I⁣n this interview we spoke with Dr. Peter McCullough, an American cardiologist and outspoken critic of the questionable handling of the COVID-19 “pandemic.”
He is one of the most notable and credentialed voices speaking out in the United States and is a wealth of information. He was vice chief of internal medicine at Baylor University Medical Center and a professor at Texas A&M University, and one of the largest donors to the school, leading to a scholarship named after him. Upon speaking out the university shamelessly attacked him. He is articulate, balanced and a voice of reason.


⁣Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/

⁣Certainly one of the best interviews of the series, this interview with epidemiologist and biostatician Knut Wittkowski is hard hitting and touching. We interviewed him on a hot July day in 2020 in a corner of the park and later in front of an empty great lawn, which normally has 1000 people on it in a midsummer day. He is a caring and thoughtful man that is highly alarmed by the turn of events of this last year. He has a tremendous amount of courage to speak out and a big heart. This all comes through.

Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/
Please share and enjoy!

⁣It is now beyond doubt that strange, anomalous objects filling our skies and caught on camera are the real deal. Even the Pentagon admits it’s true. These seemingly intelligently controlled craft are operating above the clouds, in our oceans and in our orbit – travelling at hypersonic speeds far beyond any known human technology and completing manoeuvres unknown to science.


The subject of conspiracy and derision for years, UFOs are now the hottest topic in Washington and the world.
Five-time Walkley Award-winning investigative journalist Ross Coulthart – who has been investigating the phenomena for the past two years – led the 7NEWS Spotlight team across the US, amassing never-before-seen compelling evidence and speaking to the key players behind an event that will change the course of history.
Featuring interviews with the highest echelons of military defence and intelligence officials, leading researchers, scientists and witnesses in America and Australia, this mind-blowing documentary years in the making seeks to answer the most fundamental question there is: are we alone?


The US director of national intelligence is expected to hand down an unclassified report next month that will change our understanding of life itself. On Spotlight, we reveal what is in that report.
7NEWS Spotlight: The UFO Phenomenon unearths startling new evidence of Australian Government cover-ups and extraordinary vision of unidentified aerial phenomena in Western Australia, Victoria and Queensland – all credible and important additions to the worldwide data being accumulated by the US.


For Coulthart, the project has become the most fascinating and challenging of his career, becoming the focus of his new book 'In Plain Sight', available now in Australia and soon in other territories:


Australia: https://7news.link/3AuawFz

⁣Documentary filmmakers Joe Berlinger and Bruce Sinofsky had begun a professional relationship with Metallica while making their 1996 film Paradise Lost: The Child Murders at Robin Hood Hills, about the West Memphis Three. Moved by the story of the West Memphis Three, Metallica, who normally did not allow their music to be used in films, allowed Berlinger and Sinofsky to use their songs in Paradise Lost for free.

The band and the directors kept in touch, discussing the possibility of working on a larger project together. Berlinger split from Sinofsky to direct Book of Shadows: Blair Witch 2 (2000), which was critically panned and made little money. After this experience, he contacted Sinofsky and Metallica about revisiting their plans for a film.

The year 2000 had been, in the words of bassist Jason Newsted, "possibly the highest-profile year for Metallica ever." The band had released the live album S&M in late 1999, then played a New Year's Eve show with Ted Nugent, Sevendust, and Kid Rock. In February they won a Grammy Award for Best Hard Rock Performance for their cover version of "Whiskey in the Jar" (from their 1998 covers album Garage Inc.).

The following month, they filed a highly-publicized lawsuit against file sharing service Napster. In May they released the new single "I Disappear" from the Mission: Impossible 2 soundtrack; they performed the song at the 2000 MTV Movie Awards in June, and its music video was nominated in five categories at the 2000 MTV Video Music Awards that September. Metallica spent June through August on the Summer Sanitarium Tour, playing 20 shows with Korn, Kid Rock, Powerman 5000, and System of a Down. During the tour, singer and rhythm guitarist James Hetfield was injured in a jet ski accident and had to miss three shows.

Bassist Jason Newsted, pictured in 2013. His departure from Metallica, and its after-effects, form part of the narrative of Some Kind of Monster.
The band took a break beginning that fall, which turned into the longest hiatus from touring and recording they had ever taken.

⁣Clear, blue skies greeted air travelers on the morning of September 11, 2001. But those skies were more heavily trafficked than we were originally led to believe, according to the documentary 9/11 War Games. Produced by the conspiracy-minded Corbett Report, the film assumes a unique perspective for those who question the official account of that tragic date.


Before the attacks began to unfurl, there were an unprecedented number of aviation tests, military drills and emergency simulations taking place. Some were eerily similar to the terrorist attacks that would grip the country later that morning. In spite of the incessant denials that followed in the months and years following 9/11, the film argues that military forces were well aware of the potential of such an attack, and were active in preparing for such a nightmare scenario.


The evidence presented in the film expose how the government was well aware of the specific threats in the lead up to 9/11. Documents and taped recordings show multiple military drills mounted by the North American Defense Command (NORAD), including those involving hijacked airplanes, coordinated attacks from multiple planes, and even a scenario that used an aircraft as a weapon in the heart of the Pentagon.
The theory? The real plot of terror was piggybacked off some of these simulated war games. While much of the blame fell on the FAA, the prevention of these attacks was actually hindered by an inability to decipher between the manufactured exercises and the real world tragedy. The terrorist cell was likely aware of such exercises, and used them to their advantage.


Taken to the extreme, the film theorizes that members of NORAD, the US military and the National Command Authority were themselves complicit in these attacks, and the confusion between simulation and reality was an intentional and strategic stage from which they could operate most effectively.
Viewers who have an intolerance for conspiracy-themed material, especially as it pertains to the events of September 11, might find some of the film’s thesis offensive. But for others, 9/11 War Games may serve as a provocative, well assembled argument for greater transparency.


REVIEW RESOURCE: https://topdocumentaryfilms.com/9-11-war-games/

⁣Filmworker charts the multiple decades that Leon Vitali spent as the jack-of-all-trades assistant to famously demanding film director Stanley Kubrick. It’s a glimpse into the ways Kubrick worked that is both fascinating and heartbreaking, especially in the ways the director, and then his estate after his death, treated someone who was unwaveringly loyal. The lone bonus feature is a Q&A with Vitali and director Tony Ziera.

Behind every Hollywood legend there’s usually at least one assistant who helps keep that person’s world turning in countless unsung ways. In the case of famous film director Stanley Kubrick, there was Leon Vitali, who was different from other assistants in film lore because he cut short a promising acting career to take on a thankless role.
He was also different because he did so much more than keep the trains running on time, so to speak. When needed, Vitali served as casting director, editor, film archivist and restorationist, and more. He even stepped in to play a masked role in Kubrick’s final film, Eyes Wide Shut, which, of course, didn’t allow him to shirk his other duties even as he was filming his lines over and over again, as the director famously liked to do.

Director Tony Zierra’s documentary about Vitali, Filmworker, takes its name from the occupation Vitali put on various forms. It was something he came up with, he says, because he saw himself simply as someone who works in film. He acted in many British TV shows and movies before being cast as Lord Bullingdon in the 1975 Kubrick film Barry Lyndon. While on the Lyndon set, he was fascinated by how the director was involved in every aspect of the production and how every crew member around him had a key role to play.

That fascination led him to essentially creating a job for himself with Kubrick, who, as Vitali tells it, was masterful at coming across as benign and gentle at first before later revealing his controlling and demanding side. In that context, Vitali notes that Kubrick loved to play chess, but I don’t know if that’s a masterful relationship move as much as someone who wants to hide their distorted personality until the other person is in too deep. Kubrick was brilliant, but he was also abusive – I’ve long felt that his infamous obsession with shooting even the most mundane moments over and over wasn’t so much about perfectionism as it was about a sadistic tendency to see how far he could push people.

In Vitali’s case, I don’t think there was ever a notion that he was in too deep. He seemed to revel in his relationship with Kubrick, enjoying the fact that he worked long hours seven days a week to serve all of the director’s whims and needs. The only times cracks seem to appear in that happy façade are when he relates moments where he’s perhaps considering that Kubrick went too far – such as when he horribly mistreated Vitali on Christmas Eve, gave him a present and sent him home, and then started calling him on Christmas Day to hound him about many tasks that needed to be done.

When Kubrick died, Vitali seemed to be cast aside by people closest to the director who took over his estate. It’s telling, for example, that this documentary doesn’t feature interviews with Kubrick’s widow Christiane and her brother Jan Harlan, who executive produced several of the director’s movies and was known as his right-hand man. Vitali was constantly at Kubrick’s home when he wasn’t on movie sets or doing prep work for movies such as location scouting and casting, so obviously the two of them would have been around him quite a bit.

REVIEW RESOURCE: https://www.flickeringmyth.com..../2021/03/blu-ray-rev

⁣The second documentary film of the series, Zeitgeist: Addendum, attempts to locate the root causes of this pervasive social corruption, while offering a solution.
Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organisation for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.
The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues. Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.
The director, producer, writer, cinematographer, composer, editor and narrator of the work, Peter Joseph, was inadvertently brought into recognition within the documentary film community with his award winning, controversial, 2007 work “Zeitgeist: The Movie” which obtained over 100,000,000 views online during the first year of its publication.
Since that time, he continues to focus on media related expressions, including music composition, performance & film production, each with the focus on affecting society for the better. He has also lectured around the world on the topics of social sustainability and filmmaking and has been featured in the New York Times, Russia Today, TedX, CineFuturo and many other outlets. His film series have earned dozen of awards and have been screened in virtually every country and in over 40 languages. For more about The Zeitgeist Film Series and its history: www.zeitgeistmovie.com

⁣⁣Well, folks, as we wrap up our deep dive into The Ritual of Satanic Sacrifice, I hope you've gained some insight into this controversial topic.
While there are certainly extreme and dangerous individuals out there who practice satanic rituals, it's important to remember that stereotypes and misinformation can be just as harmful.
Let's continue to educate and inform ourselves about the diverse beliefs and practices in our world, and always approach them with an open mind and a critical eye.
Stay curious, stay safe, and thanks for reading!

⁣VIBRATION IS JUST ANOTHER WORD FOR ENERGY."
"Music is vibration. If we expose water to music, it's crystal structure will change."
"Watch what happens when we play Mozart." Beethoven.
Dvorak, "From the New World."
"THE HEXAGONAL CRYSTAL REPRESENT THE LIFE FORCE OF MOTHER NATURE."
=========================
THE WATER CRYSTAL FROM THE WATER, EXPOSED TO THE WORD "LOVE AND GRATITUDE" - Welcome to the Masaru Emoto’s Hado World - https://hado.com/ihm/
About 30 [now 37] years ago, Masaru Emoto discovered a world of Hado and he published more than 10 titles about Hado in Japan. He treated more than 10,000 clients with a Hado measuring device and water and he helped to heal a lot of people who had different kind of problems mentally and physically. He knew that water can memorize information then he came up with the water crystal photography to prove his theory and he succeeded. Water crystal photography tells that water reacts to any information (vibration) given by showing the different design. He has gained worldwide acclaim through his groundbreaking research and discovery which were published in his books, “Messages from Water” and “The Hidden Messages in Water” and a lot of people resonated with his claim which is “water is deeply connected to our individual and collective consciousness.” Since then, he went out to the world to tell people the importance of human consciousness, truth of water, and principal of Hado.
At some time, his mission was turned out to be “world peace” specially after his grand
children were born. He believed that we will be able to achieve the world peace by understanding the truth of water because water is telling a lot of meaningful things.
Unfortunately, he past away on October 17th, 2014 but his work and message will never die.
This is the website to introduce his work and also new findings by his successors.
“Hado reates words:
Words are the vibrations of nature
Therefore beautiful words create beautiful nature
Ugly words create ugly nature
This is the root of the universe.” by Masaru Emoto
Hado: The intrinsic vibrational pattern at the atomic level in all matter
What U really know is Possible already in your hearts frequency
en.wikipedia.org/wiki/Masaru_Emoto
Quantum physics
Science Experiment (try this experiment )
When we bless our water before drinking and say it or think it!
Thank you for coming into my life!
Bless the water you drink with love and it will help to raise your vibration and energy!
Bless the water you drink and it will light up the cells of your body.
Sometimes it will take 7 days before you will notice something.
Science of quantum physics!
Blessings and love!
Music
Beethoven – Moonlight Sonata
https://vimeo.com/179075852
=============
MASARU EMOTO (1943-2014)
“Dr.
Masaru Emoto, the Japanese scientist who revolutionized the idea that our thoughts and intentions impact the physical realm, is one of the most important water researchers the world has known. For over 20 years
until he passed away in 2014, he studied the scientific evidence of how the molecular structure in water transforms when it is exposed to human words, thoughts, sounds and intentions.”
“He undertook extensive research of water around the planet, not so much as a scientific
researcher, but more from the perspective of an original thinker. At length, he realized that it was in the frozen crystal form, that water showed us its true nature.
He has gained worldwide acclaim through his ground-breaking research and discovery, that water is deeply
connected to our individual and collective consciousness
He is the author of the best-selling books Messages from Water, The Hidden
Messages in Water, The True Power of Water and Love Thyself. He has now
also authored two children’s books, The Secret of Water for the children
of the world, and The Message from Water children’s version.”
Website: https://www.masaru-emoto.net/en/ (check “Masaru Emoto” & “gallery”)
Download FREE children’s book: http://www.emotopeaceproject.n....et/picture-books/458
-----
His research is also shown in the movie: What the “Bleep” Do We Know!? (2004)
https://rumble.com/v26z8cc-wha....t-the-do-we-know-200
Masaru Emoto's Experiment in Gratitude
https://www.youtube.com/watch?v=SDNhH8deZPg
-----
There are many videos on YouTube about him and his experiments, also people trying the “Rice experiment”.
THE IMPOSSIBLE RICE EXPERIMENT
https://www.youtube.com/watch?v=zvShgttIq7I
-----
DISCLAIMER:
All
the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might
otherwise be infringing.
=================

‘THE END OF MEDICINE’ INVESTIGATES LINK BETWEEN DISEASE AND ANIMAL CONSUMPTION

While Joaquin Phoenix and Rooney Mara have starred in many movies together, they’ve now teamed up to make a movie. The duo–who are as equally respected by Hollywood as they are by the animal rights community–lend their influence to a new feature-length investigative documentary called The End of Medicine. As executive producers, Phoenix and Mara team up with BAFTA-winning director Alex Lockwood (73 Cows) and producer Keegan Kuhn (Cowspiracy, What The Health) to expose a disturbing, dirty little secret that the food industry has been trying to conceal for decades.
In a swift 73 minutes, The End of Medicine draws attention to the underreported link between global disease–pandemics and antibiotic resistance included–and our (mis)use of animals. The film gets its momentum from whistleblower Dr. Alice Brough, a young vet who first grew intolerant toward the industry’s “acceptable” practices of animal agriculture. As we see, Dr. Brough risks her professional career and livelihood to denounce the corruption within the industry by sharing insider information about the reality of factory farming and animal disease. Through her tears, we can clearly see how distressed she is as she talks directly to the camera, remorseful for her contributions to the industry in the past.

Where to watch: ‘The End of Medicine’ is available on VOD May 10th.
While Joaquin Phoenix and Rooney Mara have starred in many movies together, they’ve now teamed up to make a movie. The duo–who are as equally respected by Hollywood as they are by the animal rights community–lend their influence to a new feature-length investigative documentary called The End of Medicine. As executive producers, Phoenix and Mara team up with BAFTA-winning director Alex Lockwood (73 Cows) and producer Keegan Kuhn (Cowspiracy, What The Health) to expose a disturbing, dirty little secret that the food industry has been trying to conceal for decades.
In a swift 73 minutes, The End of Medicine draws attention to the underreported link between global disease–pandemics and antibiotic resistance included–and our (mis)use of animals. The film gets its momentum from whistleblower Dr. Alice Brough, a young vet who first grew intolerant toward the industry’s “acceptable” practices of animal agriculture. As we see, Dr. Brough risks her professional career and livelihood to denounce the corruption within the industry by sharing insider information about the reality of factory farming and animal disease. Through her tears, we can clearly see how distressed she is as she talks directly to the camera, remorseful for her contributions to the industry in the past.

In typical call-to-action-type documentaries, The End of Medicine provides an overwhelming number of facts that are meant to shock the viewer into making immediate lifestyle changes. Industry insiders, government advisors, politicians, scientists, and leading doctors share unnerving statistics that at times, feel more hopeless than optimistic.
One claim that caused me to sit up a little straighter was hearing that 3 out of 4 emerging infectious diseases come from an animal source. This tends to happen because an animal’s immune system is lowered when they’re stressed, and they’re stressed because they’re so densely packed in cages in unsanitary conditions. It’s easy for the animal, then, to catch an infection and spread it to the rest of their cage-mates and eventually, the humans who consume them. Not surprisingly, COVID was used as an example: We socially distance ourselves from other sick humans but are doing the exact opposite to animals. This film asks, “Why?”
The End of Medicine has one goal in mind, and that is to get its audience to think twice about consuming animal products. Ideally, Phoenix and Mara would be able to convince all of us to go completely vegan (but it may take a few more documentaries for that to happen). While the note the film ends on isn’t the most optimistic in tone, aside from the standard “transform yourself to transform the world”, its intentions are pure and worthwhile. Films like these are important, and if The End of Medicine causes you to pause before ordering the burger–even for a moment–then it’s done its job.


REVIEW RESOURCE: https://cinemacy.com/the-end-of-medicine-review/

⁣
Metallica doesn't do anything small. Their songs are relentless assaults of sound, sometimes topping the 8 or 9-minute mark. It's not a surprise then that "Metallica: Through the Never," their 3-D IMAX concert film/apocalyptic Mad Max story, directed by Nimród Antal, is a gigantic spectacle, a virtual-reality experience that is both ridiculous and sublime, sometimes in the same moment.
The band members, lead singer/guitarist James Hetfield, lead guitarist Kirk Hammett, drummer Lars Ulrich, and bassist Robert Trujillo, came up with the concept, giving it a personal stamp which longtime Metallica fans will recognize. The Metallica concert in the film features laser beams, a Tesla coil shooting actual lightning bolts through the air, a gigantic statue of Lady Justice which crumbles to bits around the band members, white crosses emerging from beneath the stage floor, dry ice…the only thing missing from that arena stage is an 18-inch tall Stone Henge. Meanwhile, there's a fictional storyline that runs alongside the concert: a young roadie named Trip (Dane DeHaan) is sent on an important mission to retrieve a bag needed by the band. "Metallica: Through the Never" moves back and forth, from concert to Trip and back.



The concert was filmed at Rexall Place, an arena in Edmonton, Alberta. The stage is huge and cross-shaped, with Lars Ulrich's drum set placed in the transept. The three other guys wander around freely, sometimes meeting up, but mostly facing out, communicating with the masses of gyrating fans. Twenty-four cameras were used, and cinematographer Gyula Pados brings us in close enough that we can almost feel the sweat flying off of Trujillo's long hair as he spins his head, and also pulls us back, way back, to give a sense of the sheer scope of the production and the audience. The fans are packed in tight, pushing against the barriers near the stage, pulsing their arms in the air. The effect of all of this is so visceral and immediate that it really is the next best thing to being there.
Cutting away from the concert to follow Trip's attempt to retrieve the missing bag is a risky device and doesn't work initially, because the concert is so engrossing you resent being made to leave it. But it grew on me as the film progressed, and ended up having a startlingly emotional resonance by the closing shots of the film. Here's what happens. Trip takes off in a battered van to go get this missing bag. Civilization appears to have broken down. Cars are on fire. Riot police and mobs face off. People are strung up from lampposts and dangle in the wind. (There's a reason "Metallica: Through the Never" is rated R.) Trip finds himself singled out by the mob. A literal horseman of the Apocalypse, wielding a gigantic mallet and wearing a gas mask, gallops after him. Trip is beaten up, set on fire, dragged behind a horse, chased through dark alleys. What is in the bag that Metallica needs? Well, if you've seen your Hitchcock, then you know that doesn't matter.
All of these scenes are tied thematically to Metallica's concert song list, which span the 30 years of Metallica's career, from early songs like "Creeping Death," to later songs like "Cyanide." All the major hits are covered: "Master of Puppets," "One," "The Memory Remains," "Enter Sandman," "And Justice For All," "Battery," "Nothing Else Matters." Metallica's music is not light. They are not carefree guys. Even their ballads are gloomy. Trip's struggle to survive in a violent dystopian world is reflective not only of Metallica's most common themes, but also echoes what the music actually sounds like. Metallica's music is fast, aggressive, and demanding. As macho as Metallica's collective stage presence is, what they tap into is a very dark place where they are alone, helpless, and isolated. Music critic Steve Huey once observed that "in one way or another, nearly every song on 'Master of Puppets' deals with the fear of powerlessness." That's where the rage comes from.



Trip, as played by Dane DeHaan, is a skinny kid in black jeans and a hoodie. He is overwhelmed by forces larger than him. He is not physically strong. He is an outcast. James Hetfield may be a tattooed rock god, wearing all black and a bullet belt, stalking around on a stage the size of St. John the Divine like he owns the joint, but he still identifies with guys like Trip. He identifies with the outcasts, the scared kids of the world ("Enter Sandman." their most famous song, features a child's voice praying), and Trip is the stand-in for all kids who feel like they don't fit in, who are scared and feel powerless, who find strength in music like Metallica's. That's when the device stopped feeling like a device and felt like an expression of the band's identification with its own fan base, with the guys they used to be.
It was 1983 when Metallica's first album came out, a year where The Police and Michael Jackson dominated the pop charts. Heavy metal fans were part of a vibrant underground scene, where bootleg cassette tapes were passed around. Metallica are Rock and Roll Hall of Famers now. Their actions (and albums) have not always pleased their hard-core fan base. Remember when they sued Napster? Remember "Load," their sixth album, seen by many fans as a betrayal of what the band was all about? Some of the oldest fans think Metallica sold out with what is known as "the black album." These things are still being argued about on heavy metal websites and fan forums. And then of course, they all went into therapy in order to heal the rifts in their relationships, a process documented in the fascinating 2004 documentary "Some Kind of Monster." The album that resulted from that therapy process, "St. Anger," received mixed reviews but still sold millions of copies. You can see that up-and-down journey in the concert itself, as technical snafus threaten to derail the whole thing, forcing the band to go back to basics.
Some of the best moments in the film involve footage of the concert audience. There is one audience member I keep remembering, and he appears for only a second. He was pushed up against the barrier. He had his shirt off, like a lot of the guys did, and his arms were in the air, eyes closed, lost to everything else but that immediate moment. There are millions more of him around the world. And there were thousands more in that arena. The sound of the audience singing along is so powerful it sounds like a political rally about to turn violent. Even James Hetfield at one point seems a bit taken aback at the collective sound of thousands of people singing his lyrics. At the end of the film, during the credits, the words "To the Metallica Family of Fans" scroll by on the screen. "Metallica: Through the Never" is a vehicle that could reach a new generation of fans, who wouldn't even know what the term "bootleg cassette tape" meant, but know great music when they hear it.
With all of the dazzling special effects "Metallica Through the Never" offers, and with all of the violent encounters poor fictional Trip experiences, it's that shirtless fan, arms raised, that encapsulates what the film is all about, encapsulates what Metallica is all about. To paraphrase one of Metallica's most famous lyrics, that's the memory that remains.



REVIEW RESOURCE: ⁣https://www.rogerebert.com/rev....iews/metallica-throu

⁣Dr. Vladimir Zelenko before a Rabbinical Court (6th August 2021)


⁣An extensive excerpts from the hearing of Dr. Władimir Zelenko on August 6, 2021 before the Israeli rabbinical court (Ma'aleh Adumim Bet Din) regarding COVID vaccines.


Dr. Zelenko developed the famous "Zelenka Protocol" for early outpatient COVID treatment, with which he successfully cured 6,000 patients. hydroxychloroquine and zinc.


Dr. Zelenko ruthlessly explains why vaccination against COVID is perhaps the most dangerous scientific heresy in human history, and warns of potential genocide on the planet.

⁣In an interview with Joe Rogan, Dr. Robert Malone, mRNA vaccine expert and outspoken critic of our pandemic response, delivered a powerful message to the world. Yes, it’s three hours long, and yes, it’s worth every minute.
Something monumentally important happened in the closing days of 2021.
Joe Rogan, host of the widely viewed “Joe Rogan Experience” podcast, interviewed one of the world’s most qualified and unbiased individuals about the safety and efficacy of the COVID-19 vaccines now deployed upon nearly 4 billion human beings.
Dr. Robert Malone, originally an academic pathologist, has run more than 100 clinical trials mostly in the vaccine and drug repurposing spaces.
He has been involved in nearly every infectious disease outbreak since the AIDS epidemic, has worked for the National Institutes of Health awarding millions of dollars in contracts for vaccines and biodefense, and spent “countless hours” at Centers for Disease Control and Prevention Advisory Committee for Immunization Practices meetings.
Malone works closely with the Defense Threat Reduction Agency, knows Dr. Anthony Fauci personally and is possibly best known for his instrumental work in developing the platform for mRNA-based vaccine technologies more than 30 years ago.
On Dec. 30, 2021, Malone and Rogan sat down in Rogan’s studio in Austin, Texas, and recorded a riveting three-hour conversation.
Rogan stands alone as an independent voice outside of corporate media that is able to reach a politically and ideologically diverse audience of 11 million or more per episode.
Similarly, Malone is an outspoken critic of vaccine mandates who represents the opinion of a large and growing number of researchers and clinicians who believe our approach to the pandemic has been poorly conceived and stands in opposition to basic tenets of immunology, epidemiology and emerging real-world data.
It was clear both were prepared for the encounter. Rogan reported he had been following the doctor’s tweets, has been reading everything Malone has been writing and was clearly versed in the latest and most salient scientific findings.
BUY TODAY: Robert F. Kennedy, Jr.'s New Book — 'The Real Anthony Fauci'
Malone, though honed by countless appearances on various platforms, admitted this interview was special because of its potential impact on public opinion.
The conversation opened with Malone summarizing his bonafides and then describing his approach to engaging his audiences.
“I try really hard to get people the information and help them to think, not tell them what to think,” Malone said.
Malone was true to his method throughout, being careful to identify fact from speculation, noting what is observed without assuming intent while helping Rogan explore the rabbit holes that we inevitably encounter when choosing to look just a bit further beyond what has become socially acceptable.

RESOURCE: https://childrenshealthdefense.....org/defender/joe-ro

VIDEOCAST: Joe Rogan Experience #1575

⁣Will you be a part of the golden horde?
How can you prepare for unruly crowds, and how bad will the desperate mobs get?

⁣My Friend Rockefeller’Tells The Story Of The Infamous Imposter, Christian Karl Gerhartsreiter.

There's no shortage of shocking stories about feigned identities - from Anna Delvey to John Meehan, con men and women are ubiquitous. But few stories involve a move from Germany, five identities, and the Rockefeller family name. The fascinating story of Christian Gerhartsreiter manages to include all three. Gerhartsreiter made his way across the US, ingratiating himself into wealthy communities until he settled in New York City. There, Gerhartsreiter married a Harvard grad and pretended to work in prestigious philanthropic positions, all the while hobnobbing with some of the richest and most prominent members of American high society.
Gerhartsreiter's life imploded when his wife decided to seek a divorce. Gerhartsreiter took their daughter, of whom he had lost custody, and prepared to sail abroad under a different identity. Police discovered the plan before he could escape and soon detained him. Authorities uncovered Gerhartsreiter's trail of lies, one of which implicated him in the slaying of a man and a missing woman.
The documentary My Friend Rockefeller tells Christian Karl Gerhartsreiter's real story. My Friend Rockefeller reviews suggest the film successfully analyzes why Christian Karl Gerhartsreiter used the name Clark Rockefeller, and describes what has happened since he was apprehended in 2008. As of 2019, he's serving time, possibly for the rest of his life. His story has inspired a movie called Who Is Clark Rockefeller?, as well as several books and podcast episodes. Gerhartsreiter will live in infamy, though likely not for the reasons he hoped.
Gerhartsreiter Used Five Different Identities Over 30 Years
After Gerhartsreiter took his daughter, police discovered that his friends knew him as a number of different identities. Some knew him as Chris Gerhart, a film student at the University of Wisconsin. He had also gone by Christopher C. Crowe when he worked as a TV producer in the late '80s. Others knew him as an alleged British royal, Christopher Chichester, who suddenly left Los Angeles in the 1980s following a couple's disappearance.
By the time Gerhartsreiter fled Boston with his daughter, his friends and his wife Sandra Boss knew him as Clark Rockefeller. The alleged Rockefeller worked and lived among some of the country's most wealthy.
Gerhartsreiter Successfully Convinced An Entire Community That He Inherited A Part Of The Rockefeller Fortune
The alleged Rockefeller convinced not one, but two communities of lawyers, doctors, artists, and writers that he was a descendant of the Rockefeller family. In New York, he took his prestigious friends to country clubs and showed off his "art collection," which authorities later determined was fake.
In Boston, Gerhartsreiter ingratiated himself with a community of wealthy people who often met at a Starbucks near his daughter's school. Gerhartsreiter became the director of the Algonquin Club and invited his elite friends, even if he did charge them for their visits. John Greene, who was adjacent to Gerhartsreiter's circle, said he easily convinced them he was a Rockefeller, claiming, "At a club like that - very Yankee, old-boys, blue blood - people get [excited] over the name."

REVIEW RESOURCE: https://www.ranker.com/list/my....-friend-rockefeller-

⁣Tommy Edison talks about independent journalist and filmmaker Millie Weaver’s arrest on Friday as she tried to release her highly anticipated and controversial documentary, Shadow Gate. The Tommy Edison Experience Podcast is available on YouTube, Apple/iTunes, Google Podcasts, Spotify, iHeartRadio, Pandora, Radio.com, Tune In, Stitcher, RadioPublic, Deezer, Overcast, Breaker, Castbox, Castro, Pocket Casts, Blubrry, PodBean, PlayerFM, and more.


⁣Millie Weaver, a correspondent for Infowars, posted on her website on Aug. 3 that "ShadowGate" was coming soon.
Billed as perhaps the "biggest whistleblowing event ever," the promised exposé, nearly an hour-and-a-half long, started spreading on social media about two weeks later.
Much in the vein of Infowars, which was created by Alex Jones and promotes conspiracy theories, this video makes sweeping claims about a supposed shadow government puppeteering civil society. But it provides no supporting evidence for its eye-opening claims.
"What if I were to tell you that a small group of government contractors were hired by government officials to frame the Trump campaign, set him up for the Russia collusion investigation, provided witnesses for the impeachment hearings, and provided administrative support services to the Department of Justice during the Mueller investigation," Weaver says as the video starts. "And what if it just so happened that this same group of government contractors are behind the fake news in mainstream media, influence operations on social media, and the civil unrest nationwide pushing the defund the police movement."
The referenced "contractors" form the "military industrial complex," Weaver says. "These contractors have used their connections, power and influence to create an unprecedented international criminal enterprise where blackmail is traded and people’s personal data is gold."
From there more allegations unfurl without evidence, including that:
- News pundits like Mika Brzezinski of MSNBC’s "Morning Joe" are assets for this shadow government.
- Polls that showed former Secretary of State Hillary Clinton winning the 2016 presidential election by a big margin were an attempt at "hijacking reality" to distract from "the fact that she couldn’t walk, talk, climb stairs."
- So-called "Obama phones" — described as free cell phones for low-income families — "played a significant role in fostering" unrest in Ferguson, Mo., after Michael Brown, an unarmed black teenager was shot in 2014.


-The whistleblower who told federal officials that President Donald Trump solicited foreign interference from Ukraine in the 2020 election is a "decoy." (Here, the ShadowGate video shows several photos of the son of Democratic fundraiser George Soros, Alexander Soros, who has been frequently misidentified as the man some conservatives allege is the whistleblower.)

⁣Dick Johnson Is Dead is a 2020 American documentary film directed by Kirsten Johnson and co-written by Johnson and Nels Bangerter.

A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book — staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever.


The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison.


Cast:
Kirsten Johnson
Charles Richard "Dick" Johnson


Development:
Director Kirsten Johnson at the Miami Film Festival


Kirsten Johnson was inspired to make the film after having a dream in which "there was a man in a casket and he sat up and said, 'I'm Dick Johnson and I'm not dead yet'". When she pitched the idea to her father, she asked him, "Dad, what if we make a movie where we kill you over and over again until you really die? And he laughed".
The film incorporates Johnson family photographs and home movies, including that of Richard Johnson's wife who died from Alzheimer's disease in 2007.


Release:
The film premiered on January 25, 2020 at the 2020 Sundance Film Festival. It was released on October 2, 2020 via Netflix.
RESOURCE: www.dickjohnsonisdead.com

The publicly known information that Covid Vaccines are not a vaccines but kind of technology structured bio robots or even called Medical Devices was already disclosed at the beginning of January 2021.


This video podcast with Dr. Judy Mikovits, Dr. David Martin, Robert F. Kennedy Jr. and Rocco Galati was banned multiple times at all official media discussion wich Dr. Martin clearly explains that Covid Vaccines are the MEDICAL DEVICES and calling them vaccines is illegal because their action is not the same as the commonly known model of vaccine action.

⁣Utah County Sheriff Mike Smith announced an investigation into what he described as “a child sex abuse ring that operated in Utah, Juab, and Sanpete counties between 1990 and 2010,” under which Utah County Attorney David Leavitt and his wife Chelom Leavitt had been previously accused. Leavitt denied the allegations, saying they were politically motivated, and said the accusations had been debunked over 10 years ago.
Meanwhile, an official study on the NIH National Library of Medicine website says that a condition is causing more deaths in people with COVID-19 vaccines than without. Its autopsy study found there was a “significantly increased rate of generalized viral dissemination within organ systems in vaccinated cases versus nonvaccinated cases.”
RESOURCE: https://www.theepochtimes.com/....utah-sheriff-investi

⁣This film exposes the climate alarm as an invented scare without any basis in science. It shows that mainstream studies and official data do not support the claim that we are witnessing an increase in extreme weather events – hurricanes, droughts, heatwaves, wildfires, and all the rest. It emphatically counters the claim that current temperatures and levels of atmospheric CO2 are unusually and worryingly high. On the contrary, compared to the last half billion years of earth’s history, both current temperatures and CO2 levels are extremely and unusually low. We are currently in an ice age. It also shows that there is no evidence that changing levels of CO2 (it has changed many times) have ever ‘driven’ climate change in the past.

Why then, are we told, again and again, that ‘catastrophic man-made climate change’ is an irrefutable fact? Why are we told that there is no evidence that contradicts it? Why are we told that anyone who questions ‘climate chaos’ is a ‘flat-earther’ and a ‘science-denier’?

The film explores the nature of the consensus behind climate change. It describes the origins of the climate funding bandwagon and the rise of the trillion-dollar climate industry. It describes the hundreds of thousands of jobs that depend on the climate crisis. It explains the enormous pressure on scientists and others not to question the climate alarm: the withdrawal of funds, rejection by science journals, and social ostracism.

But the climate alarm is much more than a funding and jobs bandwagon. The film explores the politics of climate. From the beginning, the climate scare was political. The culprit was free-market industrial capitalism. The solution was higher taxes and more regulation. From the start, the climate alarm appealed to and has been adopted and promoted by, those groups who favour bigger government.

This is the unspoken political divide behind the climate alarm. The climate scare appeals especially to all those in the sprawling publicly-funded establishment. This includes the largely publicly-funded Western intelligentsia, for whom climate has become a moral cause. In these circles, to criticize or question the climate alarm has become a breach of social etiquette.

The film includes interviews with many very prominent scientists, including Professor Steven Koonin (author of ‘Unsettled’, a former provost and vice-president of Caltech), Professor Dick Lindzen (formerly professor of meteorology at Harvard and MIT), Professor Will Happer (professor of physics at Princeton), Dr. John Clauser (winner of the Nobel prize in Physics in 2022), Professor Nir Shaviv (Racah Institute of Physics), professor Ross McKitrick (University of Guelph), Willie Soon and several others.

The film was written and directed by the British filmmaker Martin Durkin and is the sequel to his excellent 2007 documentary The Great Global Warming Swindle. Tom Nelson, a podcaster who has been deeply examining climate debate issues for the better part of two decades, was the producer of the film.