⁣Be comfortable not knowing, be present. In this teaching, Eckhart explains the true concept of not knowing and why. When you let go of your concepts and knowledge, you can truly see the beauty of things.


Eckhart Tolle is widely recognized as one of the most inspiring and visionary spiritual teachers in the world today. With his international bestsellers, The Power of Now and A New Earth—translated into 52 languages—he has introduced millions to the joy and freedom of living life in the present moment. The New York Times has described him as “the most popular spiritual author in the United States”, and in 2011, Watkins Review named him “the most spiritually influential person in the world”.


Eckhart’s profound, yet simple teachings have helped countless people around the globe experience a state of vibrantly alive inner peace in their daily lives. His teachings focus on the significance and power of Presence, the awakened state of consciousness, which transcends ego and discursive thinking. Eckhart sees this awakening as the essential next step in human evolution.

⁣⁣The official version of human history is a construct of lies. We are in a state of collective amnesia. Let's free ourselves from the artificial matrix that has been imposed on us. This part covers the World's Fairs and the time in which they took place.
Written by: dreamtime & Mosaic, https://stolenhistory.net
Narrated by: Sovereine & David Glenney
Post-production: Bart van der Zwaan https://youtube.com/bartingman

WATCH FULL SIERIES:
⁣Part 1: Nothing is as it seems => ⁣https://vajratube.com/v/MBtVx6
Part 2: The Destruction of the Old World => ⁣https://vajratube.com/v/4Kya4M
Part 3: The Mystery of the World's Fairs => ⁣https://vajratube.com/v/lmqIAN

⁣Space travellers or demonic deceivers? This is the first, and only, documentary that answers the question of who the pilots of UFOs really are, where they come from, and what their intentions are.

Unidentified Flying Objects have been recorded in various forms since the creation of man: Crudely drawn on Stone Age murals...chiseled in Egyptian stone...noted in the journals of ancients like Alexander the Great...even described in the ship's log of Christopher Columbus.

More than a stunning catalog of UFO photography, video, and eyewitness recordings, hear startling scriptural evidence from noted scholars like Dave Hunt (The Archon Conspiracy) and I.D.E. Thomas (The Omega Conspiracy) which reveals the hidden truth about UFOs and the beings who operate them.

Director: Brian Barkley
Writer: Brian Barkley
Starring: Joe Leahy, Kenneth Arnold, Jimmy Carter, Ellie Crystal, Paul Deutsch, Frank Edwards

⁣his piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labour of the writers and actors currently on strike, the movie being reviewed here wouldn’t exist.
As a child, I would often hear my grandfather say that with the creation of the atomic bomb, there wouldn’t be any world wars anymore. There would only be smaller wars. So far, he’s been right, although the prospect of a country using an atomic weapon on another has never left us. Even the threat of a so-called “dirty bomb” being used by a rogue organisation is a very real possibility that many governments fear and presumably have developed contingency plans for.

When University of California, Berkeley physicist J. Robert Oppenheimer was recruited to head up the Manhattan Project, America’s program to design and build the world’s first atomic bomb, he, like many others, had visions of war being a thing of the past. That view changed, however, when he saw how destructive his creation turned out to be. The two atomic bombs that were dropped over Hiroshima and Nagasaki incinerated both cities and killed between 150,000 and 225,000 people, with about half of those deaths occurring on the first day. Think about that. It means that about 100,000 people died of radiation burns and cancers in the days, months and years after the bombings took place. One can argue that the bombings hastened the end of the war with Japan but at what cost?
Coinciding with the release of Christopher Nolan’s new film, OPPENHEIMER, NBC in the US has released a feature-length documentary entitled TO END ALL WAR: OPPENHEIMER & THE ATOMIC BOMB. It follows Oppenheimer’s rise to the pinnacle of heroism in the eyes of most Americans and his subsequent fall.

Little known to most people these days, Oppenheimer was a tragic figure. Historians agree that his contributions to theoretical physics should have earned him a Nobel Prize if not for two things: the destructive nature of the bomb — the antithesis of why Alfred Nobel created the prize in the first place — and his outspoken opposition to America continuing its development of other weapons of mass destruction, the latter of which put him solidly in the crosshairs of Senator Joe McCarthy’s House Un-American Activities Committee (HUAC).
Prime Time Emmy Award-winning director Christopher Cassel (ROME) examines Oppenheimer’s early years as well as the legacy he left behind with a mix of archival footage, soundbites, animated scenes, heartbreaking footage of the blasts’ survivors, and interviews from Bill Nye (the Science Guy), Hiroshima survivor Hideko Tamura, grandson Charles Oppenheimer and Christopher Nolan among others. (If you’re wondering why Nolan would appear in this documentary, Universal Pictures, which is distributing his film worldwide, is the sister company of NBC.)

I now seen OPPENHEIMER and TO END ALL WAR complements the film rather than takes away from it. It’s a fascinating look at a complicated and tormented man at a time when his country wanted a hero more than it wanted a moral compass.

REVIEW RESOURCE: https://howardforfilm.com/2023..../07/18/movie-review-

⁣Under Justin Trudeau, Canada has sought to position itself as the global bastion of progressive politics. In my latest Telegraph documentary, seen above, I went to the former British colony to find out how Canadians are dealing with Trudeau’s radical reforms; from the promotion of gender ideology in schools and the mass legalisation of drugs, to his extreme new suicide laws and clamp downs on freedom of speech.

I began my investigation in one of the country’s most liberal cities, Vancouver. Possession of up to 2.5 grams of hard drugs, including heroin, cocaine and fentanyl, has been legalised in the city as part of a three year experiment which began in January of this year. If the aim was to combat the opioid crisis that already beset the city then it appears there is still much to be done as vast tent sites line the streets, patrolled by roaming zombie-like drug addicts.

As we filmed on Hastings Street, infamous as the epicentre of Vancouver’s homelessness crisis, I witnessed a topless man shoot a needle into his arm five feet from me. Though it wasn’t quite as bad as San Francisco, where my cameraman and I came under attack from angry vagrants, the scenes were still shocking.

It’s not just the homeless who patrol the streets of Vancouver. Chris Elston, better known online as Billboard Chris, campaigns against the imposition of gender ideology on children, whether through Canada’s education system or via dangerous operations to “transition” young adults. As his nickname suggests, Chris walks around Vancouver wearing signs protesting gender ideology, encouraging lively debates with passers-by which he puts on YouTube.

Chris kindly allowed our crew to join him on a walkabout, where we found many Canadians horrified by the use of puberty blockers in children and the promotion of biological men in women’s sports.

We did encounter some opposition of course, mostly through the odd shout or flicking of the finger. So much for Canadian politeness.

One aggressive gentleman, tall, ageing and angry, began a tirade against Chris with the rather bizarre singular message that he is “queer”.

Part of Canada’s social revolution can also be witnessed in its extreme new euthanasia laws. In 2016, the ruling Liberal Party passed legislation enabling assisted suicide for terminally ill Canadians. Next year the legislation will be expanded to include those with mental health problems. As Christianity declines across Canada, and the liberal obsession with “bodily autonomy” and “personal freedom” reaches its logical conclusion, a new dystopia is forming. As Dr Konia Trouton, a euthanasia advocate, told me, “we are an organised society but within that organisation we have to allow some freedoms and opportunities, this is not a communist system where we can try and reign that in”. The campaign group Euthanasia Prevention Coalition estimates that 13,500 people chose state-assisted suicide last year.

To prevent wokeism from spreading it is important to have a strong opposition party. Canada’s Conservatives have been historically weak in pushing back against Trudeau, however, their recently elected leader, Pierre Poilievre, has injected fresh energy into the party. Whilst there are some who still question Poillievre’s conservative credentials, his strategy seems to be working; one recent poll gave his party a twelve point lead over Trudeau’s Liberals.

However, the most successful opponents to Canada’s social revolution have so far not been politicians but members of the public. Our film highlights some of these brave individuals, including Dr Jordan Peterson, perhaps the most high-profile Canadian in the world other than the country’s leader.

During my travels I found ordinary people appalled at Canada’s surrender to drug dealers, its contempt for freedom of speech, its enforcement of gender ideology on children and a breezy willingness to terminate the lives of its own citizens. However, for all the depressing stories of people losing their jobs, or being hounded by the government, these cases were equally inspirational. Whilst Canada is a warning to the West, there are also individual messages of hope from those brave individuals fighting for their freedom.

⁣The Creepy Line reveals the stunning degree to which society is manipulated by Google and Facebook and blows the lid off the remarkably subtle – hence powerful – manner in which they do it.
Offering first-hand accounts, scientific experiments and detailed analysis, the film examines what is at risk when these tech titans have free reign to utilise the public’s most private and personal data.

⁣Author and former research scientist Judy Mikovits, of TheRealDrJudy.com, spoke to Alex Jones Sunday about her experience being persecuted by the US government after she challenged the establishment’s HIV narrative and instead promoted plant-based medicine and natural immunity.
Mikovits detailed how she researched natural product therapies for viruses like HIV and discovered the virus doesn’t always lead to AIDS if a healthy immune system can be kept intact.


However, Dr. Anthony Fauci, head of the National Institutes of Allergy and Infectious Diseases at the time, buried the research, commandeered the isolated HIV virus, and used it to perform gain-of-function studies.
She also broke down the political persecution that led to her unlawful incarceration, what’s really behind the poison death shot Covid jabs, and revealed the actual way to heal naturally using remedies already provided by God.

RESOURCE: https://www.infowars.com/posts..../bombshell-dr-judy-m

⁣Nikola Tesla did countless mysterious experiments, but he was a whole other mystery on his own. Almost all genius minds have a certain obsession. Nikola Tesla had a pretty big one!
He was walking around a block repeatedly for three times before entering a building, he would clean his plates with 18 napkins, he lived in hotel rooms only with a number devisable by 3. He would make calculations about things in his immediate environment to make sure the result is devisable by 3 and base his choices upon the results. He would do everything in sets of 3.
Some say he had OCD, some say he was very superstitious.
However, the truth is a lot deeper.

“If you knew the magnificence of the three, six and nine, you would have a key to the universe.” – Nikola Tesla



⁣RESOURCE: https://garylite.com/2018/09/0....9/the-secret-behind-

⁣Directed by Barbara Shearer (Loving Elvis), the film reveals startling medical observations about JFK's wounds when seven doctors who were in the Parkland Hospital ER reunite to discuss a day none of them can forget. In never-before-seen footage from this reunion, the doctors share in vivid detail their indelible memories of what they did and saw in Trauma Room 1.

Several of those doctors there that day remain certain that what they saw looked like an entry wound -- a bullet hole in JFK's throat -- an observation that contradicts what Americans have been told by numerous official investigations. This revelation would indicate that someone shot the President from the front, challenging the decades-old government narrative that Lee Harvey Oswald acted alone.

JFK: WHAT THE DOCTORS SAW also examines the inconsistencies and gaps that plagued the official autopsy, raising even more questions about how many bullets hit the President and what damage they caused, leaving viewers with the looming question: Was there more than one shooter?

⁣Dr. Robert Malone is the controversial inventor of the mRNA gene therapy technology that is now being utilized in the Covid-19 vaccinations. He is an outspoken critic of regulatory capture and industry influence over regulators. He comes from the heart of the vaccine industry and was kind enough to sit down with us to discuss and answer a variety of questions we had about his thoughts and perspectives on what we are currently experiencing.


Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/

⁣he film focuses on the historic files of the Disclosure Project and how UFO secrecy has been ruthlessly enforced-and why. The best evidence for extra-terrestrial contact, dating back decades, is presented with direct top-secret witness testimony, documents and UFO footage, 80% of which has never been revealed anywhere else.
The behind-the-scenes research and high-level meetings convened by Dr. Steven Greer will expose the degree of illegal, covert operations at the core of UFO secrecy. From briefings with the CIA Director, top Pentagon Generals and Admirals, to the briefing of President Obama via senior advisor John Podesta, chairman of the Hillary Clinton Campaign, we take the viewer behind the veil of secrecy and into the corridors of real power where the UFO secrets reside.
The viewer will learn that a silent coup d'état has occurred dating back to the 1950s and that the Congress, the President and other world leaders have been sidelined.

⁣This documentary brings up several questions about the secret space program: what it is, who is behind it and why Is there a human civilization living off-world with highly advanced technology and knowledge about the existence of aliens Why are we being kept in the dark?

The moovie exposes the fact that the NASA space program is actually a continuation of the Space Projects funded by the Royal-Bavarian Elite, who, under the custodianship of Hitler and Himmler planned to voyage to the Moon and create a LUNAR BASE. Project Paperclip, the Van Allen Radiation Belts and literally dozens upon dozens of UFO clips filmed from aboard the flight-deck of the SPACE SHUTTLE by NASA astronauts makes this motion picture documentary a special collector's item.
…as David Icke, Jaime Maussan, Marcus Allen and Valery Uvarov spoke, the veil of secrecy at NASA, the sordid history of the ex NAZI SS Officers at the heart of the Apollo Space Missions and the interplay of Masonic symbolism in the names of rockets and spacecraft all started to become frighteningly clear. Chris Everard presents what can only be described as the most startling UFO footage ever seen.

The Space Serpents flying around the upper atmosphere have to be seen to be believed. What’s more, is that all the UFO clips come direct from NASA – filmed by astronauts aboard the Space Shuttle! I must admit that I originally thought the premise for this film was ridiculous. Two hours later, I found myself staring blankly at the end credits. My phone rang unanswered. I lit my first cigarette for 20 years and realised that some kind of Alien Invasion is happening. Colonel Philip Corso was right. They’re Here!”

Let me know your thoughts in the comments below 👇

⁣People have seen crop circles created by a tube of light in less than fifteen seconds, bending the plants without damage, altering the electromagnetic field and soil, and encoding new math theorems. Now that you know what humans can't do, discover who can.
“It is perfectly natural to ask if crop circles are hoaxes, but very difficult to explain why they cannot be hoaxes satisfactorily,” remarked NASA engineer Pat Delgado. And he was right, because people cannot steam plants at right angles without damage, alter the local gravitational field, change the mineral structure of the soil, encode unknown mathematical theorems, or apply permanent electromagnetic signatures when attempting to replicate crop circles.
Eighty people have witnessed crop circles manifesting in less than fifteen seconds. Many describe a descending tube of light that rotates and bends the plants without causing any damage. These are just some of the anomalies behind the world’s most important phenomenon. Leading expert and best-selling author Freddy Silva discusses these and many more topics in this fast-paced, live presentation from Contact in the Desert.
Now that you know what humans can’t do, discover who can — and why.
REVIEW RESOURCE: https://www.gaia.com/video/cro....p-circles-evidence-i

⁣The Rain Song - Led Zeppelin cover
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⁣When the 13th amendment was ratified in 1865, its drafters left themselves a large, very exploitable loophole in the guise of an easily missed clause in its definition. That clause, which converts slavery from a legal business model to an equally legal method of punishment for criminals, is the subject of the Netflix documentary “13th.” Premiering tonight at the New York Film Festival, “13th” is the first documentary to open the festival in its 54 year history. Director Ava DuVernay’s takes an unflinching, well-informed and thoroughly researched look at the American system of incarceration, specifically how the prison industrial complex affects people of color. Her analysis could not be more timely nor more infuriating. The film builds its case piece by shattering piece, inspiring levels of shock and outrage that stun the viewer, leaving one shaken and disturbed before closing out on a visual note of hope designed to keep us on the hook as advocates for change.

“13th” begins with an alarming statistic: One out of four African-American males will serve prison time at one point or another in their lives. Our journey begins from there, with a slew of familiar and occasionally surprising talking heads filling the frame and providing information. DuVernay not only interviews liberal scholars and activists for the cause like Angela Davis, Henry Louis Gates and Van Jones, she also devotes screen time to conservatives such as Newt Gingrich and Grover Norquist. Each interviewee is shot in a location that evokes an industrial setting, which visually supports the theme of prison as a factory churning out the free labor that the 13th Amendment supposedly dismantled when it abolished slavery.

We’re told that, after the Civil War, the economy of the former Confederate States of America was decimated. Their primary source of income, slaves, were no longer obligated to line Southerners’ pockets with their blood, sweat and tears. Unless, of course, they were criminals. “Except as punishment for a crime whereof the party shall have been duly convicted” reads the loophole in the law. In the first iteration of a “Southern strategy,” hundreds of newly emancipated slaves were re-enlisted into free, legal servitude courtesy of minor or trumped-up charges. The duly convicted part may have been questionable, but by no means did it need to be justifiably proven.
So begins a cycle that DuVernay examines in each of its evolving iterations; when one method of subservience-based terror falls out of favor, another takes its place. The list feels endless and includes lynching, Jim Crow, Nixon’s presidential campaign, Reagan’s War on Drugs, Bill Clinton’s Three Strikes and mandatory sentencing laws and the current cash-for-prisoners model that generates millions for private bail and incarceration firms.
That last item is a major point of discussion in “13th”, with an onscreen graphic keeping tally of the number of prisoners in the system as the years pass. Starting in the 1940’s, the curve of the prisoner count graph begins rising slowly though steeply. A meteoric rise began during the Civil Rights movement and continued into the current day. As this statistic rises, so does the level of decimation of families of color. The stronger the protest for rights, the harder the system fights back against it with means of incarceration. Profit becomes the major by-product of this cycle, with an organization called ALEC providing a scary, sinister influence on building laws that make its corporate members richer.

Several times throughout “13th” there is a shock cut to the word CRIMINAL, which stands alone against a black background and is centered on the huge movie screen. It serves as a reminder that far too often, people of color are seen as simply that, regardless of who they are. Starting with D.W. Griffith’s “The Birth of a Nation”, DuVernay traces the myth of the scary Black felon with supernatural levels of strength and deviant sexual potency, a myth designed to terrify the majority into believing that only White people were truly human and deserving of proper treatment. This dehumanization allowed for the acceptance of laws and ideas that had more than a hint of bias. We see higher sentences given for crack vs. cocaine possession and plea bargains accepted by innocent people too terrified to go to trial. We also learn that a troubling percentage of people remain in jail because they’re too poor to post their own bail. And regardless of your color, if you’re a felon, you can no longer vote to change the laws that may have unfairly prosecuted you. You lose a primary right all Americans have.

“13th” covers a lot of ground as it works its way to the current days of Black Lives Matter and the terrifying videos of the endless list of African-Americans being shot by police or folks who supposedly “stood their ground.” On her journey to this point, DuVernay doesn’t let either political party off the hook, nor does she ignore the fact that many people of color bought into the “law and order” philosophies that led to the current situation. We see Hillary Clinton talking about “super-predators” and Donald Trump’s full-page ad advocating the death penalty for the Central Park Five (who, as a reminder, were all innocent). We also see people like African-American congressman Charlie Rangel, who originally was on board with the tough on crime laws President Clinton signed into law.

By the time we get to the montage of the deaths of Philando Castile, Tamir Rice, Eric Garner and others (not to mention the huge, screen-covering graphic of names of African-Americans shot by law enforcement), “13th” has already proven its thesis on how such events can not only occur, but can also seem sadly like “business as usual.” It’s a devastating finale to the film, one that follows an onscreen discussion about whether or not the destruction of Black bodies should be run ad nauseum on cable news programs. DuVernay opts to show the footage, with an onscreen disclaimer that it’s being shown with permission by the families of the victims, something she did not need to seek but did so out of respect.

Between the lines, “13th” boldly asks the question if African-Americans were actually ever truly “free” in this country. We are freer, as this generation has it a lot easier than our ancestors who were enslaved, but the question of being as completely “free” as our White compatriots hangs in the air. If not, will the day come when all things will be equal? The final takeaway of “13th” is that change must come not from politicians, but from the hearts and minds of the American people.

Despite the heavy subject matter, DuVernay ends the film with joyful scenes of children and adults of color enjoying themselves in a variety of activities. It reminds us, as she said in her Q&A with NYFF director Kent Jones, that “Black trauma is not our entire lives. There is also Black joy.” That inspiring message, and all the important, educational information provided by this excellent documentary, make “13th” a must-see.

REVIEW RESOURCE: https://www.rogerebert.com/reviews/13th-2016

⁣Ukraine. Across its eastern border is Russia and to its west-Europe. For centuries, it has been at the center of a tug-of-war between powers seeking to control its rich lands and access to the Black Sea. 2014's Maidan Massacre triggered a bloody uprising that ousted president Viktor Yanukovych and painted Russia as the perpetrator by Western media.

But was it? "Ukraine on Fire" by Igor Lopatonok provides a historical perspective for the deep divisions in the region which lead to the 2004 Orange Revolution, 2014 uprisings, and the violent overthrow of democratically elected Yanukovych.

Covered by Western media as a people's revolution, it was in fact a coup d'état scripted and staged by nationalist groups and the U.S. State Department. Investigative journalist Robert Parry reveals how U.S.-funded political NGOs and media companies have emerged since the 80s replacing the CIA in promoting America's geopolitical agenda abroad.

⁣Creep - Vintage Postmodern Jukebox Radiohead Cover ft. Haley Reinhart
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One of the highlights of our 2015 European tour was Haley Reinhart's masterful interpretation of our vintage arrangement of Radiohead's "Creep" (originally performed on this channel by the amazing Karen Marie). I enjoyed it so much that I brought Haley into a studio in Zurich on our day off to record it. If you haven't heard Haley sing this before, get ready for a truly remarkable performance. Oh yeah- and this was the very first take.

⁣This documentary from Jeff Orlowski explores how addiction and privacy breaches are features, not bugs, of social media platforms.
That social media can be addictive and creepy isn’t a revelation to anyone who uses Facebook, Twitter, Instagram and the like. But in Jeff Orlowski’s documentary “The Social Dilemma,” conscientious defectors from these companies explain that the perniciousness of social networking platforms is a feature, not a bug.

They claim that the manipulation of human behavior for profit is coded into these companies with Machiavellian precision: Infinite scrolling and push notifications keep users constantly engaged; personalized recommendations use data not just to predict but also to influence our actions, turning users into easy prey for advertisers and propagandists.

As in his documentaries about climate change, “Chasing Ice” and “Chasing Coral,” Orlowski takes a reality that can seem too colossal and abstract for a layperson to grasp, let alone care about, and scales it down to a human level. In “The Social Dilemma,” he recasts one of the oldest tropes of the horror genre — Dr. Frankenstein, the scientist who went too far — for the digital age.

In briskly edited interviews, Orlowski speaks with men and (a few) women who helped build social media and now fear the effects of their creations on users’ mental health and the foundations of democracy. They deliver their cautionary testimonies with the force of a start-up pitch, employing crisp aphorisms and pithy analogies.

“Never before in history have 50 designers made decisions that would have an impact on two billion people,” says Tristan Harris, a former design ethicist at Google. Anna Lembke, an addiction expert at Stanford University, explains that these companies exploit the brain’s evolutionary need for interpersonal connection. And Roger McNamee, an early investor in Facebook, delivers a chilling allegation: Russia didn’t hack Facebook; it simply used the platform.
Much of this is familiar, but “The Social Dilemma” goes the extra explainer-mile by interspersing the interviews with P.S.A.-style fictional scenes of a suburban family suffering the consequences of social-media addiction. There are silent dinners, a pubescent daughter (Sophia Hammons) with self-image issues and a teenage son (Skyler Gisondo) who’s radicalized by YouTube recommendations promoting a vague ideology.


This fictionalized narrative exemplifies the limitations of the documentary’s sometimes hyperbolic emphasis on the medium at the expense of the message. For instance, the movie’s interlocutors pin an increase in mental illness on social media usage yet don’t acknowledge factors like a rise in economic insecurity. Polarization, riots and protests are presented as particular symptoms of the social-media era without historical context.
Despite their vehement criticisms, the interviewees in “The Social Dilemma” are not all doomsayers; many suggest that with the right changes, we can salvage the good of social media without the bad. But the grab bag of personal and political solutions they present in the film confuses two distinct targets of critique: the technology that causes destructive behaviors and the culture of unchecked capitalism that produces it.

Nevertheless, “The Social Dilemma” is remarkably effective in sounding the alarm about the incursion of data mining and manipulative technology into our social lives and beyond. Orlowski’s film is itself not spared by the phenomenon it scrutinizes. The movie is streaming on Netflix, where it’ll become another node in the service’s data-based algorithm.

REVIEW RESOURCE: https://www.nytimes.com/2020/0....9/09/movies/the-soci

⁣Covid-19 Shots Will Kill Billions - Dr. David Martin And Seth Holehouse.


⁣In this interview (video starts after 1 min) MAN IN AMERICA, Mr. Seth Holehouse, talks to Dr. David Martin about the recent movie DIED SUDDENLY, and the precautions that needs to be taken towards the evil Covid-19 worldwide genocide agenda shots.
If 3 billion people took Covid-19 shots, and 7% to 15% of the batches had severe adverse events, that's around 300 million people with permanent death and disabilities.

If those 300 million people now require the 24/7 health care services of other individuals, that's another 300 million people dedicated to their care. "So, we're talking about 600 million people incapacitated" says Dr. David Martin.

DIED SUDDENLY Documentary =>⁣https://vajratube.com/v/FFG3pv

American (R)Evolution => ⁣https://vajratube.com/v/mjd74M



It is really WAKE UP time folks!
You can follow Dr. David Martin at - https://www.davidmartin.world/

This video was mirrored from the MAN IN AMERICA website - https://maninamerica.com/

⁣Clear, blue skies greeted air travelers on the morning of September 11, 2001. But those skies were more heavily trafficked than we were originally led to believe, according to the documentary 9/11 War Games. Produced by the conspiracy-minded Corbett Report, the film assumes a unique perspective for those who question the official account of that tragic date.


Before the attacks began to unfurl, there were an unprecedented number of aviation tests, military drills and emergency simulations taking place. Some were eerily similar to the terrorist attacks that would grip the country later that morning. In spite of the incessant denials that followed in the months and years following 9/11, the film argues that military forces were well aware of the potential of such an attack, and were active in preparing for such a nightmare scenario.


The evidence presented in the film expose how the government was well aware of the specific threats in the lead up to 9/11. Documents and taped recordings show multiple military drills mounted by the North American Defense Command (NORAD), including those involving hijacked airplanes, coordinated attacks from multiple planes, and even a scenario that used an aircraft as a weapon in the heart of the Pentagon.
The theory? The real plot of terror was piggybacked off some of these simulated war games. While much of the blame fell on the FAA, the prevention of these attacks was actually hindered by an inability to decipher between the manufactured exercises and the real world tragedy. The terrorist cell was likely aware of such exercises, and used them to their advantage.


Taken to the extreme, the film theorizes that members of NORAD, the US military and the National Command Authority were themselves complicit in these attacks, and the confusion between simulation and reality was an intentional and strategic stage from which they could operate most effectively.
Viewers who have an intolerance for conspiracy-themed material, especially as it pertains to the events of September 11, might find some of the film’s thesis offensive. But for others, 9/11 War Games may serve as a provocative, well assembled argument for greater transparency.


REVIEW RESOURCE: https://topdocumentaryfilms.com/9-11-war-games/