⁣Award-winning journalist John Pilger investigates the discrepancies between American and British claims for the 'war on terror' and the facts on the ground as he finds them in Afghanistan and Washington, DC.

In 2001, as the bombs began to drop, George W. Bush promised Afghanistan "the generosity of America and its allies". Now, the familiar old warlords are regaining power, religious fundamentalism is renewing its grip and military skirmishes continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, says one woman, "in many ways worse than the Taliban".

In Washington, Pilger conducts a series of remarkable interviews with William Kristol, editor of The Weekly Standard, and leading Administration officials such as Douglas Feith, Under Secretary of Defense for Policy, and John Bolton, Under Secretary of State for Arms Control and International Security.

These people, and the other architects of the Project for the New American Century, were dismissed as 'the crazies' by the first Bush Administration in the early 90s when they first presented their ideas for pre-emptive strikes and world domination.

Pilger also interviews presidential candidate General Wesley Clark, and former intelligence officers, all the while raising searching questions about the real motives for the 'war on terror'.

While President Bush refers to the US attacks on Afghanistan and Iraq as two 'great victories', Pilger asks the question - victories over whom, and for what purpose? Pilger describes Afghanistan as a country "more devastated than anything I have seen since Pol Pot's Cambodia". He finds that Al-Qaida has not been defeated and that the Taliban is re-emerging. And of the "victory" in Iraq, he asks: "Is this Bush's Vietnam?"

REVIEW RESOURCE: http://www.bullfrogfilms.com/catalog/break.html

⁣Filmmaker Morgan Spurlock features as the guinea pig in this film about the fast food industry. Inspired by America’s obesity epidemic, he goes on a diet of McDonald’s three times a day for thirty days straight in order to examine the effects of fast food consumption on the body and mind. The effects of the trial are harrowing: His body mass increases by 13%, his cholesterol levels skyrocket, fat accumulates in his liver, and he experiences mood swings and loss of libido. Super Size Me will completely change the way you think about eating and living.

Super Size Me accomplishes the feat of being both entertaining and horrifying. It investigates how the fast food culture in American schools, corporations and politics is driving nationwide obesity. In between meals, Spurlock drives across the country and interviews a host of health and nutrition experts, lawyers, school workers, and a surprisingly trim man who has eaten over 19,000 Big Macs yet maintains a healthy cholesterol level. We also meet an industry lobbyist who states that consumers need to be educated about nutrition and perplexingly proclaims that “we’re part of the problem and part of the solution”.

The film investigates the industry’s political lobbying and advertising campaigns. We learn about some of the disturbing strategies McDonald’s uses to acquire customers. It is particularly effective at getting children hooked at an early age through mediums they love, such as birthday parties, toys, clowns and playgrounds. In certain areas, the McDonald’s playground is the only one the community has. In one of the most shocking scenes of Super Size Me, Spurlock shows pictures of Jesus, George Washington and Ronald McDonald to a group of first graders, and Ronald is the only one that all of them can identify.

Spurlock is a likeable host, both witty and engaging. Despite his criticism of the fast food industry, he does not place the blame solely on corporations, and at one point asks the rhetorical question of where personal responsibility stops and corporate responsibility begins. Towards the end of the experiment, he is a changed man. The exuberant and healthy host we meet at the beginning of the film has transformed into a puffy, weary and depleted man. He has experienced first-hand the damaging effect of junk food on the nation. All in all, Super Size Me is a fascinating and informative insight into the fast food industry and its link to the American obesity epidemic.

⁣VIBRATION IS JUST ANOTHER WORD FOR ENERGY."
"Music is vibration. If we expose water to music, it's crystal structure will change."
"Watch what happens when we play Mozart." Beethoven.
Dvorak, "From the New World."
"THE HEXAGONAL CRYSTAL REPRESENT THE LIFE FORCE OF MOTHER NATURE."
=========================
THE WATER CRYSTAL FROM THE WATER, EXPOSED TO THE WORD "LOVE AND GRATITUDE" - Welcome to the Masaru Emoto’s Hado World - https://hado.com/ihm/
About 30 [now 37] years ago, Masaru Emoto discovered a world of Hado and he published more than 10 titles about Hado in Japan. He treated more than 10,000 clients with a Hado measuring device and water and he helped to heal a lot of people who had different kind of problems mentally and physically. He knew that water can memorize information then he came up with the water crystal photography to prove his theory and he succeeded. Water crystal photography tells that water reacts to any information (vibration) given by showing the different design. He has gained worldwide acclaim through his groundbreaking research and discovery which were published in his books, “Messages from Water” and “The Hidden Messages in Water” and a lot of people resonated with his claim which is “water is deeply connected to our individual and collective consciousness.” Since then, he went out to the world to tell people the importance of human consciousness, truth of water, and principal of Hado.
At some time, his mission was turned out to be “world peace” specially after his grand
children were born. He believed that we will be able to achieve the world peace by understanding the truth of water because water is telling a lot of meaningful things.
Unfortunately, he past away on October 17th, 2014 but his work and message will never die.
This is the website to introduce his work and also new findings by his successors.
“Hado reates words:
Words are the vibrations of nature
Therefore beautiful words create beautiful nature
Ugly words create ugly nature
This is the root of the universe.” by Masaru Emoto
Hado: The intrinsic vibrational pattern at the atomic level in all matter
What U really know is Possible already in your hearts frequency
en.wikipedia.org/wiki/Masaru_Emoto
Quantum physics
Science Experiment (try this experiment )
When we bless our water before drinking and say it or think it!
Thank you for coming into my life!
Bless the water you drink with love and it will help to raise your vibration and energy!
Bless the water you drink and it will light up the cells of your body.
Sometimes it will take 7 days before you will notice something.
Science of quantum physics!
Blessings and love!
Music
Beethoven – Moonlight Sonata
https://vimeo.com/179075852
=============
MASARU EMOTO (1943-2014)
“Dr.
Masaru Emoto, the Japanese scientist who revolutionized the idea that our thoughts and intentions impact the physical realm, is one of the most important water researchers the world has known. For over 20 years
until he passed away in 2014, he studied the scientific evidence of how the molecular structure in water transforms when it is exposed to human words, thoughts, sounds and intentions.”
“He undertook extensive research of water around the planet, not so much as a scientific
researcher, but more from the perspective of an original thinker. At length, he realized that it was in the frozen crystal form, that water showed us its true nature.
He has gained worldwide acclaim through his ground-breaking research and discovery, that water is deeply
connected to our individual and collective consciousness
He is the author of the best-selling books Messages from Water, The Hidden
Messages in Water, The True Power of Water and Love Thyself. He has now
also authored two children’s books, The Secret of Water for the children
of the world, and The Message from Water children’s version.”
Website: https://www.masaru-emoto.net/en/ (check “Masaru Emoto” & “gallery”)
Download FREE children’s book: http://www.emotopeaceproject.n....et/picture-books/458
-----
His research is also shown in the movie: What the “Bleep” Do We Know!? (2004)
https://rumble.com/v26z8cc-wha....t-the-do-we-know-200
Masaru Emoto's Experiment in Gratitude
https://www.youtube.com/watch?v=SDNhH8deZPg
-----
There are many videos on YouTube about him and his experiments, also people trying the “Rice experiment”.
THE IMPOSSIBLE RICE EXPERIMENT
https://www.youtube.com/watch?v=zvShgttIq7I
-----
DISCLAIMER:
All
the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might
otherwise be infringing.
=================

⁣If you understand the consequences of Virtual Reality, your life can improve positively!
Thomas W Campbell, physicist and author of My Big TOE, a theory of everything, delivers this positive message for you for 2018.

2018 is the 20th anniversary of his conclusion that we are living in a Virtual Reality.
Virtual Reality makes profound statements of our purpose and mission here in this reality.
Virtual Reality supports Consciousness as fundamental. In a Virtual Reality, you as Consciousness are immortal. This Virtual Reality exists for your evolution and growth.
Virtual Reality supports spirituality and the existence of a higher aware intelligence.
Virtual reality solves the mysteries of physics. This short video clip is for sharing and raising awareness for Tom's physics experiments.

These experiments will, if the results are as Tom predicts, furnish further evidence that we are living in a Virtual Reality.

⁣Dick Johnson Is Dead is a 2020 American documentary film directed by Kirsten Johnson and co-written by Johnson and Nels Bangerter.

A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book — staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever.


The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison.


Cast:
Kirsten Johnson
Charles Richard "Dick" Johnson


Development:
Director Kirsten Johnson at the Miami Film Festival


Kirsten Johnson was inspired to make the film after having a dream in which "there was a man in a casket and he sat up and said, 'I'm Dick Johnson and I'm not dead yet'". When she pitched the idea to her father, she asked him, "Dad, what if we make a movie where we kill you over and over again until you really die? And he laughed".
The film incorporates Johnson family photographs and home movies, including that of Richard Johnson's wife who died from Alzheimer's disease in 2007.


Release:
The film premiered on January 25, 2020 at the 2020 Sundance Film Festival. It was released on October 2, 2020 via Netflix.
RESOURCE: www.dickjohnsonisdead.com

⁣A Journey with Ayahuasca
Reconnect is London Real’s fifth feature-length documentary film and documents Brian Rose’s journey to Costa Rica where he participates in multiple ceremonies with the plant medicine Ayahausca. The movie stars Graham Hancock, Dr. Jordan Peterson, Dennis McKenna, Sadhguru, Dorian Yates, Dr. Gabor Mate, Dr. Joe Dispenza, Michael Pollan, and Dan Pena.


As the founder and host of London Real, Brian Rose has spoken to over 1,000 of the greatest minds on the planet for the past eight years including Dan Peña, Dan Bilzerian, Robert Kiyosaki, Jocko Willink and more.
With an aim to spread transformational ideas to the world, London Real reaches millions of people each month with its message and yet, when Brian looked outside his studio, he saw a very different reality: a world full of division, tribalism, hatred, anger, and disconnection from our environment.


Against that background, Brian also felt extremely disconnected from his purpose, his mission, and his family.
Under the advice of legendary psychedelic researcher Dennis McKenna (brother of the late Terence McKenna), Brian decided to travel to Costa Rica to participate in three ceremonies with the ancient plant medicine Ayahuasca, known for inducing powerful visions, painful experiences, and transformational lessons.


There he reconnects with his vision and purpose but also uncovers childhood trauma that created an existential crisis in his life. After returning to London with clear visions about the future, he soon realised that things are not what he expected, and that real transformation and healing must include painful challenges and uncomfortable situations.


Along the way, Brian is advised and mentored by a number of London Real guests including Jordan Peterson, the best selling author Michael Pollan, Graham Hancock, childhood trauma specialist Dr. Gabor Mate, the Indian mystic Sadhguru, Dr. Robin Carhart-Harris of Imperial College London, former bodybuilder Dorian Yates, Dr. Joe Dispenza, and high-performance coach Dan Peña, the $50 Billion Man.


Despite this incredible guidance, Brian struggles to address his personal demons, and ultimately decides to confront the people who caused his trauma. So he embarks on a trip home to speak separately to his mother and father, in order to heal himself and ultimately create a new future for his children, his company, and his movement.
Watch Reconnect now and share in Brian’s story through his Ayahuasca ceremony and beyond to his integration exclusively here on London Real.

RESOURCE: https://londonreal.tv/reconnect-the-movie/

⁣The Rothschild family (/ˈrɒθ(s)tʃaɪld/ ROTH(S)-chylde, German: [ˈʁoːt.ʃɪlt]) is a wealthy Ashkenazi Jewish family originally from Frankfurt that rose to prominence with Mayer Amschel Rothschild (1744–1812), a court factor to the German Landgraves of Hesse-Kassel in the Free City of Frankfurt, Holy Roman Empire, who established his banking business in the 1760s. Unlike most previous court factors, Rothschild managed to bequeath his wealth and established an international banking family through his five sons, who established businesses in London, Paris, Frankfurt, Vienna, and Naples. The family was elevated to noble rank in the Holy Roman Empire and the United Kingdom. The family's documented history starts in 16th century Frankfurt; its name is derived from the family house, Rothschild, built by Isaak Elchanan Bacharach in Frankfurt in 1567.

During the 19th century, the Rothschild family possessed the largest private fortune in the world, as well as in modern world history. The family's wealth declined over the 20th century, and was divided among many descendants. Today, their interests cover a diverse range of fields, including financial services, real estate, mining, energy, agriculture, winemaking, and nonprofits. Many examples of the family's rural architecture exist across northwestern Europe. The Rothschild family has frequently been the subject of conspiracy theories, many of which have antisemitic origins.

⁣The Kim Iversen Show LIVE | March 17, 2023


Dr. David Martin PhD founder of M·CAM® and has published across various fields in law, medicine, engineering, finance, and education. He recently appeared in Mikki Willis’ documentary, Plandemic: Indoctornation where he revealed the truth behind the vaccine agenda and how following the money had led him to a number of conclusions about what is really going on during the Coronavirus crisis. He joins us today to discuss his experience uncovering government corruption.


Dr Martin's Youtube channel: https://www.youtube.com/@DavidMartinWorld
Official website: https://davidmartin.world

⁣Karen Kingston joins Maria Zeee to explain the way humans have now been connected to the demonic realm through the nanotech in COVID-19 injections and the quantum field - but there's more.
The patents show that nanotechnology is embedded into everyday products and every single human has been exposed.

For more info on Karen's Substack visit:
https://karenkingston.substack.....com/p/part-1-disman

Visit https://link.goldco.com/Maria or call 855-913-0814 TODAY to protect your retirement! (US only)

Visit Gold Stackers today to secure your wealth with Australia's leading supplier of gold and silver bullion (Australia only):
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To prepare you and your family for incoming food shortages, head to Heaven's Harvest on the link below (available only in the United States) and use promo code 'ZEEE' (with 3 e's!) for 5% off your order:
https://heavensharvest.com/

If you're in Australia, head to Survival Supplies Australia to prepare with long-life food, survival supplies and more:
https://www.survivalsuppliesau....stralia.com.au/?b7=z

Detox your system NOW with Dr. Zelenko's Z-DTox and use promo code 'MARIAZEEE' for 5% off your order:
https://zstacklife.com/?ref=MARIAZEEE

⁣COVID-19 Vaccines: What They Are, How They Work and Possible Causes of Injuries. Roundtable Discussion on Latest Covid Vaccine Science.

SENATOR RON JOHNSON HOSTS EXPERT FORUM ON COVID VACCINES
U.S. Senator Ron Johnson hears testimony from world-renowned experts in Public Health, Science, Medicine, Law, and Journalism, in a public forum titled, ‘Covid-19 Vaccines: What They Are, How They Work, and Possible Causes of Injuries,’ held in the U.S. Senate’s Hart Building, on Capitol Hill. He will also hear testimony from victims of Covid vaccine injury.

Speakers Include Dr. Peter McCullough, Dr. Pierre Kory, Dr. Paul Marik, Dr. Robert Malone, ICAN Attorney, Aaron Siri, Esq., OpenVAERS Founder, Liz Willner, Edward Dowd, Dr. Harvey Risch, Dr. Ryan Cole, Journalist, Del Bigtree, and more.

RESOURCE: https://thehighwire.com/videos..../senator-ron-johnson

⁣Delicate Sound of Thunder is a concert film by Pink Floyd, filmed during their A Momentary Lapse of Reason Tour from 19 August 1988 to 23 August 1988 at the Nassau Coliseum in Uniondale, New York, with some additional footage from 21–22 June 1988 at the Place d'Armes of the Château de Versailles, Versailles, France. It was initially released on VHS, Video CD and Laserdisc formats. The film was nominated for a Grammy Award for Best Long Form Music Video at the 32nd Annual Grammy Awards.
The film was reissued on DVD and Blu-ray in 2019 as part of The Later Years 1987–2019 box set. This version was fully re-edited, remastered and restored from the original 35 mm film, and featured the fully remixed audio from the 2019 CD album. On 20 November 2020, a standalone version of the 2019 edit of the film was released, along with a deluxe box set containing both the DVD and Blu-Ray discs, as well as the album on CD and a 40-page booklet.
Track listing
1 "Shine On You Crazy Diamond (Part I intro)"
2 "Signs of Life"
3 "Learning to Fly"
4 "Sorrow"
5 "The Dogs of War"
6 "On the Turning Away"
7 "One of These Days"
8 "Time"
9 "On the Run"
10 "The Great Gig in the Sky"
11 "Wish You Were Here"
12 "Us and Them"
13 "Money" NTSC USA version only
14 "Comfortably Numb"
15 "One Slip"
16 "Run Like Hell"
17 "Shine On You Crazy Diamond (Parts II-V)" (audio only; end credits)
The band line-up:
David Gilmour - guitars, console steel guitar, vocals
Nick Mason - drums
Richard Wright – keyboards, piano, Hammond organ, vocals
with:
Tim Renwick – guitars, vocals
Jon Carin – keyboards, piano, programming, vocals
Scott Page – saxophones, oboe, guitar
Guy Pratt – bass, vocals
Gary Wallis – percussion, additional keyboards on "Comfortably Numb"
Machan Taylor – backing vocals, lead vocals on "The Great Gig in the Sky (third verse)
Rachel Fury – backing vocals, lead vocals on "The Great Gig in the Sky (first verse)
Durga McBroom – backing vocals, lead vocals on "The Great Gig in the Sky (second verse)
The vinyl edition of Delicate Sound of Thunder features nine additional performances not included on the original double album. This 23-track count is the same as the new double-CD set. Additionally, the three-album set is packaged in a slip case, includes a 24-page booklet and the albums are housed in poly-lined sleeves in individual album jackets. The albums are pressed on 180-gram vinyl and the tracks were remixed from the original master tapes.
Pink Floyd’s performances were taken from five August 1988 shows at the Nassau Coliseum in New York, on the heels of the release of 1987’s A Momentary Lapse of Reason – their first album after the departure of Roger Waters. The core group of David Gilmour, Nick Mason and Richard Wright was joined by Jon Carin, Tim Renwick, Guy Pratt, Gary Wallis and Scott Page, with Margret Taylor, Rachel Fury and Durga McBroom on backing vocals.
Delicate Sound of Thunder kicks off with “Shine On You Crazy Diamond, Parts 1-5” and then for the rest of the first album and Side A of the second album, there are 10 songs from Momentary Lapse of Reason. After the only song that dates to Pink Floyd’s early career, “One of These Days” from Meddle, the rest of the set features music from Dark Side of the Moon, Wish You Were Here, The Wall, and then one more song from A Momentary Lapse of Reason. There are no songs from Animals or The Final Cut.
Not only are there additional performances included on this reissue, but several tracks – “Sorrow,” “On the Turning Away,” “Comfortably Numb,” “Dogs of War,” “Another Brick in the Wall, (Part Two),” “Us and Them,” “Run Like Hell” and “Time” – feature unedited versions available now for the first time on vinyl. Occasional editing has been done to remove an ’80s-era musical gloss that sometimes marred the original performances, notably on “Money” and “Learning to Fly.”
Hearing these tracks in their remixed and in some cases dramatically changed ways, straight through on all three vinyl discs, is about the best official live album Pink Floyd audio experience – outside of the rare Pulse four-LP analog vinyl set.
Delicate Sound of Thunder is, in fact, one of only three official stand-alone live Pink Floyd albums. Pulse was released in 1995 as a four-LP or two-CD set from the tour to support The Division Bell, another post-Roger Waters project. The third is Is There Anybody Out There? The Wall Live 1980–81, released on CD in 2000. Prior to that, one disc of the 1969 double-album Ummagumma contained live material.
Neither Is There Anybody Out There? nor Pink Floyd: Live at Pompeii – originally issued in 1972 on film with a subsequent releases on DVD in 2000 and on compact disc in 2016 as part of The Early Years box – has been reissued on vinyl. Pink Floyd fans, I’m sure, would love to have all of this concert material on their turntables in the future.
There is also a wide assortment of live material from many periods in Pink Floyd’s career to draw from on the Early Years and Later Years sets that would make for excellent vinyl releases. Who knows what else lurks in the vast Pink Floyd archives? Releasing the new mix of A Momentary Lapse of Reason would be the most obvious next vinyl project that fans would love to see.

⁣Evidence of a mysterious medieval famine leads researchers on a quest for one of the deadliest volcanoes in human history.

Follow a team of volcano sleuths as they embark on a worldwide hunt for an elusive volcanic mega-eruption that plunged medieval Earth into a deep freeze. The mystery begins when archaeologists find a hastily dug mass grave of 4,000 men, women, and children in London.

At first they assume it’s a plague pit from the Black Death, but when they date the bones, they turn out to be too old by a century. So what killed off these families? The chronicles of that time describe a run of wild weather that devastated crops and spread famine across Europe.

NOVA’s expert team looks for the signature of a volcanic eruption big enough to have blasted a huge cloud of ash and sulfuric acid into the atmosphere, which chilled the entire planet. From Greenland to Antarctica, the team finds telltale “fingerprints” in ice and soil layers until, finally, they narrow down the culprit to a smoldering crater on a remote Indonesian island.

Nearly 750 years ago, this volcano’s colossal explosion shot a million tons of rock and ash every second into the atmosphere. Across the globe, it turned summer into winter. What would happen if another such cataclysm struck again today?

RESOURCE: https://www.pbs.org/wgbh/nova/....video/killer-volcano

⁣FILM ASKS HARD QUESTIONS ABOUT FAILURE OF ENVIRONMENTAL MOVEMENT TO HALT CLIMATE CHANGE AND SAVE PLANET

Directed by Jeff Gibbs and Executive Produced by Moore, film examines if we’ve been on “wrong road” with so-called “green energy” that is anything but green.

Charges environmental leaders have “lost their way” and “sold out to corporate interests.”

“As we suffer through one health and environmental crisis after another, it is clear we can no longer simply solar-panel-and-windmill our way out of this emergency,” say Moore and Gibbs.


Released on the eve of the 50th anniversary of Earth Day and in the midst of the global Covid-19 pandemic, Planet of the Humans takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street.



The film is the debut movie from Jeff Gibbs, whom Moore calls “a brave and brilliant filmmaker whose new voice must be heard.” Gibbs is a lifelong environmentalist and longtime collaborator of Moore’s with whom he co-produced Bowling for Columbine and Fahrenheit 9/11. Planet of the Humans first screened as a work in progress at the most recent Traverse City Film Festival where it was a huge audience favorite.

Moore and Gibbs decided that with the American public – and much of the world – confined to their homes and suddenly having to consider the role humans and their behavior have played in our fragile ecosystems, the moment was too urgent to wait until later this year for the film’s planned release.



“We have ignored the warnings, and instead all sorts of so-called leaders have steered us away from the real solutions that might save us,” says Moore, who holds the all-time box office record for documentaries. “This movie takes no prisoners and exposes the truth about how we have been led astray in the fight to save the planet, to the point where if we don’t reverse course right now, events like the current pandemic will become numerous, devastating and insurmountable. The feel-good experience of this movie is that we actually have the smarts and the will to not let this happen – but only if we immediately launch a new environmental uprising.”



Jeff Gibbs, the writer/editor/director of Planet of the Humans, has dared to say what no one will – that “we are losing the battle to stop climate change because we are following environmental leaders, many of whom are well-intentioned, but who’ve sold out the green movement to wealthy interests and corporate America.
”This film is the wake-up call to the reality which we are afraid to face: that in the midst of a human-caused extinction event, the so-called “environmental movement’s” answer is to push for techno-fixes and band-aids. “It’s too little, too late,” says Gibbs. “Removed from the debate is the only thing that might save us: getting a grip on our out-of-control human presence and consumption. Why is this not the issue? Because that would be bad for profits, bad for business.”


“Have we environmentalists fallen for illusions, ‘green’ illusions, that are anything but green, because we’re scared that this is the end — and we’ve pinned all our hopes on things like solar panels and wind turbines? No amount of batteries are going to save us, and that is the urgent warning of this film.”

This compelling, must-see movie – a full-frontal assault on our sacred cows – is guaranteed to generate anger, debate, and, hopefully, a willingness to see our survival in a new way—before it’s too late.



RESOURCE: https://planetofthehumans.com
Let me know your thoughts in the comments

⁣Are you a believer in an alien presence in our skies? Rumours of such phenomena date back over a century and, indeed, strange sightings in the skies go back long before that, though they were previously explained in different ways. Talk to modern UFO enthusiasts and you will tend to be regaled with a lot of loosely connected theories about disparate phenomena. A Tear In The Sky follows a project which is trying to apply a more scientific approach by narrowing its focus and applying close, multi-method observation to one specific phenomenon: the ‘tictacs’ frequently observed off the coast of California.

Leading the effort, and directing and presenting this documentary, is Caroline Cory, who has an MA in Counselling Psychology from the University of Austin and has built a successful career as an author and public speaker focused on extra sensory perception and ‘ufology’. She’s supported by Michio Kaku, who teaches theoretical physics in new York and has produced a number of peer reviewed papers, despite being best known for highly simplified pop science presentations. On the ground are computational physicist Kevin H Knuth and Matthew Szydagis, who graduated in philosophy before going on to teach physics at Albany. In the studio is William Shatner, whose principal qualification seems to be that he’s Cory’s lifelong idol, but who is also a familiar face for international (if not necessarily interplanetary) viewers.

The project is centred on a particular area between the California coast and the island of Catalina, which enables equipment set up at different points to triangulate and determine the position of observed phenomena as well as comparing observations from different standpoints. The team uses standard imaging, infrared and radiation tracking as well as comparing sightings to the position of known aircraft in the unregulated airspace (which latter seems especially important after we see Cory getting excited about a comparatively slow moving, blinking white light which looks very much like a plane). There is, of course, no accounting for unknown flights, and one wonders if local police forces will take an interest in the film when trying to identify drug trafficking routes.

It probably looks very impressive to a lot of viewers, and it certainly represents a serious effort, but aspects of the team’s approach raise concern, such as their inability to understand how an object visible from one position with a regular lens can be invisible from another with a fisheye lens (not a mystery at all to anyone with a decent grounding in optics). The real problem lies not in how data is captured but in how it is analysed, at which point there is so much jumping to conclusions and post-hoc justification that it’s difficult to consider this science at all. Despite the proud boasts at the end of the film, this couldn’t hope to survive peer review – and yet that’s not to say that the data itself isn’t interesting, or that the film has nothing to offer.

Cory does, to her credit, take a little time to explore terrestrial phenomena which could potentially be responsible for sightings like these. There’s an all too brief detour into the world of experimental aircraft, including ‘bat drones’ launched by catapult and others which can fly at an astonishing Mach nine. There’s also a little bit about the history of the sightings, though here no specific allowance is made for the possibility that military technology was advancing more quickly than official releases suggested. Navy veterans report ‘men in khaki’ arriving on their boat after one such incident and confiscating or erasing all possible recordings. This is presented as if it were evidence of a conspiracy to cover up the existence of extra terrestrial life, when a conspiracy to cover up the existence of new types of aircraft seems distinctly more likely.

It’s this tendency to try to fit evidence to pre-existing ideas which undermines the film’s scientific credibility, but it’s intriguing as a study of the mechanics of belief. One military participant says that he doesn’t mind what kind of explanation he gets as long as he can have an answer. There is evidence of the traumatising effect of being ordered not to accept what one has seen with one’s own eyes. Others grasp at every little indicator that they might have been right all along in ascribing what they saw to the presence of aliens. Aliens represent hope, after all, and an escape from the mundane world.

This is an independent film and its production standards are not the greatest. Cory makes some odd choices as director, from camera angles which make her look as if she’s talking to an unseen third party, to the use of dramatic music more befitting of a soap opera than a serious documentary. Towards the end there is a lot of repetition and points are overstated in a way which makes the whole thing feel like an amateur propaganda piece. That said, it will no doubt hold some appeal for UFO enthusiasts, whether they are true believers or not, and, as one participant points out, it establishes that with today’s technology there is a lot that average people can do to explore the world (and perhaps others) for themselves.

REVIEW RESOURCE: https://www.eyeforfilm.co.uk/r....eview/a-tear-in-the-

⁣Take a journey around the world and back in time with anthropologist Dr. Niobe Thompson, and discover the miracle of our species.
Three-part documentary series and interactive web documentary The Great Human Odyssey explores the unlikely survival and the miraculous emergence of Homo sapiens as the world’s only global species. Ancient climate research has revealed that we evolved during the most volatile era since the extinction of the dinosaurs. Just like the many other kinds of human who once shared our world, we should have died away. Instead, our species survived to populate every corner of the planet, against all the odds.
Over 18 months of filming, Niobe followed in the footsteps of our ancestors across locations on five continents, working with 22 Canadian, American and South African cinematographers, including aerials, underwater, and ultra-slow motion specialists. Equipped with the next generation of ultraHD 4K cameras, film crews worked in some of the most hostile environments on Earth, including Arctic Siberia, remote South Pacific islands, tropical rainforests and African deserts.

On Papua New Guinea’s Sepik River, Niobe witnessed the extremely rare skin cutting initiation of the Crocodile People. His crew was the first in film history to visit the Badjao – the world’s last breath-hold diving nomads – in their war-torn homeland in the southern Philippines. In Russia, they filmed over the course of a full year in a closed border zone on the Bering Strait, eventually succeeding in their goal of capturing a traditional Inuit nest raid on 200-meter high sea cliffs.
At the same time, their cameras had privileged access to one of the world’s leading ancient DNA laboratories, where research on early human remains is explaining the mysteries of our survival, including the enigma of our ancestral interbreeding with Neanderthals.
The Great Human Odyssey boasts a live symphonic and choral score by Darren Fung, recorded with members of the Edmonton Symphony Orchestra and ProCoro Canada at one of North America’s leading acoustic spaces, Edmonton’s renowned Winspear Opera Hall.
After watching the series, immerse yourself in a virtual reality experiment, walking in the shoes of Kalahari Bushmen, Chukchi reindeer herders or Badjao free-divers, through the interactive web documentary. A parallel crew of cinematographers and web developers worked alongside the film crew on location to animate these fascinating cultures through POV video interactions.

You can also travel back in time to the origins of our species, 4m years ago, and see how our planet’s shorelines, deserts and glaciers changed at key points in evolutionary history. Working with Columbia University’s Lamont Doherty Earth Sciences Lab, this animated visual representationof climate change is a first-ever.
The Great Human Odyssey site is packed with interviews, mini-documentaries, image galleries and text information to give audiences a rich and visually exciting tour of the science and filmmaking techniques behind The Great Human Odyssey.

⁣My Reincarnation is an epic father-son drama, spanning two decades and three generations, about spirituality, cultural survival, identity, inheritance, growing old, growing up — and past and future lives.

The film follows the renowned reincarnate Tibetan spiritual master, Chögyal Namkhai Norbu, as he struggles to save his spiritual tradition, and his Italian born son, Yeshi, who wants nothing to do with his father's mission. Yeshi was recognized at birth as the reincarnation of his father's uncle, a powerful spiritual master who died at the hands of the Chinese in Tibet. But while Yeshi longs for a normal life, he cannot escape his destiny. As time passes, he begins to have visions and dreams of another life....

⁣Social Engineering, behaviorism, Mind Control, Sudo Democracy, human experimentatio, mechanistic philosophy, schooling, Noam Chomsky, Depopulation, Conspiracy, aggression, Deep State, Dehumanisation

Human Resources: Social Engineering in the 20th Century explores the rise of mechanistic philosophy and the exploitation of human beings under modern hierarchical systems. Topics covered include behaviorism, scientific management, work-place democracy, schooling, frustration-aggression hypothesis and human experimentation

Resources explores the rise of mechanistic philosophy and the exploitation of human beings under modern hierarchical systems.
Topics covered include behaviorism, scientific management, work-place democracy, schooling, frustration-aggression hypothesis and human experimentation.

Scott Noble releases all of his films online for free, but they do cost a fair bit to produce. If you're able and appreciate his work, consider supporting the production of the filmmaker's next film with a monthly donation on Patreon.

“A viscerally overpowering film and at the same time a thoughtful meditation on the human condition.”
- Walter A. Davis, Professor Emeritus, Ohio State University

“Brilliant…Riveting…The amount of material the filmmaker covers and unifies is astounding…Human Resources diagnoses the 20th century.”
- Stephen Soldz, Professor, Boston Graduate School of Psychoanalysis; President, Psychologists for Social Responsibility

"Powerful…Must See…It will leave you Spellbound.”
- Andrew Goliszek, Author, In the Name of Science: A History of Secret Programs, Medical Research, and Human Experimentation

"An important work…terrifiying in its implications….Human Resources is a must see for those of us who still take democracy seriously.”
- Bruce E. Levine, Author Commonsense Rebellion: Taking Back Your Life from Drugs, Shrinks, Corporations, and a World Gone Crazy

“It scared the shit out of me…A powerful and methodical dissection of the dominant culture.” - Derrick Jensen, Author, Endgame

⁣Documentary about Stanisław Szukalski had been discussed in Poland quite some time ago. Talks began as soon as it was announced that Leonardo DiCaprio was going to finance a movie about this extraordinary Polish artist. The news was even more exciting and intriguing since not many people had known that such a gifted sculptor, who was almost like a family member to DiCaprio, ever lived in the United States. Stanisław Szukalski is not among the familiar names even for Polish art experts and devotees. Rarely is he an idol for those who do know him, but he is rather considered a controversial figure with ideas not easily accepted by the artistic community of today. Dedicated fans of the rock band Tool may have heard something about Szukalski because the band members are inspired by the artist’s works to a great extent. However, the group most familiar with his life and works are the promoters of the Old Slavic tradition, especially neo-pagan nationalists. They certainly could say a lot about Stanisław or Stach from the Warta River (Stach z Warty), as the artist used to call himself quite often. If those are the people interested in the life and adventures of the main hero in Struggle: The Life and Lost Art of Szukalski, then we can surely expect that his story is fascinating but involves many ideological struggles and serious controversies at the same time.

Stanisław Szukalski was born in Warta near Łódź in 1893. From an early age he eagerly used his vivid imagination and showed every sign of being talented in fine arts. He went to the US for the first time in 1907 to live with his father who worked there. This is when his frequent travels between Poland and America began, which lasted until the 1940s. He felt fine in both places and his talent was seen and respected by both communities. Despite that, he was struggling to find out where he really belonged. He was quite obsessed with Polish history and culture but, at the same time, he very quickly grew into the American lifestyle of flamboyancy on the verge of arrogance, and overbearing individualism that almost equalled self-creation. This was the trap he got himself into because he was never fully understood in America and his attitude prevented him from being approved and acclaimed in Poland (or Europe), where one needed to respect authority. His aggressive approach and exotic, individual artistic ideas were the reasons he did not manage to graduate from the Academy of Fine Arts in Kraków and made him an outsider unapproved by the Polish fine arts community. His political views were radical as well. Szukalski had an idea of a new form of Polish national art which would be based on Slavic heritage. This idea gained recognition by some elite political groups and was a big part of the Polish community of the 1930s. After World War II, Szukalski settled in Los Angeles for good. He even made several works which were used in Hollywood movies. However, he did not accept being a simple worker and he was deeply affected by the fact that the majority of his works were destroyed in Poland during the war. This was the moment his stardom started to fade away gradually. Even then, he did not abandon his unique ideas on art and eccentric anthropological concepts.

Struggle: The Life and Lost Art of Szukalski mainly focuses on events in the 1970s and 1980s, i.e. the late stage of Szukalski’s life, when he was rediscovered by a group of underground, counterculture veterans. Among them was a publisher and occasional performer George DiCaprio (the father of Leonardo DiCaprio), a collector and enthusiast of comic books Glenn Bray, as well as their family members and friends. They were surprised that such fascinating artist lived in Los Angeles, so they started to visit him on a regular basis. What originated as a fascination with a somehow quirky old man quickly evolved into genuine friendship and later on transformed into a strong relationship which could equal family bonds. The young companions not only took care of Szukalski himself, but also embarked on a mission of getting various institutions interested in his works and achievements. Glenn Bray collaborated with his own wife and together they organised a few exhibitions of Szukalski’s works. It was also thanks to their efforts that several books about Szukalski were published. Improvised lectures which Szukalski delivered to his friends were also documented and recorded. Like a professional actor, he presented the story of his life, his art, an overview of his eccentric views and opinions and his own conception about the origin of humans, called zermatism. Bray has long hours of such recordings at his disposal and they are the main input material for the Netflix documentary.

The director of the film is documentary filmmaker Irek Dobrowolski, who depicted Szukalski as a paradoxical and multi-dimensional figure. The Polish patriot, who was devoted to Polish and Slavic ideas and heritage and was deeply critical about American culture, became a surprising hero for a bunch of mediocre post-hippies. In a way they saved his life. This unusual situation became the starting point for the director, which allowed him to explore internal conflicts and mental struggles that bothered not only Szukalski, but also his admirers. The beginning of the film shows only the American perspective. Szukalski seems a fascinating but strange man whose life was not all roses. We find out that in the past he was a leader of Chicago’s bohemia, and had an unquestionable talent and great imagination. Then Dobrowolski gradually uncovers past events to us. Experts helped him present a different, Polish narrative on the artist’s activities. This is not only a story about an arrogant eccentric, but also a disturbing picture of an avid nationalist and pagan ideologist with para-fascist inclinations, who was even a member of anti-Semitic organisations. Szukalski’s American friends were not familiar with this part of the artist’s biography which, when uncovered, left them deeply shocked. Each of them reacted to what they learned differently – some were critical and detached while others eagerly defended the artist because they believed that as he got older he became a different, better man. Irek Dobrowolski does not officially support any of these attitudes. Nevertheless, in the movie we can see that the “milder” American view of Szukalski’s transformation dominates in the end. Struggle is a fascinating study of duality and ambivalence. It is also a story about a guru and his followers who learn the truth about their prophet after many long years.

This experience is never enjoyable and easy – this we can say for sure.
At the beginning, I mentioned that the Polish artistic community was in opposition to Szukalski. The reason for this dislike and reluctance was the artist’s devotion to certain ideologies, but also controversial aesthetic qualities of his works which were over-expressive and monumental. The establishment did approve of the fantastic elements in Szukalski’s works. Such elements were not in line with modernist trends and, therefore, were considered kitsch. Nevertheless, the artist intrigues many and in recent years he has been mentioned increasingly frequently, however usually with negative connotations. The exhibition Late Polishness (2017) organised at U-Jazdowski Centre for Contemporary Art in Warsaw was an important event which attempted to remind the audience of Szukalski’s works. The event emphasised that these works are a troublesome heritage to us and provided inspiration for a discussion about the role of the nation in contemporary Polish art. Maurycy Gomulicki was responsible for the part of the exhibition which included Szukalski’s works. He is open about the fact that he is deeply fascinated with Szukalski, which started with strong admiration at a young age. As he got older he gained more perspective, but he continues to be interested in this unique figure. This is yet more proof that the artist’s charisma, emphasised in the film Struggle, affects people today.

Perhaps it was not a coincidence that Szukalski’s admirers were enthusiasts of comic and fantasy books. His works remind us of other artists who created their own, fantasy-based mythology and were subsequently rejected by the art establishment. They found their space in popular culture and attracted their own groups of “worshippers”. Painters such as H.R. Giger and Zdzisław Beksiński are a rich source of inspiration for pop culture artists. But Szukalski has the most in common with another artist – the “rejected” writer H.P. Lovecraft, who is the founding father of modern American horror books. Both artists imagined very similar things and their views on life were quite homogenous. They both lure their audiences with similarly incredible marvels. They also both have very radical attitudes, close to racism (anti-Semitism for Szukalski and white suprematism for Lovecraft), which is disconcerting for fans. The problem I just mentioned was presented quite mildly by Irek Dobrowolski in his film.

Szukalski’s change of attitude, which we see in Struggle, most likely never happened. Szukalski’s zermatism was about finding the roots of a strong and noble race, which certainly does not depart from radical, racist inclinations. His interest in ethnography was similar to what Leni Riefenstahl tried to present after the war. We also know that Szukalski was in mail contact with Polish pro-Slavic circles for a long time. In the movie, these incriminating facts were hidden behind personal, often moving stories told by Glenn Bray who defended his Polish friend with teary eyes. He took care of him until his death, but, as it turned out, he did not know everything about his past. I think that these personal touches are the most valuable parts of Struggle: The Life and Lost Art of Szukalski. In general, this is another instance where art, life, official ideologies and intimate scenes from everyday life do not form a coherent picture.

Struggle: The Life and Lost Art of Szukalski, 2018, directed by Irek Dobrowolski, is available on Netflix now
REVIEW RESOURCE: https://contemporarylynx.co.uk..../struggling-with-dou

⁣A Prison on Earth: Beyond The New World Order - In the shadows of other dimensions, there lays a nefarious force waging war upon humans for millennia from the space between spaces - a dark force that governs not just our thoughts and actions but our very souls. The very advent of time began the slave master hierarchy between us and those unseen forces behind our every action and thought.


They built and created "rules" and systems of thought, created kingdoms and spawned religions used to rule the masses from afar by controlling the ebb and flow of space and time on an epic level. Under the guise of "free will" and "individualism" the systems in place around us actually ensure that we have no choice but to comply and obey an underlying agenda that at its core is evil, and have been put in place by beings that feed and are nurtured by the control they maintain over planet Earth.


2016: Stars: William Kraft, Robert Mathison, Simon Oliver

⁣Critically Thinking with Dr. Sherri Tenpenny and Dr. Lawrence B. Palevsky, Dr. Carrie Madej, Dr. Lee Merritt, Dr. Christiane Northrup.
⁣Ever since reports have surfaced in recent days that people who have chosen NOT to receive the experimental COVID-19 shots but have been exposed to those who have received them, and have suffered what appear to be infections coming from these fully "vaccinated" people, affecting mainly women who have reported menstruation difficulties, heavy bleeding, miscarriages, and reduction of breast milk, I have been watching my newsfeed to see if any of the dissenting doctors and scientists we feature regularly here at Health Impact News would address these issues.

Fortunately, a team of 5 doctors in the U.S., all of whom we have featured in the past here at Health Impact News and are highly qualified to address this topic, just held a round-table discussion a couple of days ago to address these issues.

The issues they discuss affect ALL of us in the U.S. (and around the world) right now, and it is imperative that you take 79 minutes of your time to watch this video.

Not only do these highly qualified doctors discuss why they think this is happening, they also give practical advice at the end about what we can be doing right now to protect ourselves and stop this attack on the human race by the Globalists seeking to reduce the world's population.

Every single one of these doctors believe that these shots are NOT vaccines, but bioweapons designed to kill human beings.


Whatever else you are doing when you come across this video, it is highly unlikely that anything else you do the rest of your day will be more important than watching this video so you can be informed of the evil effects of these injections that are being censored in the corporate media and Big Tech social media.

Then share this video with as many people as you can.