⁣David Icke, is an English writer and public speaker, known since the 1990s as a professional conspiracy theorist, calling himself a “full-time investigator into WHO and WHAT is really controlling the world.”

David is the author of over 21 books and 10 DVDs and has lectured in over 25 countries, speaking live for up to 10 HOURS to huge audiences, filling stadiums like Wembley Arena.

In April 2020, Icke gave a two-and-a-half-hour interview to the British online channel London Real. The video is dubbed in English, Spanish and French, and subtitled in multiple other languages.

At the time, it was shared by several million internet users but for some reason the organisations controlling the mass media and all social media blocked this interview completely, and by all possible means, disinformation campaigns were launched to ridicule Icke's theories.

⁣JFK to 911 is already a global phenomenon, having began as a Youtube video which achieved over a billion hits by becoming the first documentary in human history to untangle all the establishment lies and reveal the entire truth about the Kennedy Assassination and 911.

These disclosures so frightened the powers-that-be that President Trump and the Queen of England took the joint decision to ban it altogether, so that if you read this book, you will be learning the most cardinal secrets which your government would much rather you did not know.

Nearly all intelligent people these days are wary of what we are being told by the mainstream media, but fewer are aware that the very notion of 'fake news' began with the words on these pages, and that all government policy in recent times has been an ongoing effort to hold back the increasing enlightenment these words have inspired.

Legions of people have taken the trouble to go online so that they could tell the world about how learning that absolutely everything is a rich man's trick--the justice system, the education system, the economic system, and most importantly, the media.

Francis Richard Conolly is extremely hopeful that the people who have made a movie which he originally gave them for free such a central part of their existence will now buy this book in order to build the revenues which he needs to make the sequel which everyone wants to see.

REVIEW RESOURCE: https://www.catch.com.au/produ....ct/jfk-to-911-everyt

Let me know your thoughts in the comments below 👇

Watch Part TWO (2) here => ⁣⁣https://vajratube.com/watch/ge....orge-harrison-living

George Harrison first became known to the world as 'The Quiet Beatle', but there was far more to his life than simply being a part of The Beatles. This film explores the life and career of this seminal musician, philanthropist, film producer and amateur race car driver who grew to make his own mark on the world.
Through his music, archival footage and the memories of friends and family, Harrison's deep spirituality and humanity are explored in his singular life as he took on artistic challenges and important causes as only he could.
Using unseen photos and footage, Academy Award®-winning director Martin Scorsese traces the life of George Harrison in a personal film, weaving together performance footage, home movies, rare archival materials and interviews with his family and friends including Eric Clapton, Terry Gilliam, Eric Idle, George Martin, Paul McCartney, Yoko Ono, Tom Petty, Phil Spector, Ringo Starr and Jackie Stewart.

⁣Watch Part Two( 2) here => ⁣⁣https://vajratube.com/v/zHSaEe

⁣A senior Pfizer executive has admitted that the drug company did not know whether its Covid vaccine prevented transmission of the virus when it began rolling out the shots globally.
Janine Small, Pfizer’s president of international developed markets, was testifying before the European Union Parliament on Monday when she was asked the question by Dutch MEP Rob Roos.
“Was the Pfizer Covid vaccine tested on stopping the transmission of the virus before it entered the market?” Mr Roos asked.


“If not, please say it clearly. If yes, are you willing to share the data with this committee? And I really want a straight answer, yes or no, and I’m looking forward to it.”


Ms Small — appearing in the place of Pfizer chief executive Albert Bourla, who had been called to testify but pulled out of the hearing earlier this month — replied that the company had to “move at the speed of science”.
“Regarding the question around, um, did we know about stopping the immunisation [sic] before it entered the market? No, heh,” she said.


“Uh, these, um, you know, we had to really move at the speed of science to really understand what is taking place in the market, and from that point of view we had to do everything at risk. I think Dr Bourla, even though he’s not here, would turn around and say to you himself, ‘If not us then who?’”


Ms Small said Dr Bourla “actually felt the importance of what was going on in the world, and therefore as a result of that, we actually, um, spent $US2 billion, at risk, of self-funded money from Pfizer, to be able to research, develop and manufacture at risk, to be able to make sure that we were in a position to be able to help with the pandemic”.


Mr Roos shared a brief clip of Ms Small’s response on Twitter, describing the answer as “scandalous”.
“Millions of people worldwide felt forced to get vaccinated because of the myth that ‘you do it for others’,” he said in the video, which has been viewed more than five million times.
“Now this turned out to be a cheap lie. This should be exposed.”

⁣SUPPRESSED SECRET TECHNOLOGIES Med Beds, Replicators, Free Energy, Stargates & Antigravity
Top secret Advanced Technologies involving; Advanced Healing Devices, Replicators and Free Energy. Featuring Emery Smith and Corey Goode.
If you don't like what I like, just remember that it's not my problem and that I never signed a contract with you to take responsibility over your happiness - you do you, boo, and leave the rest of us to our rights to be true to our own realities which you have no rights over.

Under any circumstances should you watch this movie if you want to stay in your pleasant state of hypnosis, which you allowed yourself to be implanted by the tyranny and totalitarianism of the psychopathic elites of the modern world.

The Great Awakening is the third installment of the Plandemic series. This documentary experience assembles forbidden puzzle pieces to reveal the big picture of what's really happening in America and beyond. The Great Awakening is intended to be a lighthouse to guide us out of the storm and into a brighter future.

⁣https://plandemicseries.com/wa....tch-the-great-awaken

⁣There is no doubt that the covid-19 pandemic has been planned and successfully implemented in most countries around the world.
- How could it come to this?
- How is it possible that 90% of the population fell for such a fake game?
- Who spent the money on this project?
- Who has benefited most from this massive scam?

⁣This brilliant documentary reveals how a small group of superrich criminals have been buying virtually everything on earth, until they own it all. From media, health care, technology, travel, food industry, governments... That allows them to control the whole world. Because of this they are now trying to impose the New World Order.

⁣How does the Internet work? What energy does it use?
May it be that the Internet is not as magic, as clean, as one thought?

This films explores the hidden face of the web: huge data-centers that rely on cheap and reliable energy: coal. Our emails, our tweets, our messages on Facebook could be responsible of the destruction of the mountains in Virginia, unless the big players of the internet decide to change their mindset...


Genre: Documentary | Produced In: 2015 | Story Teller's Country: France

⁣Covered the big topics very, well. Amazing how much you covered in such a short time. Great collaboration. It is definitely a unique film/documentary that covers issues rarely covered. Compared to a national geographic film on the same topic, this one is a much better piece. Great cinematics, use of drone footage, excellent camera work and great sound too.

⁣The interconnected epidemics of anxiety, chronic illness and substance abuse are, according to Dr Gabor Maté, normal. But not in the way you might think.
One in five Americans are diagnosed with mental illness in any given year [1]. Suicide is the second most common cause of death in the US for youth aged 15-24 [2], and kills over 700,000 people a year globally [3] and 48,300 in the USA [4]. Drug overdose kills 81,000 in the USA annually [5]. The autoimmunity epidemic affects 24 million people in the USA [6]. What is going on?
“So much of what we call abnormality in this culture is actually normal responses to an abnormal culture. The abnormality does not reside in the pathology of individuals, but in the very culture that drives people into suffering and dysfunction.”
— Gabor Maté

In The Wisdom of Trauma, we travel alongside physician, bestselling author and Order of Canada recipient Dr. Gabor Maté to explore why our western society is facing such epidemics. This is a journey with a man who has dedicated his life to understanding the connection between illness, addiction, trauma and society.
“Trauma is not what happens to you. Trauma is what happens inside you, as a result of what happens to you.”
— Gabor Maté

Trauma is the invisible force that shapes our lives. It shapes the way we live, the way we love and the way we make sense of the world. It is the root of our deepest wounds. Dr. Maté gives us a new vision: a trauma-informed society in which parents, teachers, physicians, policy-makers and legal personnel are not concerned with fixing behaviors, making diagnoses, suppressing symptoms and judging, but seek instead to understand the sources from which troubling behaviors and diseases spring in the wounded human soul.

⁣⁣Biological Weapon, Chemtrails, Depopulation, Genocide.
Everything indicates that the future of the human race will be destroyed by the elites who control the global power.

Watch PART 2 (TWO) here => ⁣https://vajratube.com/v/B4mRnJ
⁣After a long summer of feasting, their bodies stately and plump, the emperor penguins of Antarctica begin to feel, toward autumn, a need to march inland to the breeding grounds "where each and every one of them was born." They are all of a mind about this, and walk in single file, thousands of them, in a column miles long. They all know where they are going, even those making the march for the first time, and when they get there, these countless creatures, who all look more or less the same to us, begin to look more or less desirable to one another. Carefully, they choose their mates.

This is not a casual commitment. After the female delivers one large egg, the male gathers it into a fold of his abdomen, plants his feet to protect the egg from the ice below, and then stands there for two months with no food or water, in howling gales, at temperatures far below zero, in total darkness, huddled together with the other fathers for warmth. The females meanwhile, march all the way back to the sea, now even more distant, to forage for food, which they will bring when the spring comes, if they know it must. When the females return to the mass of countless males, they find their mate without error and recognize the cries of chicks they have never seen.

"March of the Penguins" is simply, and astonishingly, the story of this annual cycle. It was filmed under unimaginable conditions by the French director Luc Jacquet and his team, including the cinematographers Laurent Chalet and Jerome Maison. There is not much to choose from in setting up their shots: On the coldest, driest and (in winter) darkest continent on Earth, there is snow, and there is ice, and there are penguins. There is also an ethereal beauty.

Although the compulsion to reproduce is central to all forms of life, the penguins could be forgiven if they'd said the hell with it and evolved in the direction of being able to swim to Patagonia. The film's narrator, Morgan Freeman, tells us that Antarctica was once a warm land with rich forests that teemed with creatures. But as the climate grew colder over long centuries, one lifeform after another bailed out, until the penguins were left in a land that, as far as they can see, is inhabited pretty much by other penguins, and edged by seas filled with delicious fish. Even their predators, such as the leopard seal, give them a pass during the dark, long, cold winter.

"This is a love story," Freeman's narration assures us, reminding me for some reason of Tina Turner singing "What's Love Got to Do With It?" I think it is more accurately described as the story of an evolutionary success. The penguins instinctively know, because they have been hard-wired by evolutionary trial and error, that it is necessary to march so far inland because in spring, the ice shelf will start to melt toward them, and they need to stand where the ice will remain thick enough to support them.

As a species, they learned this because the penguins who paused too soon on their treks had eggs that fell into the sea. Those who walked farther produced another generation, and eventually every penguin was descended from a long line of ancestors who were willing to walk the extra mile.

Why do penguins behave in this manner? Because it works for them, and their environment gives them little alternative. They are Darwinism embodied. But their life history is so strange that until the last century, it was not even guessed at. The first Antarctic explorers found penguins aplenty, but had little idea where they came from, where they went to, and indeed whether they were birds or mammals.

The answers to those questions were discovered by a man named Apsley Cherry-Garrard, in one of the most remarkable books ever written, The Worst Journey in the World (1922). He was not writing about the journey of the penguins, but about his own trek with two others through the bitter night to their mating grounds. Members of Scott's 1910-1912 expedition to the South Pole, they set out in the autumn to follow the march of the penguins, and walked through hell until he found them, watched them, returned with one of their eggs. Cherry-Garrard retired to England, where he lived until 1959; his friends felt the dreadful march, and the later experience of finding the frozen bodies of Scott and two others, contributed to his depression for the rest of his life.

For Jacquet and his crew, the experience was more bearable. They had transport, warmth, food and communication with the greater world. Still, it could not have been pleasant, sticking it out and making this documentary, when others were filming a month spent eating at McDonald's. The narration is a little fanciful for my taste, and some of the shots seem funny to us but not to the penguins. When they fall over, they do it with a remarkable lack of style. And for all the walking they do, they're ungainly waddlers. Yet they are perfect in their way, with sleek coats, grace in the water and heroic determination. It's poignant to watch the chicks in their youth, fed by their parents, playing with their chums, the sun climbing higher every day, little suspecting what they're in for.

REVIEW RESOURCE: https://www.rogerebert.com/rev....iews/march-of-the-pe

⁣THE PLAN shows the official agenda of the World Health Organization to have ten years of ongoing pandemics, from 2020 to 2030. This is revealed by a WHO virologist, Marion Koopmans. You will also see shocking evidence that the first pandemic was planned and abundantly announced right before it happened. Make sure to watch, and share this everywhere.


The WHO has planned for 10 years of infetious dieseases, from 2020 to 2030. So be prepared for NEXT PANDEMIC step.


More information, and to see all the documents in THE PLAN, go to: https://www.stopworldcontrol.com/proof

⁣They Hide These "SUPER ABILITIES" Right In Front Of Us.
"HIDDEN KNOWLEDGE In Plain Sight"A very powerful Michael Tellinger compilation.
Special thanks to Michael Tellinger for taking the risk to tell us the truthhttps://michaeltellinger.com/
0:00 Introduction (Watch The Whole Video)!

0:35 Manipulating objects w/Prime Resonance Frequency

1:48 Demonstration of Prime Resonance Frequency

2:44 "Three Sacred Songs"

3:38 The Cymascope

4:03 Human Sounds Visualised

4:18 Sound = Religious Symbols

4:49 Sound Creates Light

5:23 Demonstration of Sound Levitating Things

5:41 Patents for Sound Devices

6:04 Nikola Tesla

7:03 Demonstration of "Paramagnetism"

7:41 Nikola Tesla and Albert Einstein

9:56 Cymatic Patterns

11:21 Adam's Calendar

12:12 Ancient Machines

13:45 Giant Circuit Boards
15:25 How They Keep Us Ignorant

16:16 Scientist Caught on Camera Lying

16:58 Food Is Making Us Sick

17:51 Fluoride as a Poison
18:35 Why?

19:06 1% Rich vs 99% Poor

19:19 Follow The Money

20:34 Money as A Tool Of Enslavement

22:51 Do Not Try To Expose Us!
__________________________________________________________

Footage: Videoblocks

Music: Epidemic Sound and Audiojungle


⁣Pharmaceutical giant Pfizer is seeking approval from the FDA to administer its experimental mRNA injections to infants despite the existence of extensive documentation showing a multitude of deadly side effects.

If you like it support the band buying it at : http://thearistocrats.spinshop.....com/Home/details/23

Guthrie Govan - Guitars
Brian Beller - Bass
Marco Minnemman - Drums

⁣5th Kind TV presents, A 2023 Space Documentary created by producer and composer Giovanni Lodigiani. Exploring ancient aliens, wormholes, advanced knowledge, Warp drive travel, Space propulsion, the Kardashev scale, alien life and the very nature of out reality.

Let me know your thoughts in the comments below 👇

⁣A very important message

Before you decide to make up your mind about taking a vaccine that could change your life forever, I recommend that you watch these short presentations. After that, you may be able to break free of all-embracing propaganda and make your own independent decision to opt out of participating in the global medical experiment.

⁣For most of the naysayers, it wasn't so much the actual music that got their collective goat as it was the way the band portrayed themselves.

“This is a song Charles Manson stole from The Beatles. We’re stealing it back.”
Those were the first words uttered by Bono in the 1988 U2 rockumentary Rattle and Hum before the band ignited a sold-out McNichols Sports Arena in Denver with a rendition of “Helter Skelter” so electric Manson himself might’ve felt its vibes through the walls of San Quentin. Thirty years later, Manson is dirt in the ground and “Helter Skelter” is 12 minutes long on the 50th anniversary edition of The White Album coming out this November. Yet the critical disdain for both the Rattle and Hum film and its chart-topping soundtrack remains the same as it ever was. Upon the release of the Jimmy Iovine-produced album (Oct. 10) and the film (Oct. 27), Rattle and Hum was met with largely complacent and downright hostile reviews.

“By almost any rock & roll fan’s standards, U2’s Rattle and Hum is an awful record,” wrote Tom Carson in The Village Voice. “But the chasm between what it thinks it is and the half-baked overweening reality doesn’t sound attributable to pretension so much as monumental know-nothingness.”
In The New York Times, Jon Pareles accused the band of trying to “grab every mantle in the Rock-and-Roll Hall of Fame” before scowling “what comes across in song after song is sincere egomania.”
“This is a mess with a mission,” wrote David Fricke in his year-end review of Rattle in the Dec. 15-29, 1988, issue of Rolling Stone. “But a mess nevertheless.”
For most of the naysayers, it wasn’t so much the actual music that got their collective goat as it was the way the band portrayed themselves to filmmaker Phil Joanou, who was only 26 when he directed Rattle and Hum (it was his second feature film behind the 1987 high school black comedy Three O’Clock High). At its root, it’s a highly stylized concert film culled from U2’s blockbuster tour in support of their breakthrough fifth LP The Joshua Tree — the album that catapulted Bono, The Edge, Adam Clayton and Larry Mullen, Jr. into a new stratosphere of superstardom. In between performances, however, were scenes of the group traversing through American cities crucial to the fabric of rock n’ roll’s history.

They went to San Francisco to play the “Save the Yuppies” concert in Justin Herman Plaza, where they dazzled the impromptu crowd with a version of “All Along the Watchtower” which served as the perfect middle ground between Bob Dylan‘s original and Jimi’s fiery takeover of the song. They visited Harlem, where they cut a gospel version of their Billboard Hot 100 No. 1 single “I Still Haven’t Found What I’m Looking For” with the New Voices of Freedom choir and caught the renowned street blues duo Satan and Adam busking on 125th St. They headed down to Memphis to visit Graceland and cut some songs at Sun Studio, including “Angel of Harlem” featuring the legendary Memphis Horns and references to Billie Holiday, John Coltrane and Miles Davis, and “Love Rescue Me,” a co-write with Bob Dylan which, along with the Daniel Lanois-produced Oh Mercy, helped many U2 fans get hip with Zimmerman. They also recorded “When Love Comes to Town” at Sun, a song that helped many young U2 fans find their way to the catalog of the song’s soulful co-captain B.B. King and such blues classics as Live at the Regal and Indianola, Mississippi Seeds.

These were the scenes that drew the ire of music critics, who were unfairly convinced that U2’s motives came from somewhere other than honest admiration and appreciation. But for a 14-year-old in 1988 in the first weeks of his freshman year of high school, Rattle and Hum — both the film and its soundtrack — proved to be an eye-opening introduction to music beyond my narrow scope of MTV and rock radio at the time. It was the first time I ever heard about A Love Supreme or experienced the string arrangements of Van Dyke Parks, who along with Benmont Tench on pump organ, provided the sweep of heartbreak that imbues the album and film’s closing number “All I Want Is You,” still very much considered U2’s greatest ballad. I never truly, honestly felt the shimmy of the Bo Diddley beat before I listened to “Desire,” a song that earns the distinct honor of being the first single to simultaneously top the mainstream and modern rock Billboard charts (and scored the group a Grammy in 1989). “God Part II” gave me a deeper appreciation for the solo work of John Lennon, particularly Plastic Ono Band, whose key track “God” U2 were responding to as Bono defends John and Yoko by taking a shot at controversial biographer Albert Goldman with the line — “I don’t believe in Goldman, his type like a curse/Instant karma’s gonna get him, if I don’t get him first.” The atmospheric beauty of “Heartland” — featuring Brian Eno on keyboards — was a perfect gateway to the more esoteric moments on The Unforgettable Fire and The Joshua Tree, especially for someone who went into the Rattle and Hum experience as something of a U2 skeptic.

RESOURCE: https://www.billboard.com/musi....c/rock/u2-rattle-and