⁣Mike Tyson explains to Dan Le Batard the spiritual awakening he underwent after smoking DMT, a psychedelic drug that occurs naturally in some plants and animals. Tyson also shares how his ego has shaped his life, and he goes in depth about his relationship with Cus D'Amato.

Let me know your thoughts in the comments?


More videos here👍⁣
1. Documentary Archive: https://rumble.com/DocumentaryArchive
2. Pandemic Dilemmas: https://rumble.com/c/PandemicDilemmas
3. New World Order: https://rumble.com/c/NewWorldOrderAgenda
4. Disclosure Channel: https://rumble.com/c/c-1016954

Feel free and share wherever you can. :-)

⁣My Friend Rockefeller’Tells The Story Of The Infamous Imposter, Christian Karl Gerhartsreiter.

There's no shortage of shocking stories about feigned identities - from Anna Delvey to John Meehan, con men and women are ubiquitous. But few stories involve a move from Germany, five identities, and the Rockefeller family name. The fascinating story of Christian Gerhartsreiter manages to include all three. Gerhartsreiter made his way across the US, ingratiating himself into wealthy communities until he settled in New York City. There, Gerhartsreiter married a Harvard grad and pretended to work in prestigious philanthropic positions, all the while hobnobbing with some of the richest and most prominent members of American high society.
Gerhartsreiter's life imploded when his wife decided to seek a divorce. Gerhartsreiter took their daughter, of whom he had lost custody, and prepared to sail abroad under a different identity. Police discovered the plan before he could escape and soon detained him. Authorities uncovered Gerhartsreiter's trail of lies, one of which implicated him in the slaying of a man and a missing woman.
The documentary My Friend Rockefeller tells Christian Karl Gerhartsreiter's real story. My Friend Rockefeller reviews suggest the film successfully analyzes why Christian Karl Gerhartsreiter used the name Clark Rockefeller, and describes what has happened since he was apprehended in 2008. As of 2019, he's serving time, possibly for the rest of his life. His story has inspired a movie called Who Is Clark Rockefeller?, as well as several books and podcast episodes. Gerhartsreiter will live in infamy, though likely not for the reasons he hoped.
Gerhartsreiter Used Five Different Identities Over 30 Years
After Gerhartsreiter took his daughter, police discovered that his friends knew him as a number of different identities. Some knew him as Chris Gerhart, a film student at the University of Wisconsin. He had also gone by Christopher C. Crowe when he worked as a TV producer in the late '80s. Others knew him as an alleged British royal, Christopher Chichester, who suddenly left Los Angeles in the 1980s following a couple's disappearance.
By the time Gerhartsreiter fled Boston with his daughter, his friends and his wife Sandra Boss knew him as Clark Rockefeller. The alleged Rockefeller worked and lived among some of the country's most wealthy.
Gerhartsreiter Successfully Convinced An Entire Community That He Inherited A Part Of The Rockefeller Fortune
The alleged Rockefeller convinced not one, but two communities of lawyers, doctors, artists, and writers that he was a descendant of the Rockefeller family. In New York, he took his prestigious friends to country clubs and showed off his "art collection," which authorities later determined was fake.
In Boston, Gerhartsreiter ingratiated himself with a community of wealthy people who often met at a Starbucks near his daughter's school. Gerhartsreiter became the director of the Algonquin Club and invited his elite friends, even if he did charge them for their visits. John Greene, who was adjacent to Gerhartsreiter's circle, said he easily convinced them he was a Rockefeller, claiming, "At a club like that - very Yankee, old-boys, blue blood - people get [excited] over the name."

REVIEW RESOURCE: https://www.ranker.com/list/my....-friend-rockefeller-

⁣This documentary looks inside the life of a high-powered music publicist who became a techno-age philosopher.
For the past 20 years, in his second career as a best-selling author, Howard Bloom has been grappling with the big questions, all of which can be boiled down to, as he puts it here, “What does the universe want from you and me?” Bloom has, in the pre-Covid-19 world chronicled in this documentary about him, a strict routine that helps him in this discipline.
It includes morning exercise and consulting a list of reminders of what to take with him when he ventures out of his Brooklyn brownstone. It also involves a staggering number of medications, which he needs to combat his chronic fatigue syndrome, which struck him in 1988 and left him unable to step out of his bed, let alone his apartment, for many years.


Directed by Charlie Hoxie, “The Grand Unified Theory” is a moderately engaging documentary that credibly portrays Bloom’s indefatigability. He speaks of his aspiration to be a “24 hour-a-day information processing device” and defends his auto-didacticism by saying “Grad school looked like Auschwitz for the mind.” That eyebrow-raising simile is emblematic of Bloom’s bluff offhandedness, which likely served him well in his first career as a high-profile music publicist. (Recalling his tenure representing Run-DMC, he says, “We made rap.” Kurtis Blow and others might like a word.)

The movie spends more time on Bloom’s personality than it does on the ideas promulgated in such volumes as “The Lucifer Principle,” for which the actor Jeff Bridges contributes an onscreen blurb. And when Bloom confides his plan to let a Dubai-based fitness instructor and gym entrepreneur handle his archives, we get into what looks like some P.T. Barnum territory.

REVIEW RESOURCE: https://www.nytimes.com/2020/0....7/21/movies/the-gran

⁣First case of polio in the US in years was detected this week in New York — here's what to know about polio vaccinesUS records first polio case in nearly a decade
Fox News' Lauren Green on the investigation into how a 20-year-old unvaccinated man contracted polio.
An unvaccinated Rockland County, N.Y., resident exposed to an individual who received an oral poliovirus vaccine contracted the neurological disease and is now paralyzed, according to Rockland County and New York State Health Officials on Thursday, as Fox News Digital reported earlier.
The case raises the issue of polio vaccinations — and what Americans should know to protect their health.
"Based on what we know about this case and polio in general, the Department of Health strongly recommends that unvaccinated individuals get vaccinated or boosted with the FDA-approved IPV [inactivated] polio vaccine as soon as possible," State Health Commissioner Dr. Mary T. Bassett said in a release from the N.Y. State Department of Health that was provided to Fox News Digital.
NEW YORK COUNTY OFFICIAL URGES RESIDENTS TO GET VACCINATED AFTER FIRST CASE OF POLIO IN YEARS
Health officials said on Thursday that the oral vaccine — which contains live strands of the poliovirus — is no longer used in the U.S.
However, it is still used in many countries, including those in Eastern Europe.

Officials could not confirm where the individual who received the oral polio vaccine was from or where the person who is ill encountered this person.

The patient began experiencing symptoms about a month ago; state and county health officials began investigating and contact tracing.


⁣"The fact is, the urgency of safe and effective vaccines has always been here, and we need New Yorkers to protect themselves against completely preventable viruses like polio."
Pop-up polio vaccination clinics have been established this past week and for next week as well.

RESOURCE: https://www.foxnews.com/health..../polio-oral-vaccine-

⁣The Altman Report - What You Need To Know About COVID Vaccines (17.10.2022)

Dr. Phillip Altman exposes the entire Australian medical/political nexus. He warns against so-called Covid mRNA vaccine and puts the political party duopoly right in his sights. Without doubt the best homespun doco we have seen from a highly qualified doctor who deserves a medal. What he talks about in this video applies to the whole world....
Dr Altman is a well-known Australian authority on clinical trials and regulatory affairs with more than 40 years of experience in designing, managing and reporting of clinical trials and in working with the Australian Therapeutic Goods Administration in gaining new drug approvals.
He has worked in senior managerial positions for several multinational companies including Merrell-Dow, Hoechst, Roussel and GD Searle.

He established Australia’s first contract research organisations (CROs), where he served as a Senior Industry Consultant for more than half of the pharmaceutical companies present in Australia.
His career has seen him involved in more than one hundred clinical trials (Phase I through IV). He has been personally responsible for the market approval of numerous new drugs since joining the pharmaceutical industry in 1974.

A graduate of Sydney University with an Honours degree in Pharmacy, Master of Science and Doctor of Philosophy (pharmacology and pharmaceutical chemistry) degrees, he co-founded and is a Life Member of the largest professional body of pharmaceutical industry scientists involved in clinical research and regulatory affairs (Association of Regulatory and Clinical Scientists to the Australian Pharmaceutical Industry Ltd. - ARCS). ARCS presently has more than 2000 members.
More recently Dr. Altman has presented to the Cross Party Covid Inquiry held in Brisbane and has provided expert reports in relation to both the Australian and NZ Judicial Review and High Court cases in relation to the Covid vaccines.

RESOURCES:
- https://amps.redunion.com.au/c....ovid19_evidence_base
- https://www.news.com.au/techno....logy/science/human-b
- https://www.phillipaltman.com.au/about

⁣The second documentary film of the series, Zeitgeist: Addendum, attempts to locate the root causes of this pervasive social corruption, while offering a solution.
Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organisation for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.
The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues. Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.
The director, producer, writer, cinematographer, composer, editor and narrator of the work, Peter Joseph, was inadvertently brought into recognition within the documentary film community with his award winning, controversial, 2007 work “Zeitgeist: The Movie” which obtained over 100,000,000 views online during the first year of its publication.
Since that time, he continues to focus on media related expressions, including music composition, performance & film production, each with the focus on affecting society for the better. He has also lectured around the world on the topics of social sustainability and filmmaking and has been featured in the New York Times, Russia Today, TedX, CineFuturo and many other outlets. His film series have earned dozen of awards and have been screened in virtually every country and in over 40 languages. For more about The Zeitgeist Film Series and its history: www.zeitgeistmovie.com

⁣Zeitgeist: Moving Forward, by director Peter Joseph, is a feature length documentary work which will present a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society.
This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical “life ground” attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a “Resource-Based Economy”. This film will feature experts in the fields of public health, anthropology, neurobiology, economics, energy, technology, social science and other relevant subjects which relate to social operation and culture.
The three central themes of the work are Human Behavior, Monetary Economics, and Applied Science. Put together the work creates a model of understanding the current social paradigm; why it is critical to move out of it - coupled with a new, radical, yet practical social approach based on advanced understandings which would resolve the current social woes facing the world today.
One of the unique attributes of this work, which separates it in style from most documentaries, is that it has a parallel dramatic/cinematic theme, with notable actors, which abstractly play out various gestures related to the overall message of the film. The work also vigorously employs numerous 2d and 3d visual abstracts/animations, while returning to the standard, traditional documentary orientation as the foundation.

⁣The philosophy of Giordano Bruno was unique for the Neoplatonic and Aristotelian dominated era during which it was conceived. Its uniqueness derives from its ability to combine metaphysics, physics, psychology, and ethics into a philosophy that, while presented in an unsystematic and at times seemingly disjointed way, manages to shine with an inner coherence.

Though this video may seem lengthy to my viewers, the feat of condensing down the vitals of his philosophy was exceedingly challenging as it would have been easy to exceed 45 minutes if the editing was not such a lengthy process. Thank you for taking the time to watch and I hope you can gain some understanding of Bruno’s eclectic philosophy!

Music:

'Cirrus' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au

Sources: To the generous men and women who published these resources, especially Stanford’s article concerning Bruno, I cannot say thank you enough. Without such articles this video would not be possible without the purchase of countless books.

⁣Citizenfour is a 2014 documentary film directed by Laura Poitras, concerning Edward Snowden and the NSA spying scandal. The film had its US premiere on October 10, 2014, at the New York Film Festival and its UK premiere on October 17, 2014, at the BFI London Film Festival.


The film features Snowden and Glenn Greenwald, and was co-produced by Poitras, Mathilde Bonnefoy, and Dirk Wilutzky, with Steven Soderbergh and others serving as executive producers. Citizenfour received critical acclaim upon release, and was the recipient of numerous accolades, including Best Documentary Feature at the 87th Academy Awards. This film is the third part to a 9/11 trilogy following My Country, My Country (2006) and The Oath (2010).

In January 2013, Laura Poitras, an American documentary film director/producer who had been working for several years on a film about monitoring programs in the United States that were the result of the September 11 attacks, receives an encrypted e-mail from a stranger who calls himself "Citizenfour." In it, he offers her inside information about illegal wiretapping practices of the US National Security Agency (NSA) and other intelligence agencies.
In June 2013, accompanied by investigative journalist Glenn Greenwald and The Guardian intelligence reporter Ewen MacAskill,[6] she travels to Hong Kong with her camera for the first meeting with "Citizenfour" in a hotel, who reveals himself as Edward Snowden. Scenes of their meeting take place in Snowden's hotel room, where he maintains his privacy. Shots of Snowden in his bed, in front of his mirror and of the hotel from a distance form the character of Snowden as a trapped political agent.


After four days of interviews, on June 9, Snowden's identity is made public at his request. As media outlets begin to discover his location at the Mira Hotel, Snowden moves into Poitras' room in an attempt to elude phone calls made to his room. Facing potential extradition and prosecution in the United States, Snowden schedules a meeting with the United Nations High Commissioner for Refugees and applies for refugee status. After Poitras believes she is being followed, she leaves Hong Kong for Berlin, Germany.
On June 21, the US government requests the Hong Kong government extradite Snowden. Snowden manages to depart from Hong Kong, but his US passport is cancelled before he can connect to Havana, stranding him in the Sheremetyevo International Airport in Moscow for 40 days. On August 1, 2013, the Russian government grants Snowden temporary asylum for a period of one year.[8] Meanwhile, Greenwald returns to his home in Rio de Janeiro and speaks publicly about United States' utilization of NSA programs for foreign surveillance. Greenwald and Poitras maintain a correspondence wherein they both express reluctance to return to the United States.
Throughout, the film offers smaller vignettes that precede and follow Snowden's Hong Kong interviews, including William Binney speaking about NSA programs, and eventually testifying before the German Parliament regarding NSA spying in Germany.


The film closes with Greenwald, Snowden and Poitras meeting once again, this time in Russia. Greenwald and Snowden discuss new emerging details on US intelligence programs, careful to only write down and not speak critical pieces of information. Greenwald tears these documents creating a pile of scraps, before slowly removing them from the table.

⁣A senior Pfizer executive has admitted that the drug company did not know whether its Covid vaccine prevented transmission of the virus when it began rolling out the shots globally.
Janine Small, Pfizer’s president of international developed markets, was testifying before the European Union Parliament on Monday when she was asked the question by Dutch MEP Rob Roos.
“Was the Pfizer Covid vaccine tested on stopping the transmission of the virus before it entered the market?” Mr Roos asked.


“If not, please say it clearly. If yes, are you willing to share the data with this committee? And I really want a straight answer, yes or no, and I’m looking forward to it.”


Ms Small — appearing in the place of Pfizer chief executive Albert Bourla, who had been called to testify but pulled out of the hearing earlier this month — replied that the company had to “move at the speed of science”.
“Regarding the question around, um, did we know about stopping the immunisation [sic] before it entered the market? No, heh,” she said.


“Uh, these, um, you know, we had to really move at the speed of science to really understand what is taking place in the market, and from that point of view we had to do everything at risk. I think Dr Bourla, even though he’s not here, would turn around and say to you himself, ‘If not us then who?’”


Ms Small said Dr Bourla “actually felt the importance of what was going on in the world, and therefore as a result of that, we actually, um, spent $US2 billion, at risk, of self-funded money from Pfizer, to be able to research, develop and manufacture at risk, to be able to make sure that we were in a position to be able to help with the pandemic”.


Mr Roos shared a brief clip of Ms Small’s response on Twitter, describing the answer as “scandalous”.
“Millions of people worldwide felt forced to get vaccinated because of the myth that ‘you do it for others’,” he said in the video, which has been viewed more than five million times.
“Now this turned out to be a cheap lie. This should be exposed.”

⁣The Architects of Western Decline - A Study on the Frankfurt School and Cultural Marxism
A Study on the Frankfurt School and Cultural Marxism

The Cloward Piven Strategy was written in 1966 by a pair of radical socialist professors from Columbia University, Richard A. Cloward & Frances F. Piven. Their plan was to overburden government systems by reducing employment and increasing the welfare state to the point of social & economic collapse. At which time America would have to accept socialism & then communism.

This is the long-overdue study of the Frankfurt School and Cultural Marxist philosophy which now controls Western intellectualism, politics, and culture. It was by design; it was created by an internationalist intelligentsia to eradicate Western values, social systems, and European racial groups in a pre-emptive attempt to spark a global, communist (think liberal) revolution.

⁣Be comfortable not knowing, be present. In this teaching, Eckhart explains the true concept of not knowing and why. When you let go of your concepts and knowledge, you can truly see the beauty of things.


Eckhart Tolle is widely recognized as one of the most inspiring and visionary spiritual teachers in the world today. With his international bestsellers, The Power of Now and A New Earth—translated into 52 languages—he has introduced millions to the joy and freedom of living life in the present moment. The New York Times has described him as “the most popular spiritual author in the United States”, and in 2011, Watkins Review named him “the most spiritually influential person in the world”.


Eckhart’s profound, yet simple teachings have helped countless people around the globe experience a state of vibrantly alive inner peace in their daily lives. His teachings focus on the significance and power of Presence, the awakened state of consciousness, which transcends ego and discursive thinking. Eckhart sees this awakening as the essential next step in human evolution.

⁣Based upon Theosophy (the Secret Doctrine) this documentary focuses on the evolution of consciousness over millions of years while revealing the secret chronology of human history from ancient Lemuria and Atlantis to our current root race, while following the natural cyclic deluges between races.

⁣This man is the real deal on all issues with the COVID-19 treatment.

Dr. Vladimir Zev Zelenko graduated summa cum laude with a B.A. degree with high honors in Chemistry from Hofstra University. After receiving an academic scholarship to attend S.U.N.Y. at Buffalo School of Medicine, he earned his M.D. degree in May 2000. Dr. Zelenko completed his family medicine residency at South Nassau Communities Hospital in Oceanside, N.Y. in May 2004. Since then, Dr. Zelenko has practiced family medicine in New York’s Hudson Valley.


He has been described by his patients as a family member to thousands of families, and is a medical adviser to the volunteer ambulance corps in Kiryas Joel, New York. In March 2020, Dr. Zelenko’s team was one of the first in the country to successfully treat thousands of Covid-19 patients in the prehospital setting. Dr. Zelenko developed his now famous “Zelenko Protocol,” which has saved countless lives worldwide, while he was fighting recurrent and metastatic sarcoma, had open heart surgery, and aggressive chemotherapy.
He has also persevered against unrelenting defamation of character from the media, and threats against his person. Dr. Zelenko is an observant orthodox Jew, married with 8 children, and has authored two books called Metamorphosis and Essence to Essence.

Visit https://vladimirzelenkomd.com/ to get more information about Dr. Zelenko
Covid-19 Treatment Protocol details here:
https://vladimirzelenkomd.com/treatment-protocol/

Covid-19 Treatment Protocol PDF download here:
https://vladimirzelenkomd.com/wp-content/uploads/2021/08/Treatment_Protocol.pdf

⁣What’s it like to be cajoled, threatened and blackmailed by a sexual predator who has power, history and society on his side?

Untouchable: The Rise and Fall of Harvey Weinstein (BBC Two), directed by Ursula MacFarlane, is a film of halting testimonies, long pauses, lips pressed tightly together and eyes filling with tears. Of women struggling to articulate what they have left unsaid sometimes for decades, and what has gone unsaid by our sex – en masse – throughout history, until now.
You probably know the basic story – by osmosis if nothing else - so heavily was the media mogul’s eventual fall covered when the weight of evidence finally became too much for a man of even his resources to withstand.

It shows the uniformity of the women’s responses to suddenly finding themselves in terrifying situations

MacFarlane tells the story well. She gives due recognition to the journalists, especially Megan Twohey and Jodi Kantor, who broke the story in the New York Times, and Ronan Farrow’s gathering of 13 witness accounts in the New Yorker after painstaking investigations. But, like Dream Hampton’s Surviving R Kelly, Untouchable prioritises the victims’ stories (regardless of their personal celebrity or lack thereof – here “names” such as Rosanna Arquette simply slip in next to those without public profiles) and fills in the perpetrator’s to explain his relative power or position at the time. As with the R Kelly film – thought to have been instrumental in the R’n’B star’s latest arrest on federal sex trafficking charges – a pattern of predatory behaviour emerges, painted stroke by painful stroke by those who found themselves first charmed and cajoled by one version of Weinstein, then confronted with a very different one behind closed doors.

Whether we should be profoundly glad, deeply sad or simply exhausted to be living in a time where “examination of the lives of serial sexual predators unmasked after years of hiding in plain sight” is on the verge of becoming a recognised TV genre, let alone one taking up the slack left by uninterested police and legislative forces, I leave to you to decide. But we are where we are. Which is, waiting to see who gets their Jeffrey Epstein production off the blocks first.
Beyond a specific modus operandi – Weinstein’s involved hotel suites, towelling robes, forcible massages, volcanic rage and threats such as: “Do you really want to make an enemy of me for five minutes of your time?” – as an insight into one man’s apparent prelude to rape or assault (Weinstein denies all claims), such documentaries render a more valuable service in demonstrating, relentlessly and unavoidably, two things.

The first is how perfectly our world is built for predators to function. Of Weinstein’s staff who admit they knew something – something – was happening, a common refrain is that they assumed “some sort of agreement” had been reached between the would-be actors and the mogul. If you live in a society that already believes in the casting couch, because the concept of young women as more-or-less sexual resources to be exploited is so embedded in the psyche, half your work – to normalise your predilections, to secure complicity – is done. With the likes of the gossip columnist AJ Benza out there – “You put a light on the porch,” he says of Weinstein’s power, “you’re gonna get a lot of moths” – the world is yours to do with as you will.


The second, perhaps even more valuable, service it renders is to show the uniformity of the women’s responses to suddenly finding themselves in terrifying situations, and how far they deviate from “common sense” or “natural” expectations (words defined almost entirely by men, who have least need of them). They don’t fight. They compute their chances against a much taller, heavier opponent (“He’s huge, you know,” says Hope d’Amore, who worked for him in the early days and says she was assaulted in 1978) and they go still. “The freeze thing kicks in,” says the actor Caitlin Delaney. “You just want it to be over.” They maximise their chances of survival (“I felt leaving would be worse,” says actor Erika Rosenbaum, when she saw a smashed and bloody toilet seat in his bathroom) and try and leave in other ways instead. Actor Paz de la Huerta remembers “hovering over my body” as, she says, Weinstein raped her. “I definitely went somewhere else,” says Delaney. Rosenbaum remembers hoping that if she kept still enough she would somehow disappear.
Almost every woman watching will understand. Some men will, too. If these films add to their number, maybe we can begin to change the world.

REVIEW RESOURCE: https://www.theguardian.com/tv....-and-radio/2019/sep/

⁣The people interviewed for "Kedi," Ceyda Torun's documentary about the teeming street cat population in Istanbul, are not experts, or talking heads, or academics. They are citizens, moving through their lives, interacting with the cats in their neighborhoods, and their comments are casually contemplative, off-the-cuff and profound. The human beings take it upon themselves to care for the cats, feed them, and—even more tellingly—just enjoy observing them. They note each cat's personality quirks, likes and dislikes. They freely admit what these cats bring to their own lives. I am a cat owner, I admit, but even I was surprised at the power of "Kedi." Where did all that emotion come from? It's because what Torun really captures in her unexpectedly powerful film is kindness in its purest form.

The cats of Istanbul are everywhere. They curl up on stoops, car hoods, and cafe benches, they sit on piers and in doorways. They sneak beneath tables at flea markets and leap on scraps outside the fish markets. Torun's film profiles seven individual cats, each with its own distinct life, routine and personality. Considering the sneaky crepuscular habits of cats, following these beasts must have been quite a feat. The footage is astonishing. The film opens with a tabby cat stalking with purpose down a crowded city street, looking for food to bring back to her litter of kittens (stashed in a stairwell). Torun's camera is low to the ground, on the cat's level, following the tabby's determined progress. Watching "Kedi" is like lying down on a quickly-moving skateboard. Cats are wily creatures, and when they don't want to be found, they are not found. But Torun finds them!


There's one cat who hangs out at a restaurant by the water, taking care of the mice. (There's a hilarious night-vision section showing the cat creeping through a drain pipe, eyes ablaze.) There's a cat who dominates the area in front of a busy cafe, fighting off interlopers, harassing her "husband" (pushing him out of the way so she can eat first), and chasing off the floozy cats vying for her man's attention. ("She's the neighborhood psychopath," says a neighborhood resident.) One woman spends a day cooking fresh chicken and then wanders her neighborhood, leaving food for the cats, who swarm around her. She says that she has a lot of pain and the cats are helping her heal. There's one cat who sits outside a bakery, and bats on the windows frantically when it gets hungry. There's a freeform style of communication between cats and humans. They share space. Some cats adore being petted. Others can't abide it. A man who owns a textile store demonstrates that the cat who hangs out in his shop likes pats only when they're rough. Gentle pats drive her crazy. "She gets so much pleasure she almost passes out," he says, and then there's footage of her sprawled on the floor, lost in the sensations. One cat shows up at a woman's window every day for a visit. She lets him in, he strolls around, he eats, and then he clambers back down the tree.


The focus is on the cats, but "Kedi" is really a portrait of community. Torun gives a sense of life in Istanbul, its diversity and beauty, its storefronts and waterfronts, its people. Why there are so many cats in Istanbul, and how they all came to be there, is not explained (except for a casual comment from an interview subject). Political upheaval and turmoil is not addressed at all, although there are disturbing signs everywhere, thrumming underneath the everyday routines. One woman says that it is very difficult to be a woman in Turkey, and that the cats in her neighborhood remind her of what is good in being feminine. There is a lot of concern expressed about the brutal knocking down of old neighborhoods to make way for high-rises. Gentrification disrupts entire ways of life, and the residents worry about that but they also worry about the cats. Where will they go? What will become of them? It can be a heartless world. Caring for one another and caring for animals may seem like a small thing, but Torun's affectionate portrait of these cats—and the people who love them—makes it seem like the most important thing in the world. A restaurant owner keeps a tip jar on the counter, and the money goes into a fund for vet visits for the cats who hang around outside. Imagine that. Torun combines her up-close-and-personal footage of the cats with transcendent drone shots of Istanbul in all its moods and weather.

⁣They act in the shadows, they are extremely secretive and they practise ancient rituals. Secret societies play a far larger role in our everyday lives than we are aware of. Publications like those of bestselling author Dan Brown have brought them back into the limelight. The three-part documentary, ‘Secret Societies’, accompanies historian Dr Marian Füssel on his search for clues surrounding history’s most famous secret societies and conspiracy theories.

The secret brotherhood of the Illuminati was only active for ten years. They dreamed of having members of their brotherhood occupy crucial positions of power, thereby creating a new, fairer state. Banned as early as 1785, rumours that ‘the enlightened ones’ still exist in secret cannot be dispelled. Terra X investigates the legendary Illuminati brotherhood, also exploring other secret organizations that allegedly have their roots in Antiquity.

⁣Here's a fair analysis that clearly explains the complete uselessness of Pfizer's Covid-19 vaccines - even more - it is clear from this analysis that Pfizer's suspect substances harm far more than the real viral threat.

Pfizer's own 6 month report data on its COVID-19 inoculation shows that greater illness and death in the inoculation arm than the placebo arm. Plus, poor trial design, missing data, underpowered studies, passive surveillance and more.

For the PDF of this presentation visit:
https://www.canadiancovidcarea....lliance.org/media-re

The official document below contain a list nearly 2,200 medical conditions and clinical ailments caused by Pfizer substances.
Attachment - PDF icon Pfizer Adverse Events Report <=

RESOURCE: https://www.datascienceassn.or....g/content/pfizer-adv

⁣For more than 20 years the CIA studied psychic abilities for use in their top-secret spy program. With previously classified details about ESP now finally coming to light, there can be no more secrets.
Two physicists discover psychic abilities are real only to have their experiments at Stanford co-opted by the CIA and their research silenced by the demands of secrecy. Yet, as both these 'remote viewers' and our audience learn, the 'more you hide something, the more it shines like a beacon in psychic space and this ancient truth can no longer be suppressed.'
The true story of Russell Targ and America's cold war psychic spies, disclosed and declassified for the first time, with evidence presented by a Nobel Laureate, an Apollo Astronaut, and the military and scientific community that has been suppressed for nearly 30 years, now able to speak for the first time.
Targ's understated mantra that "the evidence for extra sensory perception is overwhelming and shows a talent we all share and deserve to know about, leaves us not just with a greater understanding of this unique chapter in U.S. history, but perhaps most importantly a greater understanding of who we are and our larger connection to the world. The CIA, NSA and DIA used it, your tax dollars paid for it, and now you deserve to know about it.

⁣Johan Soderberg and Erik Pauser examine world culture, using multimedia art and flash-cuts of varied speakers and artists, all set to music.
World culture gets the channel-flipping treatment in this oddly named docu, which has more in common with “Baraka” and “Powaqqatsi” than with regular travelogues or music-and-dance pics. Irreverent eclecticism is geared to computer-literate age groups, and it already has some buzz on the club circuit.
Using the name Lucky People Center, co-helmers Erik Pauser and Johan Soderberg work as multimedia artists in Stockholm. In “International,” they apply their mixmaster mentality to cinema, slicing and dicing innumerable clips, shot over several years of intense world touring, into a bouillabaisse of art pieces, rapping rants, straight-on conversations and impressionistic images of urban flux.
The flash-cut result is enough to send some viewers into mild catatonia (remember “Max Headroom”?), but when things slow down enough to let you hear from a good-natured Tibetan lama on the American fear of death or a bunch of tattooed Maori warriors chanting in unison about the evils of ATM cards, it drives home their point that the world has already left many people behind.
Other highlights include Russian troublemaker Alexander Brener, seen reading poetry and throwing a brick through a window; gray-suited Tokyo banker Toshiji Mikawa, who moonlights as a screechy electronic performance artist; gorgeous Indian dancer Pragati Sood, in sacramental form; and New Mexico shaman Franklin Bearchild Eriacho, whose common-sense recipe for religion includes “no blind faith, but intelligent devotion.”
These segs, united by thumping electro music provided by the helmers, seem to have little in common (except exhilaratingly varied, color-rich lensing), but themes of spiritual renewal and embrace of the strange keep coming up. Pic may look formless to over-40s, but it’s well-geared to MTV-saturated youth, especially those hungry for something positive but not Polyanna.


Initial release: March 27, 1998 (Sweden)
Directors: Johan Söderberg, Erik Pauser
Running time: 85 minutes
Producer: Lars Jönsson
Music composed by: Bub Wehi, Dr. Nobody, Johan Söderberg, Erik Pauser,
RESOURCE: http://www.imdb.com/title/tt0148428/
REVIEW RESOURCE: https://variety.com/1998/film/....reviews/lucky-people