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Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax!. Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci.
Dr. Willner and found a few interesting things happened after he began speaking out: Deadly Deception. Filmed Dec. 7th, 1994. Shortly after Dr. Robert Willner started speaking out they took away his medical license. Four months after he made this video he died of a heart attack. Following are some quotes from this lecture:
1990 Dr. Willner has his medical license suspended.
1994 This talk happens (the talk in the above video) and Willner injects himself with the blood of an HIV positive man.
1994 Dr. Willner's book Deadly Deception is published.
1995 Dr. Willner sadly passes away after having a heart attack.
Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax! Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci
HOW THE LIE BEGAN In 1980, Dr. Robert Gallo, a retrovirologist with the National Cancer Institute, discovered the first human retrovirus (HTLV-I). A retrovirus is distinguished from an ordinary virus by virtue of the fact that its RNA is converted to DNA by an enzyme called reverse transcriptase. Its replication and survival is totally dependent on the viability of the host cell. If the host cell dies, the virus is finished. Dr. Gallo knew this basic fact; however, he would soon purposely ignore this fact in order to serve his own needs by claiming that the virus was very "mysterious".
Somehow it would mysteriously survive while mysteriously slaughtering T-cells by the millions (this has never been observed). He had contended in the past, but failed to prove, that the very same retrovirus (HTLV-I) caused a specific type of leukemia which was occuring in Japan. The power of position, that of being a top government official and scientist, has allowed the erroneous label of "leukemia virus" to remain intact even though it was rejected by the scientific community.
In 1981, it was proposed that an acquired immune deficiency was the basis for a new syndrome of diseases (AIDS) that appeared to be surfacing amongst promiscuous male homosexuals and intravenous drug users. Dr. David Durack, of Duke University, a recognized expert on infectious diseases and the immune system, though admitting the prevalence of drug use (particular "poppers" or amyl nitrites) and repeated multiple infections, ignored these well-known causes of immune deficiency and announced that this "truly new syndrome" must be due to "some new factor".
Continuously this group of scientists has resorted to theory, not fact, as to how the AIDS virus supposedly accomplishes its dirty deeds. The words, "it is thought", are constantly used in casual conversations or in the non-scientific articles and popular magazines and books. In the scientific journals or at lectures the theory is presented as established fact although there are no facts involved. It is portrayed as an established truth and therefore is accepted as such by most scientists, including physicians.
The so-called HIV virus is still referred to as a "new" virus in spite of the indisputable evidence to the contrary. Incorrectly, the virus has been characterized as "attacking" or "infiltrating" the immune system, when in reality this is impossible because it is not alive and does not invade. Retroviruses are engulfed by the cells and incorporated into the cell's life processes.
In this film Dr. David Martin gives an education in the history of the United States where we went wrong and what are the mechanisms of that deviation of the grand experiment.
In American R/Evolution, David tells the story of the financial and commercial history of the United States. He revisits the vision for America that was postulated by Thomas Jefferson, and explains where this vision was derailed. The film delivers a message that challenges existing paradigms and inspires viewers to engage their communities in a greater capacity.
Our financial history is a subject typically distorted beyond comprehension. But through the film, Dr. David Martin narrates it in a way that is approachable, entertaining, and utterly mind-blowing for people of all walks of life.
“We believed in a world where there was always something beyond. We believed in a world where somehow our fear of death needed to change how we live. We believed in a world where we had to look to ourselves rather than look to our neighbours and to our network to support us. We believed in a world where we wanted to surrogate our responsibility because even though we got rid of a monarch, we got rid of a pope… We still believed that someone somewhere else was responsible for our lives.“
David Martin
Dr Martin's Youtube channel => https://www.youtube.com/@DavidMartinWorld
Official website => https://www.davidmartin.world/
David Icke, is an English writer and public speaker, known since the 1990s as a professional conspiracy theorist, calling himself a “full-time investigator into WHO and WHAT is really controlling the world.”
David is the author of over 21 books and 10 DVDs and has lectured in over 25 countries, speaking live for up to 10 HOURS to huge audiences, filling stadiums like Wembley Arena.
In April 2020, Icke gave a two-and-a-half-hour interview to the British online channel London Real. The video is dubbed in English, Spanish and French, and subtitled in multiple other languages.
At the time, it was shared by several million internet users but for some reason the organisations controlling the mass media and all social media blocked this interview completely, and by all possible means, disinformation campaigns were launched to ridicule Icke's theories.
People have seen crop circles created by a tube of light in less than fifteen seconds, bending the plants without damage, altering the electromagnetic field and soil, and encoding new math theorems. Now that you know what humans can't do, discover who can.
“It is perfectly natural to ask if crop circles are hoaxes, but very difficult to explain why they cannot be hoaxes satisfactorily,” remarked NASA engineer Pat Delgado. And he was right, because people cannot steam plants at right angles without damage, alter the local gravitational field, change the mineral structure of the soil, encode unknown mathematical theorems, or apply permanent electromagnetic signatures when attempting to replicate crop circles.
Eighty people have witnessed crop circles manifesting in less than fifteen seconds. Many describe a descending tube of light that rotates and bends the plants without causing any damage. These are just some of the anomalies behind the world’s most important phenomenon. Leading expert and best-selling author Freddy Silva discusses these and many more topics in this fast-paced, live presentation from Contact in the Desert.
Now that you know what humans can’t do, discover who can — and why.
REVIEW RESOURCE: https://www.gaia.com/video/cro....p-circles-evidence-i
Based upon Theosophy (the Secret Doctrine) this documentary focuses on the evolution of consciousness over millions of years while revealing the secret chronology of human history from ancient Lemuria and Atlantis to our current root race, while following the natural cyclic deluges between races.
Alternative channel: https://www.youtube.com/channe....l/UCsiwv99k0t62ARYwD
Contact to Gerard: freenaturalenergy@gmail.com
Everything is reversed from Nikola Tesla.
I challenge everyone to watch this video thoroughly and try and understand what I'm really doing. If you feel you are being tricked, then please explain exactly how.
Go ahead, make my day punks.
Thank you to Kevin MacLeod over at www.incompetech.com for the music.
See how the US media has little to do with news, and a lot to do with dividing the people and controlling our minds.
RESOURCE: https://plandemicseries.com/the-media/
"2000 Mules," a documentary film created by Dinesh D'Souza, exposes widespread, coordinated voter fraud in the 2020 election, sufficient to change the overall outcome. Drawing on research provided by the election integrity group True the Vote, "2000 Mules" offers two types of evidence: geotracking and video.
“2000 Mules” is not as much the hard-hitting expose of the 2020 election that viewers might expect from its marketing. The movie is actually a great overview of election fraud that has been taking place for the past decade. And the research it features leaves a big question wide open.
Still, “2000 Mules” is a major, real bombshell.
The documentary comes from political pundit Dinesh D’Souza and familiar collaborators, including director Bruce Schooley, and D’Souza’s wife, Debbie, who has also produced his other movies, most recently “Trump Card” in 2018. It features research conducted by election integrity watchdog True the Vote.
Much criticism has been leveled at the use of cellphone data in “2000 Mules” to track “mules,” or ballot traffickers, and estimate the number of fraudulent votes in the 2020 election that gave Joe Biden the win over Donald Trump. This writer finds the cellphone data to be credible. The data is what makes “2000 Mules” a bombshell, the kind that comes along once in a century. It is the research methodology that is flawed. (More on this later.)
First, the findings that D’Souza presents to viewers are shocking. He asks incisive questions of True the Vote’s founder Catherine Engelbrecht and top researcher Glenn Phillips, leading the viewer through the complex data. Here is what they tell us:
Atlanta: 242 mules that went to an average of 24 ballot dropboxes and eight organizations in a two-week period.
Phoenix, 200+ mules
Milwaukee, 100 mules
Michigan, 500 mules
Philadelphia, 1,100 mules going to 50 dropboxes each. People driving to New Jersey possibly to pick up ballots.
The movie estimates that calculating for the ballot trafficking, Trump would have won with 305 electoral votes.
The movement of the mules shows that the fraud was deliberate.
“To get to some of these dropboxes, it had to be intentional. You had to get off the highway, go on some street, you had to turn in somewhere in order to get to those dropboxes,” Phillips said.
And Engelbrecht remarks on the gaslighting by the media in the aftermath.
“Now the narrative needs to be that this is the most secure election, this is the most fabulous election we have ever had. Pay no mind to the millions of Americans that are saying something is not right,” Engelbrecht said.
The movie also takes the audience through other kinds of ballot harvesting and ballot trafficking, including the exploitation of the disabled and the elderly, and the bullying of vulnerable populations, immigrants and the homeless.
It also mentions the well-known case in North Carolina of the Mark Harris campaign in 2018 as a prime example of ballot trafficking.
All of this information makes “2000 Mules” a great overview on election fraud. But the methodology of the research into the 2020 presidential election has one glaring flaw.
True the Vote seems to make assumptions on the nonprofits, or the “stash houses” where the fraudulent ballots are kept, as one of the starting point of its research along with the ballot dropboxes, for pinpointing the movements of the mules. Additionally, D’Souza never explains or even gives a hint of who these nonprofits are. So the viewer is left in the dark. This begs the question: Did True the Vote have a preset list of nonprofits they knew were stash houses from previous research, instead of determining who the stash houses are from the mules? Is the research completely nonpartisan?
D’Souza has answered a similar question from a viewer here, but has not addressed this concern. In journalism, you can provide hints for who the nonprofits are. For example, are they big nonprofits with obvious political leanings or small nonprofits doing unrelated work, like animal rescue? D’Souza and his producers not giving any hints at all leaves a big piece of the puzzle off the table.
A detailed and engaging look into the world of a personal favourite album, covering Porcupine Tree's backstory and how this career pinnacle was born, over nearly two hours that fly by.
PT main man Steven Wilson has a lot of interesting thoughts and insights about music - both his and more generally - but it's hard to deny that he also has some occasionally pretty cringey takes that verge on typical, jaded, middle-aged "everything was better in my day" views (this tracks pretty well with the content of his recent solo material, too). It's also quite sad hearing some of Gavin Harrison and Colin Edwin's concluding statements about the synergy and chemistry in the band, and how any other lineup would just not be the same, in the light of the announcement of the recent Porcupine Tree reunion which features neither Edwin or long-time live guitarist/backing vocalist John Wesley. Also, Richard Barbieri seems weirdly uncomfortable and almost scared of visual mastermind Lasse Hoile, though that could just be general awkwardness.
Regardless of any of that, all four members give their share of entertaining and informative peaks behind the curtain that will be of great interest to any fan of the band and/or album.
REVIEW RESOURCE: https://letterboxd.com/film/po....rcupine-tree-in-abse
LISTEN TO FULL ALBUM HERE: https://www.youtube.com/watch?v=U8sfqB0J7i4&ab_channel=ProgressiveVinyl
Let me know your thoughts in the comments below 👇
This interview was broadcast on public television CNBC. Interview with Oxford University's Professor Sir John Bell and journalist Jon Snow on Friday, November 27th 2020.
Professor Sir John Bell said openly that "these vaccines are unlikely to completely sterilise a population".
What else do you have to experience to understand what a pandemic project really is?
The official version of human history is a construct of lies. We are in a state of collective amnesia. Let's free ourselves from the artificial matrix that has been imposed on us. This part covers the World's Fairs and the time in which they took place.
Written by: dreamtime & Mosaic, https://stolenhistory.net
Narrated by: Sovereine & David Glenney
Post-production: Bart van der Zwaan https://youtube.com/bartingman
WATCH FULL SIERIES:
Part 1: Nothing is as it seems => https://vajratube.com/v/MBtVx6
Part 2: The Destruction of the Old World => https://vajratube.com/v/4Kya4M
Part 3: The Mystery of the World's Fairs => https://vajratube.com/v/lmqIAN
Webinar: COVID-19 Early Home-based Treatment with Dr. Peter McCullough.
"SUPERHUMAN: The Invisible Made Visible" documents the jaw-dropping experiences of individuals with extra-sensory powers that seem to defy the laws of physics known to man today. Producer and host Caroline Cory, who has her own extensive experience in the field of Consciousness Studies and Extra Sensory Perception, takes the viewers on an extraordinary journey to achieve tangible and measurable proof of these seemingly miraculous phenomena.
Through a series of groundbreaking on-camera scientific experiments, viewers will find themselves connecting the dots about the true nature of their own consciousness, the relation between mind and matter and discover whether they live in a simulated matrix or if they can have control over their physical reality and create a fulfilling human experience. The film ultimately shows that once the invisible worlds are made visible, this attained higher awareness will transform humans into superhumans.
Karen Kingston joins Maria Zeee to explain the way humans have now been connected to the demonic realm through the nanotech in COVID-19 injections and the quantum field - but there's more.
The patents show that nanotechnology is embedded into everyday products and every single human has been exposed.
For more info on Karen's Substack visit:
https://karenkingston.substack.....com/p/part-1-disman
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The Light Bulb Conspiracy uncovers how planned obsolescence has shaped our lives and economy since the 1920’s, when manufacturers deliberately started shortening the life of consumer products to increase demand. The film also profiles a new generation of consumers, designers and business people who have started challenging planned obsolescence as an unsustainable economic driver.
The documentary begins by visiting the longest running light bulb in the world, which has burned continuously for over 110 years in Livermore, California. Initially, light bulbs were built to last. But the film finds historical evidence revealing how a cartel in the 1920’s decided to produce bulbs limited to a maximum life of 1000 hours, making the humble light bulb one of the first examples of planned obsolescence and a model for increasing profits on other products.
Shot over three years in Europe, the U.S. and Ghana, The Light Bulb Conspiracy investigates the evolution and impact of planned obsolescence through interviews with historians, economists, designers and manufacturers, along with archival footage and internal company documents. The film profiles several well-known historical advocates -- Bernard London, who famously proposed ending the Great Depression by mandating planned obsolescence, and Brook Stevens, whose post-war ideas became the gospel of the 1950’s and helped shape the throwaway consumer society of today.
The Light Bulb Conspiracy also looks at modern examples of planned obsolescence, including computer printers and the controversy over the inability to replace iPod batteries. Environmental consequences are seen most dramatically in the massive amounts of electronic waste that end up in uncontrolled dump sites in Third World countries such as Ghana. The film concludes with examples of consumers and businesses moving towards more sustainable practices and products, including Warner Philips, great grandson of the founder of Philips Electronics, who is producing an LED bulb designed to last 25 years.
REVIEW RESOURCE: https://www.videoproject.org/L....ight-Bulb-Conspiracy
Under Justin Trudeau, Canada has sought to position itself as the global bastion of progressive politics. In my latest Telegraph documentary, seen above, I went to the former British colony to find out how Canadians are dealing with Trudeau’s radical reforms; from the promotion of gender ideology in schools and the mass legalisation of drugs, to his extreme new suicide laws and clamp downs on freedom of speech.
I began my investigation in one of the country’s most liberal cities, Vancouver. Possession of up to 2.5 grams of hard drugs, including heroin, cocaine and fentanyl, has been legalised in the city as part of a three year experiment which began in January of this year. If the aim was to combat the opioid crisis that already beset the city then it appears there is still much to be done as vast tent sites line the streets, patrolled by roaming zombie-like drug addicts.
As we filmed on Hastings Street, infamous as the epicentre of Vancouver’s homelessness crisis, I witnessed a topless man shoot a needle into his arm five feet from me. Though it wasn’t quite as bad as San Francisco, where my cameraman and I came under attack from angry vagrants, the scenes were still shocking.
It’s not just the homeless who patrol the streets of Vancouver. Chris Elston, better known online as Billboard Chris, campaigns against the imposition of gender ideology on children, whether through Canada’s education system or via dangerous operations to “transition” young adults. As his nickname suggests, Chris walks around Vancouver wearing signs protesting gender ideology, encouraging lively debates with passers-by which he puts on YouTube.
Chris kindly allowed our crew to join him on a walkabout, where we found many Canadians horrified by the use of puberty blockers in children and the promotion of biological men in women’s sports.
We did encounter some opposition of course, mostly through the odd shout or flicking of the finger. So much for Canadian politeness.
One aggressive gentleman, tall, ageing and angry, began a tirade against Chris with the rather bizarre singular message that he is “queer”.
Part of Canada’s social revolution can also be witnessed in its extreme new euthanasia laws. In 2016, the ruling Liberal Party passed legislation enabling assisted suicide for terminally ill Canadians. Next year the legislation will be expanded to include those with mental health problems. As Christianity declines across Canada, and the liberal obsession with “bodily autonomy” and “personal freedom” reaches its logical conclusion, a new dystopia is forming. As Dr Konia Trouton, a euthanasia advocate, told me, “we are an organised society but within that organisation we have to allow some freedoms and opportunities, this is not a communist system where we can try and reign that in”. The campaign group Euthanasia Prevention Coalition estimates that 13,500 people chose state-assisted suicide last year.
To prevent wokeism from spreading it is important to have a strong opposition party. Canada’s Conservatives have been historically weak in pushing back against Trudeau, however, their recently elected leader, Pierre Poilievre, has injected fresh energy into the party. Whilst there are some who still question Poillievre’s conservative credentials, his strategy seems to be working; one recent poll gave his party a twelve point lead over Trudeau’s Liberals.
However, the most successful opponents to Canada’s social revolution have so far not been politicians but members of the public. Our film highlights some of these brave individuals, including Dr Jordan Peterson, perhaps the most high-profile Canadian in the world other than the country’s leader.
During my travels I found ordinary people appalled at Canada’s surrender to drug dealers, its contempt for freedom of speech, its enforcement of gender ideology on children and a breezy willingness to terminate the lives of its own citizens. However, for all the depressing stories of people losing their jobs, or being hounded by the government, these cases were equally inspirational. Whilst Canada is a warning to the West, there are also individual messages of hope from those brave individuals fighting for their freedom.
Carl Colby’s smart, fact-packed film “The Man Nobody Knew” operates on many levels, all riveting. Primarily an account of the career of his father, William Colby, director of the Central Intelligence Agency from 1973 to 1976, it traces a history ending in 1996, when his body washed ashore eight days after he embarked on a late-afternoon solo canoe outing in Maryland.
While reviewing the turbulent period spanning Vietnam and President Richard M. Nixon’s resignation, we also witness the arc of a marriage, the death of a daughter and the seeming disillusionment of a selfless, if steely-eyed and implacable, civil servant.William Colby was molded by the Office of Strategic Services in World War II, when he aided anti-Nazi insurgents in France and Norway. Working closely with the Vatican he fought the postwar Communist ascendance in Italy and helped coordinate the coup against President Ngo Dinh Diem of South Vietnam. As C.I.A. director he embraced covert activities until “the family jewels“ — memos revealing the agency’s domestic wiretapping and foreign assassination attempts, among other sordid pursuits — were leaked.
After disclosing details on such programs (several preceding his tenure) in Congressional hearings, he was replaced by George H. W. Bush.The Beltway insiders interviewed include the former national security adviser Brent Scowcroft, the journalist Seymour Hersh and, at his most smugly cynical, former Defense Secretary Donald H. Rumsfeld. Carl Colby’s mother, Barbara, meanwhile, is the embodiment of diplomatic poise and eloquence. Conspiracy theorists can have a field day with William Colby’s death, but “The Man Nobody Knew” suggests that the culprit may have been no more than a cold warrior’s crumbling facade.Directed by Carl Colby; edited by Jay Freund; music by Michael Bacon; produced by Mr. Colby, David Johnson and Grace Guggenheim; released by First Run Features. At the Lincoln Plaza, Broadway at 62nd Street. Running time: 1 hour 44 minutes. This film is not rated.
REVIEW RESOURCE: https://www.nytimes.com/2011/0....9/23/movies/man-nobo out the documentary channel: https://rumble.com/DocumentaryArchiveLet me know your thoughts in the comments.
In 2017, the filmmaker Theo Anthony released “Rat Film,” an improbably poetic, intellectually dazzling, politically astute documentary on the seemingly prosaic topic of rats and their place in the modern urban landscape. “All Light, Everywhere,” Anthony’s new movie, ponders a more abstract, less earthbound array of subjects — the physiology of human vision, the history of photography, the ethics of surveillance — in a similar spirit of open-minded, morally urgent inquiry.
If the connections Anthony draws are sometimes vague and not always persuasive, that may be a risk built into his essayistic, undogmatic approach to reality.
And the attempt to capture reality in moving images happens to be what “All Light, Everywhere” is about. It starts with a quote from William Blake: “As the Eye — such the Object.” In other words, vision determines the shape of what is seen. Rather than a simple picture of reality, the camera selects, frames and interprets, often in the service of power and ideology.
This is especially worrisome when the camera is doing the work of law enforcement. Anthony’s main concern is the use of video and other forms of image-gathering in policing, a practice whose claims of objectivity come under steady, skeptical pressure.
Some of the pressure comes from voice-over narration, written by Anthony and read by Keaver Brenai, that bristles with rhetorical questions (“what future does history dream of?”) and theoretical formulations. The musical score, by Dan Deacon, adds an air of menace and suspense which sometimes overwhelms the images.
RESOURCE: https://memory.is/all-light-everywhere
Dick Johnson Is Dead is a 2020 American documentary film directed by Kirsten Johnson and co-written by Johnson and Nels Bangerter.
A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book — staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever.
The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison.
Cast:
Kirsten Johnson
Charles Richard "Dick" Johnson
Development:
Director Kirsten Johnson at the Miami Film Festival
Kirsten Johnson was inspired to make the film after having a dream in which "there was a man in a casket and he sat up and said, 'I'm Dick Johnson and I'm not dead yet'". When she pitched the idea to her father, she asked him, "Dad, what if we make a movie where we kill you over and over again until you really die? And he laughed".
The film incorporates Johnson family photographs and home movies, including that of Richard Johnson's wife who died from Alzheimer's disease in 2007.
Release:
The film premiered on January 25, 2020 at the 2020 Sundance Film Festival. It was released on October 2, 2020 via Netflix.
RESOURCE: www.dickjohnsonisdead.com
Author David Wilcock and an array of researchers, scientists and archaeologists offer their perspectives on humanity's long-lost cosmic origins.
For time immemorial we have looked to the stars for answers to unlock our past. We have interpreted prophecy with the hope of predetermining our future, and yet questions remain. Who are we? Why are we here and what is our destiny? In "The Cosmic Secret," David Wilcock & Corey Goode, along with researchers, scientists, and archeologists, try to answer these very questions.
Let me know your thoughts in the comments below 👇