⁣COVID-19 Vaccines: What They Are, How They Work and Possible Causes of Injuries. Roundtable Discussion on Latest Covid Vaccine Science.

SENATOR RON JOHNSON HOSTS EXPERT FORUM ON COVID VACCINES
U.S. Senator Ron Johnson hears testimony from world-renowned experts in Public Health, Science, Medicine, Law, and Journalism, in a public forum titled, ‘Covid-19 Vaccines: What They Are, How They Work, and Possible Causes of Injuries,’ held in the U.S. Senate’s Hart Building, on Capitol Hill. He will also hear testimony from victims of Covid vaccine injury.

Speakers Include Dr. Peter McCullough, Dr. Pierre Kory, Dr. Paul Marik, Dr. Robert Malone, ICAN Attorney, Aaron Siri, Esq., OpenVAERS Founder, Liz Willner, Edward Dowd, Dr. Harvey Risch, Dr. Ryan Cole, Journalist, Del Bigtree, and more.

RESOURCE: https://thehighwire.com/videos..../senator-ron-johnson

⁣A Prison on Earth: Beyond The New World Order - In the shadows of other dimensions, there lays a nefarious force waging war upon humans for millennia from the space between spaces - a dark force that governs not just our thoughts and actions but our very souls. The very advent of time began the slave master hierarchy between us and those unseen forces behind our every action and thought.


They built and created "rules" and systems of thought, created kingdoms and spawned religions used to rule the masses from afar by controlling the ebb and flow of space and time on an epic level. Under the guise of "free will" and "individualism" the systems in place around us actually ensure that we have no choice but to comply and obey an underlying agenda that at its core is evil, and have been put in place by beings that feed and are nurtured by the control they maintain over planet Earth.


2016: Stars: William Kraft, Robert Mathison, Simon Oliver

⁣In an interview with Joe Rogan, Dr. Robert Malone, mRNA vaccine expert and outspoken critic of our pandemic response, delivered a powerful message to the world. Yes, it’s three hours long, and yes, it’s worth every minute.
Something monumentally important happened in the closing days of 2021.
Joe Rogan, host of the widely viewed “Joe Rogan Experience” podcast, interviewed one of the world’s most qualified and unbiased individuals about the safety and efficacy of the COVID-19 vaccines now deployed upon nearly 4 billion human beings.
Dr. Robert Malone, originally an academic pathologist, has run more than 100 clinical trials mostly in the vaccine and drug repurposing spaces.
He has been involved in nearly every infectious disease outbreak since the AIDS epidemic, has worked for the National Institutes of Health awarding millions of dollars in contracts for vaccines and biodefense, and spent “countless hours” at Centers for Disease Control and Prevention Advisory Committee for Immunization Practices meetings.
Malone works closely with the Defense Threat Reduction Agency, knows Dr. Anthony Fauci personally and is possibly best known for his instrumental work in developing the platform for mRNA-based vaccine technologies more than 30 years ago.
On Dec. 30, 2021, Malone and Rogan sat down in Rogan’s studio in Austin, Texas, and recorded a riveting three-hour conversation.
Rogan stands alone as an independent voice outside of corporate media that is able to reach a politically and ideologically diverse audience of 11 million or more per episode.
Similarly, Malone is an outspoken critic of vaccine mandates who represents the opinion of a large and growing number of researchers and clinicians who believe our approach to the pandemic has been poorly conceived and stands in opposition to basic tenets of immunology, epidemiology and emerging real-world data.
It was clear both were prepared for the encounter. Rogan reported he had been following the doctor’s tweets, has been reading everything Malone has been writing and was clearly versed in the latest and most salient scientific findings.
BUY TODAY: Robert F. Kennedy, Jr.'s New Book — 'The Real Anthony Fauci'
Malone, though honed by countless appearances on various platforms, admitted this interview was special because of its potential impact on public opinion.
The conversation opened with Malone summarizing his bonafides and then describing his approach to engaging his audiences.
“I try really hard to get people the information and help them to think, not tell them what to think,” Malone said.
Malone was true to his method throughout, being careful to identify fact from speculation, noting what is observed without assuming intent while helping Rogan explore the rabbit holes that we inevitably encounter when choosing to look just a bit further beyond what has become socially acceptable.

RESOURCE: https://childrenshealthdefense.....org/defender/joe-ro

VIDEOCAST: Joe Rogan Experience #1575

⁣Delicate Sound of Thunder is a concert film by Pink Floyd, filmed during their A Momentary Lapse of Reason Tour from 19 August 1988 to 23 August 1988 at the Nassau Coliseum in Uniondale, New York, with some additional footage from 21–22 June 1988 at the Place d'Armes of the Château de Versailles, Versailles, France. It was initially released on VHS, Video CD and Laserdisc formats. The film was nominated for a Grammy Award for Best Long Form Music Video at the 32nd Annual Grammy Awards.
The film was reissued on DVD and Blu-ray in 2019 as part of The Later Years 1987–2019 box set. This version was fully re-edited, remastered and restored from the original 35 mm film, and featured the fully remixed audio from the 2019 CD album. On 20 November 2020, a standalone version of the 2019 edit of the film was released, along with a deluxe box set containing both the DVD and Blu-Ray discs, as well as the album on CD and a 40-page booklet.
Track listing
1 "Shine On You Crazy Diamond (Part I intro)"
2 "Signs of Life"
3 "Learning to Fly"
4 "Sorrow"
5 "The Dogs of War"
6 "On the Turning Away"
7 "One of These Days"
8 "Time"
9 "On the Run"
10 "The Great Gig in the Sky"
11 "Wish You Were Here"
12 "Us and Them"
13 "Money" NTSC USA version only
14 "Comfortably Numb"
15 "One Slip"
16 "Run Like Hell"
17 "Shine On You Crazy Diamond (Parts II-V)" (audio only; end credits)
The band line-up:
David Gilmour - guitars, console steel guitar, vocals
Nick Mason - drums
Richard Wright – keyboards, piano, Hammond organ, vocals
with:
Tim Renwick – guitars, vocals
Jon Carin – keyboards, piano, programming, vocals
Scott Page – saxophones, oboe, guitar
Guy Pratt – bass, vocals
Gary Wallis – percussion, additional keyboards on "Comfortably Numb"
Machan Taylor – backing vocals, lead vocals on "The Great Gig in the Sky (third verse)
Rachel Fury – backing vocals, lead vocals on "The Great Gig in the Sky (first verse)
Durga McBroom – backing vocals, lead vocals on "The Great Gig in the Sky (second verse)
The vinyl edition of Delicate Sound of Thunder features nine additional performances not included on the original double album. This 23-track count is the same as the new double-CD set. Additionally, the three-album set is packaged in a slip case, includes a 24-page booklet and the albums are housed in poly-lined sleeves in individual album jackets. The albums are pressed on 180-gram vinyl and the tracks were remixed from the original master tapes.
Pink Floyd’s performances were taken from five August 1988 shows at the Nassau Coliseum in New York, on the heels of the release of 1987’s A Momentary Lapse of Reason – their first album after the departure of Roger Waters. The core group of David Gilmour, Nick Mason and Richard Wright was joined by Jon Carin, Tim Renwick, Guy Pratt, Gary Wallis and Scott Page, with Margret Taylor, Rachel Fury and Durga McBroom on backing vocals.
Delicate Sound of Thunder kicks off with “Shine On You Crazy Diamond, Parts 1-5” and then for the rest of the first album and Side A of the second album, there are 10 songs from Momentary Lapse of Reason. After the only song that dates to Pink Floyd’s early career, “One of These Days” from Meddle, the rest of the set features music from Dark Side of the Moon, Wish You Were Here, The Wall, and then one more song from A Momentary Lapse of Reason. There are no songs from Animals or The Final Cut.
Not only are there additional performances included on this reissue, but several tracks – “Sorrow,” “On the Turning Away,” “Comfortably Numb,” “Dogs of War,” “Another Brick in the Wall, (Part Two),” “Us and Them,” “Run Like Hell” and “Time” – feature unedited versions available now for the first time on vinyl. Occasional editing has been done to remove an ’80s-era musical gloss that sometimes marred the original performances, notably on “Money” and “Learning to Fly.”
Hearing these tracks in their remixed and in some cases dramatically changed ways, straight through on all three vinyl discs, is about the best official live album Pink Floyd audio experience – outside of the rare Pulse four-LP analog vinyl set.
Delicate Sound of Thunder is, in fact, one of only three official stand-alone live Pink Floyd albums. Pulse was released in 1995 as a four-LP or two-CD set from the tour to support The Division Bell, another post-Roger Waters project. The third is Is There Anybody Out There? The Wall Live 1980–81, released on CD in 2000. Prior to that, one disc of the 1969 double-album Ummagumma contained live material.
Neither Is There Anybody Out There? nor Pink Floyd: Live at Pompeii – originally issued in 1972 on film with a subsequent releases on DVD in 2000 and on compact disc in 2016 as part of The Early Years box – has been reissued on vinyl. Pink Floyd fans, I’m sure, would love to have all of this concert material on their turntables in the future.
There is also a wide assortment of live material from many periods in Pink Floyd’s career to draw from on the Early Years and Later Years sets that would make for excellent vinyl releases. Who knows what else lurks in the vast Pink Floyd archives? Releasing the new mix of A Momentary Lapse of Reason would be the most obvious next vinyl project that fans would love to see.

⁣Directed by William Arntz, Betsy Chasse, and Mark Vicente, the film is an initially intriguing—and then gradually more outlandish—examination of quantum physics (“the physics of possibilities”), the theoretical brand of science that supposedly helps us understand life’s most fundamental question: What is reality? Unfortunately, the film’s answer isn’t half as interesting as those posited by The Matrix, Fight Club, or Waking Life.

A collection of talking-head physicists, philosophers, religious scholars, and mystics (all of whom are deliberately unidentified until the end credits to obscure their dubious authority) casually toss about terms like “epistemic” and “gifts of intentionality” in arguing that reality—rather than being an external force—is something we shape internally, thus meaning that what’s happening within us determines what happens around us. The ensuing, rambling discussion of quantum physics’ impact on notions of love, addiction, and Jesus is clumsily interspersed with scenes involving a fictional photographer named Amanda (Marlee Matlin) who, still smarting over her husband’s infidelity, embarks on a journey of self-discovery by learning to transcend humanity’s current perception of reality.

Engaging theories are sporadically contemplated (such as the idea that an object can exist in two places at the same time), yet by the film’s conclusion, it’s clear that the real modus operandi of these “experts” is promoting a new-agey version of spiritual enlightenment intended to replace traditional monotheism. Society’s “superstitious, backwater concept of God” is the filmmakers’ ultimate target, since it interferes with their belief that everyone is God and that all of us are “co-creating our future.” If people are truly able to construct their own destinies, then I can only hope that What the Bleep Do We Know?, with its hokey and derivative CGI, John Tesh-influenced score, and screeching electronic sound effects, will beget a future devoid of these filmmakers’ creepily cultish work.

REVIEW RESOURCE : https://www.slantmagazine.com/....film/what-the-bleep-

⁣Award-winning journalist John Pilger investigates the discrepancies between American and British claims for the 'war on terror' and the facts on the ground as he finds them in Afghanistan and Washington, DC.

In 2001, as the bombs began to drop, George W. Bush promised Afghanistan "the generosity of America and its allies". Now, the familiar old warlords are regaining power, religious fundamentalism is renewing its grip and military skirmishes continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, says one woman, "in many ways worse than the Taliban".

In Washington, Pilger conducts a series of remarkable interviews with William Kristol, editor of The Weekly Standard, and leading Administration officials such as Douglas Feith, Under Secretary of Defense for Policy, and John Bolton, Under Secretary of State for Arms Control and International Security.

These people, and the other architects of the Project for the New American Century, were dismissed as 'the crazies' by the first Bush Administration in the early 90s when they first presented their ideas for pre-emptive strikes and world domination.

Pilger also interviews presidential candidate General Wesley Clark, and former intelligence officers, all the while raising searching questions about the real motives for the 'war on terror'.

While President Bush refers to the US attacks on Afghanistan and Iraq as two 'great victories', Pilger asks the question - victories over whom, and for what purpose? Pilger describes Afghanistan as a country "more devastated than anything I have seen since Pol Pot's Cambodia". He finds that Al-Qaida has not been defeated and that the Taliban is re-emerging. And of the "victory" in Iraq, he asks: "Is this Bush's Vietnam?"

REVIEW RESOURCE: http://www.bullfrogfilms.com/catalog/break.html

⁣⁣Agenda 21 & 2030 Exposed by Insider - UN Global Goals Build Back Better Agenda
Real Great Awakening Daily QANON, Trump & PLANdemic News! Join Our Community On Telegram Here: https://t.me/greatawakeningworld

It's Time For Everyone To Wake Up!
The Globalists Deep-State & Plandemic Secrets You Need To Know ASAP. Visit And Share: https://greatawakening.world

⁣Creep - Vintage Postmodern Jukebox Radiohead Cover ft. Haley Reinhart
Download & Stream "Creep" Here: http://pmjlive.com/the-essentials

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One of the highlights of our 2015 European tour was Haley Reinhart's masterful interpretation of our vintage arrangement of Radiohead's "Creep" (originally performed on this channel by the amazing Karen Marie). I enjoyed it so much that I brought Haley into a studio in Zurich on our day off to record it. If you haven't heard Haley sing this before, get ready for a truly remarkable performance. Oh yeah- and this was the very first take.

⁣The Big Picture of Child Trafficking - PizzaGate & Beyond: Part 1, Mind Control Culture: Part 2

This documentary by Renegade Films explores the dark agenda behind the sexualization of children for mass mind control. International Jewry is using mind control to facilitate their White Genocide agenda.
EVERY American MUST KNOW we were attacked by Israel on June 8, 1967 in the USS Liberty Attack where Israel KNOWINGLY killed 34 Americans and wounded 171 others, BIGGEST COVER-UP IN WORLD HISTORY, NOT TAUGHT IN YOUR FAKE HISTORY BOOKS!

Israel also did 9/11, JEWS did 9/11, NOT MUSLIMS/ARABS! Research "The 5 Dancing Israelis' on 9/11", make signs that say ISRAEL DID 9/11 and EXPEL THE JEWS and hit the streets with the message, NAME THE JEW!

EXPEL THE JEWS! Vote Patrick Little 2020, he will expel the Jews by 2022, his campaign slogan is: "Liberate the US from the Jewish Oligarchy!" He will serve America NOT Israel, NO MORE WARS FOR ISRAEL under Patrick Little! SPREAD THE WORD, TELL EVERYONE YOU KNOW AND TELL THEM TO DO THE SAME!

MAKE THE TRUTH GO VIRAL, the sleeping masses MUST AWAKEN!

⁣A documentary featuring Steven Greer, apostle of the alien-visitation disclosure movement, has tantalising "sightings," but reveals that ET obsession is now the mother ship of conspiracy theory.
Supporting actors: Adam Michael Curry, Joe Martino, Jan Harzan, Dr. Russell Targ
Producers: Dr. Steven Greer, Grant Ibrahim, Jim Martin, Philip James
Studio: 1091
Rating: Not Rated
Content advisory: Drug use, foul language, violence
In the old days, you would check in on an alien-visitation shlock-TV documentary (or an episode of “Unsolved Mysteries”) all to catch those grainy home-movie glimpses of alien spaceships. On that score, “Close Encounters of the Fifth Kind” is nothing less than an all-you-can-eat banquet of UFO porn. There are vintage clips of “sightings” shot in 8 and 16mm, but most of them are from the home-video and cell-phone-camera era, all tagged with important-sounding datelines.


CE5 event, March 16, 2017, Newport Beach, Calif. (five shimmering green lights in the sky!). CE5 Event, Sept. 21, 2019, Vancouver, B.C. (purple lights ringed like an X-ray of bottom teeth!). There are shaky-cam videos of glowing discs that hover and vanish into the ether and what look like a pair of suns that appear on an ocean horizon. There are mysterious lights, sometimes three (in a triangle), sometimes five (in a cluster), or 10 in the shape of a V. As always, these you-are-there images cast a spell, though the most spine-tingling element is often the reactions of the people shooting the video, who always say something like “Ho-lee shit” in a way that makes it sound like they’re witnessing the uncanny.


Of course, after you’ve seen 30 or 40 of these clips, they begin to acquire a certain more-is-less quality. Look, it’s one more set of lights hovering in the sky! One more saucer-shaped thingy! Another blip, another blob, another fuzzy pulsating orb, another streak of light too crooked to be a comet trail. Are these really alien ships? Or are they close encounters of the WTF kind?
“Close Encounters of the Fifth Kind” is the third documentary, following “Sirius” (2013) and “Unacknowledged” (2017), to be centered around Dr. Steven Greer, the apostle of the alien-visitation “disclosure” movement. “Unacknowledged” was a kind of extraterrestrial manifesto, and it’s a movie that can suck you in and give you that down-the-rabbit-hole experience, so that as you watch the footage and scan the hidden government documents and hear the testimonials, you may find yourself on the precipice of feeling that you…believe. In “Close Encounters of the Fifth Kind,” we see Steven Tyler on “The Joe Rogan Experience,” repeating to his host, “You’ve got to see ‘Unacknowledged,'” as if watching that movie would change your life. And that, in a way, is the point of all UFO porn: to provide a conversion experience. (I was blind, and now I believe in ETs!)


But “Close Encounters of the Fifth Kind” treats alien visitations as a given. That is, it totally takes for granted that there’s a technologically advanced, mystically benevolent world of extraterrestrial beings, light-years beyond ours in development and consciousness (though they still walk on two legs and have big bulgy heads like the Martians in ’50s sci-fi movies), who for all their cosmic distance from earth still had enough concern to show up in 1947 to save us from the specter of the nuclear age.
Taking this as undeniable fact, “Close Encounters of the Fifth Kind” is a conspiracy documentary built around the thesis that the “national security state” has concealed it from all of us. It has kept these close encounters hidden in the darkness — and just as deceptively, it has advertised, through the mainstream media and Hollywood movies, the notion that if life beyond earth exists, it must surely be hostile. More “War of the Worlds” than “E.T. the Extra-Terrestrial.” The national security state has done all this for its own world-dominating purposes. “Close Encounters of the Fifth Kind” is two hours of fantasy propaganda attacking reality-based propaganda. It can make your eyes widen and your head hurt at the same time.
With his pockmarked face and broad shoulders, Dr. Steven Greer, who was born in 1955 (and claims to have seen a flying saucer when he was nine), is like a ’70s computer nerd played by John Waters with a touch of Guy Pearce. He’s compellingly articulate, with a thousand points of information and a kind of name-dropping “I was at this meeting at the CIA…” cockiness that lends his statements a patina of authority. With his books, films (this one, like “Unacknowledged,” was directed by Michael Mazzola), and his privately curated group sighting tours, he’s become the science-whiz P.T. Barnum of alien visitation, a role he seems to relish all the way to the bank.
Does he believe everything he says? Part of the strange psychology of our time involves people with vast platforms stating things that aren’t true as if they were true, and doing it often enough that they believe it themselves. When Greer chokes up into an “Oprah” moment and weeps on camera at the thought of all the people on his team who’ve either committed suicide or been assassinated (yes, he says this), you’re seeing a man who will go the extra mile to sell his snake oil. Steven Greer seems sincere and intelligent, but he’s also got a prattling-on-at-the-mouth touch of New Age narcissism, and the narrative he spins is so extreme that you either buy it or you don’t. I’ve always watched those clips of sightings feeling as if alien ships could be real (though what I tend to think is: they’re some form of defense craft), yet Greer, in his way, does a version of what Trump does, taking the fake-news accusations that were once leveled against alien believers and projecting them onto the skeptics. If, like me, you’re not a believer, then you’re perpetuating the lie. You’re part of the conspiracy.
And as “Close Encounters of the Fifth Kind” makes clear, the mythology of alien visitation has become the mother ship of all conspiracy theories, mutating with the times, soaking up other conspiracies like a sponge. The new alien theology is a hydra that keeps sprouting new (paranoid) heads.


There was the original incident, and cover-up, at Roswell. (Several raging military figures who claim to have been there testify, in the movie, that they saw the alien bodies.) There’s the idea — and this goes back to the stories of George Adamski, the founding voice, in the early ’50s, of the alien-contact movement, and also to the classic 1953 movie “The Day the Earth Stood Still” — that aliens have arrived, and they’ve come to be friends, but the government can only see them as a hostile force.


To that idea, Greer now adds a layer of deep-state treachery, claiming that it’s all an underground plot that even the U.S. president has no power over. And this is all linked to the environmental movement — or, in fact, to the systematic squelching of it. One key reason for the cover-up, you see, is that the aliens possess technology that could solve the energy crisis with the snap of an ET finger, nixing the need for oil or even solar panels. (It would all happen with advanced alien tech magic, lending new meaning to the phrase “little green men.”) But naturally, the American fossil-fuel complex will have none of this. Believe it or not, even the death of Marilyn Monroe has been glommed onto the conspiracy. According to Greer, the reason Marilyn was “killed” is that, in the midst of her affairs with JFK and RFK, she was about to say something in public about the government’s alien secrets.
What’s more, remember all those stories in the ’80s about alien abduction — all the folks who looked like future Trump voters who claimed to have been taken aboard alien spaceships and probed while under a state of hypnosis? According to the movie, that’s now part of the conspiracy. The abductions, it turns out, were all staged as an act of counterintelligence. Richard Doty, a sleazy-impish retired agent of the Air Force Office of Special Investigations, claims that it was his job to hoax UFO researchers (there’s a whole documentary about Doty, entitled “Mirage Men”), in part to make them look like wackjobs.


In the ’70s, people got off on the sheer wish-fulfillment awesomeness of close encounters, the whole religious “Whoa!” factor of it. But what the science-fiction-is-real circus of “Close Encounters of the Fifth Kind” is selling is the dream that aliens could save us from the darkness of America. They’ve become sci-fi versions of Jesus crossed with Noam Chomsky. (And does this movie, as it implies, really think that the Russians or the Chinese would be any more humane about it? Vladimir Putin would eat an alien for breakfast.) The movie is predicated on a kind of emotional formula in which deep-state secrecy equals cover-up, and if there’s a cover-up then there must have been something to cover up. The film works like a drug, or maybe the cakes Alice eats in “Alice in Wonderland.” It says to its audience: Experience this movie, and it will clear your mind of the disinformation, laying bare the glowing nugget of revelation under the conspiracy.


But as it goes on, this all becomes a marketing hook for an increasingly flaked-out fantasy. In the midst of his anti-government screed, Steven Greer slips in that there have been many, many extraterrestrials captured and killed, and that in the desert of Arizona “there’s an underground facility where there are nine different ET craft that are there with all the autopsy bodies.” His proof? “There’s a man on my team who used to work in that facility.” He goes on to compare the aliens who’ve visited the earth to Gandhi. And that’s before the movie, in its windy second half (ESP, the physics of teleportation, aliens as mystical avatars of a one-universe consciousness), threatens to become a quantum version of “Koyaanisqatsi.”


The ultimate oddity ­of “Close Encounters of the Fifth Kind” is that it pushes a rabidly pro-environmental, anti-corporate, flower-child agenda, yet it does so with the kind of huckster aggression that has allowed left-wing conspiratorial thinking to mutate into right-wing paranoia. Put another way: The belief in alien visitation, as presented here, is actually congruent with the Trump agenda — the idea that America could be restored in one fell swoop by an acceptance of the otherworldly saviours who are already in our midst. That sounds, in its way, distressingly familiar: a promise to fix the world with fairy tales.

Resource: https://variety.com/2020/film/....reviews/close-encoun

⁣It Might Get Loud explores the musical influence and careers of three of the world’s greatest rock musicians, Jack White, The Edge and Jimmy Page. It reveals how they got into music at a young age and followed their dreams to become household names.


Page started playing the guitar in school and went on to write songs for the Yardbirds and Led Zeppelin. Jack White grew up in Detroit and had so much passion for music that he traded in his bed and mattress so that he could have more space for his drum sets and guitar. His particular taste in music was not popular at the time but that did not stop him from playing roots and blues.


The Edge had a more conservative upbringing and developed his own style of playing the guitar. It Might Get Loud shows all three musicians coming together to discuss their influences and playing each other’s songs for the very first time.
RESOURCE: https://watchdocumentaries.com/it-might-get-loud/

⁣"If you want to find the secrets of the universe, think in terms of energy, frequency and vibration."
- Nikola Tesla

In this video we explore everything from the ancient knowledge of the magnetoelectric universe and how everything takes shape as torus fields, to how sound and magnetism is connected and how religions have common teachings of creation and sound.
A massive thank you to the speaker, Michael Tellinger for dedicating himself to this revolutionary and inspiring work!
Please check out and support his work over at his youtube: @michaeltellinger
Also check out his website: https://www.michaeltellinger.com

⁣In this episode of ICIC, Dr Reiner Fuellmich and co-host Dr Mike Yeadon have an insightful conversation with four experts on this explosive topic. Using dark-field microscopy, Dr David Nixon examines blood samples from people who have been injected with mRNA-based substances and explains the results with corresponding images. Crystalline, unnatural structures are revealed, which change in further observation and show characteristics of a kind of nano- or micro-technology.


Dr. Ana Maria Mihalcea is intensively involved with the ingredients of the Covid mRNA substances. In particular, also with the so-called "shedding effect" of which it is assumed that harmful excretions can be transferred from "vaccinated" to "unvaccinated". ⁣Karen Kingston, whose research interests include toxicology and the analysis of clinical data as well as the ingredients of the covid mRNA substances, complains that all measures regarding a functioning quality assurance management in the administration of a so-called novel "vaccination"…

RESOURCE: https://video.icic-net.com/w/s....dWHeFYZcMM4p4RvSncnD

⁣For more than 20 years the CIA studied psychic abilities for use in their top-secret spy program. With previously classified details about ESP now finally coming to light, there can be no more secrets.
Two physicists discover psychic abilities are real only to have their experiments at Stanford co-opted by the CIA and their research silenced by the demands of secrecy. Yet, as both these 'remote viewers' and our audience learn, the 'more you hide something, the more it shines like a beacon in psychic space and this ancient truth can no longer be suppressed.'
The true story of Russell Targ and America's cold war psychic spies, disclosed and declassified for the first time, with evidence presented by a Nobel Laureate, an Apollo Astronaut, and the military and scientific community that has been suppressed for nearly 30 years, now able to speak for the first time.
Targ's understated mantra that "the evidence for extra sensory perception is overwhelming and shows a talent we all share and deserve to know about, leaves us not just with a greater understanding of this unique chapter in U.S. history, but perhaps most importantly a greater understanding of who we are and our larger connection to the world. The CIA, NSA and DIA used it, your tax dollars paid for it, and now you deserve to know about it.

⁣Himalaya of the hypocrisy!!!
⁣I am aware that most of the materials on this channel are very pessimistic and always worse news from the world. I because of that I decided to put this movie not on DocumentaryArchive but here to make my followers laugh until their stomach aches.

I come from the communist block, I grew up in the 70s in Poland and this film clearly reminds me of classic Soviet Propaganda. The level of sweetness and exaggerated concern for the public good can make you vomit in this story.

However, there is so much hypocrisy, naive deception, and caricature pride here that all you can do is laugh out loud.

Have fun watching this movie.

⁣Official description :-))))))))))
With his signature blend of scientific acumen, candor and integrity, Dr. Anthony Fauci became America’s most unlikely cultural icon during COVID-19. A world-renowned infectious disease specialist and the longest-serving public health leader in Washington, D.C., he has valiantly overseen the U.S. response to 50 years’ worth of epidemics, including HIV/AIDS, SARS and Ebola. FAUCI is an unprecedented portrait of one of our most vital public servants, whose work saved millions while he faced threats from anonymous adversaries.

Directed by Emmy winners John Hoffman (The Weight of the Nation, Sleepless in America) and Janet Tobias (Unseen Enemy), the film is executive produced by Academy Award winner Dan Cogan (Icarus) and two-time Academy Award nominee Liz Garbus (What Happened, Miss Simone?, The Farm: Angola, USA). The documentary features insights from President George W. Bush, Bill Gates, Bono, former U.S. Department of Health and Human Services secretary Sylvia Burwell, former national security advisor Susan Rice, National Institutes of Health director Dr. Francis Collins, former Centers for Disease Control and Prevention director Dr. Tom Frieden and key AIDS activists, plus Dr. Fauci’s family, friends and former patients.

RESOURCE: https://films.nationalgeographic.com/fauci?

⁣The Hollywood Vampires take their name from an all-star social club that drank itself to oblivion during the mid 1970s at the Rainbow Bar and Grill on The Sunset Strip. The 2019 documentary The Rainbow chronicles the restaurant’s place in the Los Angeles music scene and is an engaging profile of the family that’s run it for three generations (that is, when it’s not indulging in lazy nostalgia). Directed by Zak Knutson, it is currently streaming on Amazon Prime.
Since opening in 1972, the Rainbow has offered food and drinks to successive generations of rockers. Located in West Hollywood, betwixt a cluster of music venues, it was popular with bands visiting Los Angeles as well as those living and trying to make it in the City of Angels. Besides the Hollywood Vampires – which included Alice Cooper, a couple Beatles and riotous Who drummer Keith Moon, Led Zeppelin picked up groupies there, The Runaways ate there and a teenage Slash snuck in dressed as a woman. Motörhead’s Lemmy loved the place so much he bought an apartment within walking distance and was often found drinking Jack Daniel’s and playing video poker at the bar for hours on end.
Behind it all was the Maglieri family, led by tough talking patriarch Mario, who came to Los Angeles from Chicago in the early 1960s to help run another storied local institution, the Whisky A Go Go. Mario is hard not to like, dropping one-liners like “I had rock n’ roll in my bar in Chicago before you ever heard of rock n’ roll,” calling Jim Morrison “a good kid,” and telling stories about throwing Charles Manson out on his ass, like a real life Cliff Booth. “He says, ‘I’m Jesus.’ I tell him, ‘I’m God motherfucker. Now get up from that chair.’ He got up or I’d have had to beat the shit out of him. Either one.”
Though its capacity was in the hundreds, the Whisky became one of the most important L.A. music clubs of the ‘60s and ‘70s. The Doors and Chicago were the house bands at various times, Van Halen used it to built their audience and scores of trailblazing acts made their area on its stage. As Kiss’ Gene Simmons says, “When you first start out and before you figure out your game, the Whisky’s the place to do it.” In fact, the Maglieri have an interest in both the Whisky and the Rainbow, and the film is as much about the venue as the bar up the street.
As the ’70s turned to the ’80s, hard rock turned to metal, from glam to thrash, and again found a home on the Sunset Strip. W.A.S.P. and L.A. Guns drummer Steve Riley says he went to the Rainbow the first night he moved to L.A. and it became a great place to meet other hungry young rock musicians looking to form bands. Thought it all, Mario Maglieri was there to comp musicians a bowl of soup or offer fatherly advice, telling young rock stars when they were drinking too much or doing too many drugs.
REVIEW RESOURCE: https://decider.com/2020/02/24..../the-rainbow-documen

⁣The people interviewed for "Kedi," Ceyda Torun's documentary about the teeming street cat population in Istanbul, are not experts, or talking heads, or academics. They are citizens, moving through their lives, interacting with the cats in their neighborhoods, and their comments are casually contemplative, off-the-cuff and profound. The human beings take it upon themselves to care for the cats, feed them, and—even more tellingly—just enjoy observing them. They note each cat's personality quirks, likes and dislikes. They freely admit what these cats bring to their own lives. I am a cat owner, I admit, but even I was surprised at the power of "Kedi." Where did all that emotion come from? It's because what Torun really captures in her unexpectedly powerful film is kindness in its purest form.

The cats of Istanbul are everywhere. They curl up on stoops, car hoods, and cafe benches, they sit on piers and in doorways. They sneak beneath tables at flea markets and leap on scraps outside the fish markets. Torun's film profiles seven individual cats, each with its own distinct life, routine and personality. Considering the sneaky crepuscular habits of cats, following these beasts must have been quite a feat. The footage is astonishing. The film opens with a tabby cat stalking with purpose down a crowded city street, looking for food to bring back to her litter of kittens (stashed in a stairwell). Torun's camera is low to the ground, on the cat's level, following the tabby's determined progress. Watching "Kedi" is like lying down on a quickly-moving skateboard. Cats are wily creatures, and when they don't want to be found, they are not found. But Torun finds them!


There's one cat who hangs out at a restaurant by the water, taking care of the mice. (There's a hilarious night-vision section showing the cat creeping through a drain pipe, eyes ablaze.) There's a cat who dominates the area in front of a busy cafe, fighting off interlopers, harassing her "husband" (pushing him out of the way so she can eat first), and chasing off the floozy cats vying for her man's attention. ("She's the neighborhood psychopath," says a neighborhood resident.) One woman spends a day cooking fresh chicken and then wanders her neighborhood, leaving food for the cats, who swarm around her. She says that she has a lot of pain and the cats are helping her heal. There's one cat who sits outside a bakery, and bats on the windows frantically when it gets hungry. There's a freeform style of communication between cats and humans. They share space. Some cats adore being petted. Others can't abide it. A man who owns a textile store demonstrates that the cat who hangs out in his shop likes pats only when they're rough. Gentle pats drive her crazy. "She gets so much pleasure she almost passes out," he says, and then there's footage of her sprawled on the floor, lost in the sensations. One cat shows up at a woman's window every day for a visit. She lets him in, he strolls around, he eats, and then he clambers back down the tree.


The focus is on the cats, but "Kedi" is really a portrait of community. Torun gives a sense of life in Istanbul, its diversity and beauty, its storefronts and waterfronts, its people. Why there are so many cats in Istanbul, and how they all came to be there, is not explained (except for a casual comment from an interview subject). Political upheaval and turmoil is not addressed at all, although there are disturbing signs everywhere, thrumming underneath the everyday routines. One woman says that it is very difficult to be a woman in Turkey, and that the cats in her neighborhood remind her of what is good in being feminine. There is a lot of concern expressed about the brutal knocking down of old neighborhoods to make way for high-rises. Gentrification disrupts entire ways of life, and the residents worry about that but they also worry about the cats. Where will they go? What will become of them? It can be a heartless world. Caring for one another and caring for animals may seem like a small thing, but Torun's affectionate portrait of these cats—and the people who love them—makes it seem like the most important thing in the world. A restaurant owner keeps a tip jar on the counter, and the money goes into a fund for vet visits for the cats who hang around outside. Imagine that. Torun combines her up-close-and-personal footage of the cats with transcendent drone shots of Istanbul in all its moods and weather.

⁣Ciemna strona buddyzmu tybetańskiego, czyli nadużycia władzy, despotyzm, seksualne wykorzystywanie uczniów, pedofilia, chciwość i gromadzenie dóbr materialnych. Autorka dokumentu podąża tropem skandali związanych z działalnością popularnego w Europie, Azji i Stanach Zjednoczonych odłamu zwanego Szambalą. Diamentowa Droga potrafi być kręta, pełna pułapek i niebezpieczeństw.

⁣Reżyseria : Elodie Emery

⁣A true twentieth-century trailblazer, Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world. The Oscar-winning The Times of Harvey Milk, directed by Robert Epstein and produced by Richard Schmiechen, was as groundbreaking as its subject.
One of the first feature documentaries to address gay life in America, it’s a work of advocacy itself, bringing Milk’s message of hope and equality to a wider audience. This exhilarating trove of original documentary material and archival footage is as much a vivid portrait of a time and place (San Francisco’s historic Castro District in the seventies) as a testament to the legacy of a political visionary.
This documentary examines the political life of the self-proclaimed "Mayor Of Castro Street," N.Y. stockbroker turned San Francisco activist Harvey Milk, the first openly gay politician elected to public office in California. Milk was elected to a City Supervisor position in the '70s, when a successful gay politician was an anomaly, but Milk made the most of his brief time in power. When Dan White killed Milk and Mayor George Moscone, the loss experienced by Milk's supporters was profound.
White robbed the gay-rights movement of a charismatic leader and eloquent voice, but he accidentally gave it something a smart political operative like Milk would surely have appreciated the power and value of: a bona fide martyr.

⁣They Can’t Hide This Any Longer… Some COVID-19 Patients Have Deadly Venom In Them
36 different shellfish toxins and snake venom are showing up in COVID-19 patients…
How did this end up in their blood, feces, or urine?
Some experts believe this so-called “respiratory” disease is actually an envenomation from the vaccine.
They’ve targeted people with toxins for decades…
Why wouldn’t this be the case now?
Did you know that the word “corona” means “crown for the king” and virus in Latin actually means “venom” so coronavirus very closely translates to “king venom”?
If you thought this film was eye-opening, then you won’t want to miss out on what we reveal next. It’s even more shocking… and the good news is, there are solutions!