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Here's a fair analysis that clearly explains the complete uselessness of Pfizer's Covid-19 vaccines - even more - it is clear from this analysis that Pfizer's suspect substances harm far more than the real viral threat.
Pfizer's own 6 month report data on its COVID-19 inoculation shows that greater illness and death in the inoculation arm than the placebo arm. Plus, poor trial design, missing data, underpowered studies, passive surveillance and more.
For the PDF of this presentation visit:
https://www.canadiancovidcarea....lliance.org/media-re
The official document below contain a list nearly 2,200 medical conditions and clinical ailments caused by Pfizer substances.
Attachment - PDF icon Pfizer Adverse Events Report <=
RESOURCE: https://www.datascienceassn.or....g/content/pfizer-adv
How did we get here? What happened to us? What’s really going on?
These are a few of the questions I asked myself, which led to the creation of my latest movie, The Great Awakening.
Those who believe they are in charge have hijacked our human nature on both ends: Our survival-based fear response AND our compassion for our fellow man.
Who are the puppet masters? Plenty of people ask me this, and the honest answer is – we may never know. What I do know is that most of the people forwarding the new anti-human ideologies and policies, as Mattias Desmet shares in this clip, are hypnotized themselves.
“Mass formation” is a condition akin to mass hypnosis. Much of the human population is literally under a spell. Breaking that spell is the first step to an awakening. What is your best method for waking up friends and family?
Mikki Willis
Father / Filmmaker
See the Plandemic series and download the Plandemic book for FREE at: www.PlandemicSeries.com
Carl Colby’s smart, fact-packed film “The Man Nobody Knew” operates on many levels, all riveting. Primarily an account of the career of his father, William Colby, director of the Central Intelligence Agency from 1973 to 1976, it traces a history ending in 1996, when his body washed ashore eight days after he embarked on a late-afternoon solo canoe outing in Maryland.
While reviewing the turbulent period spanning Vietnam and President Richard M. Nixon’s resignation, we also witness the arc of a marriage, the death of a daughter and the seeming disillusionment of a selfless, if steely-eyed and implacable, civil servant.William Colby was molded by the Office of Strategic Services in World War II, when he aided anti-Nazi insurgents in France and Norway. Working closely with the Vatican he fought the postwar Communist ascendance in Italy and helped coordinate the coup against President Ngo Dinh Diem of South Vietnam. As C.I.A. director he embraced covert activities until “the family jewels“ — memos revealing the agency’s domestic wiretapping and foreign assassination attempts, among other sordid pursuits — were leaked.
After disclosing details on such programs (several preceding his tenure) in Congressional hearings, he was replaced by George H. W. Bush.The Beltway insiders interviewed include the former national security adviser Brent Scowcroft, the journalist Seymour Hersh and, at his most smugly cynical, former Defense Secretary Donald H. Rumsfeld. Carl Colby’s mother, Barbara, meanwhile, is the embodiment of diplomatic poise and eloquence. Conspiracy theorists can have a field day with William Colby’s death, but “The Man Nobody Knew” suggests that the culprit may have been no more than a cold warrior’s crumbling facade.Directed by Carl Colby; edited by Jay Freund; music by Michael Bacon; produced by Mr. Colby, David Johnson and Grace Guggenheim; released by First Run Features. At the Lincoln Plaza, Broadway at 62nd Street. Running time: 1 hour 44 minutes. This film is not rated.
REVIEW RESOURCE: https://www.nytimes.com/2011/0....9/23/movies/man-nobo out the documentary channel: https://rumble.com/DocumentaryArchiveLet me know your thoughts in the comments.
The second documentary film of the series, Zeitgeist: Addendum, attempts to locate the root causes of this pervasive social corruption, while offering a solution.
Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organisation for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.
The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues. Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.
The director, producer, writer, cinematographer, composer, editor and narrator of the work, Peter Joseph, was inadvertently brought into recognition within the documentary film community with his award winning, controversial, 2007 work “Zeitgeist: The Movie” which obtained over 100,000,000 views online during the first year of its publication.
Since that time, he continues to focus on media related expressions, including music composition, performance & film production, each with the focus on affecting society for the better. He has also lectured around the world on the topics of social sustainability and filmmaking and has been featured in the New York Times, Russia Today, TedX, CineFuturo and many other outlets. His film series have earned dozen of awards and have been screened in virtually every country and in over 40 languages. For more about The Zeitgeist Film Series and its history: www.zeitgeistmovie.com
Johan Soderberg and Erik Pauser examine world culture, using multimedia art and flash-cuts of varied speakers and artists, all set to music.
World culture gets the channel-flipping treatment in this oddly named docu, which has more in common with “Baraka” and “Powaqqatsi” than with regular travelogues or music-and-dance pics. Irreverent eclecticism is geared to computer-literate age groups, and it already has some buzz on the club circuit.
Using the name Lucky People Center, co-helmers Erik Pauser and Johan Soderberg work as multimedia artists in Stockholm. In “International,” they apply their mixmaster mentality to cinema, slicing and dicing innumerable clips, shot over several years of intense world touring, into a bouillabaisse of art pieces, rapping rants, straight-on conversations and impressionistic images of urban flux.
The flash-cut result is enough to send some viewers into mild catatonia (remember “Max Headroom”?), but when things slow down enough to let you hear from a good-natured Tibetan lama on the American fear of death or a bunch of tattooed Maori warriors chanting in unison about the evils of ATM cards, it drives home their point that the world has already left many people behind.
Other highlights include Russian troublemaker Alexander Brener, seen reading poetry and throwing a brick through a window; gray-suited Tokyo banker Toshiji Mikawa, who moonlights as a screechy electronic performance artist; gorgeous Indian dancer Pragati Sood, in sacramental form; and New Mexico shaman Franklin Bearchild Eriacho, whose common-sense recipe for religion includes “no blind faith, but intelligent devotion.”
These segs, united by thumping electro music provided by the helmers, seem to have little in common (except exhilaratingly varied, color-rich lensing), but themes of spiritual renewal and embrace of the strange keep coming up. Pic may look formless to over-40s, but it’s well-geared to MTV-saturated youth, especially those hungry for something positive but not Polyanna.
Initial release: March 27, 1998 (Sweden)
Directors: Johan Söderberg, Erik Pauser
Running time: 85 minutes
Producer: Lars Jönsson
Music composed by: Bub Wehi, Dr. Nobody, Johan Söderberg, Erik Pauser,
RESOURCE: http://www.imdb.com/title/tt0148428/
REVIEW RESOURCE: https://variety.com/1998/film/....reviews/lucky-people
I reviewed materials from Pfizer and Moderna in regard to the preclinical assessments of reproductive toxicities from recently obtained documents from FOIA lawsuits.
The results indicate shocking disregard to safety and potential for reproductive harm that will span generations. Pfizer's published data is here:
https://www.sciencedirect.com/....science/article/pii/
Note the study is authored by Pfizer employees with extremely biased interpretation of their results, so you should read the methods and results sections yourself.
Certainly one of the best interviews of the series, this interview with epidemiologist and biostatician Knut Wittkowski is hard hitting and touching. We interviewed him on a hot July day in 2020 in a corner of the park and later in front of an empty great lawn, which normally has 1000 people on it in a midsummer day. He is a caring and thoughtful man that is highly alarmed by the turn of events of this last year. He has a tremendous amount of courage to speak out and a big heart. This all comes through.
Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/
Please share and enjoy!
We are being given a second chance to say no to the psychopathic criminals in our government
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Based upon Theosophy (the Secret Doctrine) this documentary focuses on the evolution of consciousness over millions of years while revealing the secret chronology of human history from ancient Lemuria and Atlantis to our current root race, while following the natural cyclic deluges between races.
Filmmaker Morgan Spurlock features as the guinea pig in this film about the fast food industry. Inspired by America’s obesity epidemic, he goes on a diet of McDonald’s three times a day for thirty days straight in order to examine the effects of fast food consumption on the body and mind. The effects of the trial are harrowing: His body mass increases by 13%, his cholesterol levels skyrocket, fat accumulates in his liver, and he experiences mood swings and loss of libido. Super Size Me will completely change the way you think about eating and living.
Super Size Me accomplishes the feat of being both entertaining and horrifying. It investigates how the fast food culture in American schools, corporations and politics is driving nationwide obesity. In between meals, Spurlock drives across the country and interviews a host of health and nutrition experts, lawyers, school workers, and a surprisingly trim man who has eaten over 19,000 Big Macs yet maintains a healthy cholesterol level. We also meet an industry lobbyist who states that consumers need to be educated about nutrition and perplexingly proclaims that “we’re part of the problem and part of the solution”.
The film investigates the industry’s political lobbying and advertising campaigns. We learn about some of the disturbing strategies McDonald’s uses to acquire customers. It is particularly effective at getting children hooked at an early age through mediums they love, such as birthday parties, toys, clowns and playgrounds. In certain areas, the McDonald’s playground is the only one the community has. In one of the most shocking scenes of Super Size Me, Spurlock shows pictures of Jesus, George Washington and Ronald McDonald to a group of first graders, and Ronald is the only one that all of them can identify.
Spurlock is a likeable host, both witty and engaging. Despite his criticism of the fast food industry, he does not place the blame solely on corporations, and at one point asks the rhetorical question of where personal responsibility stops and corporate responsibility begins. Towards the end of the experiment, he is a changed man. The exuberant and healthy host we meet at the beginning of the film has transformed into a puffy, weary and depleted man. He has experienced first-hand the damaging effect of junk food on the nation. All in all, Super Size Me is a fascinating and informative insight into the fast food industry and its link to the American obesity epidemic.
Citizenfour is a 2014 documentary film directed by Laura Poitras, concerning Edward Snowden and the NSA spying scandal. The film had its US premiere on October 10, 2014, at the New York Film Festival and its UK premiere on October 17, 2014, at the BFI London Film Festival.
The film features Snowden and Glenn Greenwald, and was co-produced by Poitras, Mathilde Bonnefoy, and Dirk Wilutzky, with Steven Soderbergh and others serving as executive producers. Citizenfour received critical acclaim upon release, and was the recipient of numerous accolades, including Best Documentary Feature at the 87th Academy Awards. This film is the third part to a 9/11 trilogy following My Country, My Country (2006) and The Oath (2010).
In January 2013, Laura Poitras, an American documentary film director/producer who had been working for several years on a film about monitoring programs in the United States that were the result of the September 11 attacks, receives an encrypted e-mail from a stranger who calls himself "Citizenfour." In it, he offers her inside information about illegal wiretapping practices of the US National Security Agency (NSA) and other intelligence agencies.
In June 2013, accompanied by investigative journalist Glenn Greenwald and The Guardian intelligence reporter Ewen MacAskill,[6] she travels to Hong Kong with her camera for the first meeting with "Citizenfour" in a hotel, who reveals himself as Edward Snowden. Scenes of their meeting take place in Snowden's hotel room, where he maintains his privacy. Shots of Snowden in his bed, in front of his mirror and of the hotel from a distance form the character of Snowden as a trapped political agent.
After four days of interviews, on June 9, Snowden's identity is made public at his request. As media outlets begin to discover his location at the Mira Hotel, Snowden moves into Poitras' room in an attempt to elude phone calls made to his room. Facing potential extradition and prosecution in the United States, Snowden schedules a meeting with the United Nations High Commissioner for Refugees and applies for refugee status. After Poitras believes she is being followed, she leaves Hong Kong for Berlin, Germany.
On June 21, the US government requests the Hong Kong government extradite Snowden. Snowden manages to depart from Hong Kong, but his US passport is cancelled before he can connect to Havana, stranding him in the Sheremetyevo International Airport in Moscow for 40 days. On August 1, 2013, the Russian government grants Snowden temporary asylum for a period of one year.[8] Meanwhile, Greenwald returns to his home in Rio de Janeiro and speaks publicly about United States' utilization of NSA programs for foreign surveillance. Greenwald and Poitras maintain a correspondence wherein they both express reluctance to return to the United States.
Throughout, the film offers smaller vignettes that precede and follow Snowden's Hong Kong interviews, including William Binney speaking about NSA programs, and eventually testifying before the German Parliament regarding NSA spying in Germany.
The film closes with Greenwald, Snowden and Poitras meeting once again, this time in Russia. Greenwald and Snowden discuss new emerging details on US intelligence programs, careful to only write down and not speak critical pieces of information. Greenwald tears these documents creating a pile of scraps, before slowly removing them from the table.
The Architects of Western Decline - A Study on the Frankfurt School and Cultural Marxism
A Study on the Frankfurt School and Cultural Marxism
The Cloward Piven Strategy was written in 1966 by a pair of radical socialist professors from Columbia University, Richard A. Cloward & Frances F. Piven. Their plan was to overburden government systems by reducing employment and increasing the welfare state to the point of social & economic collapse. At which time America would have to accept socialism & then communism.
This is the long-overdue study of the Frankfurt School and Cultural Marxist philosophy which now controls Western intellectualism, politics, and culture. It was by design; it was created by an internationalist intelligentsia to eradicate Western values, social systems, and European racial groups in a pre-emptive attempt to spark a global, communist (think liberal) revolution.
Martin Miller
Session Band plays Dark Side of the Moon by Pink Floyd. Recorded live at
Weltklang Studio, Plauen on 10th August 2017.
Track List:
1. Speak to Me
2. Breathe
3. On the Run
4. Time
5. The Great Gig in the Sky
6. Money
7. Us and Them
8. Any Color You Like
9. Brain Damage
10. Eclipse
Martin Miller - Guitar & Vocals (http://www.martinmillerguitar.com)
Felix Lehrmann - Drums
Benni Jud - Bass (https://www.bennijud.com/)
Marius Leicht - Keyboards & Vocals
Special Guests:
Jenny Marsala - Vocals (
/ jennymarsala
http://www.instagram.com/jenny_marsala)
Michal Skulski - Saxophone
Studio: Weltklang Studio, Plauen (Germany)
https://www.facebook.com/Weltklangton...
André Gorjatschow - Director & Camera
Dirk Meinel, Christian Roscher - Audio Engineering
Matthias Prokop, Morgan Reid, Susanne Bartels, Josh McMorran - Camera
Ulrich Wichmann - Camera Assistant
Audio mix & video edit - Martin Miller
Additional Guitars - Martin Miller
Additional Keyboards - Marius Leicht
Background Vocals - Matthias Prokop & Martin Miller
Spoken Words - Levi Clay, Cheryl Harford, Fenn Alexander, Mike McLaughlin
It is now beyond doubt that strange, anomalous objects filling our skies and caught on camera are the real deal. Even the Pentagon admits it’s true. These seemingly intelligently controlled craft are operating above the clouds, in our oceans and in our orbit – travelling at hypersonic speeds far beyond any known human technology and completing manoeuvres unknown to science.
The subject of conspiracy and derision for years, UFOs are now the hottest topic in Washington and the world.
Five-time Walkley Award-winning investigative journalist Ross Coulthart – who has been investigating the phenomena for the past two years – led the 7NEWS Spotlight team across the US, amassing never-before-seen compelling evidence and speaking to the key players behind an event that will change the course of history.
Featuring interviews with the highest echelons of military defence and intelligence officials, leading researchers, scientists and witnesses in America and Australia, this mind-blowing documentary years in the making seeks to answer the most fundamental question there is: are we alone?
The US director of national intelligence is expected to hand down an unclassified report next month that will change our understanding of life itself. On Spotlight, we reveal what is in that report.
7NEWS Spotlight: The UFO Phenomenon unearths startling new evidence of Australian Government cover-ups and extraordinary vision of unidentified aerial phenomena in Western Australia, Victoria and Queensland – all credible and important additions to the worldwide data being accumulated by the US.
For Coulthart, the project has become the most fascinating and challenging of his career, becoming the focus of his new book 'In Plain Sight', available now in Australia and soon in other territories:
Australia: https://7news.link/3AuawFz
This man is the real deal on all issues with the COVID-19 treatment.
Dr. Vladimir Zev Zelenko graduated summa cum laude with a B.A. degree with high honors in Chemistry from Hofstra University. After receiving an academic scholarship to attend S.U.N.Y. at Buffalo School of Medicine, he earned his M.D. degree in May 2000. Dr. Zelenko completed his family medicine residency at South Nassau Communities Hospital in Oceanside, N.Y. in May 2004. Since then, Dr. Zelenko has practiced family medicine in New York’s Hudson Valley.
He has been described by his patients as a family member to thousands of families, and is a medical adviser to the volunteer ambulance corps in Kiryas Joel, New York. In March 2020, Dr. Zelenko’s team was one of the first in the country to successfully treat thousands of Covid-19 patients in the prehospital setting. Dr. Zelenko developed his now famous “Zelenko Protocol,” which has saved countless lives worldwide, while he was fighting recurrent and metastatic sarcoma, had open heart surgery, and aggressive chemotherapy.
He has also persevered against unrelenting defamation of character from the media, and threats against his person. Dr. Zelenko is an observant orthodox Jew, married with 8 children, and has authored two books called Metamorphosis and Essence to Essence.
Visit https://vladimirzelenkomd.com/ to get more information about Dr. Zelenko
Covid-19 Treatment Protocol details here:
https://vladimirzelenkomd.com/treatment-protocol/
Covid-19 Treatment Protocol PDF download here:
https://vladimirzelenkomd.com/wp-content/uploads/2021/08/Treatment_Protocol.pdf
Dick Johnson Is Dead is a 2020 American documentary film directed by Kirsten Johnson and co-written by Johnson and Nels Bangerter.
A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book — staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever.
The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison.
Cast:
Kirsten Johnson
Charles Richard "Dick" Johnson
Development:
Director Kirsten Johnson at the Miami Film Festival
Kirsten Johnson was inspired to make the film after having a dream in which "there was a man in a casket and he sat up and said, 'I'm Dick Johnson and I'm not dead yet'". When she pitched the idea to her father, she asked him, "Dad, what if we make a movie where we kill you over and over again until you really die? And he laughed".
The film incorporates Johnson family photographs and home movies, including that of Richard Johnson's wife who died from Alzheimer's disease in 2007.
Release:
The film premiered on January 25, 2020 at the 2020 Sundance Film Festival. It was released on October 2, 2020 via Netflix.
RESOURCE: www.dickjohnsonisdead.com
The true history of the anti-government extremist terrorist group's century of violence. Focusing on the group which has caused nationwide rioting and violence, The film – which undermines the mainstream media’s depiction of the group as “just an idea” – has already been censored by YouTube and Vimeo.
Please share with your friends, stream to your FireTV stick using Silk and host a watch party to discover the truth about this deadly organization.
RESOURCE: https://puresocial.tv/antifa-r....ise-of-the-black-fla
Filmworker charts the multiple decades that Leon Vitali spent as the jack-of-all-trades assistant to famously demanding film director Stanley Kubrick. It’s a glimpse into the ways Kubrick worked that is both fascinating and heartbreaking, especially in the ways the director, and then his estate after his death, treated someone who was unwaveringly loyal. The lone bonus feature is a Q&A with Vitali and director Tony Ziera.
Behind every Hollywood legend there’s usually at least one assistant who helps keep that person’s world turning in countless unsung ways. In the case of famous film director Stanley Kubrick, there was Leon Vitali, who was different from other assistants in film lore because he cut short a promising acting career to take on a thankless role.
He was also different because he did so much more than keep the trains running on time, so to speak. When needed, Vitali served as casting director, editor, film archivist and restorationist, and more. He even stepped in to play a masked role in Kubrick’s final film, Eyes Wide Shut, which, of course, didn’t allow him to shirk his other duties even as he was filming his lines over and over again, as the director famously liked to do.
Director Tony Zierra’s documentary about Vitali, Filmworker, takes its name from the occupation Vitali put on various forms. It was something he came up with, he says, because he saw himself simply as someone who works in film. He acted in many British TV shows and movies before being cast as Lord Bullingdon in the 1975 Kubrick film Barry Lyndon. While on the Lyndon set, he was fascinated by how the director was involved in every aspect of the production and how every crew member around him had a key role to play.
That fascination led him to essentially creating a job for himself with Kubrick, who, as Vitali tells it, was masterful at coming across as benign and gentle at first before later revealing his controlling and demanding side. In that context, Vitali notes that Kubrick loved to play chess, but I don’t know if that’s a masterful relationship move as much as someone who wants to hide their distorted personality until the other person is in too deep. Kubrick was brilliant, but he was also abusive – I’ve long felt that his infamous obsession with shooting even the most mundane moments over and over wasn’t so much about perfectionism as it was about a sadistic tendency to see how far he could push people.
In Vitali’s case, I don’t think there was ever a notion that he was in too deep. He seemed to revel in his relationship with Kubrick, enjoying the fact that he worked long hours seven days a week to serve all of the director’s whims and needs. The only times cracks seem to appear in that happy façade are when he relates moments where he’s perhaps considering that Kubrick went too far – such as when he horribly mistreated Vitali on Christmas Eve, gave him a present and sent him home, and then started calling him on Christmas Day to hound him about many tasks that needed to be done.
When Kubrick died, Vitali seemed to be cast aside by people closest to the director who took over his estate. It’s telling, for example, that this documentary doesn’t feature interviews with Kubrick’s widow Christiane and her brother Jan Harlan, who executive produced several of the director’s movies and was known as his right-hand man. Vitali was constantly at Kubrick’s home when he wasn’t on movie sets or doing prep work for movies such as location scouting and casting, so obviously the two of them would have been around him quite a bit.
REVIEW RESOURCE: https://www.flickeringmyth.com..../2021/03/blu-ray-rev
A senior Pfizer executive has admitted that the drug company did not know whether its Covid vaccine prevented transmission of the virus when it began rolling out the shots globally.
Janine Small, Pfizer’s president of international developed markets, was testifying before the European Union Parliament on Monday when she was asked the question by Dutch MEP Rob Roos.
“Was the Pfizer Covid vaccine tested on stopping the transmission of the virus before it entered the market?” Mr Roos asked.
“If not, please say it clearly. If yes, are you willing to share the data with this committee? And I really want a straight answer, yes or no, and I’m looking forward to it.”
Ms Small — appearing in the place of Pfizer chief executive Albert Bourla, who had been called to testify but pulled out of the hearing earlier this month — replied that the company had to “move at the speed of science”.
“Regarding the question around, um, did we know about stopping the immunisation [sic] before it entered the market? No, heh,” she said.
“Uh, these, um, you know, we had to really move at the speed of science to really understand what is taking place in the market, and from that point of view we had to do everything at risk. I think Dr Bourla, even though he’s not here, would turn around and say to you himself, ‘If not us then who?’”
Ms Small said Dr Bourla “actually felt the importance of what was going on in the world, and therefore as a result of that, we actually, um, spent $US2 billion, at risk, of self-funded money from Pfizer, to be able to research, develop and manufacture at risk, to be able to make sure that we were in a position to be able to help with the pandemic”.
Mr Roos shared a brief clip of Ms Small’s response on Twitter, describing the answer as “scandalous”.
“Millions of people worldwide felt forced to get vaccinated because of the myth that ‘you do it for others’,” he said in the video, which has been viewed more than five million times.
“Now this turned out to be a cheap lie. This should be exposed.”
They act in the shadows, they are extremely secretive and they practise ancient rituals. Secret societies play a far larger role in our everyday lives than we are aware of. Publications like those of bestselling author Dan Brown have brought them back into the limelight. The three-part documentary, ‘Secret Societies’, accompanies historian Dr Marian Füssel on his search for clues surrounding history’s most famous secret societies and conspiracy theories.
The secret brotherhood of the Illuminati was only active for ten years. They dreamed of having members of their brotherhood occupy crucial positions of power, thereby creating a new, fairer state. Banned as early as 1785, rumours that ‘the enlightened ones’ still exist in secret cannot be dispelled. Terra X investigates the legendary Illuminati brotherhood, also exploring other secret organizations that allegedly have their roots in Antiquity.