⁣14 Peaks: Nothing Is Impossible’ - Climbing at a Breakneck Pace
A documentary follows the Nepalese mountaineer Nirmal Purja as he tries to add cultural depth to the sport’s highs.
As the mountaineering genre continues its ascent into the mainstream, there’s a thesis awaiting a graduate student about male climbers and their mothers, wives or partners. Touched on in the Oscar winner “Free Solo” and summer’s “The Alpinist,” those relationships get screen time in “14 Peaks: Nothing Is Impossible,” about the Nepalese climber Nirmal Purja, known as Nimsdai, and his attempt to summit the world’s 14 highest peaks in seven months. (The previous record was seven years.)


While his wife, Suchi Purja, charmingly attempts to explain her husband’s embrace of risk to civilians, it’s his ailing mother who underscores more tender lessons about her son’s drive but also about the mortality we all face.
As a young man, Purja enlisted in his country’s legendary armed forces, the Gurkhas, and later joined the United Kingdom Special Forces. He seized on the climbing endeavor, which he called “Project Possible,” as a way to highlight the contributions of Nepalese mountaineers, who are more than the Sherpas to Western expeditions.


Early on, the project’s four other climbers — Mingma David Sherpa, Geljen Sherpa, Lakpa Dendi Sherpa and Gesman Tamang — get introduced as vital characters. They are as devoted to Purja’s seemingly mad mission as he is.
Much of the documentary’s climbing footage was taken by Purja and his team. The director Torquil Jones uses those images, as well as fresh interviews (the alpine legend Reinhold Messner waxing beautifully existential) and some vivid animation to craft a documentary exploring themes of generosity, danger, drive and national character.
In widening its aperture — from the ascents to visits to Purja’s childhood home as well as brief dives into Nepal’s history — “14 Peaks” expands a genre often focused on the feats of individuals to celebrate lessons about vast dreams and communal bonds.


REVIEW RESOURCE: https://www.nytimes.com/2021/1....2/01/movies/14-peaks

⁣The interconnected epidemics of anxiety, chronic illness and substance abuse are, according to Dr Gabor Maté, normal. But not in the way you might think.
One in five Americans are diagnosed with mental illness in any given year [1]. Suicide is the second most common cause of death in the US for youth aged 15-24 [2], and kills over 700,000 people a year globally [3] and 48,300 in the USA [4]. Drug overdose kills 81,000 in the USA annually [5]. The autoimmunity epidemic affects 24 million people in the USA [6]. What is going on?
“So much of what we call abnormality in this culture is actually normal responses to an abnormal culture. The abnormality does not reside in the pathology of individuals, but in the very culture that drives people into suffering and dysfunction.”
— Gabor Maté

In The Wisdom of Trauma, we travel alongside physician, bestselling author and Order of Canada recipient Dr. Gabor Maté to explore why our western society is facing such epidemics. This is a journey with a man who has dedicated his life to understanding the connection between illness, addiction, trauma and society.
“Trauma is not what happens to you. Trauma is what happens inside you, as a result of what happens to you.”
— Gabor Maté

Trauma is the invisible force that shapes our lives. It shapes the way we live, the way we love and the way we make sense of the world. It is the root of our deepest wounds. Dr. Maté gives us a new vision: a trauma-informed society in which parents, teachers, physicians, policy-makers and legal personnel are not concerned with fixing behaviors, making diagnoses, suppressing symptoms and judging, but seek instead to understand the sources from which troubling behaviors and diseases spring in the wounded human soul.

⁣THE PLAN shows the official agenda of the World Health Organization to have ten years of ongoing pandemics, from 2020 to 2030. This is revealed by a WHO virologist, Marion Koopmans. You will also see shocking evidence that the first pandemic was planned and abundantly announced right before it happened. Make sure to watch, and share this everywhere.


The WHO has planned for 10 years of infetious dieseases, from 2020 to 2030. So be prepared for NEXT PANDEMIC step.


More information, and to see all the documents in THE PLAN, go to: https://www.stopworldcontrol.com/proof

⁣This is a short story about the early life stage of Ram Bahadur Bomjon - called Incarnation of Lord Buddha.
In Nepal, five hours from Katmandou, thousands of people, irrespective of wich caste they belong to goes each day on a pilgrimage, on foot or on cart. There, in the middle of the forest, they come to meditate and pray in front of a 16 year old boy. 24 hours a day, this young man sits in the hollow of a tree, in full meditation.


He does not move, he does not eat, he does not drink. He remains sitted quiet, breathes very little, very gently and does not need anything. For the believers, he is the reincarnation of Buddha! Miracle or not? We followed the traces of this man that all Nepali already call Little Bouddha.


WIKI Note
Ram Bahadur Bomjon (Sanskrit: राम बहादुर बम्जन) born c. 1990, sometimes spelled Bomjan, Banjan, or Bamjan), previously known as Palden Dorje (his monastic name) is a controversial ascetic from Ratanapuri, Bara district, Nepal who gained widespread attention and media popularity because of perceived semblances to Gautama Buddha, leading to claims that he is a reincarnation of Gautama Buddha.
In May, 2005, the 15 year old Bomjon left his home near the Indian border after a dream in which a god appeared to him and told him to do so, and sat amongst the roots of a pipal tree to meditate. Claims suggest that for 10 months he rarely spoke, drank, ate, or even moved. Thousands, if not hundreds of thousands of people visited the site to see the boy motionless for hours, days or as rumoured even months, or came in devotion to the possibility of an important spiritual event occurring. As a result of some of these claims, Bomjon's followers believe he is an incarnation of the historical Buddha, Gautama. Bomjon has rejected any such comparisons, saying "Tell the people not to call me a Buddha. I don't have the Buddha's energy currently. I am at the level of a rinpoche." Mahiswor Raj Bajracharya, the president of the Nepal Buddhist Council, has stated likewise: "We do not believe he is Buddha. He does not have Buddha's qualities".


Then, on 11 March 2006 he went missing. On 19 March 2006 Bed Bahadur Lama of the Om Namo Buddha Tapaswi Sewa Samiti (ONBTSS) told reporters that they had seen him in Bara District and that they had spoken to him for half-an-hour, during which Bomjon reportedly assured that he would return in six years.


He was again seen in August 2007, preaching to crowds in Nepal’s Hallori jungle, around 100 miles south of Kathmandu.
Controversies
Bomjon's followers have claimed that Bomjon meditates for months without eating or sleeping.


In 2010, Bomjon was investigated for attacking a group of 17 villagers. Bomjon claimed that they were intentionally disturbing his meditation. However, the villagers said they were just looking for vegetables. Bomjon claimed to have taken "minor action" against them with just his hands after they had "tried to manhandle" him, and stopped as soon as they apologized. However, the victims claim that for three hours he struck them on their head and back with an axe handle, resulting in serious injury of one of the victims. Bomjon refused to attend any potential trial, stating, "Do you think a meditating sage will go to the court to hear a case? I took action against them as per the divine law".


In 2012 Nepal Police announced that they had rescued a Slovak woman from Bomjon's followers, but other reports claimed that she had been voluntarily released after media coverage of the kidnapping. Newsweek reported she had been taken from a hotel by two of Bomjon's men riding on a motorcycle and kept tied to a tree for three months and accused of practicing witchcraft in order to disturb the Boy’s meditation. However another report claimed she had been kidnapped from a monastery. When she was released she had a broken arm. A week after her release, Bomjon's siblings accused him of holding his brothers captive overnight, and beating his brothers and his sister. Followers of Bomjon also assaulted five journalists and destroyed their cameras after they had recorded one of Bomjon's sermons.
In September 2018, Bomjon was accused of raping an 18 year old nun repeatedly for nearly 2 years. During a press conference organized by women's rights groups, the nun also accused his wife of trying to keep the abuse hidden so as not to "attract attacks" on their religion. Supporters of Bomjon claim that the nun was in fact involved in theft, and had been ejected from the monastery.


An investigation was opened in January of 2019 after complaints from family members that four devotees had gone missing from several of Bomjon's ashrams. In the same month, police raided one of Bomjon's ashrams in Nepal, but he was not found. On February 6th, 2020, the Sarlahi District Court issued an arrest warrant against Bomjon. The following day, police raided another one of his ashrams, but Bomjon again was not found. However, police did arrest one of his disciples, Gyan Bahadur Bomjan.


More info on official website: https://rambahadurbomjon.wordpress.com

⁣Kevin Macdonald's three fictional movies have taken him to Idi Amin's Uganda, Washington DC and the northern reaches of Roman Britain. They're all thrillers of various kinds, as are Touching the Void and One Day in September, the tightly focused, feature-length documentaries that preceded them. Touching the Void centres on a dangerous expedition by two British climbers in the Peruvian Andes in 1985 and uses interviews with the real participants and simulated scenes played by actors. One Day in September is about the massacre of Israeli athletes by Arab terrorists at the 1972 Olympics and, in addition to interviews and archive footage, employs computer graphics to explain the course of events.
His new film, a cinebiography of Bob Marley is a bigger, baggier and simpler thing. It's the story of a man who lived an extraordinarily full yet oddly mysterious life and died a world figure 30 years ago, shortly after reaching the age of 36. It is, however, told without any reconstructions or impersonations and neither Sidney Poitier nor Morgan Freeman was called in to deliver a rousing commentary explaining the man's contradictions, achievements and significance.
The picture begins in West Africa at an old fortress on the Gold Coast (now Ghana). Through its "Door of No Return" leading to the sea passed many of the millions of shackled slaves who were shipped across the Atlantic. This was the journey made by his ancestors that shaped Marley's life, identity and music and the belief system that drew them together.
He was born in the remote Jamaican village of Nine Mile in 1945 and Macdonald takes us there in a lyrical aerial shot across the steep, wooded hill country. His mother, Cedella, was black and 16. His father, Norval Marley, a white man aged 65, was employed by the forestry commission to prevent the theft of timber. He rode around the countryside like a seigneurial Cossack and styled himself Captain, though there's no evidence he'd held any commissioned rank or served in any war. In the only known photo of Norval, he's on horseback attempting to look authoritative and his family refused to recognise Bob when he once called on them for help.
Macdonald sees Bob as a man who felt rejected by both the black and the white communities, an outsider who was to find a symbolic home in Africa through embracing Rastafarianism, a style of personal independence and social defiance, and a mission to bring people together in a grand international, inter-racial brotherhood.
Marley grew up in extreme poverty, first in the countryside, then in the slums of Kingston's Trenchtown, where the first photograph of him was taken at the age of 12. The documentation of the early life is thin, but Macdonald is able throughout to draw on the colourful testimony of his formidable mother, his friends, fellow musicians, a variety of female companions (Marley had nine or 10 children by six or seven different women) and later some businessmen, politicians and gangsters.
There are splendid anecdotes about survival, about Bob and his band, the Wailers, developing a new kind of music that fused local and international forms into a distinctive form of reggae, and the zig-zagging of a career that took Marley to the United States, where his mother had relocated, to Europe and to Africa. Much of what we hear from Jamaican witnesses is spoken in a beguiling, if sometimes obscure, patois and there are the kind of contradictions in the individual assessments of his character and the accounts of the fraught progress of the Wailers that one would expect. This is Rashomon territory.
But there are compromises and concessions of a different kind that have come about through the need to secure interviews, musical rights and other necessary forms of co-operation. These are reflected in the names of several family members and various close business associates listed in the credits as producers. Some of these people provide the finest testimony.
Among them are Bob's Cuban-born wife Rita, who worked in his backing group and recalls seeing stigmata on Haile Selassie's hand during his triumphant visit to Jamaica; Bob's three children by her (Cedella, Ziggy and Stephen); the beautiful, spirited Cindy Breakspeare, his trophy companion and former Miss World who bore him a child but refused to embrace Rastafarianism; and the laidback British impresario Chris Blackwell of Island Records.
If Marley ultimately remains something of a mystery (he gave few interviews and in none was particularly forthcoming), we nevertheless get a vivid impression of a career that included a brief stint on a Chrysler production line in Delaware, a long period of apprenticeship as a composer (initially working with homemade instruments) and a rise to local and international stardom. Gradually, the dreadlocks, the music and the cloud of ganja smoke come together to form as recognisable an image as that of the equally short-lived Che Guevara.
He was, however, altogether less militant than Che, virtually apolitical, which did not prevent competing forces seeking his allegiance or seeing him as a valuable symbol for their causes. In 1976, an assassination attempt in Jamaica drove him into exile. It wasn't, however, a bullet that did for him but the stud of a boot during a game of his beloved football in a London park, triggering the melanoma in his foot that eventually consumed his body.
We hear of a beautiful moment in a wintry Bavarian clinic where Bob's mother read the Book of Job to the emaciated singer, his dreadlocks lost to chemotherapy, shortly before he flew across the Atlantic to die in Miami in May 1981.
Perhaps this impressive, thoughtful portrait should have ended there. Instead, it concludes with a succession of Marley's hits being sung in a various languages by cheerful young people on every continent. That's all a little too "I'd Like to Teach the World to Sing" Coca-Cola-ish for my tastes.

REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2012/apr/22/bob-m

⁣Safe and Effective: A Second Opinion shines a light on Covid-19 vaccine injuries and bereavements, but also to takes an encompassing look at the systemic failings that appear to have enabled them. We look at leading analysis of pharmaceutical trials, the role of the MHRA in regulating these products, the role of the SAGE behavioural scientists in influencing policy and the role of the media and Big Tech companies in supressing free and open debate on the subject.

Produced in collaboration with Oracle Films and Mark Sharman; Former ITV and BSkyB Executive and News Uncut, it's a self-financed, one-hour TV programme, formatted for 2 commercial breaks.

Join the discussion by following us on Telegram: t.me/OracleFilms

RESOURCE: https://www.oraclefilms.com/safeandeffective

⁣The New York Times Archives:
This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them.
Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions.

Original text below:
On Aug. 1, 1971, Ravi Shankar, along with George Harrison, Leon Russell, Billy Preston, Bob Dylan and several other notable performers of rock music gave a concert at Madison Square Garden to raise money for the suffering people of Bangladesh. The concert was very popular, and in general a critical success, and, in the language of public relations, a historic occasion. In time it was followed by a record album, which was followed by a charge of financial finagling, which was followed by a libel suit, which has been followed by much journalism, which is followed at last — almost eight months after the event—by a movie, "The Concert for Bangladesh."
It opened yesterday at the DeMille.It is a very good movie as such movies go (and they often go quite badly), and friends who were at the concert tell me that it is a faithful reproduction of the original. This may not sound like much for a documentary filmed on the spot. But anyone who has seen many rock-concert movies will appreciate that in this one there are no unnecessary zooms, no lab-created light shows, almost no exploitation of the on-screen audience, no insistence that a concert of music is somehow a social revolution.Indeed, "The Concert for Bangladesh" exhibits less technical nervousness in the face of musical performance than any other remotely similar film I can think of.
And because it is so little bothered with what it must do next, say, to turn song into cinema, it probably succeeds in moving with its people more closely, and surely differently, than the audience at Madison Square Garden could have done.There are vocal solos mostly by George Harrison, Leon Russell and Bob Dylan, but also by Ringo Starr and the remarkable Billy Preston, and there are sitar and sarod duets by Ravi Shankar and Ali Akbar Kahn. Saul Swimmer directed, and Dylan and Harrison apparently helped in editing the work of eight cameramen—and I think they all deserve credit for the simplicity with which the film cuts between long shot and medium shot and often very tight close-ups, and leaves dramatic intensity to the music and the musicians, where it belongs.
The worst thing in "The Concert for Bangladesh" is the sound, which is of course very loud, but neither rich nor full. Somebody had the notion of recording the audience (or an audience) response to each number and producing it from the rear of the theater as a kind of canned aid to enthusiasm. This has nothing to do with the spirit or the look of the film, and, given the reticence and intelligence of everything else, it functions essentially as promotional nonsense, a six-track stereophonic insult.
THE CONCERT FOR BANGLADESH, a documentary directed by Saul Swimmer; produced by George Harrison and Allen Klein; music recording produced by Mr. Harrison and Phil Spector; released by Apple/Twentieth Century-Fox. At the DeMille Theater, Broadway and 47th Street. Running time: 140 minutes. (The Motion Picture Association of America's Production Code and Rating Administration classifies this film: "G—all ages admitted, general audiences.")With: Eric Clapton, Bob Dylan, George Harrison, Billy Preston, Leon Russell, Ravi Shankar, Ringo Starr, Klaus Voormann, Badfinger, Jesse Davis, Jim Horn, Jim Kellner, Claudia Linnear, Carl Radle.

REVIEW RESOURCE: https://www.nytimes.com/1972/0....3/24/archives/the-sc

⁣Space travellers or demonic deceivers? This is the first, and only, documentary that answers the question of who the pilots of UFOs really are, where they come from, and what their intentions are.

Unidentified Flying Objects have been recorded in various forms since the creation of man: Crudely drawn on Stone Age murals...chiseled in Egyptian stone...noted in the journals of ancients like Alexander the Great...even described in the ship's log of Christopher Columbus.

More than a stunning catalog of UFO photography, video, and eyewitness recordings, hear startling scriptural evidence from noted scholars like Dave Hunt (The Archon Conspiracy) and I.D.E. Thomas (The Omega Conspiracy) which reveals the hidden truth about UFOs and the beings who operate them.

Director: Brian Barkley
Writer: Brian Barkley
Starring: Joe Leahy, Kenneth Arnold, Jimmy Carter, Ellie Crystal, Paul Deutsch, Frank Edwards

⁣Resonance: Beings of Frequency is the first full documentary to investigate the actual mechanisms by which mobile phone technology can cause harm to someone’s well-being.cancer. Filmmakers take a deep dive into how humanity is coping with the emergence of mobile devices.
Billions of years ago, life first appeared on planet earth and bathed in a natural electromagnetic frequency. As life slowly evolved from simple to complex organisms, it was surrounded by this natural frequency, forming a harmonic relationship. This harmony is something science is beginning to understand, and special interest groups are trying to hide.
The balance built over time could be in jeopardy. Over the last two or three decades, this harmony has been disturbed, and dramatically so by technology. Mankind has saturated itself in an ocean of artificial frequencies, overwhelming the earth’s natural resonance. To the naked eye, our world appears the same. But at the cellular level, the health of living organisms is being affected. Yet, we are only starting to scratch the surface.
REVIEW RESOURCE: https://www.gaia.com/video/res....onance-beings-freque

⁣The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.
Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

⁣Are UFOs real? Unidentified flying objects have been a state secret for a long time. In less than 100 years, mankind has experienced a wide range of U.F.O./U.A.P. phenomena the world over. From these experiences, fascinating data has been gathered by military, government, and private organizations in key geopolitical countries, leading people within these organizations to believe that a unified human effort should be undertaken to study extraterrestrial phenomena.

Watch this UFO documentary and let us know what you think in the comments.

"Covers the most up to date, most credible ufo incidents in recent memory including the Pentagon UFO videos. While nothing new for ufo enthusiasts, for anyone not in deep in the ufo field, it's a short, succinct, straight to the point ufo documentary on the latest happenings."

In less than 100 years, mankind has experienced a wide range of U.F.O./U.A.P. phenomena the world over. From these experiences, fascinating data has been gathered by military, government, and private organizations in key geopolitical countries, leading people within these organizations to believe that a unified human effort should be undertaken to study extraterrestrial phenomena.

‘THE END OF MEDICINE’ INVESTIGATES LINK BETWEEN DISEASE AND ANIMAL CONSUMPTION

While Joaquin Phoenix and Rooney Mara have starred in many movies together, they’ve now teamed up to make a movie. The duo–who are as equally respected by Hollywood as they are by the animal rights community–lend their influence to a new feature-length investigative documentary called The End of Medicine. As executive producers, Phoenix and Mara team up with BAFTA-winning director Alex Lockwood (73 Cows) and producer Keegan Kuhn (Cowspiracy, What The Health) to expose a disturbing, dirty little secret that the food industry has been trying to conceal for decades.
In a swift 73 minutes, The End of Medicine draws attention to the underreported link between global disease–pandemics and antibiotic resistance included–and our (mis)use of animals. The film gets its momentum from whistleblower Dr. Alice Brough, a young vet who first grew intolerant toward the industry’s “acceptable” practices of animal agriculture. As we see, Dr. Brough risks her professional career and livelihood to denounce the corruption within the industry by sharing insider information about the reality of factory farming and animal disease. Through her tears, we can clearly see how distressed she is as she talks directly to the camera, remorseful for her contributions to the industry in the past.

Where to watch: ‘The End of Medicine’ is available on VOD May 10th.
While Joaquin Phoenix and Rooney Mara have starred in many movies together, they’ve now teamed up to make a movie. The duo–who are as equally respected by Hollywood as they are by the animal rights community–lend their influence to a new feature-length investigative documentary called The End of Medicine. As executive producers, Phoenix and Mara team up with BAFTA-winning director Alex Lockwood (73 Cows) and producer Keegan Kuhn (Cowspiracy, What The Health) to expose a disturbing, dirty little secret that the food industry has been trying to conceal for decades.
In a swift 73 minutes, The End of Medicine draws attention to the underreported link between global disease–pandemics and antibiotic resistance included–and our (mis)use of animals. The film gets its momentum from whistleblower Dr. Alice Brough, a young vet who first grew intolerant toward the industry’s “acceptable” practices of animal agriculture. As we see, Dr. Brough risks her professional career and livelihood to denounce the corruption within the industry by sharing insider information about the reality of factory farming and animal disease. Through her tears, we can clearly see how distressed she is as she talks directly to the camera, remorseful for her contributions to the industry in the past.

In typical call-to-action-type documentaries, The End of Medicine provides an overwhelming number of facts that are meant to shock the viewer into making immediate lifestyle changes. Industry insiders, government advisors, politicians, scientists, and leading doctors share unnerving statistics that at times, feel more hopeless than optimistic.
One claim that caused me to sit up a little straighter was hearing that 3 out of 4 emerging infectious diseases come from an animal source. This tends to happen because an animal’s immune system is lowered when they’re stressed, and they’re stressed because they’re so densely packed in cages in unsanitary conditions. It’s easy for the animal, then, to catch an infection and spread it to the rest of their cage-mates and eventually, the humans who consume them. Not surprisingly, COVID was used as an example: We socially distance ourselves from other sick humans but are doing the exact opposite to animals. This film asks, “Why?”
The End of Medicine has one goal in mind, and that is to get its audience to think twice about consuming animal products. Ideally, Phoenix and Mara would be able to convince all of us to go completely vegan (but it may take a few more documentaries for that to happen). While the note the film ends on isn’t the most optimistic in tone, aside from the standard “transform yourself to transform the world”, its intentions are pure and worthwhile. Films like these are important, and if The End of Medicine causes you to pause before ordering the burger–even for a moment–then it’s done its job.


REVIEW RESOURCE: https://cinemacy.com/the-end-of-medicine-review/

⁣The Creepy Line reveals the stunning degree to which society is manipulated by Google and Facebook and blows the lid off the remarkably subtle – hence powerful – manner in which they do it.
Offering first-hand accounts, scientific experiments and detailed analysis, the film examines what is at risk when these tech titans have free reign to utilise the public’s most private and personal data.

Watch PART 1 (One) here => ⁣https://vajratube.com/v/SXRrCw
⁣After a long summer of feasting, their bodies stately and plump, the emperor penguins of Antarctica begin to feel, toward autumn, a need to march inland to the breeding grounds "where each and every one of them was born." They are all of a mind about this, and walk in single file, thousands of them, in a column miles long. They all know where they are going, even those making the march for the first time, and when they get there, these countless creatures, who all look more or less the same to us, begin to look more or less desirable to one another. Carefully, they choose their mates.

This is not a casual commitment. After the female delivers one large egg, the male gathers it into a fold of his abdomen, plants his feet to protect the egg from the ice below, and then stands there for two months with no food or water, in howling gales, at temperatures far below zero, in total darkness, huddled together with the other fathers for warmth. The females meanwhile, march all the way back to the sea, now even more distant, to forage for food, which they will bring when the spring comes, if they know it must. When the females return to the mass of countless males, they find their mate without error and recognize the cries of chicks they have never seen.

"March of the Penguins" is simply, and astonishingly, the story of this annual cycle. It was filmed under unimaginable conditions by the French director Luc Jacquet and his team, including the cinematographers Laurent Chalet and Jerome Maison. There is not much to choose from in setting up their shots: On the coldest, driest and (in winter) darkest continent on Earth, there is snow, and there is ice, and there are penguins. There is also an ethereal beauty.

Although the compulsion to reproduce is central to all forms of life, the penguins could be forgiven if they'd said the hell with it and evolved in the direction of being able to swim to Patagonia. The film's narrator, Morgan Freeman, tells us that Antarctica was once a warm land with rich forests that teemed with creatures. But as the climate grew colder over long centuries, one lifeform after another bailed out, until the penguins were left in a land that, as far as they can see, is inhabited pretty much by other penguins, and edged by seas filled with delicious fish. Even their predators, such as the leopard seal, give them a pass during the dark, long, cold winter.

"This is a love story," Freeman's narration assures us, reminding me for some reason of Tina Turner singing "What's Love Got to Do With It?" I think it is more accurately described as the story of an evolutionary success. The penguins instinctively know, because they have been hard-wired by evolutionary trial and error, that it is necessary to march so far inland because in spring, the ice shelf will start to melt toward them, and they need to stand where the ice will remain thick enough to support them.

As a species, they learned this because the penguins who paused too soon on their treks had eggs that fell into the sea. Those who walked farther produced another generation, and eventually every penguin was descended from a long line of ancestors who were willing to walk the extra mile.

Why do penguins behave in this manner? Because it works for them, and their environment gives them little alternative. They are Darwinism embodied. But their life history is so strange that until the last century, it was not even guessed at. The first Antarctic explorers found penguins aplenty, but had little idea where they came from, where they went to, and indeed whether they were birds or mammals.

The answers to those questions were discovered by a man named Apsley Cherry-Garrard, in one of the most remarkable books ever written, The Worst Journey in the World (1922). He was not writing about the journey of the penguins, but about his own trek with two others through the bitter night to their mating grounds. Members of Scott's 1910-1912 expedition to the South Pole, they set out in the autumn to follow the march of the penguins, and walked through hell until he found them, watched them, returned with one of their eggs. Cherry-Garrard retired to England, where he lived until 1959; his friends felt the dreadful march, and the later experience of finding the frozen bodies of Scott and two others, contributed to his depression for the rest of his life.

For Jacquet and his crew, the experience was more bearable. They had transport, warmth, food and communication with the greater world. Still, it could not have been pleasant, sticking it out and making this documentary, when others were filming a month spent eating at McDonald's. The narration is a little fanciful for my taste, and some of the shots seem funny to us but not to the penguins. When they fall over, they do it with a remarkable lack of style. And for all the walking they do, they're ungainly waddlers. Yet they are perfect in their way, with sleek coats, grace in the water and heroic determination. It's poignant to watch the chicks in their youth, fed by their parents, playing with their chums, the sun climbing higher every day, little suspecting what they're in for.

REVIEW RESOURCE: https://www.rogerebert.com/rev....iews/march-of-the-pe

⁣The Light Bulb Conspiracy uncovers how planned obsolescence has shaped our lives and economy since the 1920’s, when manufacturers deliberately started shortening the life of consumer products to increase demand. The film also profiles a new generation of consumers, designers and business people who have started challenging planned obsolescence as an unsustainable economic driver.

The documentary begins by visiting the longest running light bulb in the world, which has burned continuously for over 110 years in Livermore, California. Initially, light bulbs were built to last. But the film finds historical evidence revealing how a cartel in the 1920’s decided to produce bulbs limited to a maximum life of 1000 hours, making the humble light bulb one of the first examples of planned obsolescence and a model for increasing profits on other products.

Shot over three years in Europe, the U.S. and Ghana, The Light Bulb Conspiracy investigates the evolution and impact of planned obsolescence through interviews with historians, economists, designers and manufacturers, along with archival footage and internal company documents. The film profiles several well-known historical advocates -- Bernard London, who famously proposed ending the Great Depression by mandating planned obsolescence, and Brook Stevens, whose post-war ideas became the gospel of the 1950’s and helped shape the throwaway consumer society of today.

The Light Bulb Conspiracy also looks at modern examples of planned obsolescence, including computer printers and the controversy over the inability to replace iPod batteries. Environmental consequences are seen most dramatically in the massive amounts of electronic waste that end up in uncontrolled dump sites in Third World countries such as Ghana. The film concludes with examples of consumers and businesses moving towards more sustainable practices and products, including Warner Philips, great grandson of the founder of Philips Electronics, who is producing an LED bulb designed to last 25 years.

REVIEW RESOURCE: https://www.videoproject.org/L....ight-Bulb-Conspiracy

⁣Is there a secret program behind the technology of the Space Force? Are Navy Pilots engaging E.T. Craft, or is it one of Ours? Dr. Steven M. Greer reveals the secrets behind the cover-up of the False Narrative Alien Threat. Dr. Michael E. Sallapresents Explosive information in regards to the incredible out of this world technology that has been reversed engineered at a Secret Location in Palmdale CA.

Is the New York Times retraction of statements made to "Off World Vehicles recovered Not Of This Earth" An attempt to Cover-Up the biggest Story Known To Mankind? Bob Lazar among others share there Insight to the Most Asked question "Are We Alone" Countdown To Disclosure Opens the Floodgates on information never heard before by the public until now! Buckle Up for a cutting Edge Documentary that will leave you believing we are not been told the truth. Premiered Dec 25, 2020

⁣Author and former research scientist Judy Mikovits, of TheRealDrJudy.com, spoke to Alex Jones Sunday about her experience being persecuted by the US government after she challenged the establishment’s HIV narrative and instead promoted plant-based medicine and natural immunity.
Mikovits detailed how she researched natural product therapies for viruses like HIV and discovered the virus doesn’t always lead to AIDS if a healthy immune system can be kept intact.


However, Dr. Anthony Fauci, head of the National Institutes of Allergy and Infectious Diseases at the time, buried the research, commandeered the isolated HIV virus, and used it to perform gain-of-function studies.
She also broke down the political persecution that led to her unlawful incarceration, what’s really behind the poison death shot Covid jabs, and revealed the actual way to heal naturally using remedies already provided by God.

RESOURCE: https://www.infowars.com/posts..../bombshell-dr-judy-m

⁣Master Mantak Chia is Taoist Master, author, and healer who teaches people how to empower themselves through the cultivation of their “chi” energy.
This is his third appearance on London Real and last time he performed my Chinese Astrology reading, and we discussed the 5 elements of Fire, Earth, Metal, Water and Wood, and how they directly related to my personal energy.
On this episode I went to dive deeper into the philosophy of Taoism, learn about dark room therapy, taoist nutrition and fasting, and of course we will revisit our favourite subject - sex and sexual energy.

⁣25 years after the mysterious death of princess Diana of Wales.
⁣Twenty five years ago Princess Diana’s car crashed inside the Pont de L’Alma tunnel in Paris France. Her lover, Dodi Fayad, died upon impact along with the driver. And even though Diana survived, it took about 40 minutes to get her from the car to the ambulance. The Official story was that they were trying to free her from the car, but several witnesses say that Diana was conscious and unobstructed. Photographs show that the backseat of the car was undamaged. And witnesses were pleading with the police to open the door and help her. Once in the ambulance, it took about 40 minutes for them to choose a Hospital. And when they finally set off, the ambulance drove at a snails pace and made several stops. Taking about 40 minutes to drive less than 4 miles.


Doctors were turned away. Witnesses were strip searched. Cameras were confiscated. No evidence was gathered. No blood samples were taken. And by 3am the entire scene was sprayed down with high pressure water hoses. Mercedes wanted to study the wreckage to see why it failed so badly. But they were denied. Diana‘s body was taken by the Royal family. Who had her reproductive organs removed before burying her remains. All 17 cameras along the route of the crash were mysteriously turned off. And all radio police frequencies went down. Witnesses were assaulted and threatened. And there was no investigation. Until the inquest ten years later. Which is when most people learned that Diana had penned a note in 1996 saying that someone was going to kill her in a car accident. This note was concealed for 6 years.

⁣David Icke, is an English writer and public speaker, known since the 1990s as a professional conspiracy theorist, calling himself a “full-time investigator into WHO and WHAT is really controlling the world.”

David is the author of over 21 books and 10 DVDs and has lectured in over 25 countries, speaking live for up to 10 HOURS to huge audiences, filling stadiums like Wembley Arena.

In April 2020, Icke gave a two-and-a-half-hour interview to the British online channel London Real. The video is dubbed in English, Spanish and French, and subtitled in multiple other languages.

At the time, it was shared by several million internet users but for some reason the organisations controlling the mass media and all social media blocked this interview completely, and by all possible means, disinformation campaigns were launched to ridicule Icke's theories.