⁣Sound has the power to charm, annoy, and even change history. Sonic Magic: The Wonder and Science of Sound reveals the historic force, promise, and potential of sound – and a strange phenomenon called cymatics that has created a new scientific mystery.

Sonic Magic explores how sound has shaped our history, introducing us to fields of acoustic ecology and also research labs where sound is eliminating cancer tumours and much more.

RESOURCE: https://spark-doc.com

⁣Award-winning journalist John Pilger investigates the discrepancies between American and British claims for the 'war on terror' and the facts on the ground as he finds them in Afghanistan and Washington, DC.

In 2001, as the bombs began to drop, George W. Bush promised Afghanistan "the generosity of America and its allies". Now, the familiar old warlords are regaining power, religious fundamentalism is renewing its grip and military skirmishes continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, says one woman, "in many ways worse than the Taliban".

In Washington, Pilger conducts a series of remarkable interviews with William Kristol, editor of The Weekly Standard, and leading Administration officials such as Douglas Feith, Under Secretary of Defense for Policy, and John Bolton, Under Secretary of State for Arms Control and International Security.

These people, and the other architects of the Project for the New American Century, were dismissed as 'the crazies' by the first Bush Administration in the early 90s when they first presented their ideas for pre-emptive strikes and world domination.

Pilger also interviews presidential candidate General Wesley Clark, and former intelligence officers, all the while raising searching questions about the real motives for the 'war on terror'.

While President Bush refers to the US attacks on Afghanistan and Iraq as two 'great victories', Pilger asks the question - victories over whom, and for what purpose? Pilger describes Afghanistan as a country "more devastated than anything I have seen since Pol Pot's Cambodia". He finds that Al-Qaida has not been defeated and that the Taliban is re-emerging. And of the "victory" in Iraq, he asks: "Is this Bush's Vietnam?"

REVIEW RESOURCE: http://www.bullfrogfilms.com/catalog/break.html

⁣The Dark Web | Black Market Trade | Illegal Activities | Documentary


⁣The Dark Web - There’s a dark side to the internet, and you probably don’t even know it exists. Look behind the positive veneer of social media, communication apps and platforms that have made our lives easier and more connected, and you’ll find criminals using the same apps and platforms to run illicit and dangerous activities.


The Dark Web (2019)
Genre: Documentary
Language: English
Release Date: 10 Jul. 2019 (Singapore)


Synopsis:
0:00 Black Market Boom
Drugs, guns, counterfeit documents and much more are sold on dark web marketplaces that run on anonymous browsers and using cryptocurrency. AlphaBay was the biggest marketplace, transacting over US$800,000 in a day enabling its founder to live a luxury lifestyle in anonymity, until international law enforcement caught up with him.


45:16 The Candyman
It was one of 640 million closed groups on Facebook. Hiding behind the anonymity, the creator of child p*rnography group Loli Candy and its 7,000 members hid their activities on Facebook and Whatsapp – the dissemination of horrifying images of abuse. While they were eventually bought to justice many more thrive.

⁣14 Peaks: Nothing Is Impossible’ - Climbing at a Breakneck Pace
A documentary follows the Nepalese mountaineer Nirmal Purja as he tries to add cultural depth to the sport’s highs.
As the mountaineering genre continues its ascent into the mainstream, there’s a thesis awaiting a graduate student about male climbers and their mothers, wives or partners. Touched on in the Oscar winner “Free Solo” and summer’s “The Alpinist,” those relationships get screen time in “14 Peaks: Nothing Is Impossible,” about the Nepalese climber Nirmal Purja, known as Nimsdai, and his attempt to summit the world’s 14 highest peaks in seven months. (The previous record was seven years.)


While his wife, Suchi Purja, charmingly attempts to explain her husband’s embrace of risk to civilians, it’s his ailing mother who underscores more tender lessons about her son’s drive but also about the mortality we all face.
As a young man, Purja enlisted in his country’s legendary armed forces, the Gurkhas, and later joined the United Kingdom Special Forces. He seized on the climbing endeavor, which he called “Project Possible,” as a way to highlight the contributions of Nepalese mountaineers, who are more than the Sherpas to Western expeditions.


Early on, the project’s four other climbers — Mingma David Sherpa, Geljen Sherpa, Lakpa Dendi Sherpa and Gesman Tamang — get introduced as vital characters. They are as devoted to Purja’s seemingly mad mission as he is.
Much of the documentary’s climbing footage was taken by Purja and his team. The director Torquil Jones uses those images, as well as fresh interviews (the alpine legend Reinhold Messner waxing beautifully existential) and some vivid animation to craft a documentary exploring themes of generosity, danger, drive and national character.
In widening its aperture — from the ascents to visits to Purja’s childhood home as well as brief dives into Nepal’s history — “14 Peaks” expands a genre often focused on the feats of individuals to celebrate lessons about vast dreams and communal bonds.


REVIEW RESOURCE: https://www.nytimes.com/2021/1....2/01/movies/14-peaks

⁣Phil Schneider died in 1996. Previous to his death he had been on tour across the United States speaking out about various subjects including his involvement with building a secret underground base in Dulce, New Mexico for the military.

During this time, he was said to have had an encounter with a violent E.T race in the late 1970's which would change his whole life immediately after. This documentary explores some of the information Phil Schneider spoke about to the public in the 1990's by examining each claim in detail with expert opinions from Richard Dolan, Richard Sauder, and Cynthia Drayer (Phil's Ex-Wife).

In this documentary you will find never before published photo's of Phil's Autopsy, documents about the Philadelphia Experiment from Oscar Schneider's files (Phil's father) and a very well explained background about Underground Bases. Written by Darcy Weir

⁣Creep - Vintage Postmodern Jukebox Radiohead Cover ft. Haley Reinhart
Download & Stream "Creep" Here: http://pmjlive.com/the-essentials

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One of the highlights of our 2015 European tour was Haley Reinhart's masterful interpretation of our vintage arrangement of Radiohead's "Creep" (originally performed on this channel by the amazing Karen Marie). I enjoyed it so much that I brought Haley into a studio in Zurich on our day off to record it. If you haven't heard Haley sing this before, get ready for a truly remarkable performance. Oh yeah- and this was the very first take.

⁣An Interview withJohn Shipton -Julian Assange’s father


⁣The pacifist John Shipton is Julian Assange’s father. Robert Cibis interviews him exclusively about the judicial decision to extradite his son to the US. This discussion reveals political interference in the legal system. How far will Western governments go to set themselves apart from their pre-set values?
RESOURCE: https://www.oval.media/en/75fc....7f35-8fb4-4db2-a399-
Let me know your thoughts in the comments below 👇

⁣Kampania nakłaniająca do wzięcia udziału w eksperymencie medycznym.
⁣Reportaż dotyczy kampanii reklamowej przeprowadzonej w szeroko dostępnych publicznych mediach związanej z presją społeczną, polityczną oraz koncernów farmaceutycznych przekonującą polskie społeczeństwo do wzięcia udziału w globalnym eksperymencie medycznym polegającym na przyjęciu zastrzyku zawierającego substancję o nieznanym składzie oraz nieznanych negatywnych skutkach zdrowotnych.

Publikuję ten film gdyż jestem zwolennikiem szczepień i ich pozytywnego wpływu na ochronę populacji przed zagrożeniami związanymi z wszelkimi wirusami.

Film tylko w języku polskim.

Proszę o rozpowszechnianie tego filmu gdzie tylko jest to możliwe.

============================================================
The report concerns an advertising campaign conducted in widely available public media related to social and political pressure and pharmaceutical companies convincing Polish society to take part in a global medical experiment consisting in receiving an injection containing a substance of unknown composition and unknown negative health effects.

I am publishing this video because I am a supporter of vaccination and its positive impact on the protection of the population against the risks associated with all viruses.

Only Polish version - sorry.

Feel free to distribute and share this video wherever possible.
Let me know your thoughts in the comments?

⁣Martin Miller
Session Band plays Dark Side of the Moon by Pink Floyd. Recorded live at
Weltklang Studio, Plauen on 10th August 2017.
Track List:
1. Speak to Me
2. Breathe
3. On the Run
4. Time
5. The Great Gig in the Sky
6. Money
7. Us and Them
8. Any Color You Like
9. Brain Damage
10. Eclipse
Martin Miller - Guitar & Vocals (http://www.martinmillerguitar.com)
Felix Lehrmann - Drums
Benni Jud - Bass (https://www.bennijud.com/)
Marius Leicht - Keyboards & Vocals
Special Guests:
Jenny Marsala - Vocals (
/ jennymarsala
http://www.instagram.com/jenny_marsala)
Michal Skulski - Saxophone
Studio: Weltklang Studio, Plauen (Germany)
https://www.facebook.com/Weltklangton...
André Gorjatschow - Director & Camera
Dirk Meinel, Christian Roscher - Audio Engineering
Matthias Prokop, Morgan Reid, Susanne Bartels, Josh McMorran - Camera
Ulrich Wichmann - Camera Assistant
Audio mix & video edit - Martin Miller
Additional Guitars - Martin Miller
Additional Keyboards - Marius Leicht
Background Vocals - Matthias Prokop & Martin Miller
Spoken Words - Levi Clay, Cheryl Harford, Fenn Alexander, Mike McLaughlin

⁣This documentary is Dr. Greer’s answer to the current government and media disinformation campaign promoting 3 big lies:
1. We do not know what these UAPs/ UFOs are. WE DO.
2. Humans cannot make craft that can maneuver like UFOs. WE CAN and WE DO.
3. The UFOs are a threat. THEY ARE NOT.

Share this film widely for FREE if it is in its entirety and is not commercialized or monetized. (If you wish to use it in another way please contact: media@SiriusDisclosure.com)
Other Streaming and Download options can be found at: https://linktr.ee/TheCosmicHoax
How you can support The Disclosure Project and CE5
1. Start practicing CE5 by downloading the CE5 App:
For iPhone - https://apps.apple.com/us/app/ce5-con...
For Android - https://play.google.com/store/apps/de...
2. Join Gaia to follow Dr. Greer’s new series. https://www.gaia.com/disclosureWhen you join through this link 30% goes to SUPPORT Disclosure and CE5.3. Join our membership platform: https://bit.ly/3xjTZm64. Get Dr. Greer’s Books/ CDs/ DVDs: https://shop.siriusdisclosure.com5. Connect with Dr. Steven Greer on social media and Discord👍

Facebook - https://www.facebook.com/doctorsteven...
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Discord - https://discord.gg/pNFz75F

⁣New US Federal law paves the way for government and government contractors UFO witnesses to finally come forward. It's time to act!
Whistleblowers contact Dr. Greer confidentially at info@SiriusDisclosure.com.
Help crowdfund THE LOST CENTURY documentary at https://thelostcenturyfilm.com/
------------
𝗗𝗥. 𝗦𝗧𝗘𝗩𝗘𝗡 𝗚𝗥𝗘𝗘𝗥 is the founder of the disclosure movement and one of the world’s foremost authorities on UFOs, extraterrestrial intelligence, and initiating peaceful contact with interstellar civilizations. Dr. Greer’s relentless efforts towards the disclosure of classified UFO/ET information have inspired millions of supporters around the world. 🌎

Dr. Greer’s mission is to initiate peaceful contact and put an end to the disinformation surrounding contact. To achieve this goal, it will take one percent of the world’s population to come together with peaceful intent and initiate contact. To that end Dr. Greer has produced three incredible documentaries on the subject, amassed a large following on social media, and inspired a far-reaching network of independent CE5 Groups Worldwide.

⁣The Creepy Line reveals the stunning degree to which society is manipulated by Google and Facebook and blows the lid off the remarkably subtle – hence powerful – manner in which they do it.
Offering first-hand accounts, scientific experiments and detailed analysis, the film examines what is at risk when these tech titans have free reign to utilise the public’s most private and personal data.

⁣This documentary from Jeff Orlowski explores how addiction and privacy breaches are features, not bugs, of social media platforms.
That social media can be addictive and creepy isn’t a revelation to anyone who uses Facebook, Twitter, Instagram and the like. But in Jeff Orlowski’s documentary “The Social Dilemma,” conscientious defectors from these companies explain that the perniciousness of social networking platforms is a feature, not a bug.

They claim that the manipulation of human behavior for profit is coded into these companies with Machiavellian precision: Infinite scrolling and push notifications keep users constantly engaged; personalized recommendations use data not just to predict but also to influence our actions, turning users into easy prey for advertisers and propagandists.

As in his documentaries about climate change, “Chasing Ice” and “Chasing Coral,” Orlowski takes a reality that can seem too colossal and abstract for a layperson to grasp, let alone care about, and scales it down to a human level. In “The Social Dilemma,” he recasts one of the oldest tropes of the horror genre — Dr. Frankenstein, the scientist who went too far — for the digital age.

In briskly edited interviews, Orlowski speaks with men and (a few) women who helped build social media and now fear the effects of their creations on users’ mental health and the foundations of democracy. They deliver their cautionary testimonies with the force of a start-up pitch, employing crisp aphorisms and pithy analogies.

“Never before in history have 50 designers made decisions that would have an impact on two billion people,” says Tristan Harris, a former design ethicist at Google. Anna Lembke, an addiction expert at Stanford University, explains that these companies exploit the brain’s evolutionary need for interpersonal connection. And Roger McNamee, an early investor in Facebook, delivers a chilling allegation: Russia didn’t hack Facebook; it simply used the platform.
Much of this is familiar, but “The Social Dilemma” goes the extra explainer-mile by interspersing the interviews with P.S.A.-style fictional scenes of a suburban family suffering the consequences of social-media addiction. There are silent dinners, a pubescent daughter (Sophia Hammons) with self-image issues and a teenage son (Skyler Gisondo) who’s radicalized by YouTube recommendations promoting a vague ideology.


This fictionalized narrative exemplifies the limitations of the documentary’s sometimes hyperbolic emphasis on the medium at the expense of the message. For instance, the movie’s interlocutors pin an increase in mental illness on social media usage yet don’t acknowledge factors like a rise in economic insecurity. Polarization, riots and protests are presented as particular symptoms of the social-media era without historical context.
Despite their vehement criticisms, the interviewees in “The Social Dilemma” are not all doomsayers; many suggest that with the right changes, we can salvage the good of social media without the bad. But the grab bag of personal and political solutions they present in the film confuses two distinct targets of critique: the technology that causes destructive behaviors and the culture of unchecked capitalism that produces it.

Nevertheless, “The Social Dilemma” is remarkably effective in sounding the alarm about the incursion of data mining and manipulative technology into our social lives and beyond. Orlowski’s film is itself not spared by the phenomenon it scrutinizes. The movie is streaming on Netflix, where it’ll become another node in the service’s data-based algorithm.

REVIEW RESOURCE: https://www.nytimes.com/2020/0....9/09/movies/the-soci

⁣A true twentieth-century trailblazer, Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world. The Oscar-winning The Times of Harvey Milk, directed by Robert Epstein and produced by Richard Schmiechen, was as groundbreaking as its subject.
One of the first feature documentaries to address gay life in America, it’s a work of advocacy itself, bringing Milk’s message of hope and equality to a wider audience. This exhilarating trove of original documentary material and archival footage is as much a vivid portrait of a time and place (San Francisco’s historic Castro District in the seventies) as a testament to the legacy of a political visionary.
This documentary examines the political life of the self-proclaimed "Mayor Of Castro Street," N.Y. stockbroker turned San Francisco activist Harvey Milk, the first openly gay politician elected to public office in California. Milk was elected to a City Supervisor position in the '70s, when a successful gay politician was an anomaly, but Milk made the most of his brief time in power. When Dan White killed Milk and Mayor George Moscone, the loss experienced by Milk's supporters was profound.
White robbed the gay-rights movement of a charismatic leader and eloquent voice, but he accidentally gave it something a smart political operative like Milk would surely have appreciated the power and value of: a bona fide martyr.

⁣Welcome to Futureunity, where we explore the fascinating world of science, technology, and the universe! From the inner workings of the human body to the outer reaches of space, we delve into the latest and most interesting discoveries that are shaping our world. Whether you're a science buff or just looking for some mind-blowing facts, we've got you covered. Join us as we uncover the mysteries of the world around us and discover new frontiers in the fields of science and technology. Get ready for a journey that's both educational and entertaining!

Disclaimer Fair Use:
1. The videos have no negative impact on the original works.
2. The videos we make are used for educational purposes.
3. The videos are transformative in nature.
4. We use only the audio component and tiny pieces of video footage, only if it's necessary.
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing.

Disclaimer:
Our channel is based on facts, rumors & fiction. We are not anonymous and we are not associated with anynymous in any way. Purely made for entertainmed purposes.

⁣It would be easy to dismiss an hour-long film adaptation of Peter Schweizer’s book about the charitable-political-nonprofit complex of Bill and Hillary Clinton as nothing more than conservative propaganda. But sitting in a Manhattan screening room late Wednesday, it quickly became clear that conservatives weren’t the intended audience for Clinton Cash.
Environmentalists. Anti-nuke activists. Gay-rights advocates. Good-government folks. They’re all going to find themselves increasingly uncomfortable over claims that the likely Democratic nominee, in the film’s words, takes cash from the “darkest, worst corners of the world.”

The 60-minute indictment of the Clintons will soon find its way to an awful lot of televisions ahead of November’s elections. Based on a heavily researched book by the same name, Clinton Cash is careful in laying out a series of facts that are mostly true, though both the book and the movie sometimes draws connections and conclusions that aren’t as solid as their evidence.
“When it comes to the Clintons, you have to follow the money,” Schweizer says in a rough-cut previewed for TIME.
No doubt, there are many places where dotted lines are smudged into solid ones, and some assumptions are made where concrete evidence of quid pro quo is impossible to prove. But as a work of persuasion, the movie is likely to leave on-the-fence Clinton supporters who see it feeling more unsure about casting a vote for her. Made by the conservative Breitbart News’ executive chairman, Stephen K. Bannon, and director M.A. Taylor, this film rises above the traditional campaign hit job.

“This film is not to re-litigate Benghazi or the 1990s,” Bannon said.
The 1990s were, in fact, dealt with during Clinton’s last campaign. Hillary: The Movie was broad and provocative, dealing with the various scandals during Bill Clinton’s presidency. That movie had little influence on the 2008 campaign, but it ended up becoming inadvertently influential when a case about it led the Supreme Court to overturn campaign finance restrictions in the Citizens United case, ushering in the era of super PACs.
Unlike Hillary, Clinton Cash is a more narrowly focused production with a clear-cut thesis that it repeats through a litany of perceived shifty associations. One alleges that that the Clintons helped the Russian nuke agency get control of 20% of American uranium as part of a deal that involves a Canadian billionaire, Kazakhstan mining officials and Vladimir Putin. Another claims that the Clintons got into bed with African strongmen with horrendous human rights records. “Paul Kigali is a friend of Bill Clinton’s,” the film tells audiences of Rwanda’s leader and suggests the Clintons are engaging in neo-colonialism in exploiting African countries’ natural resources.
The film also accuses Hillary Clinton of flip-flopping on the Keystone XL pipeline after an investor booked Bill Clinton for lucrative speeches. Schweizer also says Clinton’s State Department spared Sweden’s Ericsson of troubles over selling technology to Iran after it, too, booked Bill Clinton for a paid talk. The list goes on: that Bill Clinton pocketed KGB money, a mining company put Hillary brother, Tony Rodham, on its board after it won concessions.

The individual facts are largely true and based on widely reported events and public documents. The conclusions, however, are not as cut-and-dried as the film makes them out to be when assembled together. In general, the film’s reasoning is that if one thing followed another, it was a case of cause-and-effect.
Clinton campaign officials did not respond to a request for comment about the film, but they were harshly critical of its source material. “A new book by Republican operative and friend of the Koch brothers, Peter Schweizer, makes a number of wild accusations about Hillary Clinton—so wild that even the author admits he has no evidence to support them,” the campaign said last year.

There are a lot of leaps of logic in the film, but the insinuations, told through a pattern of favorable results following cash to Clintons, make for a disheartening watch. For instance, Clinton pal Joe Wilson, a former U.S. Ambassador at the center of the Bush-era controversy over weapons of mass destruction, allegedly got a leg up for his investment firm with help from the Clintons in South Sudan. Then there is a $100 million pledge to the Clintons that coincided with favorable contracts in Nigeria and a $1.4 million speaking fee for Bill Clinton personally. Investor Marc Rich, who received a controversial last-minute pardon in 2001, even makes an appearance.

This is not a movie that is going to dissuade the #imwithher crowd from supporting Clinton. But it is a movie that might keep disaffected liberals at home, energize the Sanders supporters to keep up the fight even after their preferred candidate bows to reality and serve up new fodder for conservative talking heads on cable news. This isn’t a game-changing movie, but one that could keep some less enthusiastic voters on the sidelines.
The film carefully curates reality in way to boost anti-Clinton voices. For instance, discussion of Bill Clinton’s role in post-2010 Haiti earthquake completely ignores that George W. Bush also helped raise cash in the wake of the disaster, nor does it acknowledge that one character, the founder of Canadian TD Bank’s sister corporation, TD Ameritrade, also funded Republican Gov. Scott Walker’s super PAC. The film doesn’t mention other reasons why Hillary Clinton may have made particular decisions, leaving the viewer with a narrow understanding. And it blurs the line between Bill and Hillary Clinton’s actions, treating them as essentially the same person.

REVIEW RESOURCE: https://time.com/4328254/clint....on-cash-movie-hillar

⁣‘The Truth Illusion’ investigates one of the most profound questions that philosophers through the ages have tried to address. From Plato to Immanuel Kant to Gilles Deleuze, thinkers have asked: what can we prove to be the truth?

The investigation examines these questions in the context of United States today. Is it possible, in such a deeply divided society, for people to view different "realities"?

The documentary by Al Jazeera’s Investigative Unit features commentary from philosophers, psychologists, social scientists and political commentators who discuss how the U.S. is now riven by radically differing views on what is real, and what is not.

Let me know your thoughts in the comments

⁣Mike Tyson explains to Dan Le Batard the spiritual awakening he underwent after smoking DMT, a psychedelic drug that occurs naturally in some plants and animals. Tyson also shares how his ego has shaped his life, and he goes in depth about his relationship with Cus D'Amato.

Let me know your thoughts in the comments?


More videos here👍⁣
1. Documentary Archive: https://rumble.com/DocumentaryArchive
2. Pandemic Dilemmas: https://rumble.com/c/PandemicDilemmas
3. New World Order: https://rumble.com/c/NewWorldOrderAgenda
4. Disclosure Channel: https://rumble.com/c/c-1016954

Feel free and share wherever you can. :-)

⁣“Ayahuasca & the Path of the Shaman” is a 94 minute documentary that investigates the healing properties of the Peruvian Plant Medicine, Ayahuasca. Driven by a need to heal from his own depression, Dave, travels from his home outside Vancouver, Canada, to Peru in search of this spiritual plant, where he eventually is taught by a Shipibo Master how to work with it. The film's narrative unfolds through a series of storylines: We follow Shannan, as she begins her journey with Dave and this medicine, uncovering child-hood trauma buried deep inside her sub-conscious.


We hear from Lisa, a recovering heroin and crack addict that worked as a prostitute in the streets of Toronto. We also hear from Gabor Mate, whom through talk therapy, helps participants uncover how their experiences with Ayahuasca relate to their daily lives. And finally we hear from Libby. Who starts her journey with this plant by leaving a suicide message on her phone that thankfully never gets delivered.

⁣Karen Kingston joins Maria Zeee to explain the way humans have now been connected to the demonic realm through the nanotech in COVID-19 injections and the quantum field - but there's more.
The patents show that nanotechnology is embedded into everyday products and every single human has been exposed.

For more info on Karen's Substack visit:
https://karenkingston.substack.....com/p/part-1-disman

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To prepare you and your family for incoming food shortages, head to Heaven's Harvest on the link below (available only in the United States) and use promo code 'ZEEE' (with 3 e's!) for 5% off your order:
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