⁣The film documents Becker's rise to near-stardom, following him from the first time he touched a guitar as a five-year-old to when he was drafted into The David Lee Roth Band as lead guitarist at the age of 19. In 1990, this was considered perhaps the most coveted rock guitar gig on the planet, as Becker would be following in the footsteps of acclaimed guitarists Eddie van Halen and Steve Vai, both of whom played with David Lee Roth as lead guitar player. It was shortly after that Becker was diagnosed with Amyotrophic Lateral Sclerosis, more popularly known as Lou Gehrig's disease, and given just 3 to 5 years to live. Becker was able to finish the recording of Roth's third full-length studio album A Little Ain't Enough but was unable to make the tour due to his physical decline.

Despite his diagnosis, Becker continued to write music even after losing all the ability to move and speak. Becker would go on to write and record two full-length studio albums Perspective (1996) and Collection (2008). Becker communicates exclusively via an eye pattern chart invented by his father, artist and poet, Gary Becker.

Although the film examines Becker's physical decline and his missed shot at rock superstardom, the film is a positive account of Becker's strength and survival for the past 22 years of his life.

The film makes extensive use of Becker's family archives through photographs, Super 8mm film and VHS footage. The film features interviews with Becker's family and friends as well as notable guitarists Joe Satriani and Steve Vai.


<img src="https://m.media-amazon.com/images/I/91nMvT2XrLL._AC_SY741_.jpg" alt="Poster" />

Buy Original DVD <a href="https://www.amazon.com.au/Jason-Becker-Not-Dead-Yet/dp/B009CSVQ7C" target="_blank" >here</a>

⁣"He's an outsider. He's a maverick." Vision Films is about to release this documentary, called Banksy & The Rise of Outlaw Art, this week - available on VOD. We missed this trailer when it first debuted a few months ago, but happy to catch up with it now. Elio Espana's doc Banksy & The Rise of Outlaw Art is a look at the modern street art / graffiti culture that Banksy elevated. "Banksy, the world's most infamous street artist, whose political art, criminal stunts, and daring invasions outraged the establishment and created a revolutionary new movement while his identity remained shrouded in mystery.

[This film] finally reveals Banksy's story, from his roots in a criminal subculture to his rise as the leader of an art revolution." Don't expect Banksy's identity to actually be revealed. Not only was there Banksy's own doc Exit Through the Gift Shop (from 2010), but we also had the Banksy Does New York doc a few years ago, too.
As the world’s most infamous street artist, Banksy’s political art, criminal stunts and daring invasions have outraged the establishment for over two decades, but despite being one of the most important figures of our times, Banksy has remained an enigma, with little known about the circumstances of his life and work.

His rise coincided with the emergence of Street Art, a form of illegal, public art that evolved from the graffiti scene to change the face of cities across the world. Banksy became the leading figure in this revolutionary new movement, assembling a multi-million dollar empire and changing the way that we think about art. Through it all, however, his identity has remained shrouded in mystery… Banksy & The Rise of Outlaw Art is directed by documentary producer / filmmaker Elio Espana, director of the films Dawn of the Dead: The Grateful Dead & the Rise of the San Francisco Underground, CSNY: Fifty by Four, Feats First: The Life & Music of Lowell George, and Hamilton: One Shot to Broadway previously.

⁣⁣In 2017, the filmmaker Theo Anthony released “Rat Film,” an improbably poetic, intellectually dazzling, politically astute documentary on the seemingly prosaic topic of rats and their place in the modern urban landscape. “All Light, Everywhere,” Anthony’s new movie, ponders a more abstract, less earthbound array of subjects — the physiology of human vision, the history of photography, the ethics of surveillance — in a similar spirit of open-minded, morally urgent inquiry.

If the connections Anthony draws are sometimes vague and not always persuasive, that may be a risk built into his essayistic, undogmatic approach to reality.
And the attempt to capture reality in moving images happens to be what “All Light, Everywhere” is about. It starts with a quote from William Blake: “As the Eye — such the Object.” In other words, vision determines the shape of what is seen. Rather than a simple picture of reality, the camera selects, frames and interprets, often in the service of power and ideology.

This is especially worrisome when the camera is doing the work of law enforcement. Anthony’s main concern is the use of video and other forms of image-gathering in policing, a practice whose claims of objectivity come under steady, skeptical pressure.
Some of the pressure comes from voice-over narration, written by Anthony and read by Keaver Brenai, that bristles with rhetorical questions (“what future does history dream of?”) and theoretical formulations. The musical score, by Dan Deacon, adds an air of menace and suspense which sometimes overwhelms the images.

RESOURCE: https://memory.is/all-light-everywhere

⁣A Journey with Ayahuasca
Reconnect is London Real’s fifth feature-length documentary film and documents Brian Rose’s journey to Costa Rica where he participates in multiple ceremonies with the plant medicine Ayahausca. The movie stars Graham Hancock, Dr. Jordan Peterson, Dennis McKenna, Sadhguru, Dorian Yates, Dr. Gabor Mate, Dr. Joe Dispenza, Michael Pollan, and Dan Pena.


As the founder and host of London Real, Brian Rose has spoken to over 1,000 of the greatest minds on the planet for the past eight years including Dan Peña, Dan Bilzerian, Robert Kiyosaki, Jocko Willink and more.
With an aim to spread transformational ideas to the world, London Real reaches millions of people each month with its message and yet, when Brian looked outside his studio, he saw a very different reality: a world full of division, tribalism, hatred, anger, and disconnection from our environment.


Against that background, Brian also felt extremely disconnected from his purpose, his mission, and his family.
Under the advice of legendary psychedelic researcher Dennis McKenna (brother of the late Terence McKenna), Brian decided to travel to Costa Rica to participate in three ceremonies with the ancient plant medicine Ayahuasca, known for inducing powerful visions, painful experiences, and transformational lessons.


There he reconnects with his vision and purpose but also uncovers childhood trauma that created an existential crisis in his life. After returning to London with clear visions about the future, he soon realised that things are not what he expected, and that real transformation and healing must include painful challenges and uncomfortable situations.


Along the way, Brian is advised and mentored by a number of London Real guests including Jordan Peterson, the best selling author Michael Pollan, Graham Hancock, childhood trauma specialist Dr. Gabor Mate, the Indian mystic Sadhguru, Dr. Robin Carhart-Harris of Imperial College London, former bodybuilder Dorian Yates, Dr. Joe Dispenza, and high-performance coach Dan Peña, the $50 Billion Man.


Despite this incredible guidance, Brian struggles to address his personal demons, and ultimately decides to confront the people who caused his trauma. So he embarks on a trip home to speak separately to his mother and father, in order to heal himself and ultimately create a new future for his children, his company, and his movement.
Watch Reconnect now and share in Brian’s story through his Ayahuasca ceremony and beyond to his integration exclusively here on London Real.

RESOURCE: https://londonreal.tv/reconnect-the-movie/

⁣A blockbuster documentary that lays out the COVID lie like none other that I’ve seen. Uninformed Consent tells the story of how friends, neighbour's, employers, and family have been turned against each other due to government policies demonising individuals for their medical choices.

An in-depth look into the Covid 19 narrative, who's controlling it, and how it's being used to inject an untested, new technology into almost every person on the planet.
The film explores how the narrative is being used to strip us of our human rights while weaving in the impact of mandates in a deeply powerful story of one man's tragic loss.
Hear the truth from doctors and scientists not afraid to stand up against Big Pharma and the elite class who profit from mandates.

Written & Directed by Todd Harris, Matador Films.

⁣"SUPERHUMAN: The Invisible Made Visible" documents the jaw-dropping experiences of individuals with extra-sensory powers that seem to defy the laws of physics known to man today. Producer and host Caroline Cory, who has her own extensive experience in the field of Consciousness Studies and Extra Sensory Perception, takes the viewers on an extraordinary journey to achieve tangible and measurable proof of these seemingly miraculous phenomena.


Through a series of groundbreaking on-camera scientific experiments, viewers will find themselves connecting the dots about the true nature of their own consciousness, the relation between mind and matter and discover whether they live in a simulated matrix or if they can have control over their physical reality and create a fulfilling human experience. The film ultimately shows that once the invisible worlds are made visible, this attained higher awareness will transform humans into superhumans.

⁣This documentary follows Aubrey Marcus and company through a powerful Ayahuasca ceremony at Spiritquest Sanctuary in Peru. Under the guidance of Don Howard and his team of ayahuasca shamans, Aubrey and his tribe experience deeply vulnerable transformational experiences. This beautifully cinematic journey is directed by Mitch Schultz, the director of DMT the Spirit Molecule, with an original soundtrack by Poranguí.

Aubrey first began speaking about Ayahuasca on the Joe Rogan Experience podcast in 2011. Since then he has appeared in dozens of other documentaries and media outlets commenting on Ayahuasca. The documentary seeks to help the viewer answer the following questions for themselves:

What is Ayahuasca?
What is it like to take Ayahuasca?
What visions do you have while on Ayahuasca?
What emotional breakthroughs occur during an Ayahuasca ceremony?
Should I take ayahuasca?

Let me know your thoughts in the comments?

⁣Soaked in Bleach. 2015. Directed by Benjamin Statler. Written by Donnie Eichar, Richard Middleton, and Benjamin Statler.
Starring Tyler Bryan as Kurt Cobain, Sarah Scott as Courtney Love; featuring, as themselves, Tom Grant, Brett Ball, Max Wallace, and Norm Stamper.

Admittedly, even though I’ve always thought Courtney Love is bat shit crazy, I never believed she (or anyone else) might’ve been covering anything up or hiding information concerning Kurt Cobain’s suicide. As much as I loved Cobain, worshiped Nirvana as a young musician with a bad attitude and even worse fashion sense, I just took what the media fed me about his depression and how he’d always seemed suicidal, that he took his I.D out and put it on his wallet so that when he shot himself they’d be able to identify his body easily… and so much more.
After watching this, the other reviews and articles touting this documentary as a ‘conspiracy theory’ are way off base. There’s too much in this film to deny, from actual police documents, the tapes Private Investigator Tom Grant has with Courtney Love on it saying some downright incriminating things and even some with Rosemary Carroll (the Cobain/Love lawyer) saying things against Love. See for yourself. Judge on your own. But here’s my take:

The first thing we hear is a conversation between Tom Grant and Courtney. She hired him to investigate after Kurt went missing, this was only briefly before his alleged suicide. On this first tape, Grant questions Courtney about where she’d found some other letter, supposedly from Kurt, and she is telling him it was under the pillows on her bed. Grant, being there the night before Kurt was found dead, knew different; he’d tossed the bed and found Rohypnol, which Kurt had a prescription for. He knew the difference, and yet Courtney tried sticking to her guns even when Tom told her otherwise. So right off the bat, we get this very real, raw version of Courtney – outside of the media, outside of other celebrities and what they think of her or the general public and their view – right from a tape. It’s damning.

From there, we learn a little about Grant whose life story reads much like a lot of police/military officers. The thing I kept wondering is, for those who don’t believe the man or doubt he is credible – what does he have to gain from this? He’s pretty much haunted with what he sees as the facts. He’s not exactly a celebrity himself because of Kurt or Courtney; most people pass him off as just another conspiracy theorist. Yet, as he mentions later, Tom still gets letters, e-mails, all sorts of communication asking about Kurt, wondering why nothing has been done when there’s actually a lot of evidence suggesting he did not die by suicide. It isn’t only Tom who believes, but unfortunately the police seem to be the real roadblock.

It becomes very clear that police negligence really had a hand in what came to pass. On top of that, Courtney Love set the stage for this “suicide” – when she hired Tom Grant, filed a police report (and did so in fake fashion using Cobain’s own mother’s name – the media promptly reported his mom was worried he was suicidal and filed a Missing Persons), and then perpetuated the myth of Cobain being frequently suicidal. What really troubles me is this idea of the myth – that Kurt really wasn’t a suicidal person. Yes, he was depressed. Yes, he had killer stomach pains that put him in agony. But he was happy with his friends and people around him. After the stomach pains were cleared up and doctors put him on the correct medication after many stressful years, Cobain himself told an interviewer he felt the best he’d ever felt and he was plenty happy. Sure, no one knows what’s going on in the mind of someone behind closed doors – ultimately, we never know. I had a friend who killed himself and none of us in our circle of friends ever expected it. Yet so many close friends claim Kurt never ever talked about suicide once.

Furthermore, he’s not in the movie but Buzz Osborne knew Kurt, and the rest of Nirvana, from the beginning – he and Kurt went to high school together, he knew him before and after Nirvana hit the bigtime. Buzz claims Kurt was never suicidal, it was all a lie. He has harsh words for the other Cobain documentary that recently came out, Montage of Heck, because aside from the suicide myth it portrays other stories that are not actually true (the story that Kurt supposedly had sex with an overweight, mentally handicapped girl when he was young is a total fabrication, according to King Buzzo). So during Soaked in Bleach, we get a lot of other opinions from people very close with Cobain that jive with that of Osborne – that Kurt could be quiet, shy, but the idea that he was a suicide case is untrue.
What really drove this home is Courtney Love. When Cobain accidentally overdosed on his Rohypnol prescription after having a glass of champagne, the incident was not called a suicide at the time. At first people speculated it was an attempt, but it was confirmed as being accidental afterwards. Love did not, at the time, claim Kurt tried to kill himself. Nobody did. Then, after Kurt was found dead, immediately Courtney began telling the media how he tried it in Rome, he tried before, so it wasn’t exactly a surprise. This is categorically untrue. Max Wallace brings up the fact they even talked with the doctor who attended to Kurt that night in Rome, and the doctor also denies to the bone it was a suicide attempt confirming it was most certainly an accidental overdose. It isn’t hard to see Love helped the media run with the image of Kurt as a suicidal persona.

Once things get to the real down and dirty faces, looks at the crime scene and all that, it’s even more of an affirmation that Tom Grant is not just some ‘conspiracy nut’. The tapes are one thing, hearing Courtney go on about how maybe Kurt disappearing and all that before his death would be good for publicity on Hole’s next album and hearing her just lie to Grant over and over, but the crime scene is a whole other beast. I don’t want to say too much more because the evidence is some of the real knock-out stuff in this film.
I did like the little drama recreations they did with actors playing Love, Grant, Cobain, and others involved. Some of it was pretty decent. Not that she doesn’t deserve it after seeing this movie, but they really went hard at Love with their portrayal. However, I don’t see it as being that far off base. If you didn’t think Love was crazy before, you absolutely will after watching this. It’s hard not to.

A lot of the evidence presented makes you wonder how this case isn’t being re-opened and investigated again. Truly. This was an eye-opener of a documentary. Even worse, it’s coming out that apparently Courtney Love has bought Twitter followers, et cetera, to help tank ratings on websites for the film; IMDB is usually bad for ratings, but the skewed low rating for this was ridiculous as about 1,000 ratings of 1 before the release drove it down. Suspicious? Make up your own mind.

This is absolutely a 5 star documentary. I love Cobain, his music, all of it, but to see this was truly fascinating. I can’t get over it, honestly. I want to watch it again several times just to take in all the information. The whole thing is spooky. I’ll say no more other than – the directing is great, this whole film is put together well, and Tom Grant is a saint for offering himself up all these years as “that conspiracy guy” who has actually been fighting the fight for real justice.

One thing resonated with me deeply. Tom brought up how there have been tons of suicides that have been copycats of Kurt – either they did what he did exactly, or their suicide notes quoted Nirvana and related to the late rockstar – and he just wants the truth out there. Because it’s a shame for any kid to kill themselves, but if it’s partly due to the fact Kurt supposedly did, when he might not have, then there is a real need to have the truth known. Not only for all those kids, future kids possibly, but also for Kurt, for Frances Bean, and for all the people of a generation who related to him through his music.

REVIEW RESOURCE: https://fathersonholygore.com/....2015/06/15/soaked-in

⁣I reviewed materials from Pfizer and Moderna in regard to the preclinical assessments of reproductive toxicities from recently obtained documents from FOIA lawsuits.


The results indicate shocking disregard to safety and potential for reproductive harm that will span generations. Pfizer's published data is here:
https://www.sciencedirect.com/....science/article/pii/


Note the study is authored by Pfizer employees with extremely biased interpretation of their results, so you should read the methods and results sections yourself.

⁣Certainly one of the best interviews of the series, this interview with epidemiologist and biostatician Knut Wittkowski is hard hitting and touching. We interviewed him on a hot July day in 2020 in a corner of the park and later in front of an empty great lawn, which normally has 1000 people on it in a midsummer day. He is a caring and thoughtful man that is highly alarmed by the turn of events of this last year. He has a tremendous amount of courage to speak out and a big heart. This all comes through.

Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/
Please share and enjoy!

⁣We are being given a second chance to say no to the psychopathic criminals in our government
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RESOURCE: https://reesereport.com/

⁣The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.
Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

⁣It is now beyond doubt that strange, anomalous objects filling our skies and caught on camera are the real deal. Even the Pentagon admits it’s true. These seemingly intelligently controlled craft are operating above the clouds, in our oceans and in our orbit – travelling at hypersonic speeds far beyond any known human technology and completing manoeuvres unknown to science.


The subject of conspiracy and derision for years, UFOs are now the hottest topic in Washington and the world.
Five-time Walkley Award-winning investigative journalist Ross Coulthart – who has been investigating the phenomena for the past two years – led the 7NEWS Spotlight team across the US, amassing never-before-seen compelling evidence and speaking to the key players behind an event that will change the course of history.
Featuring interviews with the highest echelons of military defence and intelligence officials, leading researchers, scientists and witnesses in America and Australia, this mind-blowing documentary years in the making seeks to answer the most fundamental question there is: are we alone?


The US director of national intelligence is expected to hand down an unclassified report next month that will change our understanding of life itself. On Spotlight, we reveal what is in that report.
7NEWS Spotlight: The UFO Phenomenon unearths startling new evidence of Australian Government cover-ups and extraordinary vision of unidentified aerial phenomena in Western Australia, Victoria and Queensland – all credible and important additions to the worldwide data being accumulated by the US.


For Coulthart, the project has become the most fascinating and challenging of his career, becoming the focus of his new book 'In Plain Sight', available now in Australia and soon in other territories:


Australia: https://7news.link/3AuawFz

⁣This is a non profit project, the aim is to have all anti-propaganda information in one place connected to one map, helping people understand the big picture.

The map is based on that created by The World Economic Forum, our platform will be populated by the general public as well as experts in the field, with a self regulating model.
It's time we stick to facts, and have a scientific and methodical approach in creating real change in the world.

Disclaimer: We DO NOT receive any revenue from YouTube, and we give away all copyrights, so you are free to use the content and share it.

REOURCE: The Mirror Project

⁣Marek Piotrowski (ur. 14 sierpnia 1964 r. w Dębe Wielkim koło Mińska Mazowieckiego) -- polski kick-bokser i bokser, zawodowy mistrz świata.
Kariera amatorska -- swoją karierę sportową rozpoczynał jako bardzo młody adept jujutsu, z czasem zainteresował się Karate Kyokushin. W 1984 r. zdobył w tej dyscyplinie mistrzostwo Polski juniorów. W 1985 r. powtórzył ten sukces w kategorii seniorów. W karate stoczył 13 oficjalnych pojedynków, wszystkie wygrał. W Lipcu 1993 r. stał się posiadaczem czarnego pasa (1 dan). Z początkiem 1987 r. rozpoczął uprawiać kick-boxing w formule full contact, mimo że dyscyplina ta była wówczas w Polsce zakazana.
11 października 1987 r. zdobył w Monachium amatorskie mistrzostwo świata w kategorii wagowej do 81 kg. Tego samego roku wygrał również mistrzostwo Polski, a na Węgrzech Puchar Świata, zostając uznanym za najlepszego zawodnika turnieju.
Kariera zawodowa -- w 1988 r. zdecydował się na wyjazd do USA, aby rozpocząć karierę zawodową. W październiku stoczył swoją pierwszą walkę. W Rockford znokautował Boba Handegana w 4. rundzie.

19 sierpnia 1989 r. w swej piątej walce za Oceanem zwyciężył jednogłośnie na punkty dotychczas niepokonanego Ricka „The Jet" Roufusa i zdobył zawodowe mistrzostwo Stanów Zjednoczonych organizacji PKC. Do jego nazwiska przyległ również ringowy przydomek Punisher.
4 listopada 1989 r. w Chicago pokonał Dona „The Dragon" Wilsona i został zawodowym mistrzem świata organizacji ISKA, PKC i FFKA.
Do 1991 r. stoczył sześć pojedynków, pokonując między innymi Boba „The Thunder" Thurmana oraz renomowanego Marka Longo. Był do tego momentu niepokonanym zawodnikiem na zawodowym ringu, legitymującym się bilansem 29-0-0 (19 KO). 22 czerwca 1991 r., pomimo problemów osobistych, stoczył rewanżowy pojedynek z Rickiem Roufusem, który przegrał w drugiej rundzie przez nokaut. Po tej porażce rozpoczął w lutym karierę w boksie zawodowym, wygrywając pierwszą walkę przed czasem w 4. rundzie. Następnie do 1992 r., chcąc odzyskać utracony tytuł MŚ, stoczył kilka walk w kickboxingu, wszystkie wygrywając.

W lipcu 1992 r. zdobył tytuł mistrza Ameryki Północnej wygrywając z Kanadyjczykiem Conradem Pla.
22 listpada 1992 r. stanął w Paryżu do pojedynku z wielokrotnym mistrzem Holendrem Robem Kamanem (zwanym także „Mr. Low-Kick"; 98 wygranych walk, 78 KO.) w formule low-kick. Przegrał przez TKO w siódmej rundzie po niezwykle dramatycznym boju. Po tej porażce raz jeszcze stanął do walki o utracone tytuły. Przez następne lata szukał szansy na rewanż z Kamanem i Roufusem, ale nigdy jej nie dostał.

22 czerwca 1993 r. pokonał w Montrealu przez TKO Michaela McDonalda. W tym samym roku zwyciężył Mike'a Winklejohna, zdobywając tytuł mistrz świata ISKA w formule oriental rules (odmiana dopuszczająca low-kick i uderzenia kolanem). W grudniu 1995 r. stoczył swoje ostatnie starcie w kickboxingu. W Krakowie pokonał Włocha Stefano Tomiazzo, zdobywając pas mistrza świata organizacji WKA i unifikując wszystkie światowe tytuły w full-contact. Tym samym stał się posiadaczem wszystkich najważniejszych pasów mistrzowskich: ISKA, KICK, PKC, WAKO-PRO, FFKA, WKA i TBC.

Równolegle ze startami w kickboxingu Piotrowski kontynuował karierę zawodowego boksera, staczając od 1992 do 1996 r. w sumie 21 pojedynków w wadze półciężkiej. Wygrał wszystkie.
Zawodową karierę zakończył 13 grudnia 1996 r. w Hanowerze wygraną walką bokserską. W 1997 r. dostał propozycję walki o zawodowe mistrzostwo świata w boksie organizacji IBF z Reggie Johnsonem, lecz ze względu na kłopoty zdrowotne musiał zrezygnować. W 2002 r. powrócił do Polski.

Wyróżnienia
W 1987 r. dostał nagrodę „Syrenki" od miesięcznika Sportowiec za największą niespodziankę sportową roku. Trzykrotnie wybierany do pierwszej dziesiątki najlepszych sportowców w Polsce w plebiscycie Przeglądu Sportowego (1987, 1989, 1990), dwukrotnie zajmując 2 pozycję. Prestiżowy magazyn Fighter klasyfikując największych kickboxerów lat 80., umieścił Piotrowskiego w wadze do 172 funtów (tj. 78 kg) na drugim miejscu. Dwukrotnie, w latach 1989 i 1994 został uznany przez amerykańskich fachowców kickbokserem roku. Został także wybrany przez amerykańską prasę na jednego z dwóch najlepszych fighterów lat 90. W 1991 r. Aleksander Bilik wydał książkę Kickbokser, opisującą karierę Piotrowskiego do roku 1990. W 2005 r. telewizja TVN24 nakręciła reportaż o Marku Piotrowskim zatytułowany „Wojownik" W 2005 r. powstał o nim nawet komiks pt. Kickbokser (zamieszczony w dodatku do Gazety Wyborczej). 2006 r. -- Marek Piotrowski otrzymał statuetkę Stanley Honorowy -- KICK BOXING

⁣Filmworker charts the multiple decades that Leon Vitali spent as the jack-of-all-trades assistant to famously demanding film director Stanley Kubrick. It’s a glimpse into the ways Kubrick worked that is both fascinating and heartbreaking, especially in the ways the director, and then his estate after his death, treated someone who was unwaveringly loyal. The lone bonus feature is a Q&A with Vitali and director Tony Ziera.

Behind every Hollywood legend there’s usually at least one assistant who helps keep that person’s world turning in countless unsung ways. In the case of famous film director Stanley Kubrick, there was Leon Vitali, who was different from other assistants in film lore because he cut short a promising acting career to take on a thankless role.
He was also different because he did so much more than keep the trains running on time, so to speak. When needed, Vitali served as casting director, editor, film archivist and restorationist, and more. He even stepped in to play a masked role in Kubrick’s final film, Eyes Wide Shut, which, of course, didn’t allow him to shirk his other duties even as he was filming his lines over and over again, as the director famously liked to do.

Director Tony Zierra’s documentary about Vitali, Filmworker, takes its name from the occupation Vitali put on various forms. It was something he came up with, he says, because he saw himself simply as someone who works in film. He acted in many British TV shows and movies before being cast as Lord Bullingdon in the 1975 Kubrick film Barry Lyndon. While on the Lyndon set, he was fascinated by how the director was involved in every aspect of the production and how every crew member around him had a key role to play.

That fascination led him to essentially creating a job for himself with Kubrick, who, as Vitali tells it, was masterful at coming across as benign and gentle at first before later revealing his controlling and demanding side. In that context, Vitali notes that Kubrick loved to play chess, but I don’t know if that’s a masterful relationship move as much as someone who wants to hide their distorted personality until the other person is in too deep. Kubrick was brilliant, but he was also abusive – I’ve long felt that his infamous obsession with shooting even the most mundane moments over and over wasn’t so much about perfectionism as it was about a sadistic tendency to see how far he could push people.

In Vitali’s case, I don’t think there was ever a notion that he was in too deep. He seemed to revel in his relationship with Kubrick, enjoying the fact that he worked long hours seven days a week to serve all of the director’s whims and needs. The only times cracks seem to appear in that happy façade are when he relates moments where he’s perhaps considering that Kubrick went too far – such as when he horribly mistreated Vitali on Christmas Eve, gave him a present and sent him home, and then started calling him on Christmas Day to hound him about many tasks that needed to be done.

When Kubrick died, Vitali seemed to be cast aside by people closest to the director who took over his estate. It’s telling, for example, that this documentary doesn’t feature interviews with Kubrick’s widow Christiane and her brother Jan Harlan, who executive produced several of the director’s movies and was known as his right-hand man. Vitali was constantly at Kubrick’s home when he wasn’t on movie sets or doing prep work for movies such as location scouting and casting, so obviously the two of them would have been around him quite a bit.

REVIEW RESOURCE: https://www.flickeringmyth.com..../2021/03/blu-ray-rev

⁣How to generate homemade infinite energy with a washing machine motor and an engine.
This channel is the home of crazy inventions. I guarantee you will not be disappointed with the videos uploaded because there are some best videos that no one has done.

Contact to Author: kenhmrche@gmail.com

⁣Martin Miller
Session Band plays Dark Side of the Moon by Pink Floyd. Recorded live at
Weltklang Studio, Plauen on 10th August 2017.
Track List:
1. Speak to Me
2. Breathe
3. On the Run
4. Time
5. The Great Gig in the Sky
6. Money
7. Us and Them
8. Any Color You Like
9. Brain Damage
10. Eclipse
Martin Miller - Guitar & Vocals (http://www.martinmillerguitar.com)
Felix Lehrmann - Drums
Benni Jud - Bass (https://www.bennijud.com/)
Marius Leicht - Keyboards & Vocals
Special Guests:
Jenny Marsala - Vocals (
/ jennymarsala
http://www.instagram.com/jenny_marsala)
Michal Skulski - Saxophone
Studio: Weltklang Studio, Plauen (Germany)
https://www.facebook.com/Weltklangton...
André Gorjatschow - Director & Camera
Dirk Meinel, Christian Roscher - Audio Engineering
Matthias Prokop, Morgan Reid, Susanne Bartels, Josh McMorran - Camera
Ulrich Wichmann - Camera Assistant
Audio mix & video edit - Martin Miller
Additional Guitars - Martin Miller
Additional Keyboards - Marius Leicht
Background Vocals - Matthias Prokop & Martin Miller
Spoken Words - Levi Clay, Cheryl Harford, Fenn Alexander, Mike McLaughlin

⁣Critically Thinking with Dr. Sherri Tenpenny and Dr. Lawrence B. Palevsky, Dr. Carrie Madej, Dr. Lee Merritt, Dr. Christiane Northrup.
⁣Ever since reports have surfaced in recent days that people who have chosen NOT to receive the experimental COVID-19 shots but have been exposed to those who have received them, and have suffered what appear to be infections coming from these fully "vaccinated" people, affecting mainly women who have reported menstruation difficulties, heavy bleeding, miscarriages, and reduction of breast milk, I have been watching my newsfeed to see if any of the dissenting doctors and scientists we feature regularly here at Health Impact News would address these issues.

Fortunately, a team of 5 doctors in the U.S., all of whom we have featured in the past here at Health Impact News and are highly qualified to address this topic, just held a round-table discussion a couple of days ago to address these issues.

The issues they discuss affect ALL of us in the U.S. (and around the world) right now, and it is imperative that you take 79 minutes of your time to watch this video.

Not only do these highly qualified doctors discuss why they think this is happening, they also give practical advice at the end about what we can be doing right now to protect ourselves and stop this attack on the human race by the Globalists seeking to reduce the world's population.

Every single one of these doctors believe that these shots are NOT vaccines, but bioweapons designed to kill human beings.


Whatever else you are doing when you come across this video, it is highly unlikely that anything else you do the rest of your day will be more important than watching this video so you can be informed of the evil effects of these injections that are being censored in the corporate media and Big Tech social media.

Then share this video with as many people as you can.

⁣Hunter Biden’s business dealings in China served the “strategic interests” of the country’s communist government and military — and may have imperiled American national security, claims a new documentary exclusively previewed by The Post.
“Riding the Dragon: The Bidens’ Chinese Secrets” highlights several deals that Hunter Biden was involved in as a board member of the Beijing-based BHR Partners investment firm.
The film also alleges that Hunter was only able to get meetings with Chinese officials — and secure $1 billion in funding — “because of who his father was: vice president of the United States” and then-President Barack Obama’s “point person on US policy towards China.”
The 41-minute documentary is narrated by best-selling writer Peter Schweizer, who authored 2015’s “Clinton Cash: The Untold Story of How and Why Foreign Governments and Businesses Helped Make Bill and Hillary Rich” and has previously written about Hunter’s business dealings in China.