.


“This activity is a blatant disregard for the campus community, public health, and the law,” Shepard wrote. “We want to be clear: if this activity continues, the academic year we have so carefully planned will not happen. In-person learning with fellow students, interaction with professors, extra-curricular activities, athletics and all the things that make your student experience great will be lost.

⁣Clear, blue skies greeted air travelers on the morning of September 11, 2001. But those skies were more heavily trafficked than we were originally led to believe, according to the documentary 9/11 War Games. Produced by the conspiracy-minded Corbett Report, the film assumes a unique perspective for those who question the official account of that tragic date.


Before the attacks began to unfurl, there were an unprecedented number of aviation tests, military drills and emergency simulations taking place. Some were eerily similar to the terrorist attacks that would grip the country later that morning. In spite of the incessant denials that followed in the months and years following 9/11, the film argues that military forces were well aware of the potential of such an attack, and were active in preparing for such a nightmare scenario.


The evidence presented in the film expose how the government was well aware of the specific threats in the lead up to 9/11. Documents and taped recordings show multiple military drills mounted by the North American Defense Command (NORAD), including those involving hijacked airplanes, coordinated attacks from multiple planes, and even a scenario that used an aircraft as a weapon in the heart of the Pentagon.
The theory? The real plot of terror was piggybacked off some of these simulated war games. While much of the blame fell on the FAA, the prevention of these attacks was actually hindered by an inability to decipher between the manufactured exercises and the real world tragedy. The terrorist cell was likely aware of such exercises, and used them to their advantage.


Taken to the extreme, the film theorizes that members of NORAD, the US military and the National Command Authority were themselves complicit in these attacks, and the confusion between simulation and reality was an intentional and strategic stage from which they could operate most effectively.
Viewers who have an intolerance for conspiracy-themed material, especially as it pertains to the events of September 11, might find some of the film’s thesis offensive. But for others, 9/11 War Games may serve as a provocative, well assembled argument for greater transparency.


REVIEW RESOURCE: https://topdocumentaryfilms.com/9-11-war-games/

⁣
Metallica doesn't do anything small. Their songs are relentless assaults of sound, sometimes topping the 8 or 9-minute mark. It's not a surprise then that "Metallica: Through the Never," their 3-D IMAX concert film/apocalyptic Mad Max story, directed by Nimród Antal, is a gigantic spectacle, a virtual-reality experience that is both ridiculous and sublime, sometimes in the same moment.
The band members, lead singer/guitarist James Hetfield, lead guitarist Kirk Hammett, drummer Lars Ulrich, and bassist Robert Trujillo, came up with the concept, giving it a personal stamp which longtime Metallica fans will recognize. The Metallica concert in the film features laser beams, a Tesla coil shooting actual lightning bolts through the air, a gigantic statue of Lady Justice which crumbles to bits around the band members, white crosses emerging from beneath the stage floor, dry ice…the only thing missing from that arena stage is an 18-inch tall Stone Henge. Meanwhile, there's a fictional storyline that runs alongside the concert: a young roadie named Trip (Dane DeHaan) is sent on an important mission to retrieve a bag needed by the band. "Metallica: Through the Never" moves back and forth, from concert to Trip and back.



The concert was filmed at Rexall Place, an arena in Edmonton, Alberta. The stage is huge and cross-shaped, with Lars Ulrich's drum set placed in the transept. The three other guys wander around freely, sometimes meeting up, but mostly facing out, communicating with the masses of gyrating fans. Twenty-four cameras were used, and cinematographer Gyula Pados brings us in close enough that we can almost feel the sweat flying off of Trujillo's long hair as he spins his head, and also pulls us back, way back, to give a sense of the sheer scope of the production and the audience. The fans are packed in tight, pushing against the barriers near the stage, pulsing their arms in the air. The effect of all of this is so visceral and immediate that it really is the next best thing to being there.
Cutting away from the concert to follow Trip's attempt to retrieve the missing bag is a risky device and doesn't work initially, because the concert is so engrossing you resent being made to leave it. But it grew on me as the film progressed, and ended up having a startlingly emotional resonance by the closing shots of the film. Here's what happens. Trip takes off in a battered van to go get this missing bag. Civilization appears to have broken down. Cars are on fire. Riot police and mobs face off. People are strung up from lampposts and dangle in the wind. (There's a reason "Metallica: Through the Never" is rated R.) Trip finds himself singled out by the mob. A literal horseman of the Apocalypse, wielding a gigantic mallet and wearing a gas mask, gallops after him. Trip is beaten up, set on fire, dragged behind a horse, chased through dark alleys. What is in the bag that Metallica needs? Well, if you've seen your Hitchcock, then you know that doesn't matter.
All of these scenes are tied thematically to Metallica's concert song list, which span the 30 years of Metallica's career, from early songs like "Creeping Death," to later songs like "Cyanide." All the major hits are covered: "Master of Puppets," "One," "The Memory Remains," "Enter Sandman," "And Justice For All," "Battery," "Nothing Else Matters." Metallica's music is not light. They are not carefree guys. Even their ballads are gloomy. Trip's struggle to survive in a violent dystopian world is reflective not only of Metallica's most common themes, but also echoes what the music actually sounds like. Metallica's music is fast, aggressive, and demanding. As macho as Metallica's collective stage presence is, what they tap into is a very dark place where they are alone, helpless, and isolated. Music critic Steve Huey once observed that "in one way or another, nearly every song on 'Master of Puppets' deals with the fear of powerlessness." That's where the rage comes from.



Trip, as played by Dane DeHaan, is a skinny kid in black jeans and a hoodie. He is overwhelmed by forces larger than him. He is not physically strong. He is an outcast. James Hetfield may be a tattooed rock god, wearing all black and a bullet belt, stalking around on a stage the size of St. John the Divine like he owns the joint, but he still identifies with guys like Trip. He identifies with the outcasts, the scared kids of the world ("Enter Sandman." their most famous song, features a child's voice praying), and Trip is the stand-in for all kids who feel like they don't fit in, who are scared and feel powerless, who find strength in music like Metallica's. That's when the device stopped feeling like a device and felt like an expression of the band's identification with its own fan base, with the guys they used to be.
It was 1983 when Metallica's first album came out, a year where The Police and Michael Jackson dominated the pop charts. Heavy metal fans were part of a vibrant underground scene, where bootleg cassette tapes were passed around. Metallica are Rock and Roll Hall of Famers now. Their actions (and albums) have not always pleased their hard-core fan base. Remember when they sued Napster? Remember "Load," their sixth album, seen by many fans as a betrayal of what the band was all about? Some of the oldest fans think Metallica sold out with what is known as "the black album." These things are still being argued about on heavy metal websites and fan forums. And then of course, they all went into therapy in order to heal the rifts in their relationships, a process documented in the fascinating 2004 documentary "Some Kind of Monster." The album that resulted from that therapy process, "St. Anger," received mixed reviews but still sold millions of copies. You can see that up-and-down journey in the concert itself, as technical snafus threaten to derail the whole thing, forcing the band to go back to basics.
Some of the best moments in the film involve footage of the concert audience. There is one audience member I keep remembering, and he appears for only a second. He was pushed up against the barrier. He had his shirt off, like a lot of the guys did, and his arms were in the air, eyes closed, lost to everything else but that immediate moment. There are millions more of him around the world. And there were thousands more in that arena. The sound of the audience singing along is so powerful it sounds like a political rally about to turn violent. Even James Hetfield at one point seems a bit taken aback at the collective sound of thousands of people singing his lyrics. At the end of the film, during the credits, the words "To the Metallica Family of Fans" scroll by on the screen. "Metallica: Through the Never" is a vehicle that could reach a new generation of fans, who wouldn't even know what the term "bootleg cassette tape" meant, but know great music when they hear it.
With all of the dazzling special effects "Metallica Through the Never" offers, and with all of the violent encounters poor fictional Trip experiences, it's that shirtless fan, arms raised, that encapsulates what the film is all about, encapsulates what Metallica is all about. To paraphrase one of Metallica's most famous lyrics, that's the memory that remains.



REVIEW RESOURCE: ⁣https://www.rogerebert.com/rev....iews/metallica-throu

⁣Nikola Tesla did countless mysterious experiments, but he was a whole other mystery on his own. Almost all genius minds have a certain obsession. Nikola Tesla had a pretty big one!
He was walking around a block repeatedly for three times before entering a building, he would clean his plates with 18 napkins, he lived in hotel rooms only with a number devisable by 3. He would make calculations about things in his immediate environment to make sure the result is devisable by 3 and base his choices upon the results. He would do everything in sets of 3.
Some say he had OCD, some say he was very superstitious.
However, the truth is a lot deeper.

“If you knew the magnificence of the three, six and nine, you would have a key to the universe.” – Nikola Tesla



⁣RESOURCE: https://garylite.com/2018/09/0....9/the-secret-behind-

Watch PART 2 (TWO) here => ⁣https://vajratube.com/v/B4mRnJ
⁣After a long summer of feasting, their bodies stately and plump, the emperor penguins of Antarctica begin to feel, toward autumn, a need to march inland to the breeding grounds "where each and every one of them was born." They are all of a mind about this, and walk in single file, thousands of them, in a column miles long. They all know where they are going, even those making the march for the first time, and when they get there, these countless creatures, who all look more or less the same to us, begin to look more or less desirable to one another. Carefully, they choose their mates.

This is not a casual commitment. After the female delivers one large egg, the male gathers it into a fold of his abdomen, plants his feet to protect the egg from the ice below, and then stands there for two months with no food or water, in howling gales, at temperatures far below zero, in total darkness, huddled together with the other fathers for warmth. The females meanwhile, march all the way back to the sea, now even more distant, to forage for food, which they will bring when the spring comes, if they know it must. When the females return to the mass of countless males, they find their mate without error and recognize the cries of chicks they have never seen.

"March of the Penguins" is simply, and astonishingly, the story of this annual cycle. It was filmed under unimaginable conditions by the French director Luc Jacquet and his team, including the cinematographers Laurent Chalet and Jerome Maison. There is not much to choose from in setting up their shots: On the coldest, driest and (in winter) darkest continent on Earth, there is snow, and there is ice, and there are penguins. There is also an ethereal beauty.

Although the compulsion to reproduce is central to all forms of life, the penguins could be forgiven if they'd said the hell with it and evolved in the direction of being able to swim to Patagonia. The film's narrator, Morgan Freeman, tells us that Antarctica was once a warm land with rich forests that teemed with creatures. But as the climate grew colder over long centuries, one lifeform after another bailed out, until the penguins were left in a land that, as far as they can see, is inhabited pretty much by other penguins, and edged by seas filled with delicious fish. Even their predators, such as the leopard seal, give them a pass during the dark, long, cold winter.

"This is a love story," Freeman's narration assures us, reminding me for some reason of Tina Turner singing "What's Love Got to Do With It?" I think it is more accurately described as the story of an evolutionary success. The penguins instinctively know, because they have been hard-wired by evolutionary trial and error, that it is necessary to march so far inland because in spring, the ice shelf will start to melt toward them, and they need to stand where the ice will remain thick enough to support them.

As a species, they learned this because the penguins who paused too soon on their treks had eggs that fell into the sea. Those who walked farther produced another generation, and eventually every penguin was descended from a long line of ancestors who were willing to walk the extra mile.

Why do penguins behave in this manner? Because it works for them, and their environment gives them little alternative. They are Darwinism embodied. But their life history is so strange that until the last century, it was not even guessed at. The first Antarctic explorers found penguins aplenty, but had little idea where they came from, where they went to, and indeed whether they were birds or mammals.

The answers to those questions were discovered by a man named Apsley Cherry-Garrard, in one of the most remarkable books ever written, The Worst Journey in the World (1922). He was not writing about the journey of the penguins, but about his own trek with two others through the bitter night to their mating grounds. Members of Scott's 1910-1912 expedition to the South Pole, they set out in the autumn to follow the march of the penguins, and walked through hell until he found them, watched them, returned with one of their eggs. Cherry-Garrard retired to England, where he lived until 1959; his friends felt the dreadful march, and the later experience of finding the frozen bodies of Scott and two others, contributed to his depression for the rest of his life.

For Jacquet and his crew, the experience was more bearable. They had transport, warmth, food and communication with the greater world. Still, it could not have been pleasant, sticking it out and making this documentary, when others were filming a month spent eating at McDonald's. The narration is a little fanciful for my taste, and some of the shots seem funny to us but not to the penguins. When they fall over, they do it with a remarkable lack of style. And for all the walking they do, they're ungainly waddlers. Yet they are perfect in their way, with sleek coats, grace in the water and heroic determination. It's poignant to watch the chicks in their youth, fed by their parents, playing with their chums, the sun climbing higher every day, little suspecting what they're in for.

REVIEW RESOURCE: https://www.rogerebert.com/rev....iews/march-of-the-pe

⁣With unfettered access to the Zappa family trust and all archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time.


Alex Winter’s assembly features appearances by Frank’s widow Gail Zappa and several of Frank’s musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others.
Directed by Alex Winter
http://www.thezappamovie.com/

For more great titles, check out Magnolia Selects:
https://www.magnoliaselects.com

'Frank didn't adhere to any movements': behind the Zappa documentary (The Guardian)

⁣Dave Grohl takes another step toward Renaissance-man status with “Sound City,” his likable debut as a documentary director.
Mr. Grohl has already had considerable success as a drummer, guitarist and vocalist in groups like Nirvana and Foo Fighters and has shown a boundless curiosity with various side projects. (Yes, that was him in a cameo in the 2011 movie “The Muppets.”) Directing “Sound City,” about the recording studio of that name, now defunct, in the San Fernando Valley of California, he shows a decent grasp of how to pace a documentary and how to push nostalgia buttons, avoiding the marsh of smarminess most — though not quite all — of the time.


But “Sound City” is not merely a those-were-the-days eulogy for the studio, which closed in 2011. It’s really three films. The first third is a pleasant, somewhat glossy-feeling look back at the albums that were made there and the stars who made them, with anecdotes from Fleetwood Mac, Rick Springfield and many others that will be candy to several generations’ worth of rock fans. The studio, an unimposing-looking place to say the least, had a knack for turning out a big album just when it seemed on the brink of failure: Fleetwood Mac’s self-titled 1975 album and “Rumours” two years later, Mr. Springfield’s “Working Class Dog” in 1981, Nirvana’s seminal “Nevermind” in 1991.
The film then becomes a chronicle of the slow death of the studio, an analog operation whose heart was a Neve soundboard that recorded on tape, which by the 1980s had begun to be supplanted by digital technology. Mr. Grohl has become something of a musical preservationist, and he and others lament the loss of the human element of the analog era and the emergence of music created and manipulated on computers. It’s not an antidigital argument — Trent Reznor of Nine Inch Nails makes a case for digital technology as a creative tool — so much as an antiblandness argument.

And then Mr. Grohl turns his attention to making some new music. He bought the Neve board when Sound City closed and installed it in his own studio, and we see him and others putting it to use.
The big draw is Paul McCartney, who is shown recording a song called “Cut Me Some Slack,” seemingly making it up on the spot. It’s a little incongruous to hear Mr. Grohl advocate for a quick-and-dirty approach — “Do it,” he says. “Make it simple. Make it fast. Don’t overthink it.” — while working with Mr. McCartney, whose résumé includes some beloved Beatles songs that were painstakingly assembled track by track. But hey, don’t overthink it.
Mr. Grohl has put a lot of affection into this film, and it shows. One of the nicest touches may go unnoticed. Over the ending credits a catchy song called “Sound City” plays. The vocals are credited to Doug Deep and Paula Salvatore — Ms. Salvatore having been the manager of the studio in the 1980s. Earlier in the film she had spoken wistfully about having dreamed of her own musical career.

REVIEW RESOURCE: https://www.nytimes.com/2013/0....1/31/movies/sound-ci

⁣A provocative look at what it takes to hide a multi-trillion dollar Secret Space Program from the public and the implications this has for humanity.
Featuring: David Wilcock, Corey Goode, John Desouza, Niara Isley, Jordan Sather, and more.
On September 10th 2001 Secretary of Defense Donald Rumsfeld announced that $2.3 trillion dollars could not be accounted for within Department of Defense expenditures. The very next day the Pentagon’s budget analyst’s office was destroyed in the 9/11 attack. The mystery remains: Where are the missing trillions Above Majestic is a shocking and provocative look at what it would take to hide a multi-trillion-dollar Secret Space Program (a clandestine group of elite military and corporate figureheads charged with reverse-engineering extraterrestrial technology also known as “Majestic 12”) from the public and the implications this would have for humanity.
Viewers will be guided through a deep dive into the origins, technologies, history, cover ups, conspiracies, testimony and research that goes beyond and Above Majestic. Featuring some the most prominent and prolific authors, researchers, whistle-blowers and disseminators in the movement for Truth and Full Disclosure. This includes David Wilcock, Corey Goode, John Desouza, William Tompkins, David Adair, Laura Eisenhower, Niara Isley, and Jordan Sather.

⁣David Icke, is an English writer and public speaker, known since the 1990s as a professional conspiracy theorist, calling himself a “full-time investigator into WHO and WHAT is really controlling the world.”

David is the author of over 21 books and 10 DVDs and has lectured in over 25 countries, speaking live for up to 10 HOURS to huge audiences, filling stadiums like Wembley Arena.

In April 2020, Icke gave a two-and-a-half-hour interview to the British online channel London Real. The video is dubbed in English, Spanish and French, and subtitled in multiple other languages.

At the time, it was shared by several million internet users but for some reason the organisations controlling the mass media and all social media blocked this interview completely, and by all possible means, disinformation campaigns were launched to ridicule Icke's theories.

⁣In this ground-breaking original series, experts explore the history and use of psychedelic plants including political ambitions, the perceived shadow side and the proper environment to experience these substances.


From the origins of Shamanism to the spiritual expression of modern awakenings, discover the role of sacred medicine as a gateway to expanded consciousness, and its continued influence on humanity.
“Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window. Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.” ― Terence McKenna

RESOURCE: https://www.gaia.com/seeking-t....ruth/original-progra

⁣Mary Gray was born in Paris in 1886.
She knew many of the outstanding leaders of thought in Europe and America. She was a member of the Theosophical Society.

What the book is about?
This book was written in 1925 and shows why spiritual growth is sometimes gained through the darkest times in our lives.


Sometimes we must just accept the pain of living along with the joys in our lives and know they both come from God and make us stronger.
Life is a journey, a struggle at times but worth every minute and I am thankful for the people that help us through it.

⁣Wim Hof is a Dutch world record holder, adventurer and daredevil, commonly nicknamed the Iceman for his ability to withstand extreme cold.
Undoubtedly one of the most fascinating guests ever to have appeared on the JRE, Wim Hof is a Dutch extreme athlete nicknamed The Iceman for his incredible ability to thrive in completely inhospitable temperatures.


Hof espouses the benefits of learning to control your breathing through a meditative system he refers to as the Wim Hof Method, in which he denotes just how important one's mental state is in influencing physical performance.
Like many of the other athletes featured on this list, listening to Hof isn't just motivational for the things that he has achieved, but rather the perspectives he offers to help you or me to achieve feats that we didn't believe possible.


Joe has shown repeatedly throughout the years that the quality of the podcast significantly improves the more he appears to respect the guest which is particularly evident here. If anyone is looking for a way to better endure physical pain, while also becoming more in tune with their thoughts this podcast is a must-watch.

RESOURCE: Joe Rogan Experience #712

If you like it support the band buying it at : http://thearistocrats.spinshop.....com/Home/details/23

Guthrie Govan - Guitars
Brian Beller - Bass
Marco Minnemman - Drums

⁣Tick Tock Bye Bye Then! Biden EXIT Happening Now!
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⁣People have seen crop circles created by a tube of light in less than fifteen seconds, bending the plants without damage, altering the electromagnetic field and soil, and encoding new math theorems. Now that you know what humans can't do, discover who can.
“It is perfectly natural to ask if crop circles are hoaxes, but very difficult to explain why they cannot be hoaxes satisfactorily,” remarked NASA engineer Pat Delgado. And he was right, because people cannot steam plants at right angles without damage, alter the local gravitational field, change the mineral structure of the soil, encode unknown mathematical theorems, or apply permanent electromagnetic signatures when attempting to replicate crop circles.
Eighty people have witnessed crop circles manifesting in less than fifteen seconds. Many describe a descending tube of light that rotates and bends the plants without causing any damage. These are just some of the anomalies behind the world’s most important phenomenon. Leading expert and best-selling author Freddy Silva discusses these and many more topics in this fast-paced, live presentation from Contact in the Desert.
Now that you know what humans can’t do, discover who can — and why.
REVIEW RESOURCE: https://www.gaia.com/video/cro....p-circles-evidence-i

⁣In this film Dr. David Martin gives an education in the history of the United States where we went wrong and what are the mechanisms of that deviation of the grand experiment.

In American R/Evolution, David tells the story of the financial and commercial history of the United States. He revisits the vision for America that was postulated by Thomas Jefferson, and explains where this vision was derailed. The film delivers a message that challenges existing paradigms and inspires viewers to engage their communities in a greater capacity.
Our financial history is a subject typically distorted beyond comprehension. But through the film, Dr. David Martin narrates it in a way that is approachable, entertaining, and utterly mind-blowing for people of all walks of life.

“We believed in a world where there was always something beyond. We believed in a world where somehow our fear of death needed to change how we live. We believed in a world where we had to look to ourselves rather than look to our neighbours and to our network to support us. We believed in a world where we wanted to surrogate our responsibility because even though we got rid of a monarch, we got rid of a pope… We still believed that someone somewhere else was responsible for our lives.“
David Martin


⁣Dr Martin's Youtube channel => https://www.youtube.com/@DavidMartinWorld
Official website => https://www.davidmartin.world/

⁣HAARP, in full High-frequency Active Auroral Research Program, scientific facility for studying the ionosphere, located near Gakona, Alaska. The main instrument is the Ionospheric Research Instrument (IRI), an array of 180 radio antennas spread over an area of 0.13 square kilometer (33 acres).

The ionosphere is the outermost layer of Earth’s atmosphere. It begins at about 50 kilometers (30 miles) above Earth’s surface and contains atoms and molecules that are ionized (that is, they lose an electron and become positively charged) by the Sun’s ultraviolet light. The ionosphere is of particular importance for radio because low radio frequencies are reflected off the ionosphere, allowing for long-distance communications. At higher frequencies, radio communications with satellites pass through the ionosphere. The ionosphere is also where the auroras occur when solar wind particles collide with oxygen and nitrogen atoms.

The IRI transmits at frequencies between 2.7 and 10 MHz with a power of 3.6 megawatts. It transmits radio waves upward into the ionosphere, where they cause electrons to move in waves. HAARP is an ionospheric heater, so called because the excitation of electrons increases their temperature, and it is the most powerful ionospheric heater in the world. By altering the density of electrons in a specific region, scientists using HAARP can study how the ionosphere reacts to changing conditions.

Because of the ionosphere’s significance for radio communications, in the early 1990s the U.S. Air Force and U.S. Navy proposed the HAARP project, and the Air Force began construction in 1993. The site near Gakona was chosen because it was an area of flat ground that was in the North Polar region where auroras occur. The HAARP site was near a major highway but isolated enough that there were no nearby sources of electrical or radio interference. Responsibility for HAARP was transferred to the University of Alaska Fairbanks in 2015.

HAARP became a popular subject of conspiracy theories. Venezuelan Pres. Hugo Chávez blamed it for the 2010 Haiti earthquake, but most such theories about HAARP concern its use for weather modification or mind control. In response, HAARP scientists noted that the ionosphere is far above the troposphere and stratosphere where Earth’s weather actually happens, and, as for any other effects, HAARP scientists stated that the amount of energy the IRI deposits in the ionosphere is far below that supplied naturally by the Sun and that any effects from the IRI quickly dissipate.

(https://www.britannica.com/topic/HAARP)

⁣n the tradition of his first Internet blockbuster, Loose Change, which has had over 100 million visits, Jason Bermas has created yet another outstanding documentary film, Invisible Empire: A New World Order Defined.
This film documents very clearly that some of America's most powerful elected officials, including all recent presidents, have been part of an international cabal to establish a socialist New World Order that would eradicate national sovereignty and many of the God-given freedoms vouchsafed in the Constitution of the United States, making all citizens mere slaves of the state.
It has an amazing collection of video footage of these leaders stating their unabashed ambitions to establishing this New World Order. It also shows just who is behind this international cabal and their nefarious intentions and true sinister nature. It is deeply troubling and very important.
Again, its relevance to Free Energy technology is two-fold. First, these same forces are behind many of the instances of suppression of breakthrough free energy, which would empower the individual, contrary to the NWO agenda to enslave. Second, the emergence of breakthrough free energy technologies will help unseat these criminals. It is a powerful antidote to the poison being administered.
Another point of relevance is that the film touches on the fact that Al Gore is one of the New World Order insiders helping to accomplish their objectives by politicizing climate change and using it as a reason to impose global carbon taxes; all while personally becoming super wealthy from his various involvements that include serious conflicts of interest. He should not be seen as a hero figure in the free energy movement.