⁣(2002 LEAKED DOC) Secret Covenant of the Illuminati - Satanic Globalist Evil SECRET PLAN
The document was anonymously sent to the email of bankindex.com in June of 2002.

⁣Dr Rashid Buttar, brytyjsko-amerykański lekarz, który był odpowiedzialny za uświadomienie milionom ludzi prawdy o Big Pharmie i globalistycznej agendzie, został znaleziony martwy 18.05.2023.


Miał 57 lat i cieszył się wyjątkowo dobrym zdrowiem. Szykujcie się na turbulencje roku 2025!


Sławik Kraszennikow 1983-1993
Później wrócą wszystkie choroby, o których ludzie już zapomnieli. Jedna choroba pojawi się bez nazwy, od której będzie mnóstwo trupów na ulicach i nikt nie będzie ich chował. Będą po nich pełzać robaki i wokół będzie panował smród. Sławoczka powiedział: „Mamusiu, ludzie będą iść i umierać w ruchu, ponieważ zupełnie nie będą mieć energii. W naszym mieście będzie tak samo”.

⁣https://www.askdrbuttar.com/

⁣It’s a commonplace to hear people say movies changed their life, but with Owen Suskind that statement is meaningful in an unexpectedly profound way. His remarkable story is so unusual you would dismiss it out of hand if it were fiction, but the documentary “Life, Animated” demonstrates that it’s completely true.


Not just any films changed Suskind’s life, but rather the classic animated features from the Walt Disney Company. Films like “Dumbo,” “Bambi,” “Peter Pan,” “The Lion King” and “Aladdin.” You’ve probably watched them yourself. But Owen Suskind has not just watched them, he’s absorbed them so completely he’s practically lived them.
As directed by Roger Ross Williams (who won Sundance’s documentary director prize) and based on the bestselling book by Owen’s father, Ron Suskind, “Life, Animated” joins Owen’s life at a pivotal moment and shows us where he’s been and what his future looks like.
At 23, Owen Suskind is a cheerful and energetic young man who wears his autism lightly. He has a girlfriend, is just finishing school and is nervous and excited about living by himself for the first time in an assisted living facility on Massachusetts’ Cape Cod.


Owen talks to himself when he’s anxious, but almost exclusively in the dialogue of Disney films. He has seen them so many times he’s memorized every word, and no wonder. They have proved to be a lifeline that has brought him back to the world and helped him make sense of it.
When we first meet Owen, it’s in a family home movie, an antic 2-year-old being read to by his father. Then, without warning, at age 3, this lively boy stopped talking entirely.


“His language processes broke down,” says his mother, Cornelia, who still tears up at the memory, while father Ron says it was as if his son “vanished,” adding “it was like looking for clues to a kidnapping.”
Doctors were initially baffled as well, eventually diagnosing “pervasive developmental disorder,” where the world and its noise become too intense.


One of the only things the Suskinds, including older brother Walt, could still do as a family was watch the Disney family movies Owen had always loved, and they did.


The specific circumstances and episodes of how Owen returned to speech are so remarkable they’re best left to be discovered in the film, but though he did return, it did not mean that things would always go smoothly for him, either as the child he was or the young adult he now is.


No matter what Owen is dealing with, starting with childhood bullying when he “walked the halls of fear” or more adult problems that make him wonder “why is life so full of unfair pain and tragedy,” he uses his Disney animation fascination to work through it.


As a child, for instance, he created an entire cartoon universe he called “The Land of the Lost Sidekicks” and cast himself as the protector of sidekicks against the evil Fuzzbutch. One of “Life, Animated’s” loveliest touches is a beautiful animated sequence, created by France’s Mac Guff Animation, that brings that world completely to life.
Better even than the animation, however, is the sense of the people involved that the film provides, especially of Owen, a remarkable young man who, as director Williams says, “has raw emotions - he doesn’t have filters.”
Williams, whose last feature-length documentary was the very different “God Loves Uganda,” an exposé of how evangelical fundamentalists demonized homosexuality, spent two years on this project, and the trust everyone involved placed in him allowed for an emotional honesty that is “Life, Animated’s” greatest strength.
By the time Owen says, “the future? I’m still searching for it,” we feel his life is in very good hands. His own


REVIEW RESOURCE: https://www.latimes.com/paid-posts/?prx_t=qU4HAx95SAfYAQA&ntv_acpl=1081469&ntv_acsc=2&ntv_ot=2&ntv_gsscm=853*5;839*16;2008*8;842*6;&ntv_ui=e1f13dc5-f00b-45a6-ab12-cb9178ba0059&ntv_ht=FvEkZAA

⁣“The Deep Rig,” a film financed by former Overstock.com chief executive Patrick Byrne for $750,000, is set to be released online this weekend — the latest production by a loosely affiliated network of figures who have harnessed right-wing media outlets, podcasts and the social media platform Telegram to promote the falsehood that the 2020 election was rigged.

The baseless assertion, backed by millions of dollars from wealthy individuals, is reverberating across this alternative media ecosphere five months after Trump and many of his backers were pushed off Facebook and Twitter for spreading disinformation that inspired a mob to attack the U.S. Capitol. While largely unnoticed by Americans who have accepted the fact of President Joe Biden’s victory, the deluge of content has captured the attention of many who think the election was rigged, a belief that is an animating force inside the Republican Party.

In this world, ballot reviews like a Republican-commissioned recount now underway in Arizona are about to begin in other key swing states. Conspiracy theories that grow more dizzyingly complex by the day will soon be proven, showing that China or other foreign powers secretly flipped votes for Biden. Trump will be restored as president in months.

These falsehoods are now seeping into civic life, spurring citizens in multiple states to demand that local officials review the 2020 results.
Kim Wyman, the secretary of state in Washington state, and a Republican, said her staff contended with the latest barrage of email and calls just last week. “It told us something had transpired online,” she said, adding: “You can’t disprove the negatives that are being thrown out that are absolutely based on nothing.”

Resource:
https://www.seattletimes.com/n....ation-world/nation-p

⁣⁣You’ve read the lies, now hear THE TRUTH

Roger Waters sat down with Double Down News to set the record straight on him being ‘cancelled’ and addresses that he is not Anti-Semitic.
He explains the themes used during The Wall theatrical bits in his current This Is Not A Drill show and The Wall shows from 1980/81, 1990 and the 2010-2013 tour.


⁣Keys: Roger Waters, MassMedia, Misinformation, Fake News, Racism, Pink Floyd

⁣The first authorized documentary film exploring David Icke's work and life. He is the famed conspiracy theorist, known as the “mad man” who has been proved right time and time again.

David Icke has been warning the public for almost three decades about the coming global Orwellian state in which a tiny few would enslave humanity through New World Order tactics. Methods such as control of finance, government, media, and a military-police Gestapo overseeing 24/7 surveillance of a microchipped population. He has said that “physical reality is an illusion" and that the "world" really is a holographic simulation created by a non-human force to lockdown human perception in ongoing servitude.

He has been subjected to decades of ridicule and dismissal over his theories. However, now his books are read all over the globe and his speaking events are watched by thousands. Why? Because what he foretold is playing out in world events and even some mainstream scientists are concluding that reality is indeed a simulation or "Matrix."

REVIEW RESOURCE: https://www.gaia.com/video/ren....egade-life-story-dav

⁣The Revelation of the Pyramids, narrated by Brian Box, takes an extensive look into the Great Pyramid of Giza, which is widely believed to have been built as a tomb for the country’s pharaohs during ancient times. Based on the works of Jacques Grimault who has studied pyramids for over 40 years, it presents an alternative theory on its origins. It questions the traditional viewpoints of Egyptology, asserting that they rely on unverified assumptions such as the lack of machines, its twenty-year construction period, and its ‘coincidental’ equinox-orientation.


The Revelation of the Pyramids then goes into comparisons between Giza’s pyramids and those of other regions like China, Easter Island and the various native cultures of the Americas. The film posits that Giza’s construction implies that Egyptians would have to have been incredibly advanced mathematicians, using equations centuries before they were discovered by the rest of the world. It therefore draws the conclusion that the pyramids were not built by Egyptians, but by a significantly older civilisation that has long-since faded away into the mists of time.

⁣Rodney Ascher's wry and provocative Room 237 fuses fact and fiction through interviews with cultists and scholars, creating a kaleidoscopic deconstruction of Kubrick's still-controversial classic The Shining.


What is "Room 237" really about? On the surface, Rodney Ascher's documentary exhibits the theories a few obsessive fans have put forward to reveal what they think Stanley Kubrick's "The Shining" is really about. According to them, Kubrick stashed "hidden meanings" in the vacancies, hallways, ballrooms, bathrooms, walk-in storage areas and hedge-mazes of the Overlook Hotel in his 1980 horror film.


Trouble is, the "Room 237" conspirators — er, contributors — don't seem to realize that those meanings are either not hidden, not meanings or not remotely supported by the secret evidence they think they've uncovered. "Room 237" isn't film criticism, it isn't coherent analysis, but listening to fanatics go on and on about their fixations can be kind of fun. For a while, at least.
Five off-screen narrators pitch various interpretations of "The Shining," accompanied by stock footage, illustrative recreations and clips from Kubrick's filmography. For Bill Blakemore, the subject of Kubrick's "Masterpiece of Modern Horror" is the genocidal slaughter of Native Americans by white European settlers; for Geoffrey Cocks, it's about the Holocaust in Nazi-dominated Europe; for Juli Kearns, it's an exploration of an impossible, Escher-like maze called the Overlook Hotel.


John Fell Ryan has discovered some interesting juxtapositions that occur if you project two prints of "The Shining" on top of each other at the same time, with one running forward and the other running backward. Jay Weidner, who characterizes himself as a "conspiracy hunter," insists "The Shining" is Kubrick's belated, life-risking confession/apology for faking the television footage of the Apollo 11 moon landing on the sets for "2001: A Space Odyssey" at the behest of the U.S. government.
"Room 237" could easily be (mis)taken for a comedic satire of fervent movie-geekery if the theories it presents — some more cockeyed than others — hadn't appeared on the Internet years ago. That's where Ascher found the inspirations for his documentary.


It starts off with a visual trick: In a digitally modified clip from Kubrick's final film, "Eyes Wide Shut" (1999), Dr. Bill Harford (Tom Cruise) stands outside the Sonata Cafe in Greenwich Village, which is actually a set at Pinewood Studios near London (which is the source of a little in-joke: The location is identified as "EUROPE"). But instead of inspecting a display featuring his old friend, pianist Nick Nightingale, he's looking at promotional materials for "The Shining." You could say that "Room 237" is based on a similar illusion, getting us to see things in a movie that either aren't there or aren't what they appear to be.


Let's rewind: Back in 2010, Ascher made a notably similar short film called "The S From Hell," a parodic inquiry into the off-the-wall proposition that the Screen Gems logo, which appeared after episodes of popular TV series such as "Bewitched" and "The Partridge Family" from 1965 to 1974, was so frightening, it traumatized a generation of unsuspecting children. Maybe you don't recall being terrified by this or any other logo? Me, neither. But we could've repressed it.


The goofy premise of "The S from Hell" is no less unlikely than some of the blarney put forward in "Room 237." The movie doesn't judge the relative merits of its subjects' opinions, probably because that might be construed as favoritism. That's understandable. But as a result, the movie lacks examples of sound critical thinking. All we have here are do-it-yourself interactive fan games.
In "The Shining," the genial hotel manager (played by Barry Nelson) mentions that the Overlook was built on an ancient Indian burial ground — a familiar horror-movie trope. Sure enough, the hotel decor is inspired by Native American motifs, as we can plainly see. But what, then, is the movie supposedly saying about the genocide of Native Americans? That their vengeful spirits might come back and kill people at a hotel? As the saying goes, that's not subtext, it's text.


The proponents of the Holocaust and staged-moon-landing scenarios undermine their own hypotheses by backing into them. They start with extraneous information (Kubrick wanted to make a Holocaust movie but could never figure out how; nobody was in a better position than Kubrick to fake moon footage in 1969). Then they scour the nooks and crannies of "The Shining" for anything that could be construed to support, or at least reference, their chosen preconceptions.


So is the recurrence of the number 42 (on Danny's jersey; in the movie "Summer of '42" on TV) an allusion to 1942, the year of the Wannsee Conference when Nazi officials met to plan the Final Solution? What about that German typewriter? And is Danny's hand-knit Apollo 11 sweater linked to the ultra-scary Room 237 because the average distance between the Earth and the moon is 237,000 miles? Even though it isn't 237,000 miles, but let's not allow facts and a few extra zeroes to spoil a juicy conspiracy plot. What if the first word in the famous typewritten "All work and no play makes Jack a dull boy" manuscript could be read as "A11" — as in "Apollo 11"?! What if, indeed.
The double-projection trick isn't a theory at all, just a nifty experiment in randomness somewhat less remarkable than the discovery that Pink Floyd's "Dark Side of the Moon" produces some striking juxtapositions when played along with "The Wizard of Oz." Likewise, it's sorta neat that the Outlook does not have an intelligible floor plan, as it fits with the movie's "lost in the maze" motif. But there's nothing unusual about it. That's the way movie sets are usually built — in disconnected bits and pieces, not as integral units.


Kubrick's longtime assistant and collaborator Leon Vitali (who played Lord Bullingdon in "Barry Lyndon") recently said that "Room 237" had him "falling about laughing most of the time" because he knows these ideas are "absolute balderdash." The Adler typewriter, for example, belonged to Kubrick himself, and that particular model was once as commonplace as late-model iPhones.
Any movie is the product of forethought, accident and improvisation. In the end, once the film is released, the filmmakers' intentions don't really matter anymore because it belongs to the audience. At that point, if something's there, it's there. "Room 237," regrettably, isn't all there.

⁣Graham Hancock is an English author and journalist, well known for books such as “Fingerprints Of The Gods” & “Magicians of the Gods”. His new book "America Before" comes on out April 23. http://grahamhancock.com/

⁣Werner Herzog, Documentary, Timothy Treadwell, Alaska, Tragedy, Tragicomedy, Home Video, Nature

Tragicomedy is an overworked word. Yet nothing else will do. Werner Herzog, that connoisseur of extreme figures in far-off places, has made an inspired documentary about the gonzo naturalist Timothy Treadwell, who in 2003 ended up as lunch for the bears he lived with in the remote Alaskan wilderness.
It is poignant, it is beautiful, and it is absolutely hilarious. Herzog didn't even have much work to do, what's more, because Treadwell - gifted, untrained film-maker that he was - had done almost everything himself, leaving behind hundreds of hours of videotape that he had shot at extreme and indeed fatal risk to himself. They contain sublime, dramatic shots of the bears and footage of his own mad and posturing rants to camera, wearing combats and a bandana - part surfer-dude, part drama-queen. Poor Mr Treadwell. He loved those bears. And they loved him. Yum, yum!

Timothy Treadwell was a mixed-up kid from Long Island in the US who wanted to be an actor. He auditioned for Cheers, but the shock and disappointment of coming second to Woody Harrelson sent him over the edge into drink and drug crises. He came out the other side clean and sober, but with a new passion: the grizzly bears of Alaska. Every summer, he went camping out there with his video camera and his attitude problem, regularly breaking the US park rangers' rule not to come within 100 yards of a bear. Timothy got up close and personal, giving them cute names like "Mr Chocolate" and "Sgt Brown", patting them on the nose, and becoming obsessed with gaining the bears' respect for his courage in doing so. His opening rant to camera is a comic classic, influenced, I very much suspect, by Dennis Hopper in Apocalypse Now: "I am a kind warrior! I will not die at their claws and paws! I will be a master!"

Bizarrely, his macho extreme-sports persona often alternates with something screamingly camp. Treadwell yoo-hoos wildly like Robin Williams at the bears who lope up to him: "Oh hi! Hiya! Oh he's a big bear! He's a surly bear!" And Treadwell is often very funny - a reality TV natural who never got his own show. There are too many choice moments to describe here, but among the classics is his sudden zooming-in on an immobile bumble bee on a flower, which he tearfully describes: "Isn't this so sad? A bumble-bee expired while it was doing the pollen thing. It's beautiful . . . it's sad . . . it's tragic . . . it's . . . WAIT! The bee just MOVED! Is it . . . is it just SLEEPING?" Later, Treadwell films a full-on macho-bear fight between Micky and Sgt Brown over a female called Saturn, whom Treadwell describes as the "Michelle Pfeiffer of bears".

His mission was to teach the world about these animals, and this he certainly did, according to his lights, touring schools and giving illustrated talks to kids without accepting a fee. But he also angrily claimed, in some of his looniest soliloquies, that he was "protecting" the bears from poachers or even the federal authorities. The awful truth was that he did not add anything to our knowledge of bears, and that any supposed danger these animals were in, living as they did in a protected national park, existed only in Treadwell's over-heated, self-dramatising imagination.

Treadwell's over-the-top persona is in contrast to the cool, deadpan drone of Herzog himself, who pays tribute to his intuitive skills as a film-maker, but repudiates Treadwell's Disneyfied view of nature, seeing in it only colossal coldness and indifference. Herzog appears on camera just once, listening through headphones to Treadwell's final screams - and those of his luckless girlfriend - as they are both eaten. It is only audio, as Treadwell was attacked before he could remove the lens-cap; in a masterstroke of restraint, Herzog does not let us hear this sound, and sorrowfully advises Treadwell's former girlfriend, Jewel, to burn the tape. I wonder if she has.
Was Timothy Treadwell an inspired radical operating outside the academic naturalist establishment - or a pain in the neck with personal issues? A little of both, of course. He was certainly a brilliant performer and director who, by crossing the taboo line (by as it were impaling himself on the taboo line's barbed wire) vividly demonstrated the alien-ness of nature, and therefore its strange and terrible beauty, more than anything I've ever seen by David Attenborough. It is a superb documentary, because Treadwell has not been coerced or set up; he was enough of an amateur to be relaxed and unselfconscious, yet enough of a professional to generate all this outstanding footage, and quite rightly Herzog declines to patronise or make fun of him. If we didn't already know Timothy Treadwell's awful fate, it would be enough to say: a star is born.

REVIEW RESOURCE: https://www.theguardian.com/culture/2006/feb/03/1

⁣We need to have a heart-to-heart about a little something called the New World Order agenda.


You see, for decades, conspiracy theorists have been warning us about this globalist plan to create a one-world government, but it seems like too many of us are still in the dark about what's really going on. So, why are we being kept ignorant?


Let's dive in and find out.

⁣It can even be funny - unfortunately, it sounds like a very grim joke - especially if someone who got their misfortune injection is listening.

Billionaire Bill Gates said the omicron variant moved faster than COVID-19 vaccines, creating a high level of natural immunity.

While speaking at the Munich Security Conference, Gates, who has helped to fund the development and distribution of COVID-19 vaccines, was asked for his opinion on where the pandemic stands.

“Sadly, the virus itself, particularly, the variant called omicron, is a type of vaccine, that is, it creates both B-cell and T-cell immunity, and it’s done a better job getting out to the world population than we have with vaccines,” the Microsoft co-founder said. “That means the chance of severe disease, which is mainly associated with being elderly and having obesity or diabetes, those risks are now dramatically reduced because of that infection, exposure.”

Gates, who is not a medical doctor, noted that vaccination efforts moved too slowly for his liking.
“It’s sad we didn’t do a great job on therapeutics, only two years in, and we have a good therapeutic,” Gates said. “Vaccines have took us two years to be in oversupply. Today, there are more vaccines than there is demand for vaccines.”

⁣It was among the fastest, most efficient production cars ever built. It ran on electricity, produced no emissions and catapulted American technology to the forefront of the automotive industry. The lucky few who drove it never wanted to give it up. So why did General Motors crush its fleet of EV1 electric vehicles in the Arizona desert?
WHO KILLED THE ELECTRIC CAR? chronicles the life and mysterious death of the GM EV1, examining its cultural and economic ripple effects and how they reverberated through the halls of government and big business.
The year is 1990. California is in a pollution crisis. Smog threatens public health. Desperate for a solution, the California Air Resources Board (CARB) targets the source of its problem: auto exhaust. Inspired by a recent announcement from General Motors about an electric vehicle prototype, the Zero Emissions Mandate (ZEV) is born. It required 2% of new vehicles sold in California to be emission-free by 1998, 10% by 2003. It is the most radical smog-fighting mandate since the catalytic converter.
With a jump on the competition thanks to its speed-record-breaking electric concept car, GM launches its EV1 electric vehicle in 1996. It was a revolutionary modern car, requiring no gas, no oil changes, no mufflers, and rare brake maintenance (a billion-dollar industry unto itself). A typical maintenance checkup for the EV1 consisted of replenishing the windshield washer fluid and a tire rotation.
But the fanfare surrounding the EV1’s launch disappeared and the cars followed. Was it lack of consumer demand as carmakers claimed, or were other persuasive forces at work?
Fast forward to 6 years later... The fleet is gone. EV charging stations dot the California landscape like tombstones, collecting dust and spider webs. How could this happen? Did anyone bother to examine the evidence? Yes, in fact, someone did. And it was murder.
The electric car threatened the status quo. The truth behind its demise resembles the climactic outcome of Agatha Christie’s Murder on the Orient Express: multiple suspects, each taking their turn with the knife.
WHO KILLED THE ELECTRIC CAR? interviews and investigates automakers, legislators, engineers, consumers and car enthusiasts 4 from Los Angeles to Detroit, to work through motives and alibis, and to piece the complex puzzle together. WHO KILLED THE ELECTRIC CAR? is not just about the EV1. It’s about how this allegory for failure—reflected in today’s oil prices and air quality—can also be a shining symbol of society’s potential to better itself and the world around it. While there’s plenty of outrage for lost time, there’s also time for renewal as technology is reborn in WHO KILLED THE ELECTRIC CAR?
Director: Chris Paine
Writer: Chris Paine
Cast: Martin Sheen(voice), Tom Hanks (archive footage), Mel Gibson

⁣In 2020 London Real TV - Icke claimed pandemic was a cover story. As we know now - he was right.
The local television station London Live is facing sanctions after the media regulator, Ofcom, found it had posed a threat to the public’s health by showing a lengthy interview with David Icke about the coronavirus pandemic.
The little-watched channel, owned by Evening Standard boss Evgeny Lebedev, broadcast an 80-minute interview with the former footballer and noted conspiracy theorist earlier this month.
Icke used the broadcast to claim without evidence that the pandemic was cover for a supposed global world order to purposefully crash the economy, end the use of cash payments, and track every individual.
In a separate ruling on coverage relating to Covid-19, ITV was also warned to take care how it reports on repeatedly debunked claims linking 5G mobile phone networks to coronavirus, following comments by This Morning’s Eamonn Holmes.
Ofcom said London Live’s decision to broadcast the Icke interview “had the potential to cause significant harm to viewers in London during the pandemic” because his views were not sufficiently challenged by the host and viewers were not given extra context on the claims.
The channel had argued that it should not be sanctioned for showing the interview with Icke on the basis he was exercising freedom of expression. London Live said this was particularly important in the current circumstances, when civil liberties are being “constrained” and “threatened”. The station also said it was essential to question “conventional wisdom” and government action in a “responsible” manner.
Among the material London Live covered were assertions by Icke that Covid-19 was being used as a weapon of war by the US and Israel against Iran, as well as suggestions that any plan to immunise the world with a coronavirus vaccine was a plot to infect people with a “tidal wave of toxic shite”.
The broadcast was edited by London Live staff from a longer interview conducted for the similarly named but unrelated YouTube channel London Real.
David Icke had his visa revoked just hours before boarding a flight to Australia for a speaking tour
Conspiracy theorist David Icke hits back after Australia revokes visa.
In a sign of how different forms of media are regulated, the London Live broadcast was watched by just 80,000 people, but has attracted regulatory scrutiny and sanctions. Meanwhile, a version of the original London Real interview remains available on YouTube, where it has racked up almost 6m views with no regulatory issues.
London Live unsuccessfully argued that it would be “illogical” and “unfair” for Ofcom to penalise it for broadcasting material that was still available on YouTube. A different interview involving Icke and London Real has been removed by YouTube, although none of it was broadcast on London Live.
Icke has enjoyed the attention paid to him as a result of the controversy around the broadcast, with Google search interest in his name spiking as a result.
Ofcom separately concluded that Holmes’s comments on ITV’s This Morning that people should challenge “the state narrative” around 5G phone masts “were ill judged and risked undermining viewers’ trust in advice from public authorities and scientific evidence”.
Although it said this was irresponsible, given recent attacks on mobile phone masts in the UK, it concluded that his subsequent clarification and other comments making clear the link was “fake news” meant there was no need to formally sanction ITV.
REVIEW RESOURCE: https://www.theguardian.com/me....dia/2020/apr/20/tv-s

⁣It has been said that the Rockefeller family has affected modern society to a degree but what most do not realize is just how much they have made an impact. The family name has now been linked to the suppression of naturalmedicine to found big pharmaceutical companies and make big money.
The West Has the Best and Most Profitable Healthcare in the World
The west is home to some of the best healthcare in the world. Anyone in an emergency which needs prompt medical treatment is better off than those living elsewhere. In the west, people receive healthcare that is much better than what is offered in an establishing nation. However, it is often overlooked that healthcare is now a multi-trillion dollar industry in the west.

The mainstream medicine of today is based on treating people who are ill with drugs, radiation, and operations that are very pricey. What many people do not realize is that the Rockefeller family was the first to recognize the opportunity to take full advantage of what has become an ecosystem with huge profits.

Anyone Questioning Big Pharma Is Branded a Quack and Conspiracy Theorist
Today we live in a world of social media censorship, and anyone who even dares to question the intentions of any of the big pharmaceutical companies is branded insane and given the label of a crazed conspiracytheorist. Any information brought forward about recovery residential or commercial properties of holistic practices and plants that cannot be patented are branded phony news as they are considered to threats to the drugs of the big pharmaceutical companies.
John D. Rockefeller realized the opportunity first. He was an oil mogul who was the first person in the USA to become a billionaire. By the start of the 20th century, he had 90% control over oil refineries in the US with his company Standard Oil. In 1900, researchers came across petrochemicals, and they found out that it was possible to make many chemicals out of oil. The first plastic, which was Bakelite, was made in 1907 from oil.

Turning Point Came On Realization Pharmaceutical Drugs Could Come From Oil
The turning point came when researchers found out that vitamins could be produced from oil and presumed pharmaceutical drugs. This was a financially rewarding opportunity for Rockefeller as he concluded that he could monopolize not only the oil business but also chemical and medical industries. Petrochemicals were a new discovery that could be patented and which would bring about maximum revenues. The only thing stopping Rockefeller was the fact that herbal and natural remedies were popular in the USA at that time. About half of the medical professionals in the US were practicing holistic medicine, based on understandings from Europeans and Native Americans.

This meant that Rockefeller had to get rid of what was significant competition. He made use of a strategy that was time-proven, problem-reaction-solution. The concept works when developing an issue that would bring terror to people and then offer them a solution that was pre-planned. He got the help of Andrew Carnegie; he had made lots of money monopolizing the steel industry. The Carnegie Foundation sent Abraham Flexner on a trip around the nation, and he was given the task of reporting the status of medical facilities along with the medical colleges in the United States. This led to the Flexner Report, and this eventually led to modern medication of today.

Flexner Report Led To Practitioners of Holistic Medicine Jailed
The report stated that a revamp was needed along with the centralization of medical institutions. Following the report, half of the medical colleges were closed down. Natural medications and homeopathy were rubbished, and some of the medical professionals who practiced holistic medicine were sent to prison. Rockefeller gave over $100 million to medical facilities and colleges to help with the transition and to try to change the minds of doctors and researchers. The General Education Board was also founded.

Not long after medical colleges became homogenized and structured and students realized that medicine utilized drugs that were patented. Scientists were also given huge grants to study recovery residential or commercial properties of different plants, and how they were able to cure diseases. What they were really doing was finding the chemicals in the plants and then recreating the compound so that it could be patented.

Cures for Illnesses Such As Cancer Would Be Bad For Business
100 years later and medical colleges produce doctors who do not know anything about holistic practices or the many benefits that herbs have to offer. The government in the United States invests 15% of the Gross domestic item in mainstream health care. This is a system focusing on symptoms, and it produces a flurry of repeat paying clients that is never-ending.

Despite much advancement in medicine, there is still no cure for cancer, diabetes, autism, asthma or even the common cold. Cures for any of these illnesses would only be bad for business. John D. Rockefeller was even behind the establishment of the American Cancer Society in 1913.

RESOURCES:
https://plandemicseries.com/
https://drcharlesinkala.wordpr....ess.com/2019/03/02/h

⁣Carlos Castaneda (1925-1998) is often called the "godfather" of the human potential movement. His name and life are surrounded by many contradictions, fictions and legends.
This film feature Castaneda's closest apprentices as well as major experts in modern spiritually oriented psychology who lift the veil on the greatest mystery of his life: the stormy search of how to become real.

⁣The WEF plan for '15 minute cities' is already rolling out to keep you from driving and leaving a certain radius. Now cities in England and launching these new lockdowns. The fallout from the #twitterfiles continues with new reports of government collusion with executives at Twitter. Dutch farms are set to have their farms taken from them. We talk with academic research Ralph Schoelhammer about this tyranny.


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⁣Watch DIED SUDDENLY - FULL Documentary watch HERE => ⁣https://vajratube.com/v/FFG3pv

RESOURCE: https://rumble.com/c/Redacted

⁣The story of Martin Armstrong
Can a computer model predict the world economy?

The year is 2014: Europe is stumbling from one emergency summit to the next. America has gone crashing through the 15-billion-dollar debt ceiling. People are taking to the streets across the world because they have realised that something has been thrown off kilter; that the market economy is tearing a vast rift between the super rich and the masses; that the banks have spiralled out of control; that governments have lost their grip on public debt.

And after eleven years off the radar, a man resurfaces in Philadelphia, a man who used a computer model and the number pi in the nineties to predict economic turning points with astounding precision: Martin Armstrong predicted the exact date of the October crash in 1987, the demise of the Japanese bull market in 1990, the turning point for the US and European markets in July 1998 and the Nikkei crash in 1989. He was one of the wealthiest Wall Street market analysts and was named economist of the decade and fund manager of the year in 1998. But he refused to play along with the bankers’ game and warned his customers that “the club” was manipulating currency and silver markets. He quickly made powerful enemies: New York investment bankers, hedge funds managers, Salomon Brothers, Goldman Sachs. The FBI and SEC, US Securities and the Exchange Commission, started to show interest in his computer model. In 1999 he was arrested on charges of fraud which he still disputes to this day. He was incarcerated for seven years for contempt of court. After time in solitary confinement and threats against his mother, he signed a partial confession and was sentenced to a further four years.

This documentary film portrays a man returning to his life after eleven years in prison. It follows him as he meets his old partners for the first time and depicts his first public speech to people who are still prepared to travel from across the globe and pay handsome sums to hear him speak. The film shows him attempting to prove his innocence and expose the power of the New York banks.

Martin Armstrong’s career thus began with a complete error of judgement. Even at this young age, he tried to understand the system, to grasp the logic according to which each boom was followed by a bust. Was Niccolo Machiavelli right in his belief that history repeated itself because man’s passions remain the same? He analysed the financial markets, studied the history of business cycles, stock market crashes and global monetary systems. He visited libraries and collected historical data: gold prices, exchange rates. He played around with figures and dates, he divided the time span between the Rye House Plot in 1683 and the year of the bankers’ panic in 1907 (224 years) by the number of market crashes during this period (26) and ended up with an average of 8.6

Eight point six – the global economy appeared to be based on this 8.6-year cycle. He multiplied the cycle by six which gave him 51.6 years and once again it all fitted perfectly: Black Friday in 1869, the commodity panic in 1920, and the Second and Third Punic Wars. He divided, subtracted and multiplied and established that 8.6 years equalled three thousand one hundred and forty-one days: 3,141, the magic number pi times a thousand. Did pi perhaps also govern the markets or the actions and moods that manifested themselves in these markets?

Armstrong was sure of one thing: there is a geometry of time. He may not be able to explain why, but there is some order to the chaos that exists around us.

Martin Armstrong had just published the secrets of pi when FBI men stormed his office. Soon his accounts and those of his partners in London, Australia and Japan had been frozen. They were not to meet for twelve years. “Is financier Armstrong a Con man, a crank or a genius” asked the New Yorker headline in an eight-page article written as Armstrong was in a maximum security wing in New York. What are the judicial facts, the legal peculiarities and the juristic doubts involved here? And who could have profited from Martin Armstrong’s lengthy sentence behind US bars? And: what does all this say about a system on which we are all dependent in one way or another?

12 years after the demise of Princeton Economics Martin Armstrong is released from prison after he signed a coerced guilty plead. His new life commences with a “World Economic Conference” in Philadelphia. Only three months after his release, he’s back again. As if nothing had happened. As if there’d been no twelve years where he was deprived of the world. Martin Armstrong lectures to 350 people, who travelled especially to Philadelphia to see him. He speaks of his initial approach towards solving the global financial crisis, which he compares to the fall of the Roman Empire. And twelve years later, some of his former partners are back to perhaps resume operations where they’d left off. Will Martin Armstrong and his former partners join forces and re-establish Princeton Economics to make their distinctive mark on the desolate landscape of the financial sector?

WITH
(IN ORDER OF APPEARANCE)
OFER COHEN
VICKY ARMSTRONG
DANIELLE WHITE
LARRY EDELSON
IDA ARMSTRONG
SAM COLAVITA
ANTHONY GODIN
MICHAEL CAMPBELL
BARCLAY LEIB
NIGEL KIRWAN
JUSTIN PFEIFFER
NEILL MACPHERSON
JANA ASPRAY
DAVID GLOVIN
TOMAS V. SJOBLOM
LESSLIE MACPHERSON
GEORG SPERBER
OLIVER BROWN

⁣Anthony Summers, the author of the book Goddess (1985), explains he began researching Marilyn Monroe after he learned that the Los Angeles County District Attorney was reopening the case of her death. Summers subsequently spent three years collecting 650 tape-recorded interviews with people who either knew Monroe in her lifetime or had knowledge concerning her death. The audio of the interviews is original, but actors perform lip-synced reenactments.

As Monroe began acting, she had affairs with multiple powerful men who helped advance her career. Fellow actor Jane Russell notes Monroe had a particularly strong work ethic. However, Monroe suffered from poor mental health stemming from a troubled childhood.

Monroe's third husband, writer Arthur Miller, was affiliated with communism. Both he and Monroe were observed by the FBI, and the couple was known to socialize with communist American ex-pats while abroad. As their marriage deteriorated, Monroe abused prescription drugs and she became increasingly difficult to work with. In 1961, she and Miller divorced.

In 1954, Arthur James, who knew Monroe from Charles Chaplin Jr. in the late 1940s, saw Kennedy with Monroe, walking on the shore, near the Malibu pier, and drinking at the hangout, Malibu Cottage. Monroe met the Kennedy family in the early 1950s, through Hollywood connections that likely evolved from the founding role of Joseph P. Kennedy Sr. at RKO Pictures during the 1920s. In the early 1960s, actor Peter Lawford and his wife, Patricia Kennedy Lawford, had a beach house in Malibu, California, where they hosted many social gatherings. Monroe had affairs with both President John F. Kennedy and United States Attorney General Robert F. Kennedy, often meeting them at the beach house.

Summers pieces together that Monroe was in a risky political position, as the Kennedy brothers would discuss with her current events including nuclear weapons testing. This was in 1962, during the height of the Cold War. Because of Monroe's leftist politics, the FBI worried she could pass along or make public anything the Kennedys told her. As a result, the Kennedy brothers eventually attempted to cut off all contact with her.

Monroe died on August 4, 1962, and it was ruled a probable suicide. The official timeline reports Monroe's housekeeper, Eunice Murray, checked on Monroe around 3am and found the bedroom door locked. Murray called Monroe's psychiatrist, Dr. Ralph Greenson, who arrived around 3:30am, broke in through a window, and discovered Monroe was dead. Paramedics and police arrived at 4:25am. Her death was ruled a probable suicide due to a drug overdose.

Summers discounts this timeline, as multiple interview subjects corroborate a rough sequence of events, although there are discrepancies. In this version, Monroe's medical emergency began earlier that night. Her public relations manager, Arthur Jacobs, arrived at Monroe's residence as early as 11pm. An ambulance was called, and Dr. Greenson rode with a comatose Monroe as she was transported to a hospital. She either died at the hospital or on the way. Her body was returned to her house, where she was placed in her bed and "discovered" in the early morning hours. Private investigator Fred Otash and surveillance expert Reed Wilson claim they were hired by Peter Lawford to clear Monroe's home of any evidence that connected her to the Kennedy family before police and reporters arrived.

Despite Summers having accumulated information that was previously unknown about Monroe's death, he doesn't believe she was murdered. Rather, he maintains Monroe died by suicide or an accidental drug overdose. He suspects any type of cover-up was due to her connection with the Kennedy brothers. In 1982, the Los Angeles district attorney ended its review of the case and upheld the original recorded cause of death.

⁣People have seen crop circles created by a tube of light in less than fifteen seconds, bending the plants without damage, altering the electromagnetic field and soil, and encoding new math theorems. Now that you know what humans can't do, discover who can.
“It is perfectly natural to ask if crop circles are hoaxes, but very difficult to explain why they cannot be hoaxes satisfactorily,” remarked NASA engineer Pat Delgado. And he was right, because people cannot steam plants at right angles without damage, alter the local gravitational field, change the mineral structure of the soil, encode unknown mathematical theorems, or apply permanent electromagnetic signatures when attempting to replicate crop circles.
Eighty people have witnessed crop circles manifesting in less than fifteen seconds. Many describe a descending tube of light that rotates and bends the plants without causing any damage. These are just some of the anomalies behind the world’s most important phenomenon. Leading expert and best-selling author Freddy Silva discusses these and many more topics in this fast-paced, live presentation from Contact in the Desert.
Now that you know what humans can’t do, discover who can — and why.
REVIEW RESOURCE: https://www.gaia.com/video/cro....p-circles-evidence-i