⁣GLOBAL FASCISM AHEAD - Totalitarians Create Major Shortages and Crisis, and Then They Step In And Pose As Saviours
https://www.epochoriginal.com/the-shadow-state

“The Shadow State,” a feature documentary by The Epoch Times, takes a deep dive into the environmental, social, and governance (ESG) industry. This emerging multitrillion-dollar power structure unites governments with corporations in the march toward a brave new world of climate and social justice. See how it works, its goals, and who is driving it.

Will this new global alliance bring us a cleaner, more peaceful, more equitable future, or will it bring shortages, poverty, and political instability? Will this partnership of government with banking and tech giants deliver prosperity and freedom, or will it control our lives in ways that 20th-century totalitarians only dreamed of?

RESOURCE:https://new.awakeningchannel.c....om/global-fascism-ah
https://www.youtube.com/watch?v=y4IGAE76gqU&ab_channel=TheEpochTimes

⁣Homeschooling is the wise choice. The "training" a child receives in the Satanic public school system is not of the God of the King James Bible. Training and teaching children is a parental responsibility. We should not expose our children to the Satanic government education systems, demonic video games, demonic movies, whisperers, demonic music, yoga, tarot cards, horoscopes, (divination) etc as exposure to these things creates demonic strongholds in their minds that are contrary to The Word of God (King James Bible).
What does the school do with the children? Gatto states the following assertions in "Dumbing Us Down":
It makes the children confused. It presents an incoherent ensemble of information that the child needs to memorizsto stay in school. Apart from the tests and trials that programming is similar to the television, it fills almost all the "free" time of children. One sees and hears something, only to forget it again.

It teaches them to accept their class affiliation.
It makes them indifferent.
It makes them emotionally dependent.
It makes them intellectually dependent.
It teaches them a kind of self-confidence that requires constant confirmation by experts (provisional self-esteem).

It makes it clear to them that they cannot hide, because they are always supervised
Nowhere in the Bible does it say to enrol your children in the Satanic, public, government owned and operated education system's "indoctrination camps" known as "schools."
Education of children is a parental responsibility.

The Education systems have been used and are being used as a tool by Satanic governments (around the world) to indoctrinate and conduct experiments on children.
A corrupt tree (government owned and operated public education system) cannot bring forth good fruit (a child raised according to Biblical values and principles).

Matthew 7:18: 18 A good tree cannot bring forth evil fruit, neither can a corrupt tree bring forth good fruit.
As it is written: Proverbs 22:6: Train up a child in the way he should go: and when he is old, he will not depart from it.
Proverbs 22:6 is one of the most famous verses in the Bible, but also one of the least followed.
The "training" a child receives in the Satanic public school system is not of the God of the King James Bible. Training and teaching children is a parental responsibility. We should not expose our children to the Satanic government education systems, demonic video games, demonic movies, etc as exposure to these things creates demonic strongholds in their minds. Homeschooling is the wise choice.

We live in a world increasingly opposed to the laws of its Creator. Christians are looking more and more ‘peculiar’ (1 Peter 2:9). We must teach our children the Word of God (King James Bible), teach them how to put Jesus Christ first in all aspects of their lives, teach them how to pray, pray for them to be filled with the Holy Spirit, teach them to recognize the answer to prayer, teach them how to depend on God, teach them how to serve and live for Him as we lead them by example and pray for them without ceasing.
Training a child includes teaching them to see the Hand of God at Work while being aware of the wiles of the evil one.

We must help our children examine everything in the light of God’s standards (the King James Bible), and encourage them to be salt and light, to stand apart when necessary, to stand for righteousness, to be wise as serpents and harmless as doves. (Matthew 10:16)

We must help our children to see the evil and demonic in music, books, games (including video games), movies, videos and certain friendships. We owe it to them to teach them the spiritual realities (rigged realities) of the world in which we live and protect them from corruption.

⁣Stanley Kubrick: A Life in Pictures is a 2001 documentary about the life and work of Stanley Kubrick, famed film director, made by his long-time assistant and brother-in-law Jan Harlan. Its running time is 142 minutes long, it consists of several 15-minute chapters, each detailing the making of one of his films – and two more showing his childhood and life.

Jan Harlan got many of Kubrick's collaborators for interviews, including Tom Cruise, Nicole Kidman, Keir Dullea, Arthur C. Clarke, Malcolm McDowell, Peter Ustinov, Jack Nicholson, György Ligeti and Matthew Modine. It also has interviews from film directors who were inspired by Kubrick such as Woody Allen, Steven Spielberg, Martin Scorsese and Sydney Pollack.

The film contains some rare footage, including from the Kubrick family home videos and on film sets, and clips from Fear and Desire - Kubrick's first feature-length film.
It was released on DVD on October 23, 2007, and was featured on the tenth disc of Stanley Kubrick: The Essential Collection and Stanley Kubrick: Limited Edition Collection DVD and Blu-ray released May 31, 2011, respectively. The documentary was also bundled in a box set of some of Kubrick's other films released January 22, 2008.

The soundtrack of the film is by composer and musician Jocelyn Pook, who had previously worked with Kubrick on Eyes Wide Shut (1999).

Stanley Kubrick is one of the first names you hear when the word "director" is brought up. His career spanned many decades, and the movies he worked on were given his undivided attention. He was obsessive, reclusive, and demanding.

And if you've ever wanted to learn pretty much everything you could ever want to know about the iconic director, well, there's a movie for that. Originally released back in 2001, Stanley Kubrick: A Life in Pictures is a documentary that spans his life, offering behind the scenes looks at what went into his directing and thought process. As luck would have it, Warner Bros. has made it available to watch for free online, complete with an introduction by ReelBlend podcast hosts Sean O'Connell, Kevin McCarthy, and Jake Hamilton.

There are some real gems in this thing, from Jack Nicholson talking about the ways Kubrick made him feel satisfied as an actor to looking at the newsreels that helped him understand how to make Dr. Strangelove...including Martin Scorsese's reactions to watching Kubrick movies.
What about the music in A Clockwork Orange—what could be behind playing the William Tell Overture five times fast?

Kubrick's work has touched us all, and the step to understanding the themes and ideas he explores are all captured in this doc.

⁣One of the most important videos I’ve done to date… watch until the end and comment your thoughts below 👇
Elizabeth April is a Universal Source Channeller, she was given the message at 16 not to do any external research*. Everything you listen to in her videos is channeled through conscious meditation.
Clairvoyant, truth seeker, intuitive psychic, and best-selling author ELIZABETH APRIL (also known as EA), is here on a mission to help humanity awaken.



EA has been featured on Vice, Bustle, Discovery, and Gaia TV to name a few, and has spoken at world-renown conferences across North America.
Most recently, EA was a featured expert on Unidentified with Demi Lovato (NBC’s Peacock TV). Elizabeth April is on a mission to help shift the world, the only question remaining is, are you ready to join her on this journey?

RESOURCE: https://www.youtube.com/c/ElizabethApril

⁣We are still being deceived by the public mass media about the circumstances behind the Covid-19 project.

Although the propaganda flowing from the televisions proclaimed by the governments of most countries in the world does not stand for any scientific evidence, and there is no science behind it, most people demonstrate complete indifference, lack of rational critical evaluation and absolute submissiveness.

It is the naivety of people and selfish thinking about measurable comforts that brought us to the present situation.
If we don't wake up NOW then the future of mankind will be wasted.

Our future and the future of our children is in our hands, so stand up and fight for your rights - FIGHT FOR THE TRUTH RIGHT NOW !!!


RESOURCE: https://www.oraclefilms.com

⁣Hunter Biden’s business dealings in China served the “strategic interests” of the country’s communist government and military — and may have imperiled American national security, claims a new documentary exclusively previewed by The Post.
“Riding the Dragon: The Bidens’ Chinese Secrets” highlights several deals that Hunter Biden was involved in as a board member of the Beijing-based BHR Partners investment firm.
The film also alleges that Hunter was only able to get meetings with Chinese officials — and secure $1 billion in funding — “because of who his father was: vice president of the United States” and then-President Barack Obama’s “point person on US policy towards China.”
The 41-minute documentary is narrated by best-selling writer Peter Schweizer, who authored 2015’s “Clinton Cash: The Untold Story of How and Why Foreign Governments and Businesses Helped Make Bill and Hillary Rich” and has previously written about Hunter’s business dealings in China.

⁣Directed by William Arntz, Betsy Chasse, and Mark Vicente, the film is an initially intriguing—and then gradually more outlandish—examination of quantum physics (“the physics of possibilities”), the theoretical brand of science that supposedly helps us understand life’s most fundamental question: What is reality? Unfortunately, the film’s answer isn’t half as interesting as those posited by The Matrix, Fight Club, or Waking Life.

A collection of talking-head physicists, philosophers, religious scholars, and mystics (all of whom are deliberately unidentified until the end credits to obscure their dubious authority) casually toss about terms like “epistemic” and “gifts of intentionality” in arguing that reality—rather than being an external force—is something we shape internally, thus meaning that what’s happening within us determines what happens around us. The ensuing, rambling discussion of quantum physics’ impact on notions of love, addiction, and Jesus is clumsily interspersed with scenes involving a fictional photographer named Amanda (Marlee Matlin) who, still smarting over her husband’s infidelity, embarks on a journey of self-discovery by learning to transcend humanity’s current perception of reality.

Engaging theories are sporadically contemplated (such as the idea that an object can exist in two places at the same time), yet by the film’s conclusion, it’s clear that the real modus operandi of these “experts” is promoting a new-agey version of spiritual enlightenment intended to replace traditional monotheism. Society’s “superstitious, backwater concept of God” is the filmmakers’ ultimate target, since it interferes with their belief that everyone is God and that all of us are “co-creating our future.” If people are truly able to construct their own destinies, then I can only hope that What the Bleep Do We Know?, with its hokey and derivative CGI, John Tesh-influenced score, and screeching electronic sound effects, will beget a future devoid of these filmmakers’ creepily cultish work.

REVIEW RESOURCE : https://www.slantmagazine.com/....film/what-the-bleep-

⁣For more than 20 years the CIA studied psychic abilities for use in their top-secret spy program. With previously classified details about ESP now finally coming to light, there can be no more secrets.
Two physicists discover psychic abilities are real only to have their experiments at Stanford co-opted by the CIA and their research silenced by the demands of secrecy. Yet, as both these 'remote viewers' and our audience learn, the 'more you hide something, the more it shines like a beacon in psychic space and this ancient truth can no longer be suppressed.'
The true story of Russell Targ and America's cold war psychic spies, disclosed and declassified for the first time, with evidence presented by a Nobel Laureate, an Apollo Astronaut, and the military and scientific community that has been suppressed for nearly 30 years, now able to speak for the first time.
Targ's understated mantra that "the evidence for extra sensory perception is overwhelming and shows a talent we all share and deserve to know about, leaves us not just with a greater understanding of this unique chapter in U.S. history, but perhaps most importantly a greater understanding of who we are and our larger connection to the world. The CIA, NSA and DIA used it, your tax dollars paid for it, and now you deserve to know about it.

⁣Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax!. Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci.
Dr. Willner and found a few interesting things happened after he began speaking out: Deadly Deception. Filmed Dec. 7th, 1994. Shortly after Dr. Robert Willner started speaking out they took away his medical license. Four months after he made this video he died of a heart attack. Following are some quotes from this lecture:

1990 Dr. Willner has his medical license suspended.
1994 This talk happens (the talk in the above video) and Willner injects himself with the blood of an HIV positive man.
1994 Dr. Willner's book Deadly Deception is published.
1995 Dr. Willner sadly passes away after having a heart attack.

Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax! Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci
HOW THE LIE BEGAN In 1980, Dr. Robert Gallo, a retrovirologist with the National Cancer Institute, discovered the first human retrovirus (HTLV-I). A retrovirus is distinguished from an ordinary virus by virtue of the fact that its RNA is converted to DNA by an enzyme called reverse transcriptase. Its replication and survival is totally dependent on the viability of the host cell. If the host cell dies, the virus is finished. Dr. Gallo knew this basic fact; however, he would soon purposely ignore this fact in order to serve his own needs by claiming that the virus was very "mysterious".
Somehow it would mysteriously survive while mysteriously slaughtering T-cells by the millions (this has never been observed). He had contended in the past, but failed to prove, that the very same retrovirus (HTLV-I) caused a specific type of leukemia which was occuring in Japan. The power of position, that of being a top government official and scientist, has allowed the erroneous label of "leukemia virus" to remain intact even though it was rejected by the scientific community.

In 1981, it was proposed that an acquired immune deficiency was the basis for a new syndrome of diseases (AIDS) that appeared to be surfacing amongst promiscuous male homosexuals and intravenous drug users. Dr. David Durack, of Duke University, a recognized expert on infectious diseases and the immune system, though admitting the prevalence of drug use (particular "poppers" or amyl nitrites) and repeated multiple infections, ignored these well-known causes of immune deficiency and announced that this "truly new syndrome" must be due to "some new factor".
Continuously this group of scientists has resorted to theory, not fact, as to how the AIDS virus supposedly accomplishes its dirty deeds. The words, "it is thought", are constantly used in casual conversations or in the non-scientific articles and popular magazines and books. In the scientific journals or at lectures the theory is presented as established fact although there are no facts involved. It is portrayed as an established truth and therefore is accepted as such by most scientists, including physicians.

The so-called HIV virus is still referred to as a "new" virus in spite of the indisputable evidence to the contrary. Incorrectly, the virus has been characterized as "attacking" or "infiltrating" the immune system, when in reality this is impossible because it is not alive and does not invade. Retroviruses are engulfed by the cells and incorporated into the cell's life processes.

⁣Urgent address by Egon Cholakian to all people following his recent participation in a joint session of the Nobel Committee and the National Academy of Sciences in Washington.

In his address, Egon Cholakian reveals the true and shocking reasons behind global climate change, climatic anomalies, and catastrophes that are escalating worldwide. Egon Cholakian explains the pattern of recurring climate catastrophes that we are currently experiencing. This pattern is reflected in a unique mathematical model indicating a geometric progression in the growth of climate catastrophes, which could lead to the demise of humanity in the coming years. As Egon Cholakian stated, "Our planet is on the brink of self-destruction, and humanity has only a few years left to prevent the impending catastrophe."

Egon Cholakian proposes the only viable and scientifically substantiated solution available today that can save us from a global climate catastrophe. Action must be taken soon while we can still change the situation. This information is being revealed for the first time.
Egon Cholakian, is a qualified Particle Physicist, affiliated with the preeminent CERN particle physics laboratory as a Future Circular Collider technology developer. Collaborates in the arrangement of NASA’s NISAR mission. A member of the International Association of Intelligence Educators and an international tax Law professional. Served as a Legislative Tax Analyst attached to the President's Commission on International Trade and Investment Policy under President Nixon and President Ford. Worked with the Reagan Kitchen Cabinet, and Reagan White House within President Reagan’s Strategic Defense Initiative project. In total, Egon Cholakian worked with four U.S. Presidents. Currently serves as a federal lobbyist at The U.S. Congress and White House. Egon Cholakian has emerged as a prominent voice on climate change and national security-related matters.

For more detailed information about the project for establishing a unified scientific center, you can visit the website http://earthsavesciencecollaborative.com
For inquiries: egoncholakian@earthsavesciencecollaborative.com

Reproduction, distribution, and utilization of this video in part or in full are permitted through any means without distorting the information, provided that proper attribution is given to the source:
http://earthsavesciencecollaborative.com

⁣The Hollywood Vampires take their name from an all-star social club that drank itself to oblivion during the mid 1970s at the Rainbow Bar and Grill on The Sunset Strip. The 2019 documentary The Rainbow chronicles the restaurant’s place in the Los Angeles music scene and is an engaging profile of the family that’s run it for three generations (that is, when it’s not indulging in lazy nostalgia). Directed by Zak Knutson, it is currently streaming on Amazon Prime.
Since opening in 1972, the Rainbow has offered food and drinks to successive generations of rockers. Located in West Hollywood, betwixt a cluster of music venues, it was popular with bands visiting Los Angeles as well as those living and trying to make it in the City of Angels. Besides the Hollywood Vampires – which included Alice Cooper, a couple Beatles and riotous Who drummer Keith Moon, Led Zeppelin picked up groupies there, The Runaways ate there and a teenage Slash snuck in dressed as a woman. Motörhead’s Lemmy loved the place so much he bought an apartment within walking distance and was often found drinking Jack Daniel’s and playing video poker at the bar for hours on end.
Behind it all was the Maglieri family, led by tough talking patriarch Mario, who came to Los Angeles from Chicago in the early 1960s to help run another storied local institution, the Whisky A Go Go. Mario is hard not to like, dropping one-liners like “I had rock n’ roll in my bar in Chicago before you ever heard of rock n’ roll,” calling Jim Morrison “a good kid,” and telling stories about throwing Charles Manson out on his ass, like a real life Cliff Booth. “He says, ‘I’m Jesus.’ I tell him, ‘I’m God motherfucker. Now get up from that chair.’ He got up or I’d have had to beat the shit out of him. Either one.”
Though its capacity was in the hundreds, the Whisky became one of the most important L.A. music clubs of the ‘60s and ‘70s. The Doors and Chicago were the house bands at various times, Van Halen used it to built their audience and scores of trailblazing acts made their area on its stage. As Kiss’ Gene Simmons says, “When you first start out and before you figure out your game, the Whisky’s the place to do it.” In fact, the Maglieri have an interest in both the Whisky and the Rainbow, and the film is as much about the venue as the bar up the street.
As the ’70s turned to the ’80s, hard rock turned to metal, from glam to thrash, and again found a home on the Sunset Strip. W.A.S.P. and L.A. Guns drummer Steve Riley says he went to the Rainbow the first night he moved to L.A. and it became a great place to meet other hungry young rock musicians looking to form bands. Thought it all, Mario Maglieri was there to comp musicians a bowl of soup or offer fatherly advice, telling young rock stars when they were drinking too much or doing too many drugs.
REVIEW RESOURCE: https://decider.com/2020/02/24..../the-rainbow-documen

⁣n the tradition of his first Internet blockbuster, Loose Change, which has had over 100 million visits, Jason Bermas has created yet another outstanding documentary film, Invisible Empire: A New World Order Defined.
This film documents very clearly that some of America's most powerful elected officials, including all recent presidents, have been part of an international cabal to establish a socialist New World Order that would eradicate national sovereignty and many of the God-given freedoms vouchsafed in the Constitution of the United States, making all citizens mere slaves of the state.
It has an amazing collection of video footage of these leaders stating their unabashed ambitions to establishing this New World Order. It also shows just who is behind this international cabal and their nefarious intentions and true sinister nature. It is deeply troubling and very important.
Again, its relevance to Free Energy technology is two-fold. First, these same forces are behind many of the instances of suppression of breakthrough free energy, which would empower the individual, contrary to the NWO agenda to enslave. Second, the emergence of breakthrough free energy technologies will help unseat these criminals. It is a powerful antidote to the poison being administered.
Another point of relevance is that the film touches on the fact that Al Gore is one of the New World Order insiders helping to accomplish their objectives by politicizing climate change and using it as a reason to impose global carbon taxes; all while personally becoming super wealthy from his various involvements that include serious conflicts of interest. He should not be seen as a hero figure in the free energy movement.

⁣What’s it like to be cajoled, threatened and blackmailed by a sexual predator who has power, history and society on his side?

Untouchable: The Rise and Fall of Harvey Weinstein (BBC Two), directed by Ursula MacFarlane, is a film of halting testimonies, long pauses, lips pressed tightly together and eyes filling with tears. Of women struggling to articulate what they have left unsaid sometimes for decades, and what has gone unsaid by our sex – en masse – throughout history, until now.
You probably know the basic story – by osmosis if nothing else - so heavily was the media mogul’s eventual fall covered when the weight of evidence finally became too much for a man of even his resources to withstand.

It shows the uniformity of the women’s responses to suddenly finding themselves in terrifying situations

MacFarlane tells the story well. She gives due recognition to the journalists, especially Megan Twohey and Jodi Kantor, who broke the story in the New York Times, and Ronan Farrow’s gathering of 13 witness accounts in the New Yorker after painstaking investigations. But, like Dream Hampton’s Surviving R Kelly, Untouchable prioritises the victims’ stories (regardless of their personal celebrity or lack thereof – here “names” such as Rosanna Arquette simply slip in next to those without public profiles) and fills in the perpetrator’s to explain his relative power or position at the time. As with the R Kelly film – thought to have been instrumental in the R’n’B star’s latest arrest on federal sex trafficking charges – a pattern of predatory behaviour emerges, painted stroke by painful stroke by those who found themselves first charmed and cajoled by one version of Weinstein, then confronted with a very different one behind closed doors.

Whether we should be profoundly glad, deeply sad or simply exhausted to be living in a time where “examination of the lives of serial sexual predators unmasked after years of hiding in plain sight” is on the verge of becoming a recognised TV genre, let alone one taking up the slack left by uninterested police and legislative forces, I leave to you to decide. But we are where we are. Which is, waiting to see who gets their Jeffrey Epstein production off the blocks first.
Beyond a specific modus operandi – Weinstein’s involved hotel suites, towelling robes, forcible massages, volcanic rage and threats such as: “Do you really want to make an enemy of me for five minutes of your time?” – as an insight into one man’s apparent prelude to rape or assault (Weinstein denies all claims), such documentaries render a more valuable service in demonstrating, relentlessly and unavoidably, two things.

The first is how perfectly our world is built for predators to function. Of Weinstein’s staff who admit they knew something – something – was happening, a common refrain is that they assumed “some sort of agreement” had been reached between the would-be actors and the mogul. If you live in a society that already believes in the casting couch, because the concept of young women as more-or-less sexual resources to be exploited is so embedded in the psyche, half your work – to normalise your predilections, to secure complicity – is done. With the likes of the gossip columnist AJ Benza out there – “You put a light on the porch,” he says of Weinstein’s power, “you’re gonna get a lot of moths” – the world is yours to do with as you will.


The second, perhaps even more valuable, service it renders is to show the uniformity of the women’s responses to suddenly finding themselves in terrifying situations, and how far they deviate from “common sense” or “natural” expectations (words defined almost entirely by men, who have least need of them). They don’t fight. They compute their chances against a much taller, heavier opponent (“He’s huge, you know,” says Hope d’Amore, who worked for him in the early days and says she was assaulted in 1978) and they go still. “The freeze thing kicks in,” says the actor Caitlin Delaney. “You just want it to be over.” They maximise their chances of survival (“I felt leaving would be worse,” says actor Erika Rosenbaum, when she saw a smashed and bloody toilet seat in his bathroom) and try and leave in other ways instead. Actor Paz de la Huerta remembers “hovering over my body” as, she says, Weinstein raped her. “I definitely went somewhere else,” says Delaney. Rosenbaum remembers hoping that if she kept still enough she would somehow disappear.
Almost every woman watching will understand. Some men will, too. If these films add to their number, maybe we can begin to change the world.

REVIEW RESOURCE: https://www.theguardian.com/tv....-and-radio/2019/sep/

⁣A documentary featuring Steven Greer, apostle of the alien-visitation disclosure movement, has tantalising "sightings," but reveals that ET obsession is now the mother ship of conspiracy theory.
Supporting actors: Adam Michael Curry, Joe Martino, Jan Harzan, Dr. Russell Targ
Producers: Dr. Steven Greer, Grant Ibrahim, Jim Martin, Philip James
Studio: 1091
Rating: Not Rated
Content advisory: Drug use, foul language, violence
In the old days, you would check in on an alien-visitation shlock-TV documentary (or an episode of “Unsolved Mysteries”) all to catch those grainy home-movie glimpses of alien spaceships. On that score, “Close Encounters of the Fifth Kind” is nothing less than an all-you-can-eat banquet of UFO porn. There are vintage clips of “sightings” shot in 8 and 16mm, but most of them are from the home-video and cell-phone-camera era, all tagged with important-sounding datelines.


CE5 event, March 16, 2017, Newport Beach, Calif. (five shimmering green lights in the sky!). CE5 Event, Sept. 21, 2019, Vancouver, B.C. (purple lights ringed like an X-ray of bottom teeth!). There are shaky-cam videos of glowing discs that hover and vanish into the ether and what look like a pair of suns that appear on an ocean horizon. There are mysterious lights, sometimes three (in a triangle), sometimes five (in a cluster), or 10 in the shape of a V. As always, these you-are-there images cast a spell, though the most spine-tingling element is often the reactions of the people shooting the video, who always say something like “Ho-lee shit” in a way that makes it sound like they’re witnessing the uncanny.


Of course, after you’ve seen 30 or 40 of these clips, they begin to acquire a certain more-is-less quality. Look, it’s one more set of lights hovering in the sky! One more saucer-shaped thingy! Another blip, another blob, another fuzzy pulsating orb, another streak of light too crooked to be a comet trail. Are these really alien ships? Or are they close encounters of the WTF kind?
“Close Encounters of the Fifth Kind” is the third documentary, following “Sirius” (2013) and “Unacknowledged” (2017), to be centered around Dr. Steven Greer, the apostle of the alien-visitation “disclosure” movement. “Unacknowledged” was a kind of extraterrestrial manifesto, and it’s a movie that can suck you in and give you that down-the-rabbit-hole experience, so that as you watch the footage and scan the hidden government documents and hear the testimonials, you may find yourself on the precipice of feeling that you…believe. In “Close Encounters of the Fifth Kind,” we see Steven Tyler on “The Joe Rogan Experience,” repeating to his host, “You’ve got to see ‘Unacknowledged,'” as if watching that movie would change your life. And that, in a way, is the point of all UFO porn: to provide a conversion experience. (I was blind, and now I believe in ETs!)


But “Close Encounters of the Fifth Kind” treats alien visitations as a given. That is, it totally takes for granted that there’s a technologically advanced, mystically benevolent world of extraterrestrial beings, light-years beyond ours in development and consciousness (though they still walk on two legs and have big bulgy heads like the Martians in ’50s sci-fi movies), who for all their cosmic distance from earth still had enough concern to show up in 1947 to save us from the specter of the nuclear age.
Taking this as undeniable fact, “Close Encounters of the Fifth Kind” is a conspiracy documentary built around the thesis that the “national security state” has concealed it from all of us. It has kept these close encounters hidden in the darkness — and just as deceptively, it has advertised, through the mainstream media and Hollywood movies, the notion that if life beyond earth exists, it must surely be hostile. More “War of the Worlds” than “E.T. the Extra-Terrestrial.” The national security state has done all this for its own world-dominating purposes. “Close Encounters of the Fifth Kind” is two hours of fantasy propaganda attacking reality-based propaganda. It can make your eyes widen and your head hurt at the same time.
With his pockmarked face and broad shoulders, Dr. Steven Greer, who was born in 1955 (and claims to have seen a flying saucer when he was nine), is like a ’70s computer nerd played by John Waters with a touch of Guy Pearce. He’s compellingly articulate, with a thousand points of information and a kind of name-dropping “I was at this meeting at the CIA…” cockiness that lends his statements a patina of authority. With his books, films (this one, like “Unacknowledged,” was directed by Michael Mazzola), and his privately curated group sighting tours, he’s become the science-whiz P.T. Barnum of alien visitation, a role he seems to relish all the way to the bank.
Does he believe everything he says? Part of the strange psychology of our time involves people with vast platforms stating things that aren’t true as if they were true, and doing it often enough that they believe it themselves. When Greer chokes up into an “Oprah” moment and weeps on camera at the thought of all the people on his team who’ve either committed suicide or been assassinated (yes, he says this), you’re seeing a man who will go the extra mile to sell his snake oil. Steven Greer seems sincere and intelligent, but he’s also got a prattling-on-at-the-mouth touch of New Age narcissism, and the narrative he spins is so extreme that you either buy it or you don’t. I’ve always watched those clips of sightings feeling as if alien ships could be real (though what I tend to think is: they’re some form of defense craft), yet Greer, in his way, does a version of what Trump does, taking the fake-news accusations that were once leveled against alien believers and projecting them onto the skeptics. If, like me, you’re not a believer, then you’re perpetuating the lie. You’re part of the conspiracy.
And as “Close Encounters of the Fifth Kind” makes clear, the mythology of alien visitation has become the mother ship of all conspiracy theories, mutating with the times, soaking up other conspiracies like a sponge. The new alien theology is a hydra that keeps sprouting new (paranoid) heads.


There was the original incident, and cover-up, at Roswell. (Several raging military figures who claim to have been there testify, in the movie, that they saw the alien bodies.) There’s the idea — and this goes back to the stories of George Adamski, the founding voice, in the early ’50s, of the alien-contact movement, and also to the classic 1953 movie “The Day the Earth Stood Still” — that aliens have arrived, and they’ve come to be friends, but the government can only see them as a hostile force.


To that idea, Greer now adds a layer of deep-state treachery, claiming that it’s all an underground plot that even the U.S. president has no power over. And this is all linked to the environmental movement — or, in fact, to the systematic squelching of it. One key reason for the cover-up, you see, is that the aliens possess technology that could solve the energy crisis with the snap of an ET finger, nixing the need for oil or even solar panels. (It would all happen with advanced alien tech magic, lending new meaning to the phrase “little green men.”) But naturally, the American fossil-fuel complex will have none of this. Believe it or not, even the death of Marilyn Monroe has been glommed onto the conspiracy. According to Greer, the reason Marilyn was “killed” is that, in the midst of her affairs with JFK and RFK, she was about to say something in public about the government’s alien secrets.
What’s more, remember all those stories in the ’80s about alien abduction — all the folks who looked like future Trump voters who claimed to have been taken aboard alien spaceships and probed while under a state of hypnosis? According to the movie, that’s now part of the conspiracy. The abductions, it turns out, were all staged as an act of counterintelligence. Richard Doty, a sleazy-impish retired agent of the Air Force Office of Special Investigations, claims that it was his job to hoax UFO researchers (there’s a whole documentary about Doty, entitled “Mirage Men”), in part to make them look like wackjobs.


In the ’70s, people got off on the sheer wish-fulfillment awesomeness of close encounters, the whole religious “Whoa!” factor of it. But what the science-fiction-is-real circus of “Close Encounters of the Fifth Kind” is selling is the dream that aliens could save us from the darkness of America. They’ve become sci-fi versions of Jesus crossed with Noam Chomsky. (And does this movie, as it implies, really think that the Russians or the Chinese would be any more humane about it? Vladimir Putin would eat an alien for breakfast.) The movie is predicated on a kind of emotional formula in which deep-state secrecy equals cover-up, and if there’s a cover-up then there must have been something to cover up. The film works like a drug, or maybe the cakes Alice eats in “Alice in Wonderland.” It says to its audience: Experience this movie, and it will clear your mind of the disinformation, laying bare the glowing nugget of revelation under the conspiracy.


But as it goes on, this all becomes a marketing hook for an increasingly flaked-out fantasy. In the midst of his anti-government screed, Steven Greer slips in that there have been many, many extraterrestrials captured and killed, and that in the desert of Arizona “there’s an underground facility where there are nine different ET craft that are there with all the autopsy bodies.” His proof? “There’s a man on my team who used to work in that facility.” He goes on to compare the aliens who’ve visited the earth to Gandhi. And that’s before the movie, in its windy second half (ESP, the physics of teleportation, aliens as mystical avatars of a one-universe consciousness), threatens to become a quantum version of “Koyaanisqatsi.”


The ultimate oddity ­of “Close Encounters of the Fifth Kind” is that it pushes a rabidly pro-environmental, anti-corporate, flower-child agenda, yet it does so with the kind of huckster aggression that has allowed left-wing conspiratorial thinking to mutate into right-wing paranoia. Put another way: The belief in alien visitation, as presented here, is actually congruent with the Trump agenda — the idea that America could be restored in one fell swoop by an acceptance of the otherworldly saviours who are already in our midst. That sounds, in its way, distressingly familiar: a promise to fix the world with fairy tales.

Resource: https://variety.com/2020/film/....reviews/close-encoun

⁣A Journey with Ayahuasca
Reconnect is London Real’s fifth feature-length documentary film and documents Brian Rose’s journey to Costa Rica where he participates in multiple ceremonies with the plant medicine Ayahausca. The movie stars Graham Hancock, Dr. Jordan Peterson, Dennis McKenna, Sadhguru, Dorian Yates, Dr. Gabor Mate, Dr. Joe Dispenza, Michael Pollan, and Dan Pena.


As the founder and host of London Real, Brian Rose has spoken to over 1,000 of the greatest minds on the planet for the past eight years including Dan Peña, Dan Bilzerian, Robert Kiyosaki, Jocko Willink and more.
With an aim to spread transformational ideas to the world, London Real reaches millions of people each month with its message and yet, when Brian looked outside his studio, he saw a very different reality: a world full of division, tribalism, hatred, anger, and disconnection from our environment.


Against that background, Brian also felt extremely disconnected from his purpose, his mission, and his family.
Under the advice of legendary psychedelic researcher Dennis McKenna (brother of the late Terence McKenna), Brian decided to travel to Costa Rica to participate in three ceremonies with the ancient plant medicine Ayahuasca, known for inducing powerful visions, painful experiences, and transformational lessons.


There he reconnects with his vision and purpose but also uncovers childhood trauma that created an existential crisis in his life. After returning to London with clear visions about the future, he soon realised that things are not what he expected, and that real transformation and healing must include painful challenges and uncomfortable situations.


Along the way, Brian is advised and mentored by a number of London Real guests including Jordan Peterson, the best selling author Michael Pollan, Graham Hancock, childhood trauma specialist Dr. Gabor Mate, the Indian mystic Sadhguru, Dr. Robin Carhart-Harris of Imperial College London, former bodybuilder Dorian Yates, Dr. Joe Dispenza, and high-performance coach Dan Peña, the $50 Billion Man.


Despite this incredible guidance, Brian struggles to address his personal demons, and ultimately decides to confront the people who caused his trauma. So he embarks on a trip home to speak separately to his mother and father, in order to heal himself and ultimately create a new future for his children, his company, and his movement.
Watch Reconnect now and share in Brian’s story through his Ayahuasca ceremony and beyond to his integration exclusively here on London Real.

RESOURCE: https://londonreal.tv/reconnect-the-movie/

⁣Koyaanisqatsi is a visual concert of images set to the haunting music of Phillip Glass. While there is no plot in the traditional sense, there is a definite scenario. The film opens on ancient native American cave drawings, while the soundtrack chants "Koyaanisqatsi" which is a Hopi Indian term for "life out of balance".

The film uses extensive time lapse photography (which speeds images up) and slow motion photography to make comparisons between different types of physical motion. In one of the first examples, we see cloud formations moving (sped up) inter-cut with a montage of ocean waves (slowed down) and in such a way we are able to see the similarities of movement between these natural forces.

This technique of comparison exists throughout the film, and through it we learn more about the world around us. The film progresses from purely natural environments to nature as affected by man, and finally to man's own man-made environment, devoid of nature yet still following the patterns of natural flow as depicted in the beginning of the film, yet in chaos and disarray. Through this the film conveys its key message, which is Koyaanisqatsi: life out of balance; crazy life; life in turmoil; life disintegrating; a state of life that calls for another way of living.

Director: Godfrey Reggio
Writers: Ron Fricke(scenario)Godfrey Reggio(scenario)Michael Hoenig(scenario)
CAST: Edward Asner(archive footage)Pat Benatar(archive footage)Jerry Brown(archive footage)

⁣Welcome to Futureunity, where we explore the fascinating world of science, technology, and the universe! From the inner workings of the human body to the outer reaches of space, we delve into the latest and most interesting discoveries that are shaping our world. Whether you're a science buff or just looking for some mind-blowing facts, we've got you covered. Join us as we uncover the mysteries of the world around us and discover new frontiers in the fields of science and technology. Get ready for a journey that's both educational and entertaining!

Disclaimer Fair Use:
1. The videos have no negative impact on the original works.
2. The videos we make are used for educational purposes.
3. The videos are transformative in nature.
4. We use only the audio component and tiny pieces of video footage, only if it's necessary.
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing.

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Our channel is based on facts, rumors & fiction. We are not anonymous and we are not associated with anynymous in any way. Purely made for entertainmed purposes.

⁣They Can’t Hide This Any Longer… Some COVID-19 Patients Have Deadly Venom In Them
36 different shellfish toxins and snake venom are showing up in COVID-19 patients…
How did this end up in their blood, feces, or urine?
Some experts believe this so-called “respiratory” disease is actually an envenomation from the vaccine.
They’ve targeted people with toxins for decades…
Why wouldn’t this be the case now?
Did you know that the word “corona” means “crown for the king” and virus in Latin actually means “venom” so coronavirus very closely translates to “king venom”?
If you thought this film was eye-opening, then you won’t want to miss out on what we reveal next. It’s even more shocking… and the good news is, there are solutions!

⁣Take a journey around the world and back in time with anthropologist Dr. Niobe Thompson, and discover the miracle of our species.
Three-part documentary series and interactive web documentary The Great Human Odyssey explores the unlikely survival and the miraculous emergence of Homo sapiens as the world’s only global species. Ancient climate research has revealed that we evolved during the most volatile era since the extinction of the dinosaurs. Just like the many other kinds of human who once shared our world, we should have died away. Instead, our species survived to populate every corner of the planet, against all the odds.
Over 18 months of filming, Niobe followed in the footsteps of our ancestors across locations on five continents, working with 22 Canadian, American and South African cinematographers, including aerials, underwater, and ultra-slow motion specialists. Equipped with the next generation of ultraHD 4K cameras, film crews worked in some of the most hostile environments on Earth, including Arctic Siberia, remote South Pacific islands, tropical rainforests and African deserts.

On Papua New Guinea’s Sepik River, Niobe witnessed the extremely rare skin cutting initiation of the Crocodile People. His crew was the first in film history to visit the Badjao – the world’s last breath-hold diving nomads – in their war-torn homeland in the southern Philippines. In Russia, they filmed over the course of a full year in a closed border zone on the Bering Strait, eventually succeeding in their goal of capturing a traditional Inuit nest raid on 200-meter high sea cliffs.
At the same time, their cameras had privileged access to one of the world’s leading ancient DNA laboratories, where research on early human remains is explaining the mysteries of our survival, including the enigma of our ancestral interbreeding with Neanderthals.
The Great Human Odyssey boasts a live symphonic and choral score by Darren Fung, recorded with members of the Edmonton Symphony Orchestra and ProCoro Canada at one of North America’s leading acoustic spaces, Edmonton’s renowned Winspear Opera Hall.
After watching the series, immerse yourself in a virtual reality experiment, walking in the shoes of Kalahari Bushmen, Chukchi reindeer herders or Badjao free-divers, through the interactive web documentary. A parallel crew of cinematographers and web developers worked alongside the film crew on location to animate these fascinating cultures through POV video interactions.

You can also travel back in time to the origins of our species, 4m years ago, and see how our planet’s shorelines, deserts and glaciers changed at key points in evolutionary history. Working with Columbia University’s Lamont Doherty Earth Sciences Lab, this animated visual representationof climate change is a first-ever.
The Great Human Odyssey site is packed with interviews, mini-documentaries, image galleries and text information to give audiences a rich and visually exciting tour of the science and filmmaking techniques behind The Great Human Odyssey.

⁣Near-Death Experience, Awareness, Mental stability, psychology, mind games, documentary, Interview

Jeffery Olsen explains how he had a near-death experience, and why it has changed his vision of life and death.
An interview by Anthony Chene

RESOURCE : http://www.anthonychene.com