⁣The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.
Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

⁣An alternative take on the 1969 lunar landing presents a different picture of the event that governments may be secretly covering.
Absolute Documentaries brings you the best of entertaining and fascinating documentaries for free. Whether you’re into true crime, stories from around the world, family and social life, science or psychology, we’ve got you covered with must-see full-length documentaries every week.
From: Aliens On The Moon

⁣Facebook has a director of social good. She is called Hema and if she has a surname, we weren’t privy to it. The BBC’s Horizon team, as if bewitched at being granted unprecedented access to the social network, bowed to its ethos by captioning interviewees by first name only. But access is like sex: it’s not what you have, but what you do with it that matters.
We met David, the director of harmful behaviour (tough gig, if his task is to stop it, rather than enable it), Monika, who is head of global policy management, and Vlad, Facebook’s head of artificial intelligence, though he will always be The Impaler to me. Sadly, we didn’t get to see Nick, but David Cameron’s former fig leaf has become Mark Zuckerberg’s now he is Facebook’s vice-president of global affairs. Mention Cleggmania in Menlo Park and nobody will know what you are on about.
By rolling over and waving its paws in this way, Horizon abolished critical distance from the global techno-oligarchy with 3.1 billion users and pretensions to ensnare the rest of us. (Facebook is building eight more data centres in the next few years with the aim of doubling storage to accommodate our data.) It put us on chummy terms with the outfit at a vexed moment. Can it change after last week’s $5bn (£4bn) fine for privacy violations in the Cambridge Analytica data breach?
In a meta sense, that was fitting: murdering distance and importuning strangers with simulations of friendliness is Facebook’s MO. It is why revenue exceeded $55bn last year. In another sense, though, this documentary almost amounted to an hour-long commercial for which Zuckerberg didn’t pay.
We witnessed how Facebook is ostensibly striving to use technical fixes to annihilate the human bugs out there – the scammers, hatemongers, sextortioners, e-groomers, Nazis, hackers and black marketeers. This was fascinating in its own right. Can artificial intelligence be used to detect other artificial intelligences posing as humans? How can hate speech by emoji be eliminated?
Fascinating, too, was the cult-like induction ceremony for incoming engineers, tens of thousands of whom are being hired, to ensure Facebook no longer has difficult years like 2018. Soon, they will join the Facebook faithful. Why are there so many balloons in Facebook offices? Because staff have two birthdays, the second celebrating when they joined this evangelising outfit.
“We’re not a company that is designed to make money,” Kyle, director of product, told a room of so-called Newbs in London. No one so much as rolled an eye. “That means every product we make is tuned for ‘does it do good in the world?’” he continued. But what is good? Maybe connecting the world to Facebook, monetising data and believing both are self-evidently good are the problems.
Facebook treats its difficulties as external ones and its task is to seal itself from them. But the corruption is inside, part of the very organisation’s ethos. It is Horror Movie 101. Everyone interviewed here was, as it were, wearing Clegg’s fig leaf to hide that unacceptable truth. “We’re a community that is designed to create communities and let those communities make a difference in the world,” Kyle added.
But Facebook is a business not a community, and when it creates communities they sometimes make a difference in a bad way. “We don’t tolerate dicks,” said Jonny, head of internal communications. Instead, Facebook enables them. Tommy Robinson was jailed earlier this month for live streaming, via Facebook, defendants arriving at court in a sexual grooming trial.
One critic complained about how Facebook had “destabled democracy”. Horizon needed more eloquent dissenters. Maybe she meant that if Facebook is a horse and democracy is a door, the former has bolted and the latter is coming off its hinges. It was hard to be sure.
Back to the commercial. Hema told how her father, who had liver cancer, lost a litre of blood an hour. If there had been an online facility matching blood supply to demand, he need not have died so quickly.
So she made it her mission to establish just that facility for 70 countries where blood transfusions don’t happen because of supply problems. Cut to her team, thrilled that 11 million users have signed up to its blood market. We learned later, though, this initiative enables a black market for blood in India. An unintentional consequence, perhaps, but given earlier online scams, a foreseeable one.
The Horizon team never met Hema’s opposite number, the director of social bad. Chet (no surname) works in a basement tasked with reversing what happened in Facebook’s difficult 2018. Not the data breaches or live-streamed mass murder in Christchurch, but the really unacceptable thing, namely how 20% was slashed from the value of Facebook shares on news that its ad revenue per user was declining and user growth slowing. Such things can never happen again, Chet realises.
Fake news. Facebook has no director of social bad. No Chet in a basement. Nobody in the social network is tasked with squeezing more money from its users. Facebook is all good.
REVIEW RESOURCE: https://www.theguardian.com/tv....-and-radio/2019/jul/

⁣This video by The Mirror Project explains whether or not you can choose to have blood containing mRNA if you were in hospital or needed emergency care or a transfusion following an accident.
The movie makers - THE MIRROR PROJECT invites everyone to copy and share this documentary. Feel free to spread this information, so you have the chance to save the lives of many sentient beings.

If you have experienced serious side effects following Covid vaccine jab.
Please inform your healthcare provider and ensure a report is submitted to your country’s relevant authority.


The theatres of this film asking people that would like to document
and share their story, to send us their details to info@mp-22.com

RESOURCE: https://www.mp-22.com

⁣110v & 230v Free Energy Generator.
After 7 months of research and development we have created the new "Liberty Engine 2.0". This new free, free and infinite energy motor is made from microwave transformers and a 220v motor, and doubles the power of its previous model. It also has more improvements such as its futuristic design, we have eliminated the transmission through pulleys and belt to reduce friction, noise and vibrations. We have also added the manual pull start that you have recommended so much in the comments, we have added a rotor with a special alloy to eliminate Eddy currents, and thus, eliminate magnetic braking when connecting electrical charges.
In order for the voltage output to be 110 volts instead of 230 volts, we must manufacture it with microwave transformers and a 110 volt motor.
We hope you like it. If so, subscribe, like the video and leave your opinion in the comments. In this way we will be able to continue researching and creating new ways of generating energy.

⁣Child Trafficking, Pedophilia, Deep State, Ritual Murder, Kidnaping, Depopulation, Genocide, Satanic Rituals, cannibalism, Kids Abuse, New Word Order, NWO, Bilderberg, USA Government, Skull and Bones

Millions of children vanish each year.
83,000 each month.
2,700 a day.
115 per hour.
1 every 30 seconds.

It makes you wonder…where do they all go? From the producers of “Watch the Water”, directors Matthew Miller Skow and Nicholas Stumphauzer tackle the dark underworld of CPS sex trafficking, elite pedophilia, and the shady death of truth seeking icon Isaac Kappy.

Let me know your thoughts in the comments

⁣A very important public speech by a doctor with 25 years of medical internship in several specialisations and an expert in the field of vaccines. (June 2021)
⁣S⁣enate committee hearings and other Capitol events are posted to this page soon after they are announced, and removed at the end of the day. You are invited to revisit this page often for the most current version. For links to individual Senate committee websites, please visit the Senate's Committee portal.

For live, streaming video broadcasts of committee hearings and other events within the Capitol complex you may visit the Senate Live Video Broadcasts page. Official Senate hearings and events are archived and can be accessed from the Senate Audio/Video Archives page or from the individual committee pages.
Events listed on this page will be carried live on the Senate Live Broadcasts page unless otherwise noted. Due to technical limitations, most out-of-town committee hearings and all "desk meetings" held on the Senate floor can not be carried live. For such events, audio recordings will be posted to the main Audio/Video Archives, as well as the relevant committee pages, as soon as possible.
A complete Senate room reservation schedule may be be found at
https://roomsched.senate.texas.gov/

Original resource: https://tlcsenate.granicus.com..../MediaPlayer.php?cli

⁣This speech does not require a single word of comment. Only one thing I would suggest is please take a comfortable seated position because standing up you may not be able to bear the weight of exposed facts.

Peter Daszak's quote:
“We need to increase public understanding of the need for medical countermeasures such as a pan-coronavirus vaccine. A key driver is the media, and the economics will follow the hype. We need to use that hype to our advantage, to get to the real issues. Investors will respond if they see profit at the end of the process.”
Source: National Academy of the Press Feb 12, 2016
I hope that the contemporary dr. Josef Mengele known as dr. Fauci - will never get out of the prison.

⁣Delicate Sound of Thunder is a concert film by Pink Floyd, filmed during their A Momentary Lapse of Reason Tour from 19 August 1988 to 23 August 1988 at the Nassau Coliseum in Uniondale, New York, with some additional footage from 21–22 June 1988 at the Place d'Armes of the Château de Versailles, Versailles, France. It was initially released on VHS, Video CD and Laserdisc formats. The film was nominated for a Grammy Award for Best Long Form Music Video at the 32nd Annual Grammy Awards.
The film was reissued on DVD and Blu-ray in 2019 as part of The Later Years 1987–2019 box set. This version was fully re-edited, remastered and restored from the original 35 mm film, and featured the fully remixed audio from the 2019 CD album. On 20 November 2020, a standalone version of the 2019 edit of the film was released, along with a deluxe box set containing both the DVD and Blu-Ray discs, as well as the album on CD and a 40-page booklet.
Track listing
1 "Shine On You Crazy Diamond (Part I intro)"
2 "Signs of Life"
3 "Learning to Fly"
4 "Sorrow"
5 "The Dogs of War"
6 "On the Turning Away"
7 "One of These Days"
8 "Time"
9 "On the Run"
10 "The Great Gig in the Sky"
11 "Wish You Were Here"
12 "Us and Them"
13 "Money" NTSC USA version only
14 "Comfortably Numb"
15 "One Slip"
16 "Run Like Hell"
17 "Shine On You Crazy Diamond (Parts II-V)" (audio only; end credits)
The band line-up:
David Gilmour - guitars, console steel guitar, vocals
Nick Mason - drums
Richard Wright – keyboards, piano, Hammond organ, vocals
with:
Tim Renwick – guitars, vocals
Jon Carin – keyboards, piano, programming, vocals
Scott Page – saxophones, oboe, guitar
Guy Pratt – bass, vocals
Gary Wallis – percussion, additional keyboards on "Comfortably Numb"
Machan Taylor – backing vocals, lead vocals on "The Great Gig in the Sky (third verse)
Rachel Fury – backing vocals, lead vocals on "The Great Gig in the Sky (first verse)
Durga McBroom – backing vocals, lead vocals on "The Great Gig in the Sky (second verse)
The vinyl edition of Delicate Sound of Thunder features nine additional performances not included on the original double album. This 23-track count is the same as the new double-CD set. Additionally, the three-album set is packaged in a slip case, includes a 24-page booklet and the albums are housed in poly-lined sleeves in individual album jackets. The albums are pressed on 180-gram vinyl and the tracks were remixed from the original master tapes.
Pink Floyd’s performances were taken from five August 1988 shows at the Nassau Coliseum in New York, on the heels of the release of 1987’s A Momentary Lapse of Reason – their first album after the departure of Roger Waters. The core group of David Gilmour, Nick Mason and Richard Wright was joined by Jon Carin, Tim Renwick, Guy Pratt, Gary Wallis and Scott Page, with Margret Taylor, Rachel Fury and Durga McBroom on backing vocals.
Delicate Sound of Thunder kicks off with “Shine On You Crazy Diamond, Parts 1-5” and then for the rest of the first album and Side A of the second album, there are 10 songs from Momentary Lapse of Reason. After the only song that dates to Pink Floyd’s early career, “One of These Days” from Meddle, the rest of the set features music from Dark Side of the Moon, Wish You Were Here, The Wall, and then one more song from A Momentary Lapse of Reason. There are no songs from Animals or The Final Cut.
Not only are there additional performances included on this reissue, but several tracks – “Sorrow,” “On the Turning Away,” “Comfortably Numb,” “Dogs of War,” “Another Brick in the Wall, (Part Two),” “Us and Them,” “Run Like Hell” and “Time” – feature unedited versions available now for the first time on vinyl. Occasional editing has been done to remove an ’80s-era musical gloss that sometimes marred the original performances, notably on “Money” and “Learning to Fly.”
Hearing these tracks in their remixed and in some cases dramatically changed ways, straight through on all three vinyl discs, is about the best official live album Pink Floyd audio experience – outside of the rare Pulse four-LP analog vinyl set.
Delicate Sound of Thunder is, in fact, one of only three official stand-alone live Pink Floyd albums. Pulse was released in 1995 as a four-LP or two-CD set from the tour to support The Division Bell, another post-Roger Waters project. The third is Is There Anybody Out There? The Wall Live 1980–81, released on CD in 2000. Prior to that, one disc of the 1969 double-album Ummagumma contained live material.
Neither Is There Anybody Out There? nor Pink Floyd: Live at Pompeii – originally issued in 1972 on film with a subsequent releases on DVD in 2000 and on compact disc in 2016 as part of The Early Years box – has been reissued on vinyl. Pink Floyd fans, I’m sure, would love to have all of this concert material on their turntables in the future.
There is also a wide assortment of live material from many periods in Pink Floyd’s career to draw from on the Early Years and Later Years sets that would make for excellent vinyl releases. Who knows what else lurks in the vast Pink Floyd archives? Releasing the new mix of A Momentary Lapse of Reason would be the most obvious next vinyl project that fans would love to see.

⁣A personal look at the extraordinary life, career and artistry of Alexander McQueen. Through exclusive interviews with his closest friends and family, recovered archives, exquisite visuals and music, McQueen is an authentic celebration and thrilling portrait of an inspired yet tortured fashion visionary. Directed by Ian Bonhôte and co-directed/written by Peter Ettedgui.

This moving documentary looks at the legacy of Lee A McQueen, the mercurial, anti-establishment fashion designer better known as Alexander McQueen. Co-directed by Ian Bonhôte and Peter Ettedgui, it divides his life into chapters or “tapes” titled after his most iconic collections. It’s a thrill to relive McQueen’s shows, from Jack the Ripper Stalks His Victims to Highland Rape and Plato’s Atlantis. Their theatrics have a tense, cinematic quality, only helped by Michael Nyman’s twisting, needling score.

McQueen grew up daydreaming of dresses in Stratford, east London, before an apprenticeship at Anderson & Sheppard of Savile Row that would eventually lead to a creative director role at Givenchy. Described as “funny and disrespectful”, McQueen had an equal interest in sabotage and tradition (and an obsession with Sinéad O’Connor), and was inspired by fetish culture, Francis Bacon and the grim history of London’s East End. The film does well to capture its subject’s cheekiness.

Bonhôte and Ettedgui stress that he came of age at Central Saint Martins, catching the attention of soon-to-be mentor Isabella Blow, who was struck by the emotional quality of his work. By combining cheaply shot home videos of the designer goofing off in the studio with archive of his shows and talking head interviews with some of his closest colleagues (though not all – fashion heads will surely spot the omissions), the film-makers capture the impact he had on the people around him.

However, this is also a film about McQueen the Londoner, surviving on unemployment benefit while he established himself and coming up in the 90s among controversial celebrity artists like Tracey Emin and Damien Hirst. Much of the film’s context is cocaine and overwork, liposuction and New Labour – a cocktail of unhappiness that drove McQueen to suicide in 2010.

RESOURCE: https://bleeckerstreetmedia.com/mcqueen

⁣Jeremy Lee. 1991, wow! Way ahead of his time. We were warned but few people seem to notice, even fewer seem to care. Listen now and tell me how much you think has come to pass in the last 30 years. If only every Australian had seen this I don't believe we would be where we are today.

Absolutely brilliant video. Concise, logical and spelt out in layman's terms so that any, every person can understand this. Pinpoints where, how, when and who.
Its actually very sad to think in so many ways we have done this to ourselves. Yes government have orchestrated it and sold us all out BUT it was our apathy as a nation as Australians that allowed it all to happen.


OPEN LETTER TO GOVERNMENTS. PRINT IT OFF & HAND IT TO ALL POLICY ENFORCES (Fake Police)
https://www.knowyourrightsgroup.com.au

⁣Covid-19 Shots Will Kill Billions - Dr. David Martin And Seth Holehouse.


⁣In this interview (video starts after 1 min) MAN IN AMERICA, Mr. Seth Holehouse, talks to Dr. David Martin about the recent movie DIED SUDDENLY, and the precautions that needs to be taken towards the evil Covid-19 worldwide genocide agenda shots.
If 3 billion people took Covid-19 shots, and 7% to 15% of the batches had severe adverse events, that's around 300 million people with permanent death and disabilities.

If those 300 million people now require the 24/7 health care services of other individuals, that's another 300 million people dedicated to their care. "So, we're talking about 600 million people incapacitated" says Dr. David Martin.

DIED SUDDENLY Documentary =>⁣https://vajratube.com/v/FFG3pv

American (R)Evolution => ⁣https://vajratube.com/v/mjd74M



It is really WAKE UP time folks!
You can follow Dr. David Martin at - https://www.davidmartin.world/

This video was mirrored from the MAN IN AMERICA website - https://maninamerica.com/

⁣Himalaya of the hypocrisy!!!
⁣I am aware that most of the materials on this channel are very pessimistic and always worse news from the world. I because of that I decided to put this movie not on DocumentaryArchive but here to make my followers laugh until their stomach aches.

I come from the communist block, I grew up in the 70s in Poland and this film clearly reminds me of classic Soviet Propaganda. The level of sweetness and exaggerated concern for the public good can make you vomit in this story.

However, there is so much hypocrisy, naive deception, and caricature pride here that all you can do is laugh out loud.

Have fun watching this movie.

⁣Official description :-))))))))))
With his signature blend of scientific acumen, candor and integrity, Dr. Anthony Fauci became America’s most unlikely cultural icon during COVID-19. A world-renowned infectious disease specialist and the longest-serving public health leader in Washington, D.C., he has valiantly overseen the U.S. response to 50 years’ worth of epidemics, including HIV/AIDS, SARS and Ebola. FAUCI is an unprecedented portrait of one of our most vital public servants, whose work saved millions while he faced threats from anonymous adversaries.

Directed by Emmy winners John Hoffman (The Weight of the Nation, Sleepless in America) and Janet Tobias (Unseen Enemy), the film is executive produced by Academy Award winner Dan Cogan (Icarus) and two-time Academy Award nominee Liz Garbus (What Happened, Miss Simone?, The Farm: Angola, USA). The documentary features insights from President George W. Bush, Bill Gates, Bono, former U.S. Department of Health and Human Services secretary Sylvia Burwell, former national security advisor Susan Rice, National Institutes of Health director Dr. Francis Collins, former Centers for Disease Control and Prevention director Dr. Tom Frieden and key AIDS activists, plus Dr. Fauci’s family, friends and former patients.

RESOURCE: https://films.nationalgeographic.com/fauci?

⁣Dark To Light - The Great Awakening by EyeDropMedia.com
Dark to Light is a visual journey through darkness into the light. As we continue watching the greatest show in history and welcome in a new earth together...always remember - 'Where we go one, we go all'.

⁣The Dark Web | Black Market Trade | Illegal Activities | Documentary


⁣The Dark Web - There’s a dark side to the internet, and you probably don’t even know it exists. Look behind the positive veneer of social media, communication apps and platforms that have made our lives easier and more connected, and you’ll find criminals using the same apps and platforms to run illicit and dangerous activities.


The Dark Web (2019)
Genre: Documentary
Language: English
Release Date: 10 Jul. 2019 (Singapore)


Synopsis:
0:00 Black Market Boom
Drugs, guns, counterfeit documents and much more are sold on dark web marketplaces that run on anonymous browsers and using cryptocurrency. AlphaBay was the biggest marketplace, transacting over US$800,000 in a day enabling its founder to live a luxury lifestyle in anonymity, until international law enforcement caught up with him.


45:16 The Candyman
It was one of 640 million closed groups on Facebook. Hiding behind the anonymity, the creator of child p*rnography group Loli Candy and its 7,000 members hid their activities on Facebook and Whatsapp – the dissemination of horrifying images of abuse. While they were eventually bought to justice many more thrive.

⁣The people interviewed for "Kedi," Ceyda Torun's documentary about the teeming street cat population in Istanbul, are not experts, or talking heads, or academics. They are citizens, moving through their lives, interacting with the cats in their neighborhoods, and their comments are casually contemplative, off-the-cuff and profound. The human beings take it upon themselves to care for the cats, feed them, and—even more tellingly—just enjoy observing them. They note each cat's personality quirks, likes and dislikes. They freely admit what these cats bring to their own lives. I am a cat owner, I admit, but even I was surprised at the power of "Kedi." Where did all that emotion come from? It's because what Torun really captures in her unexpectedly powerful film is kindness in its purest form.

The cats of Istanbul are everywhere. They curl up on stoops, car hoods, and cafe benches, they sit on piers and in doorways. They sneak beneath tables at flea markets and leap on scraps outside the fish markets. Torun's film profiles seven individual cats, each with its own distinct life, routine and personality. Considering the sneaky crepuscular habits of cats, following these beasts must have been quite a feat. The footage is astonishing. The film opens with a tabby cat stalking with purpose down a crowded city street, looking for food to bring back to her litter of kittens (stashed in a stairwell). Torun's camera is low to the ground, on the cat's level, following the tabby's determined progress. Watching "Kedi" is like lying down on a quickly-moving skateboard. Cats are wily creatures, and when they don't want to be found, they are not found. But Torun finds them!


There's one cat who hangs out at a restaurant by the water, taking care of the mice. (There's a hilarious night-vision section showing the cat creeping through a drain pipe, eyes ablaze.) There's a cat who dominates the area in front of a busy cafe, fighting off interlopers, harassing her "husband" (pushing him out of the way so she can eat first), and chasing off the floozy cats vying for her man's attention. ("She's the neighborhood psychopath," says a neighborhood resident.) One woman spends a day cooking fresh chicken and then wanders her neighborhood, leaving food for the cats, who swarm around her. She says that she has a lot of pain and the cats are helping her heal. There's one cat who sits outside a bakery, and bats on the windows frantically when it gets hungry. There's a freeform style of communication between cats and humans. They share space. Some cats adore being petted. Others can't abide it. A man who owns a textile store demonstrates that the cat who hangs out in his shop likes pats only when they're rough. Gentle pats drive her crazy. "She gets so much pleasure she almost passes out," he says, and then there's footage of her sprawled on the floor, lost in the sensations. One cat shows up at a woman's window every day for a visit. She lets him in, he strolls around, he eats, and then he clambers back down the tree.


The focus is on the cats, but "Kedi" is really a portrait of community. Torun gives a sense of life in Istanbul, its diversity and beauty, its storefronts and waterfronts, its people. Why there are so many cats in Istanbul, and how they all came to be there, is not explained (except for a casual comment from an interview subject). Political upheaval and turmoil is not addressed at all, although there are disturbing signs everywhere, thrumming underneath the everyday routines. One woman says that it is very difficult to be a woman in Turkey, and that the cats in her neighborhood remind her of what is good in being feminine. There is a lot of concern expressed about the brutal knocking down of old neighborhoods to make way for high-rises. Gentrification disrupts entire ways of life, and the residents worry about that but they also worry about the cats. Where will they go? What will become of them? It can be a heartless world. Caring for one another and caring for animals may seem like a small thing, but Torun's affectionate portrait of these cats—and the people who love them—makes it seem like the most important thing in the world. A restaurant owner keeps a tip jar on the counter, and the money goes into a fund for vet visits for the cats who hang around outside. Imagine that. Torun combines her up-close-and-personal footage of the cats with transcendent drone shots of Istanbul in all its moods and weather.

⁣14 Peaks: Nothing Is Impossible’ - Climbing at a Breakneck Pace
A documentary follows the Nepalese mountaineer Nirmal Purja as he tries to add cultural depth to the sport’s highs.
As the mountaineering genre continues its ascent into the mainstream, there’s a thesis awaiting a graduate student about male climbers and their mothers, wives or partners. Touched on in the Oscar winner “Free Solo” and summer’s “The Alpinist,” those relationships get screen time in “14 Peaks: Nothing Is Impossible,” about the Nepalese climber Nirmal Purja, known as Nimsdai, and his attempt to summit the world’s 14 highest peaks in seven months. (The previous record was seven years.)


While his wife, Suchi Purja, charmingly attempts to explain her husband’s embrace of risk to civilians, it’s his ailing mother who underscores more tender lessons about her son’s drive but also about the mortality we all face.
As a young man, Purja enlisted in his country’s legendary armed forces, the Gurkhas, and later joined the United Kingdom Special Forces. He seized on the climbing endeavor, which he called “Project Possible,” as a way to highlight the contributions of Nepalese mountaineers, who are more than the Sherpas to Western expeditions.


Early on, the project’s four other climbers — Mingma David Sherpa, Geljen Sherpa, Lakpa Dendi Sherpa and Gesman Tamang — get introduced as vital characters. They are as devoted to Purja’s seemingly mad mission as he is.
Much of the documentary’s climbing footage was taken by Purja and his team. The director Torquil Jones uses those images, as well as fresh interviews (the alpine legend Reinhold Messner waxing beautifully existential) and some vivid animation to craft a documentary exploring themes of generosity, danger, drive and national character.
In widening its aperture — from the ascents to visits to Purja’s childhood home as well as brief dives into Nepal’s history — “14 Peaks” expands a genre often focused on the feats of individuals to celebrate lessons about vast dreams and communal bonds.


REVIEW RESOURCE: https://www.nytimes.com/2021/1....2/01/movies/14-peaks

⁣A documentary exposing the evil Satanists plans to create a New World Order.
Soon after World War I and in connection with the formation of the League of Nations the American president Woodrow Wilson used the term ‘new world order’, hoping that it would finally become possible to create a system for maintaining international peace and security; meanwhile, the political order had already existed in the Western world for several centuries. In historical terms it would be more precise to speak about the international order when the European order transformed into the global one. Moreover, prior to the European order the inchoate international order could be found in other regions of the World System (the most famous here being the Pax Romania).
Thus, with respect to globalization, the search for the origins of the world order leads back to the ancient times. Yet, in historical terms the notion of the world order seems rather amorphous. The humanity has passed a long and perilous way to the establishment of certain international rules and foundations of co-existence. It is worth analyzing them just in terms of the formation (and development) of the world order and the way in which the obtained experience can be employed for making predictions on the forthcoming transformations.

The notions of globalization and world order have become rather closely connected today. The countries' mutual influence as well as the impact of global processes on nations and states are evident today (Ilyin and Leonova 2015). Within the political realm globalization considerably affects the transformation of the states' sovereign prerogatives since it contributes to the change and reduction of the scope of the states' sovereign powers.

It is obvious that the unfolding globalization cannot but complete with some institutionalizing of the relations in the foreign policy sphere although this path is difficult and ambiguous.

⁣Creep - Vintage Postmodern Jukebox Radiohead Cover ft. Haley Reinhart
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One of the highlights of our 2015 European tour was Haley Reinhart's masterful interpretation of our vintage arrangement of Radiohead's "Creep" (originally performed on this channel by the amazing Karen Marie). I enjoyed it so much that I brought Haley into a studio in Zurich on our day off to record it. If you haven't heard Haley sing this before, get ready for a truly remarkable performance. Oh yeah- and this was the very first take.

⁣Phil Schneider died in 1996. Previous to his death he had been on tour across the United States speaking out about various subjects including his involvement with building a secret underground base in Dulce, New Mexico for the military.

During this time, he was said to have had an encounter with a violent E.T race in the late 1970's which would change his whole life immediately after. This documentary explores some of the information Phil Schneider spoke about to the public in the 1990's by examining each claim in detail with expert opinions from Richard Dolan, Richard Sauder, and Cynthia Drayer (Phil's Ex-Wife).

In this documentary you will find never before published photo's of Phil's Autopsy, documents about the Philadelphia Experiment from Oscar Schneider's files (Phil's father) and a very well explained background about Underground Bases. Written by Darcy Weir