⁣The Israeli military’s reported use of an untested and undisclosed artificial intelligence-powered database to identify targets for its bombing campaign in Gaza has alarmed human rights and technology experts who said it could amount to “war crimes”.

The Israeli-Palestinian publication +972 Magazine and Hebrew-language media outlet Local Call reported recently that the Israeli army was isolating and identifying thousands of Palestinians as potential bombing targets using an AI-assisted targeting system called Lavender.

⁣The Rothschild family (/ˈrɒθ(s)tʃaɪld/ ROTH(S)-chylde, German: [ˈʁoːt.ʃɪlt]) is a wealthy Ashkenazi Jewish family originally from Frankfurt that rose to prominence with Mayer Amschel Rothschild (1744–1812), a court factor to the German Landgraves of Hesse-Kassel in the Free City of Frankfurt, Holy Roman Empire, who established his banking business in the 1760s. Unlike most previous court factors, Rothschild managed to bequeath his wealth and established an international banking family through his five sons, who established businesses in London, Paris, Frankfurt, Vienna, and Naples. The family was elevated to noble rank in the Holy Roman Empire and the United Kingdom. The family's documented history starts in 16th century Frankfurt; its name is derived from the family house, Rothschild, built by Isaak Elchanan Bacharach in Frankfurt in 1567.

During the 19th century, the Rothschild family possessed the largest private fortune in the world, as well as in modern world history. The family's wealth declined over the 20th century, and was divided among many descendants. Today, their interests cover a diverse range of fields, including financial services, real estate, mining, energy, agriculture, winemaking, and nonprofits. Many examples of the family's rural architecture exist across northwestern Europe. The Rothschild family has frequently been the subject of conspiracy theories, many of which have antisemitic origins.

⁣[Merlin] Absolute Label Services (on behalf of Marc Martel / The Fuel Music); LatinAutorPerf, LatinAutor - Warner Chappell, SOLAR Music Rights Management, Warner Chappell, Global Music Rights LLC, LatinAutor - SonyATV, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, MINT_BMG, Sony Music Publishing, ASCAP, Abramus Digital, and 5 music rights societies


⁣http://www.marcmartelmusic.com
http://www.twitter.com/marcmartel
http://www.facebook.com/marcmartelmusic

⁣We need to have a heart-to-heart about a little something called the New World Order agenda.


You see, for decades, conspiracy theorists have been warning us about this globalist plan to create a one-world government, but it seems like too many of us are still in the dark about what's really going on. So, why are we being kept ignorant?


Let's dive in and find out.

⁣With unfettered access to the Zappa family trust and all archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time.


Alex Winter’s assembly features appearances by Frank’s widow Gail Zappa and several of Frank’s musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others.
Directed by Alex Winter
http://www.thezappamovie.com/

For more great titles, check out Magnolia Selects:
https://www.magnoliaselects.com

'Frank didn't adhere to any movements': behind the Zappa documentary (The Guardian)

⁣Primarily known as a past life regressive therapist, Dolores Cannon reveals her experiences as an Alien and U.F.O. investigator, citing compelling cases of alien abductions and communications with E.T.s. Unaccounted time, the seeding of Earth, the E.T. cover-up, crashed U.F.O. cases, what the Greys truly are and mankind's future on the New Earth are but a few provocative topics Cannon discusses.
From the dawn of mankind, they have been here guiding us, monitoring us, perhaps helping us with our advancement, but also manipulating us to some kind of end game. No, we are not alone and never were. From the true stories of credible eyewitnesses, learn fascinating insight into the Alien Presence on Earth and what it may mean for mankind.

⁣Disclaimer: We here at FOY (FollowersofYah.com also known as FOY) ministry are Not Doctors, We advise everyone to always seek the advice of a physician or other qualified health care provider with any questions regarding personal health or medical conditions. If you have or suspect that you have a medical problem or condition, please contact a qualified health care professional immediately. The Content listed represents the views and opinions of FOY ministry. The Video Content has been made available for informational and educational purposes only.

The Video Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read or seen on our site. FOY ministry hereby disclaims any and all liability to any party for any direct, indirect, implied, punitive, special, incidental or other consequential damages arising directly or indirectly from any use of the Video Content, which is provided as is, and without warranties. Whatever you decide, FOY ministry ministry is not liable for your own personal decision. Each person must consider the benefits verses disadvantages of the subject at hand.

Strikes have been removed so I can now post this here! The book, that the great prophet, Dani’el was told to seal, has been unsealed! By Yahuwah’s great mercy and kindness, through HIS Ruach Ha Qodesh, by faith in Yahushua Ha Mashiach, He has completely, revealed the fullness of the end time deception. You do not want to miss watching this. You can also order the ‘Abomination of Desolation’ on DVD order by email at emailus@FollowersofYah.com.

Disclaimer: we here at FOY, feel strongly against receiving anything that can alter one's DNA. However, with that said, we by no means can pass judgment on any individual person as Yahuwah is the Judge. One's Salvation is based on belief in Yahushua Ha Mashiach.
COPYRIGHT DISCLAIMER UNDER SECTION 107 OF THE COPYRIGHT ACT 1985, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching,Scholarship, and research. fair use is permitted by copyright statue that might otherwise be infringing Non Profit Educational or personal use tips the balance in favor of fair use.

⁣Carlos Castaneda (1925-1998) is often called the "godfather" of the human potential movement. His name and life are surrounded by many contradictions, fictions and legends.
This film feature Castaneda's closest apprentices as well as major experts in modern spiritually oriented psychology who lift the veil on the greatest mystery of his life: the stormy search of how to become real.

⁣As long as you accept there’ll be no genuine analysis in “My Generation,” Michael Caine’s joy ride through his youth offers significant pleasures. There’s a tremendous amount of pleasure to be had in David Batty’s “My Generation,” a sloppy wet kiss to Michael Caine and British youth culture of the 1960s. Loaded with great footage from the era and accompanied by superbly cleaned-up music tracks from the Kinks, the Beatles, the Rolling Stones and many others, this love letter-as-documentary offers 85 minutes of good old fun. What it doesn’t do is posit any genuine analysis or even make a head-nod to diversity.

But this is Caine’s narrative about the unapologetic working class taking over popular culture, and the writers as well as music mogul Simon Fuller, acting as top producer, have no interest in countering their star’s gleefully empowering chronicle of his youth. Voiceover interviews with such key players of the era as Paul McCartney, Marianne Faithfull, Twiggy and Mary Quant add to the overall feast, making the film an attractive offering for all platforms. Britain in the 1950s was dull, announces Caine, though doesn’t every generation say that about the era before their own gloriously self-satisfied arrival?

What’s undeniable is the momentous shift toward youth culture beginning in the 1960s, as well as the opening up of opportunities for white working-class creative types who no longer submitted to makeovers designed to smooth out their roughness. In one of the more telling anecdotes, Caine talks about auditioning for “Zulu,” his breakthrough role, and accurately suggests that had the director, Cy Endfield, been British instead of American, Caine’s working class London accent would have eliminated any hope of being cast in the role of an upper-class officer. That’s an undeniable fact.

Far more shaky is the suggestion that the working class in the 1960s was the first generation in Britain to thumb its collective nose at convention. On-the-street interviews from the era with stuffed shirts bemoaning the appearance of long-haired men in flowery blouses expose middle-class attitudes, but the filmmakers choose to ignore the fact that the upper class has always played with transgression in ways designed to shock the bourgeoisie. What made the 1960s different was that the working class was playing the same game, and emulating “our betters” was no longer an acceptable form of behavior.

Nor was emulating our elders: Freedom from convention was the hallmark of a social revolution that impacted everything from art, music and clothing to changing concepts of morality. Of course, every Englishman knows the class system remains the key determinant of opportunity, but in the art and entertainment world, coming from the wrong side of the tracks is actually now more desirable than a boarding school certificate, and that’s definitely due to the upheavals of the 1960s. Batty divides the film into three parts, roughly corresponding to the awakening, the flourishing and the decline of 1960s pop culture.

Alongside nods to expected historic markers like the Beatles performing at Liverpool’s Cavern Club are more unanticipated moments, such as Roger Daltry talking about the profound impact of seeing Elvis perform: “For the first time in my life, I saw someone who was free.” That’s about the only time in the film there’s a mention of transatlantic influences on the British scene. From there, the documentary plunges headlong into the intoxicating psychedelic playpen of Pop Art, Vidal Sassoon haircuts, and Mary Quant micro-miniskirts, reminding audiences (or teaching them for the first time) that in the 1960s, color and pattern were transgressive and hip, unlike today’s tediously conformist black monochromaticity.

Suddenly, thanks to the British Invasion, being young and British meant you were cool, stylish and glam, tuned into the best music, clothes and art movements. Models such as Jean Shrimpton and Twiggy set new standards for beauty, and groups like the Animals, the Kinks, the Stones and of course the Beatles set the tone, guiding a generation from the innocent charm of “Love Me Do” to the raucous hunger of “(I Can’t Get No) Satisfaction.” By the end of the decade, hedonism took a darker turn.

The Vietnam War acted as a political coming of age, and the destructive nature of so much heavy drug use began to take its toll, symbolized by the death of Brian Jones and Faithfull’s near-fatal drug overdose, both in 1969. For Caine, “My Generation” is a chance to look back in nostalgic delight at his salad days, allowing him to gamely reminisce about his time as one of the “it” boys of London. He even gets to swan around in the original Aston Martin DB4 he drove in “The Italian Job.”
None of the others interviewed are seen on screen — whether that’s because the producers wanted to maintain the aura of 1960s youth, or it was the only way to get these people to talk, remains open for speculation. It’s also likely that writers Dick Clement and Ian La Frenais allowed themselves to be guided by Caine’s insistence on working-class culture, ignoring the fact that some of those included, most especially Faithfull, are from posh backgrounds. If you set aside analytical skills however, it’s easy to sit back and enjoy the wealth of archival clips accompanied by fantastic music tracks that seem to have been remastered for the occasion (lord knows how much all the music rights must have cost).

Ben Hilton’s editing successfully crams in a great deal without a sense of whiplash. Reviewed at Venice Film Festival (Out of Competition), Sept. 4, 2017. (Also in London Film Festival – Journey.) Production: (Documentary — U.K.) An XIX Entertainment presentation, in association with IM Global, of a Raymi Films production, in association with Ingenious Media. (International sales: IM Global, Los Angeles.)

Producers: Simon Fuller, Michael Caine, Dick Clement, Ian La Frenais, Fodhla Cronin O’Reilly. Executive producer: James Clayton. Co-producer: Ben Hilton. CREW: Director: David Batty. Writers: Dick Clement, Ian La Frenais. Camera (color): Ben Hodgson. Editor: Ben Hilton. Music supervisor: Tarquin Gotch. Crew: With: Michael Caine Voices of David Bailey, Twiggy, Terry O’Neill, Roger Daltrey, Marianne Faithfull, Paul McCartney, Lulu, Joan Collins, Sandie Shaw, Penelope Tree, Dudley Edwards, Mary Quant, Mim Scala, David Putnam, Barbara Hulanicki.

⁣The Dark Web | Black Market Trade | Illegal Activities | Documentary


⁣The Dark Web - There’s a dark side to the internet, and you probably don’t even know it exists. Look behind the positive veneer of social media, communication apps and platforms that have made our lives easier and more connected, and you’ll find criminals using the same apps and platforms to run illicit and dangerous activities.


The Dark Web (2019)
Genre: Documentary
Language: English
Release Date: 10 Jul. 2019 (Singapore)


Synopsis:
0:00 Black Market Boom
Drugs, guns, counterfeit documents and much more are sold on dark web marketplaces that run on anonymous browsers and using cryptocurrency. AlphaBay was the biggest marketplace, transacting over US$800,000 in a day enabling its founder to live a luxury lifestyle in anonymity, until international law enforcement caught up with him.


45:16 The Candyman
It was one of 640 million closed groups on Facebook. Hiding behind the anonymity, the creator of child p*rnography group Loli Candy and its 7,000 members hid their activities on Facebook and Whatsapp – the dissemination of horrifying images of abuse. While they were eventually bought to justice many more thrive.

⁣The fact that the footage of 1969’s Harlem Cultural Festival that makes up the bulk of Summer of Soul languished for so long outside of the public eye is an injustice. The fact that first-time filmmaker Ahmir “Questlove” Thompson has now brought it all brilliantly into the light makes him not only a documentarian but a revolutionary. The stunning 1969 performances themselves are worth the price of admission, but they grow even more transcendent when spliced together with delightful talking head interviews and haunting historical context. The result is both archival and activating, showcasing a past cultural moment while pushing audiences to pour new energy into the present and the future.

Dubbed “the Black Woodstock” by Hal Tulchin, the man who rolled cameras as the event unfurled, the moving parts of the Harlem Cultural Festival represent a movement that is far more than what that nickname might suggest. The brainchild of event organizer Tony Lawrence, attended by thousands, and boasting a lineup of essential artists, it was and remains an overwhelming example of co-creative, faith-fueled community organizing. There are abundant shots of the crowd accompanying the footage of the performers, but these attendees never seem as if they are simply onlookers. They instead look like they are simultaneously at church, at a rally, and at a club, showing how intersectional true spiritual experience can be, pulling in elements from all three sacred spaces and crafting something that can’t exist without all of the ingredients.

And, in turn, the performers deliver a combination of a service, a protest, and a show. Though good showings are to be expected from names like Nina Simone, Stevie Wonder, The Fifth Dimension, Sly and the Family Stone, and Gladys Knight and the Pips, the performances in Summer of Soul reach greater heights than could be expected. Whether or not these are the best technical performances that these stars have achieved is hardly the matter; these aren’t just performances, they’re incantactions, invocations, and explosions of unshakeable inspiration.
Though there are countless high points, the centerpiece of the performance footage is an impromptu “Precious Lord, Take My Hand” duet between a weary Mahalia Jackson and a fresh-faced Mavis Staples. This collaboration would have been a wow moment even if just performed well but these two vital voices combine to craft something almost otherworldly, something that truly must be experienced to be understood.

The interviews and accompanying contextual footage add both levity and gravity to the proceedings. Hindsight reflections from performers and audience members show the human hearts and souls at the center of the excitement while accompanying snapshots of what was occurring in the world outside Harlem’s Mount Morris Park keep the happening firmly planted in the bending moral arc of the universe.


Together, these aspects make Summer of Soul a truly prophetic offering, not simply a chronicle, not merely a concert film, but something wholly different and beautifully holy. It’s a passion project that not only unearths and restores a long-hidden piece of history; it might also contain enough restorative breath to unearth a collective liberative spirit that is in need of regular resurrection.


REVIEW RESOURCE: https://www.spiritualityandpra....ctice.com/films/revi

⁣This documentary brings up several questions about the secret space program: what it is, who is behind it and why Is there a human civilization living off-world with highly advanced technology and knowledge about the existence of aliens Why are we being kept in the dark?

The moovie exposes the fact that the NASA space program is actually a continuation of the Space Projects funded by the Royal-Bavarian Elite, who, under the custodianship of Hitler and Himmler planned to voyage to the Moon and create a LUNAR BASE. Project Paperclip, the Van Allen Radiation Belts and literally dozens upon dozens of UFO clips filmed from aboard the flight-deck of the SPACE SHUTTLE by NASA astronauts makes this motion picture documentary a special collector's item.
…as David Icke, Jaime Maussan, Marcus Allen and Valery Uvarov spoke, the veil of secrecy at NASA, the sordid history of the ex NAZI SS Officers at the heart of the Apollo Space Missions and the interplay of Masonic symbolism in the names of rockets and spacecraft all started to become frighteningly clear. Chris Everard presents what can only be described as the most startling UFO footage ever seen.

The Space Serpents flying around the upper atmosphere have to be seen to be believed. What’s more, is that all the UFO clips come direct from NASA – filmed by astronauts aboard the Space Shuttle! I must admit that I originally thought the premise for this film was ridiculous. Two hours later, I found myself staring blankly at the end credits. My phone rang unanswered. I lit my first cigarette for 20 years and realised that some kind of Alien Invasion is happening. Colonel Philip Corso was right. They’re Here!”

Let me know your thoughts in the comments below 👇

⁣In 2020 London Real TV - Icke claimed pandemic was a cover story. As we know now - he was right.
The local television station London Live is facing sanctions after the media regulator, Ofcom, found it had posed a threat to the public’s health by showing a lengthy interview with David Icke about the coronavirus pandemic.
The little-watched channel, owned by Evening Standard boss Evgeny Lebedev, broadcast an 80-minute interview with the former footballer and noted conspiracy theorist earlier this month.
Icke used the broadcast to claim without evidence that the pandemic was cover for a supposed global world order to purposefully crash the economy, end the use of cash payments, and track every individual.
In a separate ruling on coverage relating to Covid-19, ITV was also warned to take care how it reports on repeatedly debunked claims linking 5G mobile phone networks to coronavirus, following comments by This Morning’s Eamonn Holmes.
Ofcom said London Live’s decision to broadcast the Icke interview “had the potential to cause significant harm to viewers in London during the pandemic” because his views were not sufficiently challenged by the host and viewers were not given extra context on the claims.
The channel had argued that it should not be sanctioned for showing the interview with Icke on the basis he was exercising freedom of expression. London Live said this was particularly important in the current circumstances, when civil liberties are being “constrained” and “threatened”. The station also said it was essential to question “conventional wisdom” and government action in a “responsible” manner.
Among the material London Live covered were assertions by Icke that Covid-19 was being used as a weapon of war by the US and Israel against Iran, as well as suggestions that any plan to immunise the world with a coronavirus vaccine was a plot to infect people with a “tidal wave of toxic shite”.
The broadcast was edited by London Live staff from a longer interview conducted for the similarly named but unrelated YouTube channel London Real.
David Icke had his visa revoked just hours before boarding a flight to Australia for a speaking tour
Conspiracy theorist David Icke hits back after Australia revokes visa.
In a sign of how different forms of media are regulated, the London Live broadcast was watched by just 80,000 people, but has attracted regulatory scrutiny and sanctions. Meanwhile, a version of the original London Real interview remains available on YouTube, where it has racked up almost 6m views with no regulatory issues.
London Live unsuccessfully argued that it would be “illogical” and “unfair” for Ofcom to penalise it for broadcasting material that was still available on YouTube. A different interview involving Icke and London Real has been removed by YouTube, although none of it was broadcast on London Live.
Icke has enjoyed the attention paid to him as a result of the controversy around the broadcast, with Google search interest in his name spiking as a result.
Ofcom separately concluded that Holmes’s comments on ITV’s This Morning that people should challenge “the state narrative” around 5G phone masts “were ill judged and risked undermining viewers’ trust in advice from public authorities and scientific evidence”.
Although it said this was irresponsible, given recent attacks on mobile phone masts in the UK, it concluded that his subsequent clarification and other comments making clear the link was “fake news” meant there was no need to formally sanction ITV.
REVIEW RESOURCE: https://www.theguardian.com/me....dia/2020/apr/20/tv-s

⁣Three Identical Strangers: the bizarre tale of triplets separated at birth
“Ideas are my bread and butter,” says film-maker Tim Wardle. “But it’s hard to find ideas that make you want to get out of bed at 3am and go film somewhere.”


That, however, was not the case when a producer at Raw, the London-based production company where Wardle works, brought to his attention the story of Bobby Shafran, Eddy Galland and David Kellman, a set of identical triplets who knew nothing of one another until they were reunited by happenstance at age 19. That alone would make for a compelling documentary, but their story doesn’t end there.


Bobby, Eddy and David are the subjects of Wardle’s new film Three Identical Strangers, an extraordinary documentary that starts as a feelgood human interest story and, by the end, has you questioning the nature of existence. As far as documentary subjects go, this one is nonpareil, a fact that was heavy on Wardle’s mind as he set out to tell the brothers’ story on film. “There’s huge pressure not to fuck up the story,” he admits. “I wasn’t worried about money or anything like that. I was just like, ‘I can’t blow this.’”


Three Identical Strangers begins in 1980, as a 19-year-old Bobby Shafran attends his first day of university only to find unfamiliar classmates greeting him as Eddy. While it’s only the first in a series of fortuitous revelations, most of which are better seen than read about here, Wardle is smart to tell the first half of the documentary through narration and recreated scenes, a tactic that allows the viewer to get a sense of how uncanny it must be to move into your dorm room and find you’re already an on-campus celebrity. Eventually, Bobby and Eddy meet and are contacted by David, whose adoptive mother noticed a pair of twins in the newspaper who looked exactly like her son, down to their shared pudgy hands.


Those alive in the early 80s might remember what followed, a period of pre-internet virality that took the triplets from the Phil Donahue Show to a cameo alongside Madonna in Desperately Seeking Susan. As they made the rounds, audiences lapped up the brothers’ likeness: they finished each other’s sentences, smoked the same brand of cigarettes, even had the same taste in women. When one brother crossed his legs, the others followed. So, in the ensuing decade, they made good on the frenzy by opening a steakhouse in Soho, New York, called Triplets, which thrived until things between them went sour.


To Wardle, the honeymoon period served as wish-fulfillment for the brothers and the media. “There’s been an obsession with identicals going back to Romulus and Remus,” he says. “And the siblings wanted to believe that they were similar, too. It’s that thing where you fall in love with someone for the first time, you try and find everything you have in common. ‘Oh my God, we like the same music!’ But you sort of tone down the differences.”


The brothers, as they discovered on account of their own detective skills, were separated by a ritzy New York City adoption agency called Louise Wise Services, which declined to tell their adoptive parents they were a set of three. It’s at this juncture that the documentary turns – tonally, structurally, thematically – and embraces a very au courant style of leather-shoe reporting in Wardle’s efforts to uncover the bizarre and nefarious reasons for the brothers’ 19-year estrangement. But convincing producers he’d get there wasn’t easy.


“They kept saying, ‘What’s the third act? What’s the third act?’ And I’m like, it’s a documentary, you don’t always know!” recalls Wardle, who was accustomed to inconclusive, even plotless projects after making a documentary about prisoners serving life-sentences. Too many documentaries, he believes, explore “weighty”, ethically fraught issues without a human element to provide connective tissue. But since he had that in the first act, Wardle was confident he’d end up with a finished product whether or not his own sleuthing yielded results.


The question at the center of Three Identical Strangers essentially concerns nature versus nurture, which led Wardle to California, where he interviewed Natasha Josefowitz, the 90-year-old research assistant who contributed to psychoanalyst Peter Neubauer’s study of siblings separated at birth.
For Wardle and Lawrence Wright, the Pulitzer-prize winning journalist who is featured in the film, the idea that nature is more determinative than nurture is an unsettling one, especially as articulated in Josefowitz’s frank, unsparing style.


“She would talk to me about how much of what I’ve done in my life was a function of biology and genes, how little agency I had, which was kind of mind-blowing,” says Wardle, who gives equal weight in the film to both theses while endorsing neither. “A lot of liberal ideology is based on the idea that nurture is really, really important. So when you start down the nature perspective you end up in quite a politically and scientifically dark place, a kind of eugenicist paradise where, ‘Why bother trying to help people?’ It’s all determined by biology anyway.”


Or is it? As Three Identical Strangers proceeds, you find yourself seduced by both prospects, the relative liberty afforded by nurture and the ice cold-comfort of nature. Mostly, though, it’s the brothers who keep the film grounded in reality, which turned out far different than it looked when they got their first taste of fame on the talkshow circuit.


When Wardle recently showed them the film, they were surprised to find he delivered as he’d promised. “I realized at that point how much they’d been disappointed and let down in their lives,” he says. “Documentaries are only as good as the contributors and what they give you. And they gave me pretty much everything.”

REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2018/jun/27/miste

⁣Critically Thinking with Dr. Sherri Tenpenny and Dr. Lawrence B. Palevsky, Dr. Carrie Madej, Dr. Lee Merritt, Dr. Christiane Northrup.
⁣Ever since reports have surfaced in recent days that people who have chosen NOT to receive the experimental COVID-19 shots but have been exposed to those who have received them, and have suffered what appear to be infections coming from these fully "vaccinated" people, affecting mainly women who have reported menstruation difficulties, heavy bleeding, miscarriages, and reduction of breast milk, I have been watching my newsfeed to see if any of the dissenting doctors and scientists we feature regularly here at Health Impact News would address these issues.

Fortunately, a team of 5 doctors in the U.S., all of whom we have featured in the past here at Health Impact News and are highly qualified to address this topic, just held a round-table discussion a couple of days ago to address these issues.

The issues they discuss affect ALL of us in the U.S. (and around the world) right now, and it is imperative that you take 79 minutes of your time to watch this video.

Not only do these highly qualified doctors discuss why they think this is happening, they also give practical advice at the end about what we can be doing right now to protect ourselves and stop this attack on the human race by the Globalists seeking to reduce the world's population.

Every single one of these doctors believe that these shots are NOT vaccines, but bioweapons designed to kill human beings.


Whatever else you are doing when you come across this video, it is highly unlikely that anything else you do the rest of your day will be more important than watching this video so you can be informed of the evil effects of these injections that are being censored in the corporate media and Big Tech social media.

Then share this video with as many people as you can.

⁣How to generate homemade infinite energy with a washing machine motor and an engine.
This channel is the home of crazy inventions. I guarantee you will not be disappointed with the videos uploaded because there are some best videos that no one has done.

Contact to Author: kenhmrche@gmail.com

⁣It has been said that the Rockefeller family has affected modern society to a degree but what most do not realize is just how much they have made an impact. The family name has now been linked to the suppression of naturalmedicine to found big pharmaceutical companies and make big money.
The West Has the Best and Most Profitable Healthcare in the World
The west is home to some of the best healthcare in the world. Anyone in an emergency which needs prompt medical treatment is better off than those living elsewhere. In the west, people receive healthcare that is much better than what is offered in an establishing nation. However, it is often overlooked that healthcare is now a multi-trillion dollar industry in the west.

The mainstream medicine of today is based on treating people who are ill with drugs, radiation, and operations that are very pricey. What many people do not realize is that the Rockefeller family was the first to recognize the opportunity to take full advantage of what has become an ecosystem with huge profits.

Anyone Questioning Big Pharma Is Branded a Quack and Conspiracy Theorist
Today we live in a world of social media censorship, and anyone who even dares to question the intentions of any of the big pharmaceutical companies is branded insane and given the label of a crazed conspiracytheorist. Any information brought forward about recovery residential or commercial properties of holistic practices and plants that cannot be patented are branded phony news as they are considered to threats to the drugs of the big pharmaceutical companies.
John D. Rockefeller realized the opportunity first. He was an oil mogul who was the first person in the USA to become a billionaire. By the start of the 20th century, he had 90% control over oil refineries in the US with his company Standard Oil. In 1900, researchers came across petrochemicals, and they found out that it was possible to make many chemicals out of oil. The first plastic, which was Bakelite, was made in 1907 from oil.

Turning Point Came On Realization Pharmaceutical Drugs Could Come From Oil
The turning point came when researchers found out that vitamins could be produced from oil and presumed pharmaceutical drugs. This was a financially rewarding opportunity for Rockefeller as he concluded that he could monopolize not only the oil business but also chemical and medical industries. Petrochemicals were a new discovery that could be patented and which would bring about maximum revenues. The only thing stopping Rockefeller was the fact that herbal and natural remedies were popular in the USA at that time. About half of the medical professionals in the US were practicing holistic medicine, based on understandings from Europeans and Native Americans.

This meant that Rockefeller had to get rid of what was significant competition. He made use of a strategy that was time-proven, problem-reaction-solution. The concept works when developing an issue that would bring terror to people and then offer them a solution that was pre-planned. He got the help of Andrew Carnegie; he had made lots of money monopolizing the steel industry. The Carnegie Foundation sent Abraham Flexner on a trip around the nation, and he was given the task of reporting the status of medical facilities along with the medical colleges in the United States. This led to the Flexner Report, and this eventually led to modern medication of today.

Flexner Report Led To Practitioners of Holistic Medicine Jailed
The report stated that a revamp was needed along with the centralization of medical institutions. Following the report, half of the medical colleges were closed down. Natural medications and homeopathy were rubbished, and some of the medical professionals who practiced holistic medicine were sent to prison. Rockefeller gave over $100 million to medical facilities and colleges to help with the transition and to try to change the minds of doctors and researchers. The General Education Board was also founded.

Not long after medical colleges became homogenized and structured and students realized that medicine utilized drugs that were patented. Scientists were also given huge grants to study recovery residential or commercial properties of different plants, and how they were able to cure diseases. What they were really doing was finding the chemicals in the plants and then recreating the compound so that it could be patented.

Cures for Illnesses Such As Cancer Would Be Bad For Business
100 years later and medical colleges produce doctors who do not know anything about holistic practices or the many benefits that herbs have to offer. The government in the United States invests 15% of the Gross domestic item in mainstream health care. This is a system focusing on symptoms, and it produces a flurry of repeat paying clients that is never-ending.

Despite much advancement in medicine, there is still no cure for cancer, diabetes, autism, asthma or even the common cold. Cures for any of these illnesses would only be bad for business. John D. Rockefeller was even behind the establishment of the American Cancer Society in 1913.

RESOURCES:
https://plandemicseries.com/
https://drcharlesinkala.wordpr....ess.com/2019/03/02/h

⁣⁣Biological Weapon, Chemtrails, Depopulation, Genocide.
Everything indicates that the future of the human race will be destroyed by the elites who control the global power.

⁣“Ayahuasca & the Path of the Shaman” is a 94 minute documentary that investigates the healing properties of the Peruvian Plant Medicine, Ayahuasca. Driven by a need to heal from his own depression, Dave, travels from his home outside Vancouver, Canada, to Peru in search of this spiritual plant, where he eventually is taught by a Shipibo Master how to work with it. The film's narrative unfolds through a series of storylines: We follow Shannan, as she begins her journey with Dave and this medicine, uncovering child-hood trauma buried deep inside her sub-conscious.


We hear from Lisa, a recovering heroin and crack addict that worked as a prostitute in the streets of Toronto. We also hear from Gabor Mate, whom through talk therapy, helps participants uncover how their experiences with Ayahuasca relate to their daily lives. And finally we hear from Libby. Who starts her journey with this plant by leaving a suicide message on her phone that thankfully never gets delivered.

⁣5th Kind TV presents, A 2023 Space Documentary created by producer and composer Giovanni Lodigiani. Exploring ancient aliens, wormholes, advanced knowledge, Warp drive travel, Space propulsion, the Kardashev scale, alien life and the very nature of out reality.

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