⁣Dr. Zelenko is one of the most inspiring human beings I’ve had the opportunity to meet.

He’s a true American hero fighting two life and death battles: One is for the life and liberty of all people. The other battle he’s fighting is for his own life. Three years ago Dr. Zelenko was diagnosed with one of the rarest and most fatal cancers.

Through his quest to heal himself, he’s discovered a formula of over the counter vitamins and medicines and shared his protocol for free with the world. For the countless lives he's saved, Dr. Zelenko was nominated for the Noble Peace Prize.

Now, to make it more accessible and affordable to reach more people, Dr. Zelenko has packaged his potent protocol into a capsule he calls Z Stack.
–Mikki Willis

RESOURCE: https://plandemicseries.com/zstack/

⁣Three Identical Strangers: the bizarre tale of triplets separated at birth
“Ideas are my bread and butter,” says film-maker Tim Wardle. “But it’s hard to find ideas that make you want to get out of bed at 3am and go film somewhere.”


That, however, was not the case when a producer at Raw, the London-based production company where Wardle works, brought to his attention the story of Bobby Shafran, Eddy Galland and David Kellman, a set of identical triplets who knew nothing of one another until they were reunited by happenstance at age 19. That alone would make for a compelling documentary, but their story doesn’t end there.


Bobby, Eddy and David are the subjects of Wardle’s new film Three Identical Strangers, an extraordinary documentary that starts as a feelgood human interest story and, by the end, has you questioning the nature of existence. As far as documentary subjects go, this one is nonpareil, a fact that was heavy on Wardle’s mind as he set out to tell the brothers’ story on film. “There’s huge pressure not to fuck up the story,” he admits. “I wasn’t worried about money or anything like that. I was just like, ‘I can’t blow this.’”


Three Identical Strangers begins in 1980, as a 19-year-old Bobby Shafran attends his first day of university only to find unfamiliar classmates greeting him as Eddy. While it’s only the first in a series of fortuitous revelations, most of which are better seen than read about here, Wardle is smart to tell the first half of the documentary through narration and recreated scenes, a tactic that allows the viewer to get a sense of how uncanny it must be to move into your dorm room and find you’re already an on-campus celebrity. Eventually, Bobby and Eddy meet and are contacted by David, whose adoptive mother noticed a pair of twins in the newspaper who looked exactly like her son, down to their shared pudgy hands.


Those alive in the early 80s might remember what followed, a period of pre-internet virality that took the triplets from the Phil Donahue Show to a cameo alongside Madonna in Desperately Seeking Susan. As they made the rounds, audiences lapped up the brothers’ likeness: they finished each other’s sentences, smoked the same brand of cigarettes, even had the same taste in women. When one brother crossed his legs, the others followed. So, in the ensuing decade, they made good on the frenzy by opening a steakhouse in Soho, New York, called Triplets, which thrived until things between them went sour.


To Wardle, the honeymoon period served as wish-fulfillment for the brothers and the media. “There’s been an obsession with identicals going back to Romulus and Remus,” he says. “And the siblings wanted to believe that they were similar, too. It’s that thing where you fall in love with someone for the first time, you try and find everything you have in common. ‘Oh my God, we like the same music!’ But you sort of tone down the differences.”


The brothers, as they discovered on account of their own detective skills, were separated by a ritzy New York City adoption agency called Louise Wise Services, which declined to tell their adoptive parents they were a set of three. It’s at this juncture that the documentary turns – tonally, structurally, thematically – and embraces a very au courant style of leather-shoe reporting in Wardle’s efforts to uncover the bizarre and nefarious reasons for the brothers’ 19-year estrangement. But convincing producers he’d get there wasn’t easy.


“They kept saying, ‘What’s the third act? What’s the third act?’ And I’m like, it’s a documentary, you don’t always know!” recalls Wardle, who was accustomed to inconclusive, even plotless projects after making a documentary about prisoners serving life-sentences. Too many documentaries, he believes, explore “weighty”, ethically fraught issues without a human element to provide connective tissue. But since he had that in the first act, Wardle was confident he’d end up with a finished product whether or not his own sleuthing yielded results.


The question at the center of Three Identical Strangers essentially concerns nature versus nurture, which led Wardle to California, where he interviewed Natasha Josefowitz, the 90-year-old research assistant who contributed to psychoanalyst Peter Neubauer’s study of siblings separated at birth.
For Wardle and Lawrence Wright, the Pulitzer-prize winning journalist who is featured in the film, the idea that nature is more determinative than nurture is an unsettling one, especially as articulated in Josefowitz’s frank, unsparing style.


“She would talk to me about how much of what I’ve done in my life was a function of biology and genes, how little agency I had, which was kind of mind-blowing,” says Wardle, who gives equal weight in the film to both theses while endorsing neither. “A lot of liberal ideology is based on the idea that nurture is really, really important. So when you start down the nature perspective you end up in quite a politically and scientifically dark place, a kind of eugenicist paradise where, ‘Why bother trying to help people?’ It’s all determined by biology anyway.”


Or is it? As Three Identical Strangers proceeds, you find yourself seduced by both prospects, the relative liberty afforded by nurture and the ice cold-comfort of nature. Mostly, though, it’s the brothers who keep the film grounded in reality, which turned out far different than it looked when they got their first taste of fame on the talkshow circuit.


When Wardle recently showed them the film, they were surprised to find he delivered as he’d promised. “I realized at that point how much they’d been disappointed and let down in their lives,” he says. “Documentaries are only as good as the contributors and what they give you. And they gave me pretty much everything.”

REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2018/jun/27/miste

PLANDEMIC 3 - Watch Full Movie Here => ⁣https://vajratube.com/v/JAUKFR
⁣Mattias Desmet is recognised as the world’s leading expert on the theory of mass formation and is the author of Psychology of Totalitarianism. He is also a professor of clinical psychology in the Department of Psychology and Educational Sciences at Ghent University (Belgium) and a practicing psychoanalytic psychotherapist.
In this exclusive Plandemic 3 interview, filmmaker Mikki Willis explores this topic more in-depth to discover alarming parallels in the Covid-19 narrative and the totalitarian playbook, as well as time tested solutions for this moment in history.

RESOURCE: https://plandemicseries.com/massformation

⁣Soaked in Bleach. 2015. Directed by Benjamin Statler. Written by Donnie Eichar, Richard Middleton, and Benjamin Statler.
Starring Tyler Bryan as Kurt Cobain, Sarah Scott as Courtney Love; featuring, as themselves, Tom Grant, Brett Ball, Max Wallace, and Norm Stamper.

Admittedly, even though I’ve always thought Courtney Love is bat shit crazy, I never believed she (or anyone else) might’ve been covering anything up or hiding information concerning Kurt Cobain’s suicide. As much as I loved Cobain, worshiped Nirvana as a young musician with a bad attitude and even worse fashion sense, I just took what the media fed me about his depression and how he’d always seemed suicidal, that he took his I.D out and put it on his wallet so that when he shot himself they’d be able to identify his body easily… and so much more.
After watching this, the other reviews and articles touting this documentary as a ‘conspiracy theory’ are way off base. There’s too much in this film to deny, from actual police documents, the tapes Private Investigator Tom Grant has with Courtney Love on it saying some downright incriminating things and even some with Rosemary Carroll (the Cobain/Love lawyer) saying things against Love. See for yourself. Judge on your own. But here’s my take:

The first thing we hear is a conversation between Tom Grant and Courtney. She hired him to investigate after Kurt went missing, this was only briefly before his alleged suicide. On this first tape, Grant questions Courtney about where she’d found some other letter, supposedly from Kurt, and she is telling him it was under the pillows on her bed. Grant, being there the night before Kurt was found dead, knew different; he’d tossed the bed and found Rohypnol, which Kurt had a prescription for. He knew the difference, and yet Courtney tried sticking to her guns even when Tom told her otherwise. So right off the bat, we get this very real, raw version of Courtney – outside of the media, outside of other celebrities and what they think of her or the general public and their view – right from a tape. It’s damning.

From there, we learn a little about Grant whose life story reads much like a lot of police/military officers. The thing I kept wondering is, for those who don’t believe the man or doubt he is credible – what does he have to gain from this? He’s pretty much haunted with what he sees as the facts. He’s not exactly a celebrity himself because of Kurt or Courtney; most people pass him off as just another conspiracy theorist. Yet, as he mentions later, Tom still gets letters, e-mails, all sorts of communication asking about Kurt, wondering why nothing has been done when there’s actually a lot of evidence suggesting he did not die by suicide. It isn’t only Tom who believes, but unfortunately the police seem to be the real roadblock.

It becomes very clear that police negligence really had a hand in what came to pass. On top of that, Courtney Love set the stage for this “suicide” – when she hired Tom Grant, filed a police report (and did so in fake fashion using Cobain’s own mother’s name – the media promptly reported his mom was worried he was suicidal and filed a Missing Persons), and then perpetuated the myth of Cobain being frequently suicidal. What really troubles me is this idea of the myth – that Kurt really wasn’t a suicidal person. Yes, he was depressed. Yes, he had killer stomach pains that put him in agony. But he was happy with his friends and people around him. After the stomach pains were cleared up and doctors put him on the correct medication after many stressful years, Cobain himself told an interviewer he felt the best he’d ever felt and he was plenty happy. Sure, no one knows what’s going on in the mind of someone behind closed doors – ultimately, we never know. I had a friend who killed himself and none of us in our circle of friends ever expected it. Yet so many close friends claim Kurt never ever talked about suicide once.

Furthermore, he’s not in the movie but Buzz Osborne knew Kurt, and the rest of Nirvana, from the beginning – he and Kurt went to high school together, he knew him before and after Nirvana hit the bigtime. Buzz claims Kurt was never suicidal, it was all a lie. He has harsh words for the other Cobain documentary that recently came out, Montage of Heck, because aside from the suicide myth it portrays other stories that are not actually true (the story that Kurt supposedly had sex with an overweight, mentally handicapped girl when he was young is a total fabrication, according to King Buzzo). So during Soaked in Bleach, we get a lot of other opinions from people very close with Cobain that jive with that of Osborne – that Kurt could be quiet, shy, but the idea that he was a suicide case is untrue.
What really drove this home is Courtney Love. When Cobain accidentally overdosed on his Rohypnol prescription after having a glass of champagne, the incident was not called a suicide at the time. At first people speculated it was an attempt, but it was confirmed as being accidental afterwards. Love did not, at the time, claim Kurt tried to kill himself. Nobody did. Then, after Kurt was found dead, immediately Courtney began telling the media how he tried it in Rome, he tried before, so it wasn’t exactly a surprise. This is categorically untrue. Max Wallace brings up the fact they even talked with the doctor who attended to Kurt that night in Rome, and the doctor also denies to the bone it was a suicide attempt confirming it was most certainly an accidental overdose. It isn’t hard to see Love helped the media run with the image of Kurt as a suicidal persona.

Once things get to the real down and dirty faces, looks at the crime scene and all that, it’s even more of an affirmation that Tom Grant is not just some ‘conspiracy nut’. The tapes are one thing, hearing Courtney go on about how maybe Kurt disappearing and all that before his death would be good for publicity on Hole’s next album and hearing her just lie to Grant over and over, but the crime scene is a whole other beast. I don’t want to say too much more because the evidence is some of the real knock-out stuff in this film.
I did like the little drama recreations they did with actors playing Love, Grant, Cobain, and others involved. Some of it was pretty decent. Not that she doesn’t deserve it after seeing this movie, but they really went hard at Love with their portrayal. However, I don’t see it as being that far off base. If you didn’t think Love was crazy before, you absolutely will after watching this. It’s hard not to.

A lot of the evidence presented makes you wonder how this case isn’t being re-opened and investigated again. Truly. This was an eye-opener of a documentary. Even worse, it’s coming out that apparently Courtney Love has bought Twitter followers, et cetera, to help tank ratings on websites for the film; IMDB is usually bad for ratings, but the skewed low rating for this was ridiculous as about 1,000 ratings of 1 before the release drove it down. Suspicious? Make up your own mind.

This is absolutely a 5 star documentary. I love Cobain, his music, all of it, but to see this was truly fascinating. I can’t get over it, honestly. I want to watch it again several times just to take in all the information. The whole thing is spooky. I’ll say no more other than – the directing is great, this whole film is put together well, and Tom Grant is a saint for offering himself up all these years as “that conspiracy guy” who has actually been fighting the fight for real justice.

One thing resonated with me deeply. Tom brought up how there have been tons of suicides that have been copycats of Kurt – either they did what he did exactly, or their suicide notes quoted Nirvana and related to the late rockstar – and he just wants the truth out there. Because it’s a shame for any kid to kill themselves, but if it’s partly due to the fact Kurt supposedly did, when he might not have, then there is a real need to have the truth known. Not only for all those kids, future kids possibly, but also for Kurt, for Frances Bean, and for all the people of a generation who related to him through his music.

REVIEW RESOURCE: https://fathersonholygore.com/....2015/06/15/soaked-in

⁣New restrictions, New Lockdowns, New Travelling regulations.
WHO’s Global Digital Health Certification Network
EU-WHO digital partnership

If you like it support the band buying it at : http://thearistocrats.spinshop.....com/Home/details/23

Guthrie Govan - Guitars
Brian Beller - Bass
Marco Minnemman - Drums

⁣110v & 230v Free Energy Generator.
After 7 months of research and development we have created the new "Liberty Engine 2.0". This new free, free and infinite energy motor is made from microwave transformers and a 220v motor, and doubles the power of its previous model. It also has more improvements such as its futuristic design, we have eliminated the transmission through pulleys and belt to reduce friction, noise and vibrations. We have also added the manual pull start that you have recommended so much in the comments, we have added a rotor with a special alloy to eliminate Eddy currents, and thus, eliminate magnetic braking when connecting electrical charges.
In order for the voltage output to be 110 volts instead of 230 volts, we must manufacture it with microwave transformers and a 110 volt motor.
We hope you like it. If so, subscribe, like the video and leave your opinion in the comments. In this way we will be able to continue researching and creating new ways of generating energy.

⁣The Pyramid Code is a made-for-television documentary series of 5 episodes that explores the pyramid fields and ancient temples in Egypt, as well as ancient megalithic sites around the world, looking for clues to matriarchal consciousness, ancient knowledge and sophisticated technology in a golden age.
The ancients knew about an Earth grid of powerful energies and believed they coalesced in designated patterns. Learn how such knowledge translated into an extraordinary mathematical precision, as revealed in monuments including the great pyramids of Egypt, Stonehenge, Teotihuacán and many others.
The series is based on the extensive research done in 25 trips to Egypt and 51 other countries around the world by Dr. Carmen Boulter. The Pyramid Code features interviews with more than a dozen prominent scholars and authors in multidisciplinary fields.

Episode 2
44 mins
High Level Technology
High Level Technology shows evidence that the ancient Egyptians used sophisticated engineering and high science to construct pyramids and temples.

⁣Recorded at Weltklang Studio Plauen, Germany in November 2018 by the Martin Miller Session Band in one continuous take.
Matthias Proctor - Vocals
Martin Miller - Guitar & Vocals
Nico Schliemann - Guitar & Vocals
Marius Leicht - Keyboards & Vocals
Benni Jud - Bass & Vocals
Felix Lehrmann - Drums
Martin Miller - Audio Mix & Video Edit
https://www.bennijud.com/
http://www.martinmillerguitar.com/
http://www.nicoschliemann.de/
https://www.youtube.com/nicoschliemann
https://felixlehrmann.de/
http://bit.ly/youtube_BIIDmusic_Matth...

⁣VIBRATION IS JUST ANOTHER WORD FOR ENERGY."
"Music is vibration. If we expose water to music, it's crystal structure will change."
"Watch what happens when we play Mozart." Beethoven.
Dvorak, "From the New World."
"THE HEXAGONAL CRYSTAL REPRESENT THE LIFE FORCE OF MOTHER NATURE."
=========================
THE WATER CRYSTAL FROM THE WATER, EXPOSED TO THE WORD "LOVE AND GRATITUDE" - Welcome to the Masaru Emoto’s Hado World - https://hado.com/ihm/
About 30 [now 37] years ago, Masaru Emoto discovered a world of Hado and he published more than 10 titles about Hado in Japan. He treated more than 10,000 clients with a Hado measuring device and water and he helped to heal a lot of people who had different kind of problems mentally and physically. He knew that water can memorize information then he came up with the water crystal photography to prove his theory and he succeeded. Water crystal photography tells that water reacts to any information (vibration) given by showing the different design. He has gained worldwide acclaim through his groundbreaking research and discovery which were published in his books, “Messages from Water” and “The Hidden Messages in Water” and a lot of people resonated with his claim which is “water is deeply connected to our individual and collective consciousness.” Since then, he went out to the world to tell people the importance of human consciousness, truth of water, and principal of Hado.
At some time, his mission was turned out to be “world peace” specially after his grand
children were born. He believed that we will be able to achieve the world peace by understanding the truth of water because water is telling a lot of meaningful things.
Unfortunately, he past away on October 17th, 2014 but his work and message will never die.
This is the website to introduce his work and also new findings by his successors.
“Hado reates words:
Words are the vibrations of nature
Therefore beautiful words create beautiful nature
Ugly words create ugly nature
This is the root of the universe.” by Masaru Emoto
Hado: The intrinsic vibrational pattern at the atomic level in all matter
What U really know is Possible already in your hearts frequency
en.wikipedia.org/wiki/Masaru_Emoto
Quantum physics
Science Experiment (try this experiment )
When we bless our water before drinking and say it or think it!
Thank you for coming into my life!
Bless the water you drink with love and it will help to raise your vibration and energy!
Bless the water you drink and it will light up the cells of your body.
Sometimes it will take 7 days before you will notice something.
Science of quantum physics!
Blessings and love!
Music
Beethoven – Moonlight Sonata
https://vimeo.com/179075852
=============
MASARU EMOTO (1943-2014)
“Dr.
Masaru Emoto, the Japanese scientist who revolutionized the idea that our thoughts and intentions impact the physical realm, is one of the most important water researchers the world has known. For over 20 years
until he passed away in 2014, he studied the scientific evidence of how the molecular structure in water transforms when it is exposed to human words, thoughts, sounds and intentions.”
“He undertook extensive research of water around the planet, not so much as a scientific
researcher, but more from the perspective of an original thinker. At length, he realized that it was in the frozen crystal form, that water showed us its true nature.
He has gained worldwide acclaim through his ground-breaking research and discovery, that water is deeply
connected to our individual and collective consciousness
He is the author of the best-selling books Messages from Water, The Hidden
Messages in Water, The True Power of Water and Love Thyself. He has now
also authored two children’s books, The Secret of Water for the children
of the world, and The Message from Water children’s version.”
Website: https://www.masaru-emoto.net/en/ (check “Masaru Emoto” & “gallery”)
Download FREE children’s book: http://www.emotopeaceproject.n....et/picture-books/458
-----
His research is also shown in the movie: What the “Bleep” Do We Know!? (2004)
https://rumble.com/v26z8cc-wha....t-the-do-we-know-200
Masaru Emoto's Experiment in Gratitude
https://www.youtube.com/watch?v=SDNhH8deZPg
-----
There are many videos on YouTube about him and his experiments, also people trying the “Rice experiment”.
THE IMPOSSIBLE RICE EXPERIMENT
https://www.youtube.com/watch?v=zvShgttIq7I
-----
DISCLAIMER:
All
the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might
otherwise be infringing.
=================

⁣Directed by William Arntz, Betsy Chasse, and Mark Vicente, the film is an initially intriguing—and then gradually more outlandish—examination of quantum physics (“the physics of possibilities”), the theoretical brand of science that supposedly helps us understand life’s most fundamental question: What is reality? Unfortunately, the film’s answer isn’t half as interesting as those posited by The Matrix, Fight Club, or Waking Life.

A collection of talking-head physicists, philosophers, religious scholars, and mystics (all of whom are deliberately unidentified until the end credits to obscure their dubious authority) casually toss about terms like “epistemic” and “gifts of intentionality” in arguing that reality—rather than being an external force—is something we shape internally, thus meaning that what’s happening within us determines what happens around us. The ensuing, rambling discussion of quantum physics’ impact on notions of love, addiction, and Jesus is clumsily interspersed with scenes involving a fictional photographer named Amanda (Marlee Matlin) who, still smarting over her husband’s infidelity, embarks on a journey of self-discovery by learning to transcend humanity’s current perception of reality.

Engaging theories are sporadically contemplated (such as the idea that an object can exist in two places at the same time), yet by the film’s conclusion, it’s clear that the real modus operandi of these “experts” is promoting a new-agey version of spiritual enlightenment intended to replace traditional monotheism. Society’s “superstitious, backwater concept of God” is the filmmakers’ ultimate target, since it interferes with their belief that everyone is God and that all of us are “co-creating our future.” If people are truly able to construct their own destinies, then I can only hope that What the Bleep Do We Know?, with its hokey and derivative CGI, John Tesh-influenced score, and screeching electronic sound effects, will beget a future devoid of these filmmakers’ creepily cultish work.

REVIEW RESOURCE : https://www.slantmagazine.com/....film/what-the-bleep-

⁣Webinar: COVID-19 Early Home-based Treatment with Dr. Peter McCullough.

⁣Evidence of a mysterious medieval famine leads researchers on a quest for one of the deadliest volcanoes in human history.

Follow a team of volcano sleuths as they embark on a worldwide hunt for an elusive volcanic mega-eruption that plunged medieval Earth into a deep freeze. The mystery begins when archaeologists find a hastily dug mass grave of 4,000 men, women, and children in London.

At first they assume it’s a plague pit from the Black Death, but when they date the bones, they turn out to be too old by a century. So what killed off these families? The chronicles of that time describe a run of wild weather that devastated crops and spread famine across Europe.

NOVA’s expert team looks for the signature of a volcanic eruption big enough to have blasted a huge cloud of ash and sulfuric acid into the atmosphere, which chilled the entire planet. From Greenland to Antarctica, the team finds telltale “fingerprints” in ice and soil layers until, finally, they narrow down the culprit to a smoldering crater on a remote Indonesian island.

Nearly 750 years ago, this volcano’s colossal explosion shot a million tons of rock and ash every second into the atmosphere. Across the globe, it turned summer into winter. What would happen if another such cataclysm struck again today?

RESOURCE: https://www.pbs.org/wgbh/nova/....video/killer-volcano

⁣Sound has the power to charm, annoy, and even change history. Sonic Magic: The Wonder and Science of Sound reveals the historic force, promise, and potential of sound – and a strange phenomenon called cymatics that has created a new scientific mystery.

Sonic Magic explores how sound has shaped our history, introducing us to fields of acoustic ecology and also research labs where sound is eliminating cancer tumours and much more.

RESOURCE: https://spark-doc.com

I⁣n this interview we spoke with Dr. Peter McCullough, an American cardiologist and outspoken critic of the questionable handling of the COVID-19 “pandemic.”
He is one of the most notable and credentialed voices speaking out in the United States and is a wealth of information. He was vice chief of internal medicine at Baylor University Medical Center and a professor at Texas A&M University, and one of the largest donors to the school, leading to a scholarship named after him. Upon speaking out the university shamelessly attacked him. He is articulate, balanced and a voice of reason.


⁣Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/

⁣Huron University College professor refuses to abide by school’s vaccine mandate in the name of ethics.


Huron University College professor is speaking out against the institution’s vaccine mandate, questioning the ethics of “coercing people into medical procedures” for those refusing to get the COVID-19 vaccine. The professor states in the video, which has since been removed from YouTube, that she fears for her employment.


Julie Ponesse, an ethics professor at Huron University College which is affiliated with Western University, describes it as “ethically wrong” to require staff and students to be fully vaccinated, despite the policy also being encouraged by Ontario health officials.


“I am facing imminent dismissal after 20 years on the job. Because I will not submit to having an experimental vaccine injected into my body,” said Ponesse in the video.
“I don’t work in a high-risk environment. I’m not a doctor in an emergency room. I’m a teacher. I’m a university professor,” she adds.


This video comes amid a statement released Tuesday by Western University President and Vice-Chancellor Alan Shepard, after a “disturbing trend” involving several large gatherings near the campus in London, Ont., during frosh week.


“This activity is a blatant disregard for the campus community, public health, and the law,” Shepard wrote. “We want to be clear: if this activity continues, the academic year we have so carefully planned will not happen. In-person learning with fellow students, interaction with professors, extra-curricular activities, athletics and all the things that make your student experience great will be lost.

⁣Alternative channel: https://www.youtube.com/channe....l/UCsiwv99k0t62ARYwD
Contact to Gerard: freenaturalenergy@gmail.com
Everything is reversed from Nikola Tesla.
I challenge everyone to watch this video thoroughly and try and understand what I'm really doing. If you feel you are being tricked, then please explain exactly how.
Go ahead, make my day punks.
Thank you to Kevin MacLeod over at www.incompetech.com for the music.

⁣Filmmaker Morgan Spurlock features as the guinea pig in this film about the fast food industry. Inspired by America’s obesity epidemic, he goes on a diet of McDonald’s three times a day for thirty days straight in order to examine the effects of fast food consumption on the body and mind. The effects of the trial are harrowing: His body mass increases by 13%, his cholesterol levels skyrocket, fat accumulates in his liver, and he experiences mood swings and loss of libido. Super Size Me will completely change the way you think about eating and living.

Super Size Me accomplishes the feat of being both entertaining and horrifying. It investigates how the fast food culture in American schools, corporations and politics is driving nationwide obesity. In between meals, Spurlock drives across the country and interviews a host of health and nutrition experts, lawyers, school workers, and a surprisingly trim man who has eaten over 19,000 Big Macs yet maintains a healthy cholesterol level. We also meet an industry lobbyist who states that consumers need to be educated about nutrition and perplexingly proclaims that “we’re part of the problem and part of the solution”.

The film investigates the industry’s political lobbying and advertising campaigns. We learn about some of the disturbing strategies McDonald’s uses to acquire customers. It is particularly effective at getting children hooked at an early age through mediums they love, such as birthday parties, toys, clowns and playgrounds. In certain areas, the McDonald’s playground is the only one the community has. In one of the most shocking scenes of Super Size Me, Spurlock shows pictures of Jesus, George Washington and Ronald McDonald to a group of first graders, and Ronald is the only one that all of them can identify.

Spurlock is a likeable host, both witty and engaging. Despite his criticism of the fast food industry, he does not place the blame solely on corporations, and at one point asks the rhetorical question of where personal responsibility stops and corporate responsibility begins. Towards the end of the experiment, he is a changed man. The exuberant and healthy host we meet at the beginning of the film has transformed into a puffy, weary and depleted man. He has experienced first-hand the damaging effect of junk food on the nation. All in all, Super Size Me is a fascinating and informative insight into the fast food industry and its link to the American obesity epidemic.

⁣The film narrative is focused on the life of singer-songwriter Amy Winehouse, who was found dead on 23 July 2011 from alcohol poisoning, at the age of 27 at her home in Camden, North London.


The film starts with a 1998 home movie depicting a 14-year-old Winehouse singing along with her long-time friend, Juliette Ashby, at the birthday party of their mutual friend, Lauren Gilbert, at a home in Southgate, London.
The rest of the documentary shows the songwriter's life, in a chronological order from her early childhood, to her music career, which attained commercial success through her debut album, Frank (2003), and second, final album Back to Black (2006), to her troubled relationships, self-harm, bulimia, the controversial media attention, and her downfall with her drug and alcohol addiction, all until her death in 2011. Winehouse is featured throughout the film talking about her early influences and how she felt about fame, love, depression, family and her music career.
The subject of the film, Amy Winehouse performing the Virgin Festival, Pimlico, Baltimore in 2007.


Kapadia conducted more than 100 interviews with Winehouse's friends and family that combine to provide a narrative around the star's life and is billed as "the singer in her own words." The film shows extensive unseen footage and unheard tracks Winehouse had recorded in the years before she died. Unheard tracks featured in the film are either rare live sessions, such as "Stronger Than Me", "In My Bed", "What Is It About Men?" and Donny Hathaway's "We're Still Friends", a cover of Johnny Mercer's "Moon River" from when Winehouse attended the National Youth Jazz Orchestra at the age of 16 in 2000 or never-before heard songs the star wrote, such as "Detachment" and "You Always Hurt The Ones You Love".


There are various pieces of extensive, unseen archive footage of Winehouse, such as when she is video-recorded in a cab with friend Tyler James in January 2001 and driving to tours and on her long-term friend, Lauren Gilbert's holiday tape in Majorca, Spain in August 2005.


The film also shows various interviews, such as with Jonathan Ross, Tim Kash, and a funny video of when Winehouse is interviewed and talked to about singer Dido in 2004, when she promoted her debut album. The documentary also includes when Winehouse performed live from London on the Grammy Awards in 2008, and won the award for "Record of the Year".


The film also features footage from when she was filmed with her ex-husband Blake Fielder-Civil, various performances, and when she auditioned at Island Records in February 2003, singing "I Heard Love Is Blind". Also included is footage from when she was recording her second album in March 2006 and a duet single, "Body and Soul", with Tony Bennett in March 2011 as her last recording before her death.


Some outtakes are also featured of her last shambolic performance in Belgrade, Serbia, a month before she died. The film concludes with long-term friend Juliette Ashby talking about her last phone call with Winehouse, footage of Winehouse's body being taken out of her home after her death, and Bennett stating: "Life teaches you really how to live it, if you live long enough." It then shows scenes from three days later of footage from Winehouse's funeral at Edgwarebury Cemetery and Golders Green Crematorium in North London. Closing clips end the film with videos of Winehouse from her early years until her death, with Antonio Pinto's composition, "Amy Forever".

⁣The New World Order’s main focus is complete world dominance. Population control, better known as Depopulation, is the UN’s tool to annihilate the majority of the masses, so that no more than 500 million people are left on the face of the earth. A neat number, easy to control, dominate and subjugate. How are we, the people, being attacked in the name of population control? By means of 10 different Extinction Tools. Let’s take a look at the first 4: wars, (natural?) disasters, famine & drought, and plagues & diseases…
By Janet Ossebaard & Cyntha Koeter
Music: Alexander Nakarada, Chopin, Keys of Moon, Punch Deck
If you liked this part, please consider supporting our work: https://www.fallcabal.com/
We make these documentaries without being paid, so any donation - no matter how small - is most welcome! This way we can continue giving our work to the world for free, in order to wake up as many people as possible...
Join our FallCabal Telegram Platform for free daily updates: https://t.me/Fall_of_the_Cabal