⁣Zdefraudowali wsparcie dla Ukrainy za ponad $80MLD USD. Pominięte przez mainstream afery finansowe, w które zamieszana jest Partia Demokratyczna, Joe Biden, tajemniczy inwestorzy i prezydent Ukrainy.

⁣Jeremy Lee. 1991, wow! Way ahead of his time. We were warned but few people seem to notice, even fewer seem to care. Listen now and tell me how much you think has come to pass in the last 30 years. If only every Australian had seen this I don't believe we would be where we are today.

Absolutely brilliant video. Concise, logical and spelt out in layman's terms so that any, every person can understand this. Pinpoints where, how, when and who.
Its actually very sad to think in so many ways we have done this to ourselves. Yes government have orchestrated it and sold us all out BUT it was our apathy as a nation as Australians that allowed it all to happen.


OPEN LETTER TO GOVERNMENTS. PRINT IT OFF & HAND IT TO ALL POLICY ENFORCES (Fake Police)
https://www.knowyourrightsgroup.com.au

⁣Jimi Hendrix, Monterey Pop 1967: a live performance never bettered
The festival belonged to Hendrix. Dazzling technique, feedback and fuzz transformed him from a relative unknown into the personification of rock.
When, in June 1967, Brian Jones sauntered onstage at the Monterey Pop Festival to introduce Jimi Hendrix as “the most exciting guitar player I’ve ever heard”, the Rolling Stone got a bigger reception than the act he was announcing. Although a fair few of those in attendance that final evening – some estimates have put the figure as high as 90,000 – would have heard Hendrix’s British hits on America’s new-fangled FM radio, this was effectively the guitarist’s homeland debut. Indeed, the Jimi Hendrix Experience only made it on to the bill after strong lobbying from Paul McCartney, a member of the festival’s organising committee (alongside Mick Jagger, Brian Wilson and Smokey Robinson). That Derek Taylor, formerly the Beatles’ press officer, was one of Monterey’s three founders (the others were Mamas and Papas’ John Phillips and record producer Lou Adler) and knew all about the trio, secured them a prestigious Sunday evening slot.
Coming on after 40 minutes of genial musicality from the Grateful Dead, the Jimi Hendrix Experience had maximum impact as they blasted into their high-octane take on Howlin’ Wolf’s Killing Floor followed by Foxy Lady, the latter introduced with a self-assured: “Dig this.” Their first big American gig might have been a touch belated, but as a band they were more than ready after honing their stuff on the European psychedelic scene. Mitch Mitchell’s jazz-rooted drumming was not fazed by the guitarist’s flights of fancy and able to take a few excursions of its own while holding the groove. Noel Redding’s liquid playing approached the bass as another lead instrument, contributing ideas of its own rather than simply supporting. The threesome meshed superbly on what is acknowledged as one of the best festival sound systems ever – play their Live at Monterey album and you’ll have to remind yourself there are only three people on stage.
Wild thing … Hendrix at Monterey
Central to this, of course, is Hendrix himself: his dazzling technique combines with a use of feedback and fuzz to almost casually create music of stunning strength and inventiveness. His vocals are warm, wistful or lascivious on cue, and never less than engaging; what passes for banter between numbers is winningly self-effacing. This is peak Hendrixosity, a live performance that has probably never been bettered or was never recorded if it was.
The finale of a properly wild version of Wild Thing was the big talking point – unconventional guitar-playing, humping PA equipment, rolling around on the floor and the sacrificial-type guitar burning. But some 50 years later, this looks contrived – merely tricks that obstruct the real magic. The true high point comes midway through, with the run of Hey Joe, Can You See Me and The Wind Cries Mary. Away from the gimmicks, these 12 minutes establish Hendrix as the embodiment of the counter-culture’s musical revolution.
The blues was squarely at the centre of so much new rock music. Here was a player who, unusually in that world, saw the blues as a living entity, not a museum piece to be reproduced. With this performance Hendrix let it be known he understood the blues as a spirit rather than a defined expression and presented its power retooled in a way that musically made sense to hippies’ forward-facing ideologies. Importantly, for the generation that was vociferously protesting the war in Vietnam, the Jimi Hendrix Experience reeked of danger, while the debauched dandy apparel and afros from both the black and the white guys was about as far from wholesome as possible. All of this made a big contribution to funk as it was beginning to take shape, as Hendrix reclaiming the blues became one of the crucial bridges between the Black Arts Movement of the early 1960s and funk as a renaissance emerging at the end of the decade.

'It felt like a wonderful dream' – DA Pennebaker on making Monterey Pop
Monterey Pop wasn’t the first or the most famous rock festival but it was the most significant, marking the moment the previously regional hippy scenes came together and, culturally, could build. Jann Wenner, an attendee who a few months later would launch Rolling Stone magazine, summed it up: “Monterey was the nexus – it sprang from what the Beatles began, and from it sprang what followed.” The festival’s success and exposure turned the US music business upside down by bringing the underground overground with more than a glint of gold about it: “rock”, as opposed to pop or rock’n’roll, became recognised as the new cash cow and executives started conspicuously growing sideburns.
Ultimately, the Monterey Pop Festival belonged to Hendrix. He arrived as a relative unknown to become the personification of organiser John Phillips’ intentions for three days of inclusivity and adventure during the Summer of Love. It is a bitter irony that Phillips had scheduled his group, the Mamas and the Papas, to close the weekend – ie to go on right after Hendrix. Their gentle psychedelic pop looked decidedly anachronistic: there could be no doubt that rock’s baton had been passed forward.
This article was amended on 4 August 2020 to correct a homophone: Mitch Mitchell’s drumming was “not fazed” by the guitarist’s flights of fancy, rather than “not phased”. It was further amended on 5 August 2020 to clarify the attendance figure of 90,000 given for Monterey’s final night is an estimate.
… we have a small favour to ask. Tens of millions have placed their trust in the Guardian’s fearless journalism since we started publishing 200 years ago, turning to us in moments of crisis, uncertainty, solidarity and hope. More than 1.5 million supporters, from 180 countries, now power us financially – keeping us open to all, and fiercely independent.

Unlike many others, the Guardian has no shareholders and no billionaire owner. Just the determination and passion to deliver high-impact global reporting, always free from commercial or political influence. Reporting like this is vital for democracy, for fairness and to demand better from the powerful.
And we provide all this for free, for everyone to read. We do this because we believe in information equality. Greater numbers of people can keep track of the events shaping our world, understand their impact on people and communities, and become inspired to take meaningful action. Millions can benefit from open access to quality, truthful news, regardless of their ability to pay for it.
Every contribution, however big or small, powers our journalism and sustains our future.

https://www.theguardian.com/mu....sic/2020/aug/03/jimi

REVIEW RESOURCE: https://www.productreview.com.....au/reviews/9946e14a-

⁣See how the US media has little to do with news, and a lot to do with dividing the people and controlling our minds.

RESOURCE: ⁣https://plandemicseries.com/the-media/

⁣Kevin Macdonald's three fictional movies have taken him to Idi Amin's Uganda, Washington DC and the northern reaches of Roman Britain. They're all thrillers of various kinds, as are Touching the Void and One Day in September, the tightly focused, feature-length documentaries that preceded them. Touching the Void centres on a dangerous expedition by two British climbers in the Peruvian Andes in 1985 and uses interviews with the real participants and simulated scenes played by actors. One Day in September is about the massacre of Israeli athletes by Arab terrorists at the 1972 Olympics and, in addition to interviews and archive footage, employs computer graphics to explain the course of events.
His new film, a cinebiography of Bob Marley is a bigger, baggier and simpler thing. It's the story of a man who lived an extraordinarily full yet oddly mysterious life and died a world figure 30 years ago, shortly after reaching the age of 36. It is, however, told without any reconstructions or impersonations and neither Sidney Poitier nor Morgan Freeman was called in to deliver a rousing commentary explaining the man's contradictions, achievements and significance.
The picture begins in West Africa at an old fortress on the Gold Coast (now Ghana). Through its "Door of No Return" leading to the sea passed many of the millions of shackled slaves who were shipped across the Atlantic. This was the journey made by his ancestors that shaped Marley's life, identity and music and the belief system that drew them together.
He was born in the remote Jamaican village of Nine Mile in 1945 and Macdonald takes us there in a lyrical aerial shot across the steep, wooded hill country. His mother, Cedella, was black and 16. His father, Norval Marley, a white man aged 65, was employed by the forestry commission to prevent the theft of timber. He rode around the countryside like a seigneurial Cossack and styled himself Captain, though there's no evidence he'd held any commissioned rank or served in any war. In the only known photo of Norval, he's on horseback attempting to look authoritative and his family refused to recognise Bob when he once called on them for help.
Macdonald sees Bob as a man who felt rejected by both the black and the white communities, an outsider who was to find a symbolic home in Africa through embracing Rastafarianism, a style of personal independence and social defiance, and a mission to bring people together in a grand international, inter-racial brotherhood.
Marley grew up in extreme poverty, first in the countryside, then in the slums of Kingston's Trenchtown, where the first photograph of him was taken at the age of 12. The documentation of the early life is thin, but Macdonald is able throughout to draw on the colourful testimony of his formidable mother, his friends, fellow musicians, a variety of female companions (Marley had nine or 10 children by six or seven different women) and later some businessmen, politicians and gangsters.
There are splendid anecdotes about survival, about Bob and his band, the Wailers, developing a new kind of music that fused local and international forms into a distinctive form of reggae, and the zig-zagging of a career that took Marley to the United States, where his mother had relocated, to Europe and to Africa. Much of what we hear from Jamaican witnesses is spoken in a beguiling, if sometimes obscure, patois and there are the kind of contradictions in the individual assessments of his character and the accounts of the fraught progress of the Wailers that one would expect. This is Rashomon territory.
But there are compromises and concessions of a different kind that have come about through the need to secure interviews, musical rights and other necessary forms of co-operation. These are reflected in the names of several family members and various close business associates listed in the credits as producers. Some of these people provide the finest testimony.
Among them are Bob's Cuban-born wife Rita, who worked in his backing group and recalls seeing stigmata on Haile Selassie's hand during his triumphant visit to Jamaica; Bob's three children by her (Cedella, Ziggy and Stephen); the beautiful, spirited Cindy Breakspeare, his trophy companion and former Miss World who bore him a child but refused to embrace Rastafarianism; and the laidback British impresario Chris Blackwell of Island Records.
If Marley ultimately remains something of a mystery (he gave few interviews and in none was particularly forthcoming), we nevertheless get a vivid impression of a career that included a brief stint on a Chrysler production line in Delaware, a long period of apprenticeship as a composer (initially working with homemade instruments) and a rise to local and international stardom. Gradually, the dreadlocks, the music and the cloud of ganja smoke come together to form as recognisable an image as that of the equally short-lived Che Guevara.
He was, however, altogether less militant than Che, virtually apolitical, which did not prevent competing forces seeking his allegiance or seeing him as a valuable symbol for their causes. In 1976, an assassination attempt in Jamaica drove him into exile. It wasn't, however, a bullet that did for him but the stud of a boot during a game of his beloved football in a London park, triggering the melanoma in his foot that eventually consumed his body.
We hear of a beautiful moment in a wintry Bavarian clinic where Bob's mother read the Book of Job to the emaciated singer, his dreadlocks lost to chemotherapy, shortly before he flew across the Atlantic to die in Miami in May 1981.
Perhaps this impressive, thoughtful portrait should have ended there. Instead, it concludes with a succession of Marley's hits being sung in a various languages by cheerful young people on every continent. That's all a little too "I'd Like to Teach the World to Sing" Coca-Cola-ish for my tastes.

REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2012/apr/22/bob-m

⁣Directed by Barbara Shearer (Loving Elvis), the film reveals startling medical observations about JFK's wounds when seven doctors who were in the Parkland Hospital ER reunite to discuss a day none of them can forget. In never-before-seen footage from this reunion, the doctors share in vivid detail their indelible memories of what they did and saw in Trauma Room 1.

Several of those doctors there that day remain certain that what they saw looked like an entry wound -- a bullet hole in JFK's throat -- an observation that contradicts what Americans have been told by numerous official investigations. This revelation would indicate that someone shot the President from the front, challenging the decades-old government narrative that Lee Harvey Oswald acted alone.

JFK: WHAT THE DOCTORS SAW also examines the inconsistencies and gaps that plagued the official autopsy, raising even more questions about how many bullets hit the President and what damage they caused, leaving viewers with the looming question: Was there more than one shooter?

⁣Author and former research scientist Judy Mikovits, of TheRealDrJudy.com, spoke to Alex Jones Sunday about her experience being persecuted by the US government after she challenged the establishment’s HIV narrative and instead promoted plant-based medicine and natural immunity.
Mikovits detailed how she researched natural product therapies for viruses like HIV and discovered the virus doesn’t always lead to AIDS if a healthy immune system can be kept intact.


However, Dr. Anthony Fauci, head of the National Institutes of Allergy and Infectious Diseases at the time, buried the research, commandeered the isolated HIV virus, and used it to perform gain-of-function studies.
She also broke down the political persecution that led to her unlawful incarceration, what’s really behind the poison death shot Covid jabs, and revealed the actual way to heal naturally using remedies already provided by God.

RESOURCE: https://www.infowars.com/posts..../bombshell-dr-judy-m

⁣Carlos Castaneda (1925-1998) is often called the "godfather" of the human potential movement. His name and life are surrounded by many contradictions, fictions and legends.
This film feature Castaneda's closest apprentices as well as major experts in modern spiritually oriented psychology who lift the veil on the greatest mystery of his life: the stormy search of how to become real.

⁣GLOBAL FASCISM AHEAD - Totalitarians Create Major Shortages and Crisis, and Then They Step In And Pose As Saviours
https://www.epochoriginal.com/the-shadow-state

“The Shadow State,” a feature documentary by The Epoch Times, takes a deep dive into the environmental, social, and governance (ESG) industry. This emerging multitrillion-dollar power structure unites governments with corporations in the march toward a brave new world of climate and social justice. See how it works, its goals, and who is driving it.

Will this new global alliance bring us a cleaner, more peaceful, more equitable future, or will it bring shortages, poverty, and political instability? Will this partnership of government with banking and tech giants deliver prosperity and freedom, or will it control our lives in ways that 20th-century totalitarians only dreamed of?

RESOURCE:https://new.awakeningchannel.c....om/global-fascism-ah
https://www.youtube.com/watch?v=y4IGAE76gqU&ab_channel=TheEpochTimes

⁣We are heading into one of the most epic famines in world history, where the poor will freeze in the dark and burn in the sun while they starve.

Michael Yon, one of America’s youngest Green Berets at 19 years old, joins Dr Jordan B Peterson to discuss the current state of affairs across the globe.

Michael has traveled and lived over half of his life abroad in more than 80 countries. Author of three books in the United States and three others in Japan, he is America’s most experienced combat correspondent.

⁣A documentary alleging that the CDC, the government agency charged with protecting the health of American citizens, destroyed data on their 2004 study that allegedly showed a link between the MMR vaccine and autism.

In 2013, biologist Dr. Brian Hooker received a call from a Senior Scientist at the U.S. Centers for Disease Control and Prevention (CDC) who led the agency's 2004 study on the Measles-Mumps-Rubella (MMR) vaccine and its link to autism.

The scientist, Dr. William Thompson, confessed that the CDC had omitted crucial data in their final report that revealed a causal relationship between the MMR vaccine and autism. Over several months, Dr. Hooker records the phone calls made to him by Dr. Thompson who provides the confidential data destroyed by his colleagues at the CDC. Dr. Hooker enlists the help of Andrew Wakefield, the British gastroenterologist falsely accused of starting the anti-vax movement when he first reported in 1998 that the MMR vaccine may cause autism.

In his ongoing effort to advocate for children's health, Wakefield directs this documentary examining the evidence behind an appalling cover-up committed by the government agency charged with protecting the health of American citizens. Interviews with pharmaceutical insiders, doctors, politicians, and parents of vaccine-injured children reveal an alarming deception that has contributed to the skyrocketing increase of autism and potentially the most catastrophic epidemic of our lifetime.

⁣New restrictions, New Lockdowns, New Travelling regulations.
WHO’s Global Digital Health Certification Network
EU-WHO digital partnership

⁣The interconnected epidemics of anxiety, chronic illness and substance abuse are, according to Dr Gabor Maté, normal. But not in the way you might think.
One in five Americans are diagnosed with mental illness in any given year [1]. Suicide is the second most common cause of death in the US for youth aged 15-24 [2], and kills over 700,000 people a year globally [3] and 48,300 in the USA [4]. Drug overdose kills 81,000 in the USA annually [5]. The autoimmunity epidemic affects 24 million people in the USA [6]. What is going on?
“So much of what we call abnormality in this culture is actually normal responses to an abnormal culture. The abnormality does not reside in the pathology of individuals, but in the very culture that drives people into suffering and dysfunction.”
— Gabor Maté

In The Wisdom of Trauma, we travel alongside physician, bestselling author and Order of Canada recipient Dr. Gabor Maté to explore why our western society is facing such epidemics. This is a journey with a man who has dedicated his life to understanding the connection between illness, addiction, trauma and society.
“Trauma is not what happens to you. Trauma is what happens inside you, as a result of what happens to you.”
— Gabor Maté

Trauma is the invisible force that shapes our lives. It shapes the way we live, the way we love and the way we make sense of the world. It is the root of our deepest wounds. Dr. Maté gives us a new vision: a trauma-informed society in which parents, teachers, physicians, policy-makers and legal personnel are not concerned with fixing behaviors, making diagnoses, suppressing symptoms and judging, but seek instead to understand the sources from which troubling behaviors and diseases spring in the wounded human soul.

⁣⁣There is an urgent need for global stakeholders to cooperate in simultaneously managing the direct consequences of the COVID-19 crisis. To improve the state of the world, the World Economic Forum is starting The Great Reset.

The World Economic Forum is the International Organization for Public-Private Cooperation. The Forum engages the foremost political, business, cultural and other leaders of society to shape global, regional and industry agendas. We believe that progress happens by bringing together people from all walks of life who have the drive and the influence to make positive change.

Under any circumstances should you watch this movie if you want to stay in your pleasant state of hypnosis, which you allowed yourself to be implanted by the tyranny and totalitarianism of the psychopathic elites of the modern world.

The Great Awakening is the third installment of the Plandemic series. This documentary experience assembles forbidden puzzle pieces to reveal the big picture of what's really happening in America and beyond. The Great Awakening is intended to be a lighthouse to guide us out of the storm and into a brighter future.

⁣https://plandemicseries.com/wa....tch-the-great-awaken

⁣Cliff 'Em All is a compilation of video footage, and the first video album by the American heavy metal band Metallica. It was released on November 17, 1987, as a tribute to Metallica's bassist Cliff Burton, who died in a tour bus accident on September 27, 1986, at the age of 24, near Ljungby, Sweden, during the European leg of their Master of Puppets world tour. Its title is derived from Metallica's debut album, Kill 'Em All. The home video also features a performance with former guitarist Dave Mustaine on March 19, 1983, shortly before his ousting from the band.

The video is a retrospective on the three and a half years that Cliff Burton was in Metallica, presented as a collection of bootleg footage shot by fans, some professional filming and TV shots that were never used and some of his best bass solos, personal photos and live concerts. Photos and narrations by the band (Lars Ulrich, James Hetfield and Kirk Hammett drinking beer) are placed between songs, which focus on Burton before fading into a title card of a performance. The video ends with the melodic interlude of "Orion" as pictures of Burton are shown.
With this video, the band tries to show the unique personality and style he had. While ostensibly the film focuses on Burton, it also has given fans a rare glimpse of Metallica's less-documented early career. This contrasts sharply with the 'Metallica business' represented in the feature film Metallica: Some Kind of Monster.
The back of the case reads "Well, we finally went and did what we always talked about not doing. Releasing a vid[eo]! Before you throw up in disgust, let us (except K.) tell you the idea behind this." The "K" is presumably short for Kirk, explaining why he is on the bottom of the cover.

⁣"State of control", the control society is increasingly becoming a reality.

What is the price of convenience?

The CBDC (Central Bank Digital Currency) and the digital passport can make our lives easier and more efficient. But new international legislation shows that the purpose of these possibilities, has far-reaching implications for our privacy.

In this documentary international experts such as Edward Snowden, Arno Wellens, Catherine Austin Fitts express their serious concerns and criticisms. It compiles the range of facts and opinions, creating a shocking picture about the future of mankind. A crystal-clear narrative that can''t be ignored.

RESOURCE: https://debunkproductions.com

⁣This documentary brings up several questions about the secret space program: what it is, who is behind it and why Is there a human civilization living off-world with highly advanced technology and knowledge about the existence of aliens Why are we being kept in the dark?

The moovie exposes the fact that the NASA space program is actually a continuation of the Space Projects funded by the Royal-Bavarian Elite, who, under the custodianship of Hitler and Himmler planned to voyage to the Moon and create a LUNAR BASE. Project Paperclip, the Van Allen Radiation Belts and literally dozens upon dozens of UFO clips filmed from aboard the flight-deck of the SPACE SHUTTLE by NASA astronauts makes this motion picture documentary a special collector's item.
…as David Icke, Jaime Maussan, Marcus Allen and Valery Uvarov spoke, the veil of secrecy at NASA, the sordid history of the ex NAZI SS Officers at the heart of the Apollo Space Missions and the interplay of Masonic symbolism in the names of rockets and spacecraft all started to become frighteningly clear. Chris Everard presents what can only be described as the most startling UFO footage ever seen.

The Space Serpents flying around the upper atmosphere have to be seen to be believed. What’s more, is that all the UFO clips come direct from NASA – filmed by astronauts aboard the Space Shuttle! I must admit that I originally thought the premise for this film was ridiculous. Two hours later, I found myself staring blankly at the end credits. My phone rang unanswered. I lit my first cigarette for 20 years and realised that some kind of Alien Invasion is happening. Colonel Philip Corso was right. They’re Here!”

Let me know your thoughts in the comments below 👇

⁣If you want to understand that the virus can be sent like simple email you have to watch this documentary.

Water is the key element of life, but new information is coming to light on the element which we thought we were so familiar with: information which could potentially reimagine our tree of life.
That is the belief shared by the advocates of a surprising theory called "water memory". For Prof. Luc Montagnier, water has the ability to reproduce the properties of any substance it once contained. Water would have the ability to retain a memory of the properties of the molecules.

What if Alzheimer's, Parkinson's, autism, HIV and even cancer could be treated thanks to this controversial theory?

Prof. Montagnier is President of the World Foundation for AIDS Research and Prevention, which he founded in 1983 together with Federico Mayor, former General Director of the United Nations Educational, Scientific and Cultural Organization (UNESCO).

Luc Montagnier contributed to the creation of many biotech companies in the United States and in France.

He has been awarded the CNRS Silver Medal, the Rosen Prize of Cancerology (1971), the Lasker Award (1986), the Gairdner Award (1987), the Gallien Prize (1985), the Jeantet Prize, the Prize of Japan (1988) and the King Faisal International Prize (1993), the Amsterdam Foundation Prize (1994), the Warren Alpert Prize (1998), the Prince of Asturias Prize (2000) and the introduction to the National Invention Hall of Fame (2004). He is also Grand Officer in the Order of the Légion d’Honneur and Commander in the National Order of Merit (1986).

Let me know your thoughts in the comments?

Watch Part TWO (2) here => ⁣⁣https://vajratube.com/watch/ge....orge-harrison-living

George Harrison first became known to the world as 'The Quiet Beatle', but there was far more to his life than simply being a part of The Beatles. This film explores the life and career of this seminal musician, philanthropist, film producer and amateur race car driver who grew to make his own mark on the world.
Through his music, archival footage and the memories of friends and family, Harrison's deep spirituality and humanity are explored in his singular life as he took on artistic challenges and important causes as only he could.
Using unseen photos and footage, Academy Award®-winning director Martin Scorsese traces the life of George Harrison in a personal film, weaving together performance footage, home movies, rare archival materials and interviews with his family and friends including Eric Clapton, Terry Gilliam, Eric Idle, George Martin, Paul McCartney, Yoko Ono, Tom Petty, Phil Spector, Ringo Starr and Jackie Stewart.

⁣Watch Part Two( 2) here => ⁣⁣https://vajratube.com/v/zHSaEe