⁣Rosa Koire explained The Truth Behind Agenda 21, i.e. the who, how and why of the New World Order in our last video.
Now Todd Callender explains the WHAT in this one! Although this is horrific, you NEED to hear it ALL as it is part of the preparation for the solution.

CLICK LINK TO DOWNLOAD A TRANSCRIPT:
https://docs-vajralab.s3.ap-so....utheast-1.amazonaws.

⁣It’s a commonplace to hear people say movies changed their life, but with Owen Suskind that statement is meaningful in an unexpectedly profound way. His remarkable story is so unusual you would dismiss it out of hand if it were fiction, but the documentary “Life, Animated” demonstrates that it’s completely true.


Not just any films changed Suskind’s life, but rather the classic animated features from the Walt Disney Company. Films like “Dumbo,” “Bambi,” “Peter Pan,” “The Lion King” and “Aladdin.” You’ve probably watched them yourself. But Owen Suskind has not just watched them, he’s absorbed them so completely he’s practically lived them.
As directed by Roger Ross Williams (who won Sundance’s documentary director prize) and based on the bestselling book by Owen’s father, Ron Suskind, “Life, Animated” joins Owen’s life at a pivotal moment and shows us where he’s been and what his future looks like.
At 23, Owen Suskind is a cheerful and energetic young man who wears his autism lightly. He has a girlfriend, is just finishing school and is nervous and excited about living by himself for the first time in an assisted living facility on Massachusetts’ Cape Cod.


Owen talks to himself when he’s anxious, but almost exclusively in the dialogue of Disney films. He has seen them so many times he’s memorized every word, and no wonder. They have proved to be a lifeline that has brought him back to the world and helped him make sense of it.
When we first meet Owen, it’s in a family home movie, an antic 2-year-old being read to by his father. Then, without warning, at age 3, this lively boy stopped talking entirely.


“His language processes broke down,” says his mother, Cornelia, who still tears up at the memory, while father Ron says it was as if his son “vanished,” adding “it was like looking for clues to a kidnapping.”
Doctors were initially baffled as well, eventually diagnosing “pervasive developmental disorder,” where the world and its noise become too intense.


One of the only things the Suskinds, including older brother Walt, could still do as a family was watch the Disney family movies Owen had always loved, and they did.


The specific circumstances and episodes of how Owen returned to speech are so remarkable they’re best left to be discovered in the film, but though he did return, it did not mean that things would always go smoothly for him, either as the child he was or the young adult he now is.


No matter what Owen is dealing with, starting with childhood bullying when he “walked the halls of fear” or more adult problems that make him wonder “why is life so full of unfair pain and tragedy,” he uses his Disney animation fascination to work through it.


As a child, for instance, he created an entire cartoon universe he called “The Land of the Lost Sidekicks” and cast himself as the protector of sidekicks against the evil Fuzzbutch. One of “Life, Animated’s” loveliest touches is a beautiful animated sequence, created by France’s Mac Guff Animation, that brings that world completely to life.
Better even than the animation, however, is the sense of the people involved that the film provides, especially of Owen, a remarkable young man who, as director Williams says, “has raw emotions - he doesn’t have filters.”
Williams, whose last feature-length documentary was the very different “God Loves Uganda,” an exposé of how evangelical fundamentalists demonized homosexuality, spent two years on this project, and the trust everyone involved placed in him allowed for an emotional honesty that is “Life, Animated’s” greatest strength.
By the time Owen says, “the future? I’m still searching for it,” we feel his life is in very good hands. His own


REVIEW RESOURCE: https://www.latimes.com/paid-posts/?prx_t=qU4HAx95SAfYAQA&ntv_acpl=1081469&ntv_acsc=2&ntv_ot=2&ntv_gsscm=853*5;839*16;2008*8;842*6;&ntv_ui=e1f13dc5-f00b-45a6-ab12-cb9178ba0059&ntv_ht=FvEkZAA

⁣Graham Hancock is an English author and journalist, well known for books such as “Fingerprints Of The Gods” & “Magicians of the Gods”. His new book "America Before" comes on out April 23. http://grahamhancock.com/

⁣For more than 20 years the CIA studied psychic abilities for use in their top-secret spy program. With previously classified details about ESP now finally coming to light, there can be no more secrets.
Two physicists discover psychic abilities are real only to have their experiments at Stanford co-opted by the CIA and their research silenced by the demands of secrecy. Yet, as both these 'remote viewers' and our audience learn, the 'more you hide something, the more it shines like a beacon in psychic space and this ancient truth can no longer be suppressed.'
The true story of Russell Targ and America's cold war psychic spies, disclosed and declassified for the first time, with evidence presented by a Nobel Laureate, an Apollo Astronaut, and the military and scientific community that has been suppressed for nearly 30 years, now able to speak for the first time.
Targ's understated mantra that "the evidence for extra sensory perception is overwhelming and shows a talent we all share and deserve to know about, leaves us not just with a greater understanding of this unique chapter in U.S. history, but perhaps most importantly a greater understanding of who we are and our larger connection to the world. The CIA, NSA and DIA used it, your tax dollars paid for it, and now you deserve to know about it.

⁣25 years after the mysterious death of princess Diana of Wales.
⁣Twenty five years ago Princess Diana’s car crashed inside the Pont de L’Alma tunnel in Paris France. Her lover, Dodi Fayad, died upon impact along with the driver. And even though Diana survived, it took about 40 minutes to get her from the car to the ambulance. The Official story was that they were trying to free her from the car, but several witnesses say that Diana was conscious and unobstructed. Photographs show that the backseat of the car was undamaged. And witnesses were pleading with the police to open the door and help her. Once in the ambulance, it took about 40 minutes for them to choose a Hospital. And when they finally set off, the ambulance drove at a snails pace and made several stops. Taking about 40 minutes to drive less than 4 miles.


Doctors were turned away. Witnesses were strip searched. Cameras were confiscated. No evidence was gathered. No blood samples were taken. And by 3am the entire scene was sprayed down with high pressure water hoses. Mercedes wanted to study the wreckage to see why it failed so badly. But they were denied. Diana‘s body was taken by the Royal family. Who had her reproductive organs removed before burying her remains. All 17 cameras along the route of the crash were mysteriously turned off. And all radio police frequencies went down. Witnesses were assaulted and threatened. And there was no investigation. Until the inquest ten years later. Which is when most people learned that Diana had penned a note in 1996 saying that someone was going to kill her in a car accident. This note was concealed for 6 years.

⁣Marek Piotrowski (ur. 14 sierpnia 1964 r. w Dębe Wielkim koło Mińska Mazowieckiego) -- polski kick-bokser i bokser, zawodowy mistrz świata.
Kariera amatorska -- swoją karierę sportową rozpoczynał jako bardzo młody adept jujutsu, z czasem zainteresował się Karate Kyokushin. W 1984 r. zdobył w tej dyscyplinie mistrzostwo Polski juniorów. W 1985 r. powtórzył ten sukces w kategorii seniorów. W karate stoczył 13 oficjalnych pojedynków, wszystkie wygrał. W Lipcu 1993 r. stał się posiadaczem czarnego pasa (1 dan). Z początkiem 1987 r. rozpoczął uprawiać kick-boxing w formule full contact, mimo że dyscyplina ta była wówczas w Polsce zakazana.
11 października 1987 r. zdobył w Monachium amatorskie mistrzostwo świata w kategorii wagowej do 81 kg. Tego samego roku wygrał również mistrzostwo Polski, a na Węgrzech Puchar Świata, zostając uznanym za najlepszego zawodnika turnieju.
Kariera zawodowa -- w 1988 r. zdecydował się na wyjazd do USA, aby rozpocząć karierę zawodową. W październiku stoczył swoją pierwszą walkę. W Rockford znokautował Boba Handegana w 4. rundzie.

19 sierpnia 1989 r. w swej piątej walce za Oceanem zwyciężył jednogłośnie na punkty dotychczas niepokonanego Ricka „The Jet" Roufusa i zdobył zawodowe mistrzostwo Stanów Zjednoczonych organizacji PKC. Do jego nazwiska przyległ również ringowy przydomek Punisher.
4 listopada 1989 r. w Chicago pokonał Dona „The Dragon" Wilsona i został zawodowym mistrzem świata organizacji ISKA, PKC i FFKA.
Do 1991 r. stoczył sześć pojedynków, pokonując między innymi Boba „The Thunder" Thurmana oraz renomowanego Marka Longo. Był do tego momentu niepokonanym zawodnikiem na zawodowym ringu, legitymującym się bilansem 29-0-0 (19 KO). 22 czerwca 1991 r., pomimo problemów osobistych, stoczył rewanżowy pojedynek z Rickiem Roufusem, który przegrał w drugiej rundzie przez nokaut. Po tej porażce rozpoczął w lutym karierę w boksie zawodowym, wygrywając pierwszą walkę przed czasem w 4. rundzie. Następnie do 1992 r., chcąc odzyskać utracony tytuł MŚ, stoczył kilka walk w kickboxingu, wszystkie wygrywając.

W lipcu 1992 r. zdobył tytuł mistrza Ameryki Północnej wygrywając z Kanadyjczykiem Conradem Pla.
22 listpada 1992 r. stanął w Paryżu do pojedynku z wielokrotnym mistrzem Holendrem Robem Kamanem (zwanym także „Mr. Low-Kick"; 98 wygranych walk, 78 KO.) w formule low-kick. Przegrał przez TKO w siódmej rundzie po niezwykle dramatycznym boju. Po tej porażce raz jeszcze stanął do walki o utracone tytuły. Przez następne lata szukał szansy na rewanż z Kamanem i Roufusem, ale nigdy jej nie dostał.

22 czerwca 1993 r. pokonał w Montrealu przez TKO Michaela McDonalda. W tym samym roku zwyciężył Mike'a Winklejohna, zdobywając tytuł mistrz świata ISKA w formule oriental rules (odmiana dopuszczająca low-kick i uderzenia kolanem). W grudniu 1995 r. stoczył swoje ostatnie starcie w kickboxingu. W Krakowie pokonał Włocha Stefano Tomiazzo, zdobywając pas mistrza świata organizacji WKA i unifikując wszystkie światowe tytuły w full-contact. Tym samym stał się posiadaczem wszystkich najważniejszych pasów mistrzowskich: ISKA, KICK, PKC, WAKO-PRO, FFKA, WKA i TBC.

Równolegle ze startami w kickboxingu Piotrowski kontynuował karierę zawodowego boksera, staczając od 1992 do 1996 r. w sumie 21 pojedynków w wadze półciężkiej. Wygrał wszystkie.
Zawodową karierę zakończył 13 grudnia 1996 r. w Hanowerze wygraną walką bokserską. W 1997 r. dostał propozycję walki o zawodowe mistrzostwo świata w boksie organizacji IBF z Reggie Johnsonem, lecz ze względu na kłopoty zdrowotne musiał zrezygnować. W 2002 r. powrócił do Polski.

Wyróżnienia
W 1987 r. dostał nagrodę „Syrenki" od miesięcznika Sportowiec za największą niespodziankę sportową roku. Trzykrotnie wybierany do pierwszej dziesiątki najlepszych sportowców w Polsce w plebiscycie Przeglądu Sportowego (1987, 1989, 1990), dwukrotnie zajmując 2 pozycję. Prestiżowy magazyn Fighter klasyfikując największych kickboxerów lat 80., umieścił Piotrowskiego w wadze do 172 funtów (tj. 78 kg) na drugim miejscu. Dwukrotnie, w latach 1989 i 1994 został uznany przez amerykańskich fachowców kickbokserem roku. Został także wybrany przez amerykańską prasę na jednego z dwóch najlepszych fighterów lat 90. W 1991 r. Aleksander Bilik wydał książkę Kickbokser, opisującą karierę Piotrowskiego do roku 1990. W 2005 r. telewizja TVN24 nakręciła reportaż o Marku Piotrowskim zatytułowany „Wojownik" W 2005 r. powstał o nim nawet komiks pt. Kickbokser (zamieszczony w dodatku do Gazety Wyborczej). 2006 r. -- Marek Piotrowski otrzymał statuetkę Stanley Honorowy -- KICK BOXING

⁣The Dark Web | Black Market Trade | Illegal Activities | Documentary


⁣The Dark Web - There’s a dark side to the internet, and you probably don’t even know it exists. Look behind the positive veneer of social media, communication apps and platforms that have made our lives easier and more connected, and you’ll find criminals using the same apps and platforms to run illicit and dangerous activities.


The Dark Web (2019)
Genre: Documentary
Language: English
Release Date: 10 Jul. 2019 (Singapore)


Synopsis:
0:00 Black Market Boom
Drugs, guns, counterfeit documents and much more are sold on dark web marketplaces that run on anonymous browsers and using cryptocurrency. AlphaBay was the biggest marketplace, transacting over US$800,000 in a day enabling its founder to live a luxury lifestyle in anonymity, until international law enforcement caught up with him.


45:16 The Candyman
It was one of 640 million closed groups on Facebook. Hiding behind the anonymity, the creator of child p*rnography group Loli Candy and its 7,000 members hid their activities on Facebook and Whatsapp – the dissemination of horrifying images of abuse. While they were eventually bought to justice many more thrive.

⁣This is a non profit project, the aim is to have all anti-propaganda information in one place connected to one map, helping people understand the big picture.

The map is based on that created by The World Economic Forum, our platform will be populated by the general public as well as experts in the field, with a self regulating model.
It's time we stick to facts, and have a scientific and methodical approach in creating real change in the world.

Disclaimer: We DO NOT receive any revenue from YouTube, and we give away all copyrights, so you are free to use the content and share it.

REOURCE: The Mirror Project

⁣An Interview withJohn Shipton -Julian Assange’s father


⁣The pacifist John Shipton is Julian Assange’s father. Robert Cibis interviews him exclusively about the judicial decision to extradite his son to the US. This discussion reveals political interference in the legal system. How far will Western governments go to set themselves apart from their pre-set values?
RESOURCE: https://www.oval.media/en/75fc....7f35-8fb4-4db2-a399-
Let me know your thoughts in the comments below 👇

⁣Critically Thinking with Dr. Sherri Tenpenny and Dr. Lawrence B. Palevsky, Dr. Carrie Madej, Dr. Lee Merritt, Dr. Christiane Northrup.
⁣Ever since reports have surfaced in recent days that people who have chosen NOT to receive the experimental COVID-19 shots but have been exposed to those who have received them, and have suffered what appear to be infections coming from these fully "vaccinated" people, affecting mainly women who have reported menstruation difficulties, heavy bleeding, miscarriages, and reduction of breast milk, I have been watching my newsfeed to see if any of the dissenting doctors and scientists we feature regularly here at Health Impact News would address these issues.

Fortunately, a team of 5 doctors in the U.S., all of whom we have featured in the past here at Health Impact News and are highly qualified to address this topic, just held a round-table discussion a couple of days ago to address these issues.

The issues they discuss affect ALL of us in the U.S. (and around the world) right now, and it is imperative that you take 79 minutes of your time to watch this video.

Not only do these highly qualified doctors discuss why they think this is happening, they also give practical advice at the end about what we can be doing right now to protect ourselves and stop this attack on the human race by the Globalists seeking to reduce the world's population.

Every single one of these doctors believe that these shots are NOT vaccines, but bioweapons designed to kill human beings.


Whatever else you are doing when you come across this video, it is highly unlikely that anything else you do the rest of your day will be more important than watching this video so you can be informed of the evil effects of these injections that are being censored in the corporate media and Big Tech social media.

Then share this video with as many people as you can.

⁣Dark To Light - The Great Awakening by EyeDropMedia.com
Dark to Light is a visual journey through darkness into the light. As we continue watching the greatest show in history and welcome in a new earth together...always remember - 'Where we go one, we go all'.

⁣As long as you accept there’ll be no genuine analysis in “My Generation,” Michael Caine’s joy ride through his youth offers significant pleasures. There’s a tremendous amount of pleasure to be had in David Batty’s “My Generation,” a sloppy wet kiss to Michael Caine and British youth culture of the 1960s. Loaded with great footage from the era and accompanied by superbly cleaned-up music tracks from the Kinks, the Beatles, the Rolling Stones and many others, this love letter-as-documentary offers 85 minutes of good old fun. What it doesn’t do is posit any genuine analysis or even make a head-nod to diversity.

But this is Caine’s narrative about the unapologetic working class taking over popular culture, and the writers as well as music mogul Simon Fuller, acting as top producer, have no interest in countering their star’s gleefully empowering chronicle of his youth. Voiceover interviews with such key players of the era as Paul McCartney, Marianne Faithfull, Twiggy and Mary Quant add to the overall feast, making the film an attractive offering for all platforms. Britain in the 1950s was dull, announces Caine, though doesn’t every generation say that about the era before their own gloriously self-satisfied arrival?

What’s undeniable is the momentous shift toward youth culture beginning in the 1960s, as well as the opening up of opportunities for white working-class creative types who no longer submitted to makeovers designed to smooth out their roughness. In one of the more telling anecdotes, Caine talks about auditioning for “Zulu,” his breakthrough role, and accurately suggests that had the director, Cy Endfield, been British instead of American, Caine’s working class London accent would have eliminated any hope of being cast in the role of an upper-class officer. That’s an undeniable fact.

Far more shaky is the suggestion that the working class in the 1960s was the first generation in Britain to thumb its collective nose at convention. On-the-street interviews from the era with stuffed shirts bemoaning the appearance of long-haired men in flowery blouses expose middle-class attitudes, but the filmmakers choose to ignore the fact that the upper class has always played with transgression in ways designed to shock the bourgeoisie. What made the 1960s different was that the working class was playing the same game, and emulating “our betters” was no longer an acceptable form of behavior.

Nor was emulating our elders: Freedom from convention was the hallmark of a social revolution that impacted everything from art, music and clothing to changing concepts of morality. Of course, every Englishman knows the class system remains the key determinant of opportunity, but in the art and entertainment world, coming from the wrong side of the tracks is actually now more desirable than a boarding school certificate, and that’s definitely due to the upheavals of the 1960s. Batty divides the film into three parts, roughly corresponding to the awakening, the flourishing and the decline of 1960s pop culture.

Alongside nods to expected historic markers like the Beatles performing at Liverpool’s Cavern Club are more unanticipated moments, such as Roger Daltry talking about the profound impact of seeing Elvis perform: “For the first time in my life, I saw someone who was free.” That’s about the only time in the film there’s a mention of transatlantic influences on the British scene. From there, the documentary plunges headlong into the intoxicating psychedelic playpen of Pop Art, Vidal Sassoon haircuts, and Mary Quant micro-miniskirts, reminding audiences (or teaching them for the first time) that in the 1960s, color and pattern were transgressive and hip, unlike today’s tediously conformist black monochromaticity.

Suddenly, thanks to the British Invasion, being young and British meant you were cool, stylish and glam, tuned into the best music, clothes and art movements. Models such as Jean Shrimpton and Twiggy set new standards for beauty, and groups like the Animals, the Kinks, the Stones and of course the Beatles set the tone, guiding a generation from the innocent charm of “Love Me Do” to the raucous hunger of “(I Can’t Get No) Satisfaction.” By the end of the decade, hedonism took a darker turn.

The Vietnam War acted as a political coming of age, and the destructive nature of so much heavy drug use began to take its toll, symbolized by the death of Brian Jones and Faithfull’s near-fatal drug overdose, both in 1969. For Caine, “My Generation” is a chance to look back in nostalgic delight at his salad days, allowing him to gamely reminisce about his time as one of the “it” boys of London. He even gets to swan around in the original Aston Martin DB4 he drove in “The Italian Job.”
None of the others interviewed are seen on screen — whether that’s because the producers wanted to maintain the aura of 1960s youth, or it was the only way to get these people to talk, remains open for speculation. It’s also likely that writers Dick Clement and Ian La Frenais allowed themselves to be guided by Caine’s insistence on working-class culture, ignoring the fact that some of those included, most especially Faithfull, are from posh backgrounds. If you set aside analytical skills however, it’s easy to sit back and enjoy the wealth of archival clips accompanied by fantastic music tracks that seem to have been remastered for the occasion (lord knows how much all the music rights must have cost).

Ben Hilton’s editing successfully crams in a great deal without a sense of whiplash. Reviewed at Venice Film Festival (Out of Competition), Sept. 4, 2017. (Also in London Film Festival – Journey.) Production: (Documentary — U.K.) An XIX Entertainment presentation, in association with IM Global, of a Raymi Films production, in association with Ingenious Media. (International sales: IM Global, Los Angeles.)

Producers: Simon Fuller, Michael Caine, Dick Clement, Ian La Frenais, Fodhla Cronin O’Reilly. Executive producer: James Clayton. Co-producer: Ben Hilton. CREW: Director: David Batty. Writers: Dick Clement, Ian La Frenais. Camera (color): Ben Hodgson. Editor: Ben Hilton. Music supervisor: Tarquin Gotch. Crew: With: Michael Caine Voices of David Bailey, Twiggy, Terry O’Neill, Roger Daltrey, Marianne Faithfull, Paul McCartney, Lulu, Joan Collins, Sandie Shaw, Penelope Tree, Dudley Edwards, Mary Quant, Mim Scala, David Putnam, Barbara Hulanicki.

⁣Karen Kingston joins Maria Zeee to explain the way humans have now been connected to the demonic realm through the nanotech in COVID-19 injections and the quantum field - but there's more.
The patents show that nanotechnology is embedded into everyday products and every single human has been exposed.

For more info on Karen's Substack visit:
https://karenkingston.substack.....com/p/part-1-disman

Visit https://link.goldco.com/Maria or call 855-913-0814 TODAY to protect your retirement! (US only)

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To prepare you and your family for incoming food shortages, head to Heaven's Harvest on the link below (available only in the United States) and use promo code 'ZEEE' (with 3 e's!) for 5% off your order:
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Detox your system NOW with Dr. Zelenko's Z-DTox and use promo code 'MARIAZEEE' for 5% off your order:
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⁣Officially declare yourself as TransVax - Not Vaccinated but identify as the vaccinated person.


⁣I am an unvaccinated person but my body identifies very strongly as a person triple dose vaccined and each subsequent dose.
We have all matured to officially introduce the newest from the wide range of genders. This time the new sex will be called TransVax and at the same time I demand from everyone the same tolerance as Transgender ect
https://www.urbandictionary.co....m/define.php?term=Tr

⁣Once a sleepy farming region, Silicon Valley is now the hub of a global industry that is transforming the economy, shaping our political discourse, and changing the very nature of our society.


So what happened? How did this remarkable change take place? Why is this area the epicenter of this transformation? Discover the dark secrets behind the real history of Silicon Valley and the Big Tech giants in this important edition of The Corbett Report.


TRANSCRIPT AND SOURCES: https://www.corbettreport.com/siliconvalley/

⁣No comedian was ever funnier, no fighter ever faster than Muhammad Ali, who is caught at the top of his game in Leon Gast's valentine, "When We Were Kings."

The movie is built around the 1974 "Rumble in the Jungle" between Ali and George Foreman in Zaire. Though the Oscar-nominated documentary captures the fight and the fighters, it also explores Ali's role in reintroducing black Americans to their African culture.

Best of all, it resurrects Ali as bee, butterfly and maker of bons mots. Mind, mouth, muscles, all in accord, move a mile a minute as the 32-year-old prepares to wrest the heavyweight crown from the formidable, 26-year-old titleholder. Fit and fleet as Ali is, conventional wisdom has it that Ali's a dead man.

Ali, as Gast's film repeatedly and delightfully demonstrates, was hardly a conventional soul. He comes through as a maverick's maverick. And he's up against formidable competition in this film, including Don King. It was the ex-con with "the great uprush of hair" who managed to talk Mobutu Sese Seko, the Zairian dictator, into staging the fight. Persuaded that it would be good publicity for his country, Mobutu forked over $10 million, flew the fighters and their entourages to Kinshasa and began cleaning the blood of anti-government protesters from the floor of the outdoor arena where the fight was scheduled to take place that September.

Idolized by the people of Zaire for refusing to fight in Vietnam, the older boxer is greeted with chants of "Ali, bomaye!" which means "Ali, kill him!" Foreman, to Ali's great pleasure, was irritated with this turn of events, but Foreman was easily angered in those days. Ali later takes advantage of this weakness to defeat him in the ring. Using a combination of right-hand leads and verbal taunts, Ali tricks Foreman into punching himself out in the early rounds and subsequently flattens his opponent.

As Ali predicted:

"You think the world was surprised when Nixon resigned? Just wait'll I kick George Foreman's behind."

The boxing footage is terrific, but Gast has added archival film of other Ali-Foreman fights. Spike Lee, assorted sports columnists and other camp followers add compelling commentary, but Foreman, who was first devastated, then redeemed by the licking, isn't interviewed. And that's too bad, because it's almost as if Ali hammered something of himself into Foreman, who would go on to become every bit as affable as Ali. And then, Foreman, too, would challenge time.

Watching the picture, it's impossible not to think of Ali today, trembling and unsteady as he is. And you wonder as you stare at the dazzling young athlete: Would he do it all again if he knew the price? His biographer, Thomas Hauser, assures us that he would, that he loves every day of being Muhammad Ali.

Certainly, nobody ever looked as if he was having more fun than Ali does in "When We Were Kings." And the same goes for everybody around him -- except Foreman. Even cynical old sportswriters look like kids on Christmas morning when they recall memories of "Rumble in the Jungle" fever and those special moments they spent with Ali.

Though there were other kings on hand at the time -- Don, B.B., James "the King of Soul" Brown, not to mention Mobutu -- Ali was, in the words of producer David Sonenberg, "on a whole other level, he was King of the World."

REVIEW RESOURCE: https://www.washingtonpost.com..../wp-srv/style/longte

⁣In this ground-breaking original series, experts explore the history and use of psychedelic plants including political ambitions, the perceived shadow side and the proper environment to experience these substances.
From the origins of Shamanism to the spiritual expression of modern awakenings, discover the role of sacred medicine as a gateway to expanded consciousness, and its continued influence on humanity.
“Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window. Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.” ― Terence McKenna

RESOURCE: https://www.gaia.com/seeking-t....ruth/original-progra

⁣Who cares about the TRUTH?
You can rob Poland and Poles of everything. You can spit on and ridicule Poles. You can make anti-Polish bandits into authorities, but you shouldn't be anti-Semitic, you can't!
This is the most hateful nation, they harbor so much venom towards people.
And despite the violence, suffering, and chaos that these evil parasites have caused, we allow them to remain at the top and in control! How long are we going to let these parasites decide our future? It's unbelievable that this is possible.

We must FINALLY UNITE and open people's eyes, because they are acting according to their perfidious principle: "DIVIDE AND CONQUER!"... and as long as people don't finally understand this and realize this ONCE AND FOR ALL, they will have the advantage over us because they are truly afraid of us and our unification... and there's no point in waiting.