⁣Peter Gabriel Secret World Live Full Concert - 1994 Italia
Songs list:
Come Talk To Me
Quiet Steam / Steam
Across The River
Slow Marimbas
Shaking The Tree
Blood Of Eden
San Jacinto
Kiss That Frog
Washing Of The Water
Solsbury Hill
Digging In The Dirt
Sledgehammer
Secret World
Don't Give Up
In Your Eyes

⁣⁣The official version of human history is a construct of lies. We are in a state of collective amnesia. Let's free ourselves from the artificial matrix that has been imposed on us. This part covers the World's Fairs and the time in which they took place.
Written by: dreamtime & Mosaic, https://stolenhistory.net
Narrated by: Sovereine & David Glenney
Post-production: Bart van der Zwaan https://youtube.com/bartingman

WATCH FULL SIERIES:
⁣Part 1: Nothing is as it seems => ⁣https://vajratube.com/v/MBtVx6
Part 2: The Destruction of the Old World => ⁣https://vajratube.com/v/4Kya4M
Part 3: The Mystery of the World's Fairs => ⁣https://vajratube.com/v/lmqIAN

⁣Carlos Castaneda (1925-1998) is often called the "godfather" of the human potential movement. His name and life are surrounded by many contradictions, fictions and legends.
This film feature Castaneda's closest apprentices as well as major experts in modern spiritually oriented psychology who lift the veil on the greatest mystery of his life: the stormy search of how to become real.

Watch Part ONE (1) here => ⁣https://vajratube.com/watch/ge....orge-harrison-living
⁣George Harrison first became known to the world as 'The Quiet Beatle', but there was far more to his life than simply being a part of The Beatles. This film explores the life and career of this seminal musician, philanthropist, film producer and amateur race car driver who grew to make his own mark on the world.

Through his music, archival footage and the memories of friends and family, Harrison's deep spirituality and humanity are explored in his singular life as he took on artistic challenges and important causes as only he could.
Using unseen photos and footage, Academy Award®-winning director Martin Scorsese traces the life of George Harrison in a personal film, weaving together performance footage, home movies, rare archival materials and interviews with his family and friends including Eric Clapton, Terry Gilliam, Eric Idle, George Martin, Paul McCartney, Yoko Ono, Tom Petty, Phil Spector, Ringo Starr and Jackie Stewart.

⁣JFK to 911 is already a global phenomenon, having began as a Youtube video which achieved over a billion hits by becoming the first documentary in human history to untangle all the establishment lies and reveal the entire truth about the Kennedy Assassination and 911.

These disclosures so frightened the powers-that-be that President Trump and the Queen of England took the joint decision to ban it altogether, so that if you read this book, you will be learning the most cardinal secrets which your government would much rather you did not know.

Nearly all intelligent people these days are wary of what we are being told by the mainstream media, but fewer are aware that the very notion of 'fake news' began with the words on these pages, and that all government policy in recent times has been an ongoing effort to hold back the increasing enlightenment these words have inspired.

Legions of people have taken the trouble to go online so that they could tell the world about how learning that absolutely everything is a rich man's trick--the justice system, the education system, the economic system, and most importantly, the media.

Francis Richard Conolly is extremely hopeful that the people who have made a movie which he originally gave them for free such a central part of their existence will now buy this book in order to build the revenues which he needs to make the sequel which everyone wants to see.

REVIEW RESOURCE: https://www.catch.com.au/produ....ct/jfk-to-911-everyt

Let me know your thoughts in the comments below 👇

⁣Maost Banned Documentary in entire Internet History !!!⁣


Haven’t you ever at least been curious as to what “the other side of the World War II story” was?
Since the mid-20th century, the world has only ever heard one side of the most horrific war in human history. During the 75 years that have now passed, only a single narrative of the great conflict has been heard. This over simplistic narrative totally ignores the previous decades of critical history leading up to World War II, ignores vital information from the actual war years, and outright fabricates lie after lie after lie.

We are today living in the world of the victors of that war and without an objective, rational and balanced view of our history, we are doomed to repeat the mistakes. After World War Two, the victors of the war not only went on to write our history books, infiltrate our media and public education but even going so far as to criminalize the mere questioning of the official story’s orthodoxy. The truth is, that our world today can only be understood through a correct understanding of World War II, the architects of it and the conflicts between Globalism and Nationalism. Between the old-and-new world order. The Traditional and the “Progressive”.

Day in and day out, has the post-war propaganda been pounded into the minds of three subsequent generations. Every medium of mass indoctrination has been harnessed to the task of training the obedient masses as to what the proper and “acceptable” view of this event should be. Academia, news media, public education, book publishing, TV documentaries, Hollywood films and politicians of every stripe all sing the same song.
For very good reasons, most people don’t trust the mainstream media anymore. You have already heard the official history millions of times.

This documentary gives an overview of how Europe has been shaped in modern history. In it, you will find the secret history, where you will find the real causes of the events. Watch this series and uncover the real root causes of World War II. It will take you on an epic timeline that will transport you back in time and lead you on the journey through the Bolshevik Revolution, the communist attempts to take over Germany; hyperinflation during the Weimar Republic, widespread unemployment and misery, Adolf Hitler’s rise to power, World War I & II – all the way to the modern world. It presents the true historical events that lead to this world catastrophe known as the second world war, as well as the aftermath.

⁣Nobody owns the air. A look at the deception being perpetrated by the aircraft manufacturers and airlines charging for fuel they don't use.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance of fair use.

⁣It would be easy to dismiss an hour-long film adaptation of Peter Schweizer’s book about the charitable-political-nonprofit complex of Bill and Hillary Clinton as nothing more than conservative propaganda. But sitting in a Manhattan screening room late Wednesday, it quickly became clear that conservatives weren’t the intended audience for Clinton Cash.
Environmentalists. Anti-nuke activists. Gay-rights advocates. Good-government folks. They’re all going to find themselves increasingly uncomfortable over claims that the likely Democratic nominee, in the film’s words, takes cash from the “darkest, worst corners of the world.”

The 60-minute indictment of the Clintons will soon find its way to an awful lot of televisions ahead of November’s elections. Based on a heavily researched book by the same name, Clinton Cash is careful in laying out a series of facts that are mostly true, though both the book and the movie sometimes draws connections and conclusions that aren’t as solid as their evidence.
“When it comes to the Clintons, you have to follow the money,” Schweizer says in a rough-cut previewed for TIME.
No doubt, there are many places where dotted lines are smudged into solid ones, and some assumptions are made where concrete evidence of quid pro quo is impossible to prove. But as a work of persuasion, the movie is likely to leave on-the-fence Clinton supporters who see it feeling more unsure about casting a vote for her. Made by the conservative Breitbart News’ executive chairman, Stephen K. Bannon, and director M.A. Taylor, this film rises above the traditional campaign hit job.

“This film is not to re-litigate Benghazi or the 1990s,” Bannon said.
The 1990s were, in fact, dealt with during Clinton’s last campaign. Hillary: The Movie was broad and provocative, dealing with the various scandals during Bill Clinton’s presidency. That movie had little influence on the 2008 campaign, but it ended up becoming inadvertently influential when a case about it led the Supreme Court to overturn campaign finance restrictions in the Citizens United case, ushering in the era of super PACs.
Unlike Hillary, Clinton Cash is a more narrowly focused production with a clear-cut thesis that it repeats through a litany of perceived shifty associations. One alleges that that the Clintons helped the Russian nuke agency get control of 20% of American uranium as part of a deal that involves a Canadian billionaire, Kazakhstan mining officials and Vladimir Putin. Another claims that the Clintons got into bed with African strongmen with horrendous human rights records. “Paul Kigali is a friend of Bill Clinton’s,” the film tells audiences of Rwanda’s leader and suggests the Clintons are engaging in neo-colonialism in exploiting African countries’ natural resources.
The film also accuses Hillary Clinton of flip-flopping on the Keystone XL pipeline after an investor booked Bill Clinton for lucrative speeches. Schweizer also says Clinton’s State Department spared Sweden’s Ericsson of troubles over selling technology to Iran after it, too, booked Bill Clinton for a paid talk. The list goes on: that Bill Clinton pocketed KGB money, a mining company put Hillary brother, Tony Rodham, on its board after it won concessions.

The individual facts are largely true and based on widely reported events and public documents. The conclusions, however, are not as cut-and-dried as the film makes them out to be when assembled together. In general, the film’s reasoning is that if one thing followed another, it was a case of cause-and-effect.
Clinton campaign officials did not respond to a request for comment about the film, but they were harshly critical of its source material. “A new book by Republican operative and friend of the Koch brothers, Peter Schweizer, makes a number of wild accusations about Hillary Clinton—so wild that even the author admits he has no evidence to support them,” the campaign said last year.

There are a lot of leaps of logic in the film, but the insinuations, told through a pattern of favorable results following cash to Clintons, make for a disheartening watch. For instance, Clinton pal Joe Wilson, a former U.S. Ambassador at the center of the Bush-era controversy over weapons of mass destruction, allegedly got a leg up for his investment firm with help from the Clintons in South Sudan. Then there is a $100 million pledge to the Clintons that coincided with favorable contracts in Nigeria and a $1.4 million speaking fee for Bill Clinton personally. Investor Marc Rich, who received a controversial last-minute pardon in 2001, even makes an appearance.

This is not a movie that is going to dissuade the #imwithher crowd from supporting Clinton. But it is a movie that might keep disaffected liberals at home, energize the Sanders supporters to keep up the fight even after their preferred candidate bows to reality and serve up new fodder for conservative talking heads on cable news. This isn’t a game-changing movie, but one that could keep some less enthusiastic voters on the sidelines.
The film carefully curates reality in way to boost anti-Clinton voices. For instance, discussion of Bill Clinton’s role in post-2010 Haiti earthquake completely ignores that George W. Bush also helped raise cash in the wake of the disaster, nor does it acknowledge that one character, the founder of Canadian TD Bank’s sister corporation, TD Ameritrade, also funded Republican Gov. Scott Walker’s super PAC. The film doesn’t mention other reasons why Hillary Clinton may have made particular decisions, leaving the viewer with a narrow understanding. And it blurs the line between Bill and Hillary Clinton’s actions, treating them as essentially the same person.

REVIEW RESOURCE: https://time.com/4328254/clint....on-cash-movie-hillar

⁣The fact that the footage of 1969’s Harlem Cultural Festival that makes up the bulk of Summer of Soul languished for so long outside of the public eye is an injustice. The fact that first-time filmmaker Ahmir “Questlove” Thompson has now brought it all brilliantly into the light makes him not only a documentarian but a revolutionary. The stunning 1969 performances themselves are worth the price of admission, but they grow even more transcendent when spliced together with delightful talking head interviews and haunting historical context. The result is both archival and activating, showcasing a past cultural moment while pushing audiences to pour new energy into the present and the future.

Dubbed “the Black Woodstock” by Hal Tulchin, the man who rolled cameras as the event unfurled, the moving parts of the Harlem Cultural Festival represent a movement that is far more than what that nickname might suggest. The brainchild of event organizer Tony Lawrence, attended by thousands, and boasting a lineup of essential artists, it was and remains an overwhelming example of co-creative, faith-fueled community organizing. There are abundant shots of the crowd accompanying the footage of the performers, but these attendees never seem as if they are simply onlookers. They instead look like they are simultaneously at church, at a rally, and at a club, showing how intersectional true spiritual experience can be, pulling in elements from all three sacred spaces and crafting something that can’t exist without all of the ingredients.

And, in turn, the performers deliver a combination of a service, a protest, and a show. Though good showings are to be expected from names like Nina Simone, Stevie Wonder, The Fifth Dimension, Sly and the Family Stone, and Gladys Knight and the Pips, the performances in Summer of Soul reach greater heights than could be expected. Whether or not these are the best technical performances that these stars have achieved is hardly the matter; these aren’t just performances, they’re incantactions, invocations, and explosions of unshakeable inspiration.
Though there are countless high points, the centerpiece of the performance footage is an impromptu “Precious Lord, Take My Hand” duet between a weary Mahalia Jackson and a fresh-faced Mavis Staples. This collaboration would have been a wow moment even if just performed well but these two vital voices combine to craft something almost otherworldly, something that truly must be experienced to be understood.

The interviews and accompanying contextual footage add both levity and gravity to the proceedings. Hindsight reflections from performers and audience members show the human hearts and souls at the center of the excitement while accompanying snapshots of what was occurring in the world outside Harlem’s Mount Morris Park keep the happening firmly planted in the bending moral arc of the universe.


Together, these aspects make Summer of Soul a truly prophetic offering, not simply a chronicle, not merely a concert film, but something wholly different and beautifully holy. It’s a passion project that not only unearths and restores a long-hidden piece of history; it might also contain enough restorative breath to unearth a collective liberative spirit that is in need of regular resurrection.


REVIEW RESOURCE: https://www.spiritualityandpra....ctice.com/films/revi

⁣This film exposes the climate alarm as an invented scare without any basis in science. It shows that mainstream studies and official data do not support the claim that we are witnessing an increase in extreme weather events – hurricanes, droughts, heatwaves, wildfires, and all the rest. It emphatically counters the claim that current temperatures and levels of atmospheric CO2 are unusually and worryingly high. On the contrary, compared to the last half billion years of earth’s history, both current temperatures and CO2 levels are extremely and unusually low. We are currently in an ice age. It also shows that there is no evidence that changing levels of CO2 (it has changed many times) have ever ‘driven’ climate change in the past.

Why then, are we told, again and again, that ‘catastrophic man-made climate change’ is an irrefutable fact? Why are we told that there is no evidence that contradicts it? Why are we told that anyone who questions ‘climate chaos’ is a ‘flat-earther’ and a ‘science-denier’?

The film explores the nature of the consensus behind climate change. It describes the origins of the climate funding bandwagon and the rise of the trillion-dollar climate industry. It describes the hundreds of thousands of jobs that depend on the climate crisis. It explains the enormous pressure on scientists and others not to question the climate alarm: the withdrawal of funds, rejection by science journals, and social ostracism.

But the climate alarm is much more than a funding and jobs bandwagon. The film explores the politics of climate. From the beginning, the climate scare was political. The culprit was free-market industrial capitalism. The solution was higher taxes and more regulation. From the start, the climate alarm appealed to and has been adopted and promoted by, those groups who favour bigger government.

This is the unspoken political divide behind the climate alarm. The climate scare appeals especially to all those in the sprawling publicly-funded establishment. This includes the largely publicly-funded Western intelligentsia, for whom climate has become a moral cause. In these circles, to criticize or question the climate alarm has become a breach of social etiquette.

The film includes interviews with many very prominent scientists, including Professor Steven Koonin (author of ‘Unsettled’, a former provost and vice-president of Caltech), Professor Dick Lindzen (formerly professor of meteorology at Harvard and MIT), Professor Will Happer (professor of physics at Princeton), Dr. John Clauser (winner of the Nobel prize in Physics in 2022), Professor Nir Shaviv (Racah Institute of Physics), professor Ross McKitrick (University of Guelph), Willie Soon and several others.

The film was written and directed by the British filmmaker Martin Durkin and is the sequel to his excellent 2007 documentary The Great Global Warming Swindle. Tom Nelson, a podcaster who has been deeply examining climate debate issues for the better part of two decades, was the producer of the film.

⁣BOMBSHELL: Dr. Clare Craig Exposes How Pfizer Twisted Their Clinical Trial Data for Young Children.

STORY AT-A-GLANCE
- The trial recruited 4,526 children aged six months to four years old. 3,000 of these children did not make it to the end of the trial. Why was there this drop off?
- There were six children aged two to four who had severe covid in the vaccine group but only one in the placebo group. So on that basis, the likelihood that this vaccine is actually causing severe covid is higher than the likelihood that it isn’t.
- The only child who was hospitalized in the trial for a fever and a seizure was vaccinated.
- In the three week period, after the first vaccine dose, thirty-four of the vaccinated children got covid and only thirteen in the placebo group which worked out as a 30% increased chance of catching covid in that three week period if you were vaccinated.
- They ignored that data and then there was an eight week gap between the second dose and the third dose where again, children were getting plenty of covid in the vaccine arm. They ignored that data.
- There was then several weeks after the third dose which they also ignored, which meant that in the end they had ignored 97% of the covid that occurred during the trial and they compared three children in the vaccine arm who had covid with seven in the placebo arm and they said that this showed the vaccine was effective.
- The children who would have been placebo, the control group, were followed up for an average of six weeks and then unblinded and given the vaccine. That’s your safety control gone forever.
- Emergency Use Authorization is meant for a situation where there’s a risk of serious injury or death. Children under five are not at risk of serious injury or death from covid.

MORE RESOURCES:
https://organicconsumers.org/b....ombshell-dr-clare-cr
https://telegra.ph/BOMBSHELL-D....r-Clare-Craig-Expose

⁣The interconnected epidemics of anxiety, chronic illness and substance abuse are, according to Dr Gabor Maté, normal. But not in the way you might think.
One in five Americans are diagnosed with mental illness in any given year [1]. Suicide is the second most common cause of death in the US for youth aged 15-24 [2], and kills over 700,000 people a year globally [3] and 48,300 in the USA [4]. Drug overdose kills 81,000 in the USA annually [5]. The autoimmunity epidemic affects 24 million people in the USA [6]. What is going on?
“So much of what we call abnormality in this culture is actually normal responses to an abnormal culture. The abnormality does not reside in the pathology of individuals, but in the very culture that drives people into suffering and dysfunction.”
— Gabor Maté

In The Wisdom of Trauma, we travel alongside physician, bestselling author and Order of Canada recipient Dr. Gabor Maté to explore why our western society is facing such epidemics. This is a journey with a man who has dedicated his life to understanding the connection between illness, addiction, trauma and society.
“Trauma is not what happens to you. Trauma is what happens inside you, as a result of what happens to you.”
— Gabor Maté

Trauma is the invisible force that shapes our lives. It shapes the way we live, the way we love and the way we make sense of the world. It is the root of our deepest wounds. Dr. Maté gives us a new vision: a trauma-informed society in which parents, teachers, physicians, policy-makers and legal personnel are not concerned with fixing behaviors, making diagnoses, suppressing symptoms and judging, but seek instead to understand the sources from which troubling behaviors and diseases spring in the wounded human soul.

⁣Webinar: COVID-19 Early Home-based Treatment with Dr. Peter McCullough.

⁣With unfettered access to the Zappa family trust and all archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time.


Alex Winter’s assembly features appearances by Frank’s widow Gail Zappa and several of Frank’s musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others.
Directed by Alex Winter
http://www.thezappamovie.com/

For more great titles, check out Magnolia Selects:
https://www.magnoliaselects.com

'Frank didn't adhere to any movements': behind the Zappa documentary (The Guardian)

⁣Kevin Macdonald's three fictional movies have taken him to Idi Amin's Uganda, Washington DC and the northern reaches of Roman Britain. They're all thrillers of various kinds, as are Touching the Void and One Day in September, the tightly focused, feature-length documentaries that preceded them. Touching the Void centres on a dangerous expedition by two British climbers in the Peruvian Andes in 1985 and uses interviews with the real participants and simulated scenes played by actors. One Day in September is about the massacre of Israeli athletes by Arab terrorists at the 1972 Olympics and, in addition to interviews and archive footage, employs computer graphics to explain the course of events.
His new film, a cinebiography of Bob Marley is a bigger, baggier and simpler thing. It's the story of a man who lived an extraordinarily full yet oddly mysterious life and died a world figure 30 years ago, shortly after reaching the age of 36. It is, however, told without any reconstructions or impersonations and neither Sidney Poitier nor Morgan Freeman was called in to deliver a rousing commentary explaining the man's contradictions, achievements and significance.
The picture begins in West Africa at an old fortress on the Gold Coast (now Ghana). Through its "Door of No Return" leading to the sea passed many of the millions of shackled slaves who were shipped across the Atlantic. This was the journey made by his ancestors that shaped Marley's life, identity and music and the belief system that drew them together.
He was born in the remote Jamaican village of Nine Mile in 1945 and Macdonald takes us there in a lyrical aerial shot across the steep, wooded hill country. His mother, Cedella, was black and 16. His father, Norval Marley, a white man aged 65, was employed by the forestry commission to prevent the theft of timber. He rode around the countryside like a seigneurial Cossack and styled himself Captain, though there's no evidence he'd held any commissioned rank or served in any war. In the only known photo of Norval, he's on horseback attempting to look authoritative and his family refused to recognise Bob when he once called on them for help.
Macdonald sees Bob as a man who felt rejected by both the black and the white communities, an outsider who was to find a symbolic home in Africa through embracing Rastafarianism, a style of personal independence and social defiance, and a mission to bring people together in a grand international, inter-racial brotherhood.
Marley grew up in extreme poverty, first in the countryside, then in the slums of Kingston's Trenchtown, where the first photograph of him was taken at the age of 12. The documentation of the early life is thin, but Macdonald is able throughout to draw on the colourful testimony of his formidable mother, his friends, fellow musicians, a variety of female companions (Marley had nine or 10 children by six or seven different women) and later some businessmen, politicians and gangsters.
There are splendid anecdotes about survival, about Bob and his band, the Wailers, developing a new kind of music that fused local and international forms into a distinctive form of reggae, and the zig-zagging of a career that took Marley to the United States, where his mother had relocated, to Europe and to Africa. Much of what we hear from Jamaican witnesses is spoken in a beguiling, if sometimes obscure, patois and there are the kind of contradictions in the individual assessments of his character and the accounts of the fraught progress of the Wailers that one would expect. This is Rashomon territory.
But there are compromises and concessions of a different kind that have come about through the need to secure interviews, musical rights and other necessary forms of co-operation. These are reflected in the names of several family members and various close business associates listed in the credits as producers. Some of these people provide the finest testimony.
Among them are Bob's Cuban-born wife Rita, who worked in his backing group and recalls seeing stigmata on Haile Selassie's hand during his triumphant visit to Jamaica; Bob's three children by her (Cedella, Ziggy and Stephen); the beautiful, spirited Cindy Breakspeare, his trophy companion and former Miss World who bore him a child but refused to embrace Rastafarianism; and the laidback British impresario Chris Blackwell of Island Records.
If Marley ultimately remains something of a mystery (he gave few interviews and in none was particularly forthcoming), we nevertheless get a vivid impression of a career that included a brief stint on a Chrysler production line in Delaware, a long period of apprenticeship as a composer (initially working with homemade instruments) and a rise to local and international stardom. Gradually, the dreadlocks, the music and the cloud of ganja smoke come together to form as recognisable an image as that of the equally short-lived Che Guevara.
He was, however, altogether less militant than Che, virtually apolitical, which did not prevent competing forces seeking his allegiance or seeing him as a valuable symbol for their causes. In 1976, an assassination attempt in Jamaica drove him into exile. It wasn't, however, a bullet that did for him but the stud of a boot during a game of his beloved football in a London park, triggering the melanoma in his foot that eventually consumed his body.
We hear of a beautiful moment in a wintry Bavarian clinic where Bob's mother read the Book of Job to the emaciated singer, his dreadlocks lost to chemotherapy, shortly before he flew across the Atlantic to die in Miami in May 1981.
Perhaps this impressive, thoughtful portrait should have ended there. Instead, it concludes with a succession of Marley's hits being sung in a various languages by cheerful young people on every continent. That's all a little too "I'd Like to Teach the World to Sing" Coca-Cola-ish for my tastes.

REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2012/apr/22/bob-m

⁣Urgent address by Egon Cholakian to all people following his recent participation in a joint session of the Nobel Committee and the National Academy of Sciences in Washington.

In his address, Egon Cholakian reveals the true and shocking reasons behind global climate change, climatic anomalies, and catastrophes that are escalating worldwide. Egon Cholakian explains the pattern of recurring climate catastrophes that we are currently experiencing. This pattern is reflected in a unique mathematical model indicating a geometric progression in the growth of climate catastrophes, which could lead to the demise of humanity in the coming years. As Egon Cholakian stated, "Our planet is on the brink of self-destruction, and humanity has only a few years left to prevent the impending catastrophe."

Egon Cholakian proposes the only viable and scientifically substantiated solution available today that can save us from a global climate catastrophe. Action must be taken soon while we can still change the situation. This information is being revealed for the first time.
Egon Cholakian, is a qualified Particle Physicist, affiliated with the preeminent CERN particle physics laboratory as a Future Circular Collider technology developer. Collaborates in the arrangement of NASA’s NISAR mission. A member of the International Association of Intelligence Educators and an international tax Law professional. Served as a Legislative Tax Analyst attached to the President's Commission on International Trade and Investment Policy under President Nixon and President Ford. Worked with the Reagan Kitchen Cabinet, and Reagan White House within President Reagan’s Strategic Defense Initiative project. In total, Egon Cholakian worked with four U.S. Presidents. Currently serves as a federal lobbyist at The U.S. Congress and White House. Egon Cholakian has emerged as a prominent voice on climate change and national security-related matters.

For more detailed information about the project for establishing a unified scientific center, you can visit the website http://earthsavesciencecollaborative.com
For inquiries: egoncholakian@earthsavesciencecollaborative.com

Reproduction, distribution, and utilization of this video in part or in full are permitted through any means without distorting the information, provided that proper attribution is given to the source:
http://earthsavesciencecollaborative.com

⁣In this ground-breaking original series, experts explore the history and use of psychedelic plants including political ambitions, the perceived shadow side and the proper environment to experience these substances.


From the origins of Shamanism to the spiritual expression of modern awakenings, discover the role of sacred medicine as a gateway to expanded consciousness, and its continued influence on humanity.
“Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window. Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.” ― Terence McKenna

RESOURCE: https://www.gaia.com/seeking-t....ruth/original-progra

⁣A documentary film about the origins, development and expansion of one of the most elitist and secret organizations in today's world. Once a year, the most powerful people allegedly meet behind closed doors to discuss their secret agenda.
The Bilderberg Group is believed to be made up of European prime ministers, North American presidents, and the most affluent CEOs on the planet. Together they come together and discuss the economic interests and political future of humanity. Journalists have never been allowed to attend, nor have statements ever been released on the meetings, which have incredible implications on the citizens of the world.
Featuring: Daniel Estulin, Pilar Urbano, Nigel Farage, Mario Borghezio, Jeffrey Steinberg, Lyndon Larouche, Dennis Small, Helga Zepp-Larouche, Michael Billington, Gerard Aalders, Denis Healey

Director’s Note

How and when was it created? Who are they? What do they do, how they do it, and why do they do what they do? Is there anything we can do about it? These were some of the basic questions that came to mind when I accepted Daniel Estulin’s offer to make this documentary film. My greatest fear: that the density of the subject itself would end up distracting the viewer’s attention. My only goal: simplify; make it straightforward; present facts, evidence, cross-checked information. And the big challenge: the film had to maintain a pace, be visually entertaining, beautiful and dynamic, on the one hand; and deeply informative, on the other.
To explain through visual images the existence of an almost ethereal entity, its headquarters – a 20m2, second floor walk up on a quiet street in Leiden, the Netherlands manned only by an answering machine; its members – faceless and nameless to the rest of the world refuse to grant public interviews, was not an easy task. The same organization, its outward secrecy and the shadow of accusations of conspiracy leveled against those who have dared to broach the subject, are also circumstances that made this process much more complex for me, as a filmmaker.
How do you explain to someone who demands freedom, that all he has to do is walk through the open door in front of him? How can I show through images, that the truth that almost everyone considers as such, is a lie? How do I show that this truth, which is not reality, is based on lies which, after repeating them and believing them, end up becoming real? What is the truth? What is reality?
Reality is just that — the truth. A lie, on the other hand, has to have a meaning to be first promulgated and then accepted by the masses. The hardest thing for us, based on how we have been taught to think, is to learn how to detect a lie. The objective of this film is to find the cause whose effect is the lies that are continuously sold to us, as well as to deeply and precisely understand the magnitude of this reality, and its palpable consequences in our lives.
Joan Cutrina

⁣Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax!. Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci.
Dr. Willner and found a few interesting things happened after he began speaking out: Deadly Deception. Filmed Dec. 7th, 1994. Shortly after Dr. Robert Willner started speaking out they took away his medical license. Four months after he made this video he died of a heart attack. Following are some quotes from this lecture:

1990 Dr. Willner has his medical license suspended.
1994 This talk happens (the talk in the above video) and Willner injects himself with the blood of an HIV positive man.
1994 Dr. Willner's book Deadly Deception is published.
1995 Dr. Willner sadly passes away after having a heart attack.

Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax! Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci
HOW THE LIE BEGAN In 1980, Dr. Robert Gallo, a retrovirologist with the National Cancer Institute, discovered the first human retrovirus (HTLV-I). A retrovirus is distinguished from an ordinary virus by virtue of the fact that its RNA is converted to DNA by an enzyme called reverse transcriptase. Its replication and survival is totally dependent on the viability of the host cell. If the host cell dies, the virus is finished. Dr. Gallo knew this basic fact; however, he would soon purposely ignore this fact in order to serve his own needs by claiming that the virus was very "mysterious".
Somehow it would mysteriously survive while mysteriously slaughtering T-cells by the millions (this has never been observed). He had contended in the past, but failed to prove, that the very same retrovirus (HTLV-I) caused a specific type of leukemia which was occuring in Japan. The power of position, that of being a top government official and scientist, has allowed the erroneous label of "leukemia virus" to remain intact even though it was rejected by the scientific community.

In 1981, it was proposed that an acquired immune deficiency was the basis for a new syndrome of diseases (AIDS) that appeared to be surfacing amongst promiscuous male homosexuals and intravenous drug users. Dr. David Durack, of Duke University, a recognized expert on infectious diseases and the immune system, though admitting the prevalence of drug use (particular "poppers" or amyl nitrites) and repeated multiple infections, ignored these well-known causes of immune deficiency and announced that this "truly new syndrome" must be due to "some new factor".
Continuously this group of scientists has resorted to theory, not fact, as to how the AIDS virus supposedly accomplishes its dirty deeds. The words, "it is thought", are constantly used in casual conversations or in the non-scientific articles and popular magazines and books. In the scientific journals or at lectures the theory is presented as established fact although there are no facts involved. It is portrayed as an established truth and therefore is accepted as such by most scientists, including physicians.

The so-called HIV virus is still referred to as a "new" virus in spite of the indisputable evidence to the contrary. Incorrectly, the virus has been characterized as "attacking" or "infiltrating" the immune system, when in reality this is impossible because it is not alive and does not invade. Retroviruses are engulfed by the cells and incorporated into the cell's life processes.

⁣Resonance: Beings of Frequency is the first full documentary to investigate the actual mechanisms by which mobile phone technology can cause harm to someone’s well-being.cancer. Filmmakers take a deep dive into how humanity is coping with the emergence of mobile devices.
Billions of years ago, life first appeared on planet earth and bathed in a natural electromagnetic frequency. As life slowly evolved from simple to complex organisms, it was surrounded by this natural frequency, forming a harmonic relationship. This harmony is something science is beginning to understand, and special interest groups are trying to hide.
The balance built over time could be in jeopardy. Over the last two or three decades, this harmony has been disturbed, and dramatically so by technology. Mankind has saturated itself in an ocean of artificial frequencies, overwhelming the earth’s natural resonance. To the naked eye, our world appears the same. But at the cellular level, the health of living organisms is being affected. Yet, we are only starting to scratch the surface.
REVIEW RESOURCE: https://www.gaia.com/video/res....onance-beings-freque