⁣An intimate documentary that intends to unveil the mystery of a spectacular close encounter case witnessed by a lonely gaucho.

Juan lives a solitary existence on a remote farm ever since he witnessed a UFO event. Filmmaker Alan Stivelman - together with the help of famous astrophysicist Jacques Vallée – begin an epic journey to help Juan in understanding the deep meaning of his close encounter.
This true story shows the long-term consequences of close encounters, proving that no one is exempt from a potential contact.

“Witness of another world” is unique in showing the long term meaning of such encounters on people and those around them. That has never been done before, and especially in a real, non-fiction setting where the people who laugh or cry on the screen are not actors”- Dr. Jacques Vallée
“I am deeply touched by this film and your wise and graceful style and sensitivity. Thank you for sharing it with me, and thank you for the very personal effort it must have taken to make it. Bravo! Again, thank you for this unique and memorable film. I think its the closest depiction I have seen of Jacques’ philosophy about the UFO Phenomenon”- Douglas Trumbull. VFX of Close Encounter of the Third Kind, Blade Runner, 2001.
Director: Alan Stivelman
Starring: Juan Perez, Dr. Néstor Berlanda, Dr. Jacques Vallée
Date: 15 July 2018

⁣Doctor Roger Lier is a polarizing figure in the world of UFO enthusiasts and the new mystery/documentary, Patient Seventeen, seeks to provide more information about Lier and his beliefs.

Roger Leir claims to be a leading surgeon that removes nanotechnology from human beings that were placed in them by aliens from another world and Patient Seventeen looks to verify the authenticity of Leir's claims through the thought provoking documentary. The real-life Patient Seventeen is a man from Southern California in his forties and he claims that he was visited by aliens when he was a child. Leir recently put him under the knife to remove a metallic object from his calf, which he believes was put there by extraterrestrial beings. The official synopsis for the documentary reads.

"Meet a surgeon who claims to remove highly advanced implants, nanotechnology microchips imbedded by aliens, non-humans monitoring our earth. Discover the world of abductions, scalar wave transmissions, and a program to study or manipulate the human race. Armed with a patient, a scalpel, black lights and a stud finder; we seek to verify the authenticity of this alleged Off-World Implant Technology."

Filmmaker Jeremy Kenyon Locker Corbell aims to find the truth in Leir's work and interviews him and Patient Seventeen at length throughout the course of the unsettling movie that is sure to raise a few eyebrows. Patient Seventeen is the latest movie in a series that Corbell calls his "investigative film series" through his Extraordinary Beliefs productions.

A podiatrist by training, from the late 1980s Roger Leir became increasingly involved with his local branch of the Mutual UFO Network (MUFON). Attending one of its conferences in 1995, he was presented with several foot X-rays from a woman who believed that she had been abducted by aliens. Despite Leir's skepticism, the scans did indicate that there was something in her big toe, and to satisfy his curiosity he offered to operate on her, free of charge.

On August 19th, 1995 he extracted two very small foreign objects from the patient, each one metallic in appearance. A second patient underwent surgery that same day for an object about the size of a watermelon seed, between his thumb and index finger.

By the late 1990s, Leir's findings had established him as a prominent, though controversial, spokesperson for the alien abduction and UFO communities. The Aliens and the Scalpel, detailing his experiences with "implant" surgery, was published in 1999, followed by Casebook: Alien Implants. He made appearances in various television documentaries, including the History Channel's UFO Hunters, and attended conferences in more than 40 countries. In 2003, he travelled to Varginha, Brazil, to conduct his own research into the alleged crash of an alien craft there seven years previously, an event dubbed "the Brazilian Roswell." The investigation formed the basis of his final book, UFO Crash in Brazil.

⁣This documentary looks inside the life of a high-powered music publicist who became a techno-age philosopher.
For the past 20 years, in his second career as a best-selling author, Howard Bloom has been grappling with the big questions, all of which can be boiled down to, as he puts it here, “What does the universe want from you and me?” Bloom has, in the pre-Covid-19 world chronicled in this documentary about him, a strict routine that helps him in this discipline.
It includes morning exercise and consulting a list of reminders of what to take with him when he ventures out of his Brooklyn brownstone. It also involves a staggering number of medications, which he needs to combat his chronic fatigue syndrome, which struck him in 1988 and left him unable to step out of his bed, let alone his apartment, for many years.


Directed by Charlie Hoxie, “The Grand Unified Theory” is a moderately engaging documentary that credibly portrays Bloom’s indefatigability. He speaks of his aspiration to be a “24 hour-a-day information processing device” and defends his auto-didacticism by saying “Grad school looked like Auschwitz for the mind.” That eyebrow-raising simile is emblematic of Bloom’s bluff offhandedness, which likely served him well in his first career as a high-profile music publicist. (Recalling his tenure representing Run-DMC, he says, “We made rap.” Kurtis Blow and others might like a word.)

The movie spends more time on Bloom’s personality than it does on the ideas promulgated in such volumes as “The Lucifer Principle,” for which the actor Jeff Bridges contributes an onscreen blurb. And when Bloom confides his plan to let a Dubai-based fitness instructor and gym entrepreneur handle his archives, we get into what looks like some P.T. Barnum territory.

REVIEW RESOURCE: https://www.nytimes.com/2020/0....7/21/movies/the-gran

⁣How to generate homemade infinite energy with a washing machine motor and an engine.
This channel is the home of crazy inventions. I guarantee you will not be disappointed with the videos uploaded because there are some best videos that no one has done.

Contact to Author: kenhmrche@gmail.com

The publicly known information that Covid Vaccines are not a vaccines but kind of technology structured bio robots or even called Medical Devices was already disclosed at the beginning of January 2021.


This video podcast with Dr. Judy Mikovits, Dr. David Martin, Robert F. Kennedy Jr. and Rocco Galati was banned multiple times at all official media discussion wich Dr. Martin clearly explains that Covid Vaccines are the MEDICAL DEVICES and calling them vaccines is illegal because their action is not the same as the commonly known model of vaccine action.

⁣⁣What you hear in this video, now known as "The Secret Covenant of the Illuminati" surfaced on the web in 2002. Sent from a broken email address to someone that ran (or possibly still runs) a conspiracy info website.
Some conspiracy researchers believe that this secret covenant was written by a member of the Illuminati. Others, including me, believe anyone could have wrote this and it most likely wasn't anyone from a secret society. We could be wrong, but the fact is that, this is exactly what's happening.

⁣The story of Martin Armstrong
Can a computer model predict the world economy?

The year is 2014: Europe is stumbling from one emergency summit to the next. America has gone crashing through the 15-billion-dollar debt ceiling. People are taking to the streets across the world because they have realised that something has been thrown off kilter; that the market economy is tearing a vast rift between the super rich and the masses; that the banks have spiralled out of control; that governments have lost their grip on public debt.

And after eleven years off the radar, a man resurfaces in Philadelphia, a man who used a computer model and the number pi in the nineties to predict economic turning points with astounding precision: Martin Armstrong predicted the exact date of the October crash in 1987, the demise of the Japanese bull market in 1990, the turning point for the US and European markets in July 1998 and the Nikkei crash in 1989. He was one of the wealthiest Wall Street market analysts and was named economist of the decade and fund manager of the year in 1998. But he refused to play along with the bankers’ game and warned his customers that “the club” was manipulating currency and silver markets. He quickly made powerful enemies: New York investment bankers, hedge funds managers, Salomon Brothers, Goldman Sachs. The FBI and SEC, US Securities and the Exchange Commission, started to show interest in his computer model. In 1999 he was arrested on charges of fraud which he still disputes to this day. He was incarcerated for seven years for contempt of court. After time in solitary confinement and threats against his mother, he signed a partial confession and was sentenced to a further four years.

This documentary film portrays a man returning to his life after eleven years in prison. It follows him as he meets his old partners for the first time and depicts his first public speech to people who are still prepared to travel from across the globe and pay handsome sums to hear him speak. The film shows him attempting to prove his innocence and expose the power of the New York banks.

Martin Armstrong’s career thus began with a complete error of judgement. Even at this young age, he tried to understand the system, to grasp the logic according to which each boom was followed by a bust. Was Niccolo Machiavelli right in his belief that history repeated itself because man’s passions remain the same? He analysed the financial markets, studied the history of business cycles, stock market crashes and global monetary systems. He visited libraries and collected historical data: gold prices, exchange rates. He played around with figures and dates, he divided the time span between the Rye House Plot in 1683 and the year of the bankers’ panic in 1907 (224 years) by the number of market crashes during this period (26) and ended up with an average of 8.6

Eight point six – the global economy appeared to be based on this 8.6-year cycle. He multiplied the cycle by six which gave him 51.6 years and once again it all fitted perfectly: Black Friday in 1869, the commodity panic in 1920, and the Second and Third Punic Wars. He divided, subtracted and multiplied and established that 8.6 years equalled three thousand one hundred and forty-one days: 3,141, the magic number pi times a thousand. Did pi perhaps also govern the markets or the actions and moods that manifested themselves in these markets?

Armstrong was sure of one thing: there is a geometry of time. He may not be able to explain why, but there is some order to the chaos that exists around us.

Martin Armstrong had just published the secrets of pi when FBI men stormed his office. Soon his accounts and those of his partners in London, Australia and Japan had been frozen. They were not to meet for twelve years. “Is financier Armstrong a Con man, a crank or a genius” asked the New Yorker headline in an eight-page article written as Armstrong was in a maximum security wing in New York. What are the judicial facts, the legal peculiarities and the juristic doubts involved here? And who could have profited from Martin Armstrong’s lengthy sentence behind US bars? And: what does all this say about a system on which we are all dependent in one way or another?

12 years after the demise of Princeton Economics Martin Armstrong is released from prison after he signed a coerced guilty plead. His new life commences with a “World Economic Conference” in Philadelphia. Only three months after his release, he’s back again. As if nothing had happened. As if there’d been no twelve years where he was deprived of the world. Martin Armstrong lectures to 350 people, who travelled especially to Philadelphia to see him. He speaks of his initial approach towards solving the global financial crisis, which he compares to the fall of the Roman Empire. And twelve years later, some of his former partners are back to perhaps resume operations where they’d left off. Will Martin Armstrong and his former partners join forces and re-establish Princeton Economics to make their distinctive mark on the desolate landscape of the financial sector?

WITH
(IN ORDER OF APPEARANCE)
OFER COHEN
VICKY ARMSTRONG
DANIELLE WHITE
LARRY EDELSON
IDA ARMSTRONG
SAM COLAVITA
ANTHONY GODIN
MICHAEL CAMPBELL
BARCLAY LEIB
NIGEL KIRWAN
JUSTIN PFEIFFER
NEILL MACPHERSON
JANA ASPRAY
DAVID GLOVIN
TOMAS V. SJOBLOM
LESSLIE MACPHERSON
GEORG SPERBER
OLIVER BROWN

⁣The Big Picture of Child Trafficking - PizzaGate & Beyond: Part 1, Mind Control Culture: Part 2

This documentary by Renegade Films explores the dark agenda behind the sexualization of children for mass mind control. International Jewry is using mind control to facilitate their White Genocide agenda.
EVERY American MUST KNOW we were attacked by Israel on June 8, 1967 in the USS Liberty Attack where Israel KNOWINGLY killed 34 Americans and wounded 171 others, BIGGEST COVER-UP IN WORLD HISTORY, NOT TAUGHT IN YOUR FAKE HISTORY BOOKS!

Israel also did 9/11, JEWS did 9/11, NOT MUSLIMS/ARABS! Research "The 5 Dancing Israelis' on 9/11", make signs that say ISRAEL DID 9/11 and EXPEL THE JEWS and hit the streets with the message, NAME THE JEW!

EXPEL THE JEWS! Vote Patrick Little 2020, he will expel the Jews by 2022, his campaign slogan is: "Liberate the US from the Jewish Oligarchy!" He will serve America NOT Israel, NO MORE WARS FOR ISRAEL under Patrick Little! SPREAD THE WORD, TELL EVERYONE YOU KNOW AND TELL THEM TO DO THE SAME!

MAKE THE TRUTH GO VIRAL, the sleeping masses MUST AWAKEN!

⁣‘Aids and Abet: The Truth About AIDS’ is a lengthy documentary that unveils the crimes and frauds that were committed by the medical establishment, completely disproves the ‘HIV=AIDS’ model, and conveys the truth regarding the real reason why people developed the symptoms that are commonly associated with ‘AIDS.’

‘Aids and Abet: The Truth About AIDS’ is part of our new series - The Real Cause Of Disease - RealEyesation Specials. Obscurations of modern vested interests have mislead the world into believing the lies that pertain to the causes of disease.

The real causes however, do not relate to any foreign invaders, as the Germ Theory has postulated for a great many years. In this series we will go through each and every commonly known disease and we will unravel the truth that lies beneath the consensual narrative. Whereby you will be able to apply the principle of Ockham’s Razor, and understand the truth for yourself.

Articles and resources mentioned in the video:

• https://www.cdc.gov/mmwr/previ....ew/mmwrhtml/rr5710a2
• https://www.fda.gov/media/73256/download
• http://www.theperthgroup.com/C....ONTINUUM/Papadopolou
• https://academic.oup.com/jid/a....rticle/194/10/1450/8
• https://www.cdc.gov/mmwr/previ....ew/mmwrhtml/june_5.h
• https://archives.drugabuse.gov..../sites/default/files
• https://www.nejm.org/doi/full/....10.1056/NEJM19811210
• http://www.ummafrapp.de/skanda....l/haart/the_failure_
• https://pubmed.ncbi.nlm.nih.gov/12799487/
• https://www.nejm.org/doi/full/....10.1056/NEJM19870723

Recommended books:

Virus Mania, by Torsten Engelbrecht & Claus Köhnlein:
https://www.goodreads.com/book..../show/2498755.Virus_

The Aids War, by John Lauritsen:
https://www.goodreads.com/book..../show/1399719.The_AI

The Contagion Myth, by Dr. Tom Cowan & Sally Fallon Morell:
https://www.goodreads.com/book/show/54786062-the-contagion-myth?from_search=true&from_srp=true&qid=U8vnoLsstn&rank=1

Inventing The AIDS Virus, By Dr. Peter Duesberg:
https://www.goodreads.com/book/show/79375.Inventing_the_AIDS_Virus?from_search=true&from_srp=true&qid=wZYgnlKZqE&rank=1

And The Band Played On, by Randy Shilts:
https://www.goodreads.com/book/show/28212.And_the_Band_Played_On?from_search=true&from_srp=true&qid=QyVEvKdAR7&rank=1

Good Intentions, by Bruce Nussbaum:
https://www.goodreads.com/book/show/2421929.Good_Intentions?from_search=true&from_srp=true&qid=lr3aXbu5Gp&rank=2

More info on the blogs at:
https://realeyesation.com/status-quo/ and discover more about the world of esoteric philosophy!

Status Quo, What is Healthy Nutrition?:
https://realeyesation.com/blog....-en/what-is-healthy-

Music I use:https://artlist.io/Alexander-2922097

Let me know your thoughts in the comments below 👇

⁣We need to have a heart-to-heart about a little something called the New World Order agenda.


You see, for decades, conspiracy theorists have been warning us about this globalist plan to create a one-world government, but it seems like too many of us are still in the dark about what's really going on. So, why are we being kept ignorant?


Let's dive in and find out.

⁣Rodney Ascher's wry and provocative Room 237 fuses fact and fiction through interviews with cultists and scholars, creating a kaleidoscopic deconstruction of Kubrick's still-controversial classic The Shining.


What is "Room 237" really about? On the surface, Rodney Ascher's documentary exhibits the theories a few obsessive fans have put forward to reveal what they think Stanley Kubrick's "The Shining" is really about. According to them, Kubrick stashed "hidden meanings" in the vacancies, hallways, ballrooms, bathrooms, walk-in storage areas and hedge-mazes of the Overlook Hotel in his 1980 horror film.


Trouble is, the "Room 237" conspirators — er, contributors — don't seem to realize that those meanings are either not hidden, not meanings or not remotely supported by the secret evidence they think they've uncovered. "Room 237" isn't film criticism, it isn't coherent analysis, but listening to fanatics go on and on about their fixations can be kind of fun. For a while, at least.
Five off-screen narrators pitch various interpretations of "The Shining," accompanied by stock footage, illustrative recreations and clips from Kubrick's filmography. For Bill Blakemore, the subject of Kubrick's "Masterpiece of Modern Horror" is the genocidal slaughter of Native Americans by white European settlers; for Geoffrey Cocks, it's about the Holocaust in Nazi-dominated Europe; for Juli Kearns, it's an exploration of an impossible, Escher-like maze called the Overlook Hotel.


John Fell Ryan has discovered some interesting juxtapositions that occur if you project two prints of "The Shining" on top of each other at the same time, with one running forward and the other running backward. Jay Weidner, who characterizes himself as a "conspiracy hunter," insists "The Shining" is Kubrick's belated, life-risking confession/apology for faking the television footage of the Apollo 11 moon landing on the sets for "2001: A Space Odyssey" at the behest of the U.S. government.
"Room 237" could easily be (mis)taken for a comedic satire of fervent movie-geekery if the theories it presents — some more cockeyed than others — hadn't appeared on the Internet years ago. That's where Ascher found the inspirations for his documentary.


It starts off with a visual trick: In a digitally modified clip from Kubrick's final film, "Eyes Wide Shut" (1999), Dr. Bill Harford (Tom Cruise) stands outside the Sonata Cafe in Greenwich Village, which is actually a set at Pinewood Studios near London (which is the source of a little in-joke: The location is identified as "EUROPE"). But instead of inspecting a display featuring his old friend, pianist Nick Nightingale, he's looking at promotional materials for "The Shining." You could say that "Room 237" is based on a similar illusion, getting us to see things in a movie that either aren't there or aren't what they appear to be.


Let's rewind: Back in 2010, Ascher made a notably similar short film called "The S From Hell," a parodic inquiry into the off-the-wall proposition that the Screen Gems logo, which appeared after episodes of popular TV series such as "Bewitched" and "The Partridge Family" from 1965 to 1974, was so frightening, it traumatized a generation of unsuspecting children. Maybe you don't recall being terrified by this or any other logo? Me, neither. But we could've repressed it.


The goofy premise of "The S from Hell" is no less unlikely than some of the blarney put forward in "Room 237." The movie doesn't judge the relative merits of its subjects' opinions, probably because that might be construed as favoritism. That's understandable. But as a result, the movie lacks examples of sound critical thinking. All we have here are do-it-yourself interactive fan games.
In "The Shining," the genial hotel manager (played by Barry Nelson) mentions that the Overlook was built on an ancient Indian burial ground — a familiar horror-movie trope. Sure enough, the hotel decor is inspired by Native American motifs, as we can plainly see. But what, then, is the movie supposedly saying about the genocide of Native Americans? That their vengeful spirits might come back and kill people at a hotel? As the saying goes, that's not subtext, it's text.


The proponents of the Holocaust and staged-moon-landing scenarios undermine their own hypotheses by backing into them. They start with extraneous information (Kubrick wanted to make a Holocaust movie but could never figure out how; nobody was in a better position than Kubrick to fake moon footage in 1969). Then they scour the nooks and crannies of "The Shining" for anything that could be construed to support, or at least reference, their chosen preconceptions.


So is the recurrence of the number 42 (on Danny's jersey; in the movie "Summer of '42" on TV) an allusion to 1942, the year of the Wannsee Conference when Nazi officials met to plan the Final Solution? What about that German typewriter? And is Danny's hand-knit Apollo 11 sweater linked to the ultra-scary Room 237 because the average distance between the Earth and the moon is 237,000 miles? Even though it isn't 237,000 miles, but let's not allow facts and a few extra zeroes to spoil a juicy conspiracy plot. What if the first word in the famous typewritten "All work and no play makes Jack a dull boy" manuscript could be read as "A11" — as in "Apollo 11"?! What if, indeed.
The double-projection trick isn't a theory at all, just a nifty experiment in randomness somewhat less remarkable than the discovery that Pink Floyd's "Dark Side of the Moon" produces some striking juxtapositions when played along with "The Wizard of Oz." Likewise, it's sorta neat that the Outlook does not have an intelligible floor plan, as it fits with the movie's "lost in the maze" motif. But there's nothing unusual about it. That's the way movie sets are usually built — in disconnected bits and pieces, not as integral units.


Kubrick's longtime assistant and collaborator Leon Vitali (who played Lord Bullingdon in "Barry Lyndon") recently said that "Room 237" had him "falling about laughing most of the time" because he knows these ideas are "absolute balderdash." The Adler typewriter, for example, belonged to Kubrick himself, and that particular model was once as commonplace as late-model iPhones.
Any movie is the product of forethought, accident and improvisation. In the end, once the film is released, the filmmakers' intentions don't really matter anymore because it belongs to the audience. At that point, if something's there, it's there. "Room 237," regrettably, isn't all there.

⁣Dr Judy Wilyman will blow your mind about the truth about Covid. Share this with everyone.
Dr. Wilyman has a Master of Science degree (Population Health) and a PhD in the History of the Control of Infectious Diseases in Australia. Judy was a science teacher for 20 years before completing her PhD in this public health issue.

More info about Dr. Judy Wilyman you will find here:
https://www.vaccinationdecisions.net/about-us/

The mentioned book by Dr. Judy Wilyman's title Vaccination: Australia's Loss of Health Freedom is available here:
https://www.goodreads.com/book..../show/56483908-vacci
https://thesoundtemple.com.au/....shop/vaccination-aus

Book description here:
https://www.vaccinationdecisio....ns.net/my-book-austr

⁣From the authors: THRIVE is an unconventional documentary that lifts the veil on what's "really" going on in our world by following the money upstream - uncovering the global consolidation of power in nearly every aspect of our lives.
Weaving together breakthroughs in science, consciousness and activism, THRIVE offers real solutions, empowering us with unprecedented and bold strategies for reclaiming our lives and our future.
From the Odyssey Magazine: THRIVE is more than a documentary relevant to the times. It is more than a well-researched and alarming insight into who really controls how the world works.
It is a recipe and blueprint for how we can, each and every one of us, thrive in the way that the rest of nature does – easily, naturally and with expansive grace. For this last point alone, it is more than worth the time to see.


RESOURCE: https://closed.thrivemovement.com

⁣This video by The Mirror Project explains whether or not you can choose to have blood containing mRNA if you were in hospital or needed emergency care or a transfusion following an accident.
The movie makers - THE MIRROR PROJECT invites everyone to copy and share this documentary. Feel free to spread this information, so you have the chance to save the lives of many sentient beings.

If you have experienced serious side effects following Covid vaccine jab.
Please inform your healthcare provider and ensure a report is submitted to your country’s relevant authority.


The theatres of this film asking people that would like to document
and share their story, to send us their details to info@mp-22.com

RESOURCE: https://www.mp-22.com

⁣The film narrative is focused on the life of singer-songwriter Amy Winehouse, who was found dead on 23 July 2011 from alcohol poisoning, at the age of 27 at her home in Camden, North London.


The film starts with a 1998 home movie depicting a 14-year-old Winehouse singing along with her long-time friend, Juliette Ashby, at the birthday party of their mutual friend, Lauren Gilbert, at a home in Southgate, London.
The rest of the documentary shows the songwriter's life, in a chronological order from her early childhood, to her music career, which attained commercial success through her debut album, Frank (2003), and second, final album Back to Black (2006), to her troubled relationships, self-harm, bulimia, the controversial media attention, and her downfall with her drug and alcohol addiction, all until her death in 2011. Winehouse is featured throughout the film talking about her early influences and how she felt about fame, love, depression, family and her music career.
The subject of the film, Amy Winehouse performing the Virgin Festival, Pimlico, Baltimore in 2007.


Kapadia conducted more than 100 interviews with Winehouse's friends and family that combine to provide a narrative around the star's life and is billed as "the singer in her own words." The film shows extensive unseen footage and unheard tracks Winehouse had recorded in the years before she died. Unheard tracks featured in the film are either rare live sessions, such as "Stronger Than Me", "In My Bed", "What Is It About Men?" and Donny Hathaway's "We're Still Friends", a cover of Johnny Mercer's "Moon River" from when Winehouse attended the National Youth Jazz Orchestra at the age of 16 in 2000 or never-before heard songs the star wrote, such as "Detachment" and "You Always Hurt The Ones You Love".


There are various pieces of extensive, unseen archive footage of Winehouse, such as when she is video-recorded in a cab with friend Tyler James in January 2001 and driving to tours and on her long-term friend, Lauren Gilbert's holiday tape in Majorca, Spain in August 2005.


The film also shows various interviews, such as with Jonathan Ross, Tim Kash, and a funny video of when Winehouse is interviewed and talked to about singer Dido in 2004, when she promoted her debut album. The documentary also includes when Winehouse performed live from London on the Grammy Awards in 2008, and won the award for "Record of the Year".


The film also features footage from when she was filmed with her ex-husband Blake Fielder-Civil, various performances, and when she auditioned at Island Records in February 2003, singing "I Heard Love Is Blind". Also included is footage from when she was recording her second album in March 2006 and a duet single, "Body and Soul", with Tony Bennett in March 2011 as her last recording before her death.


Some outtakes are also featured of her last shambolic performance in Belgrade, Serbia, a month before she died. The film concludes with long-term friend Juliette Ashby talking about her last phone call with Winehouse, footage of Winehouse's body being taken out of her home after her death, and Bennett stating: "Life teaches you really how to live it, if you live long enough." It then shows scenes from three days later of footage from Winehouse's funeral at Edgwarebury Cemetery and Golders Green Crematorium in North London. Closing clips end the film with videos of Winehouse from her early years until her death, with Antonio Pinto's composition, "Amy Forever".

⁣⁣Agenda 21 & 2030 Exposed by Insider - UN Global Goals Build Back Better Agenda
Real Great Awakening Daily QANON, Trump & PLANdemic News! Join Our Community On Telegram Here: https://t.me/greatawakeningworld

It's Time For Everyone To Wake Up!
The Globalists Deep-State & Plandemic Secrets You Need To Know ASAP. Visit And Share: https://greatawakening.world

⁣This brilliant documentary reveals how a small group of superrich criminals have been buying virtually everything on earth, until they own it all. From media, health care, technology, travel, food industry, governments... That allows them to control the whole world. Because of this they are now trying to impose the New World Order.

⁣This documentary follows Aubrey Marcus and company through a powerful Ayahuasca ceremony at Spiritquest Sanctuary in Peru. Under the guidance of Don Howard and his team of ayahuasca shamans, Aubrey and his tribe experience deeply vulnerable transformational experiences. This beautifully cinematic journey is directed by Mitch Schultz, the director of DMT the Spirit Molecule, with an original soundtrack by Poranguí.

Aubrey first began speaking about Ayahuasca on the Joe Rogan Experience podcast in 2011. Since then he has appeared in dozens of other documentaries and media outlets commenting on Ayahuasca. The documentary seeks to help the viewer answer the following questions for themselves:

What is Ayahuasca?
What is it like to take Ayahuasca?
What visions do you have while on Ayahuasca?
What emotional breakthroughs occur during an Ayahuasca ceremony?
Should I take ayahuasca?

Let me know your thoughts in the comments?

⁣This documentary from Jeff Orlowski explores how addiction and privacy breaches are features, not bugs, of social media platforms.
That social media can be addictive and creepy isn’t a revelation to anyone who uses Facebook, Twitter, Instagram and the like. But in Jeff Orlowski’s documentary “The Social Dilemma,” conscientious defectors from these companies explain that the perniciousness of social networking platforms is a feature, not a bug.

They claim that the manipulation of human behavior for profit is coded into these companies with Machiavellian precision: Infinite scrolling and push notifications keep users constantly engaged; personalized recommendations use data not just to predict but also to influence our actions, turning users into easy prey for advertisers and propagandists.

As in his documentaries about climate change, “Chasing Ice” and “Chasing Coral,” Orlowski takes a reality that can seem too colossal and abstract for a layperson to grasp, let alone care about, and scales it down to a human level. In “The Social Dilemma,” he recasts one of the oldest tropes of the horror genre — Dr. Frankenstein, the scientist who went too far — for the digital age.

In briskly edited interviews, Orlowski speaks with men and (a few) women who helped build social media and now fear the effects of their creations on users’ mental health and the foundations of democracy. They deliver their cautionary testimonies with the force of a start-up pitch, employing crisp aphorisms and pithy analogies.

“Never before in history have 50 designers made decisions that would have an impact on two billion people,” says Tristan Harris, a former design ethicist at Google. Anna Lembke, an addiction expert at Stanford University, explains that these companies exploit the brain’s evolutionary need for interpersonal connection. And Roger McNamee, an early investor in Facebook, delivers a chilling allegation: Russia didn’t hack Facebook; it simply used the platform.
Much of this is familiar, but “The Social Dilemma” goes the extra explainer-mile by interspersing the interviews with P.S.A.-style fictional scenes of a suburban family suffering the consequences of social-media addiction. There are silent dinners, a pubescent daughter (Sophia Hammons) with self-image issues and a teenage son (Skyler Gisondo) who’s radicalized by YouTube recommendations promoting a vague ideology.


This fictionalized narrative exemplifies the limitations of the documentary’s sometimes hyperbolic emphasis on the medium at the expense of the message. For instance, the movie’s interlocutors pin an increase in mental illness on social media usage yet don’t acknowledge factors like a rise in economic insecurity. Polarization, riots and protests are presented as particular symptoms of the social-media era without historical context.
Despite their vehement criticisms, the interviewees in “The Social Dilemma” are not all doomsayers; many suggest that with the right changes, we can salvage the good of social media without the bad. But the grab bag of personal and political solutions they present in the film confuses two distinct targets of critique: the technology that causes destructive behaviors and the culture of unchecked capitalism that produces it.

Nevertheless, “The Social Dilemma” is remarkably effective in sounding the alarm about the incursion of data mining and manipulative technology into our social lives and beyond. Orlowski’s film is itself not spared by the phenomenon it scrutinizes. The movie is streaming on Netflix, where it’ll become another node in the service’s data-based algorithm.

REVIEW RESOURCE: https://www.nytimes.com/2020/0....9/09/movies/the-soci

Watch PART 1 (One) here => ⁣https://vajratube.com/v/SXRrCw
⁣After a long summer of feasting, their bodies stately and plump, the emperor penguins of Antarctica begin to feel, toward autumn, a need to march inland to the breeding grounds "where each and every one of them was born." They are all of a mind about this, and walk in single file, thousands of them, in a column miles long. They all know where they are going, even those making the march for the first time, and when they get there, these countless creatures, who all look more or less the same to us, begin to look more or less desirable to one another. Carefully, they choose their mates.

This is not a casual commitment. After the female delivers one large egg, the male gathers it into a fold of his abdomen, plants his feet to protect the egg from the ice below, and then stands there for two months with no food or water, in howling gales, at temperatures far below zero, in total darkness, huddled together with the other fathers for warmth. The females meanwhile, march all the way back to the sea, now even more distant, to forage for food, which they will bring when the spring comes, if they know it must. When the females return to the mass of countless males, they find their mate without error and recognize the cries of chicks they have never seen.

"March of the Penguins" is simply, and astonishingly, the story of this annual cycle. It was filmed under unimaginable conditions by the French director Luc Jacquet and his team, including the cinematographers Laurent Chalet and Jerome Maison. There is not much to choose from in setting up their shots: On the coldest, driest and (in winter) darkest continent on Earth, there is snow, and there is ice, and there are penguins. There is also an ethereal beauty.

Although the compulsion to reproduce is central to all forms of life, the penguins could be forgiven if they'd said the hell with it and evolved in the direction of being able to swim to Patagonia. The film's narrator, Morgan Freeman, tells us that Antarctica was once a warm land with rich forests that teemed with creatures. But as the climate grew colder over long centuries, one lifeform after another bailed out, until the penguins were left in a land that, as far as they can see, is inhabited pretty much by other penguins, and edged by seas filled with delicious fish. Even their predators, such as the leopard seal, give them a pass during the dark, long, cold winter.

"This is a love story," Freeman's narration assures us, reminding me for some reason of Tina Turner singing "What's Love Got to Do With It?" I think it is more accurately described as the story of an evolutionary success. The penguins instinctively know, because they have been hard-wired by evolutionary trial and error, that it is necessary to march so far inland because in spring, the ice shelf will start to melt toward them, and they need to stand where the ice will remain thick enough to support them.

As a species, they learned this because the penguins who paused too soon on their treks had eggs that fell into the sea. Those who walked farther produced another generation, and eventually every penguin was descended from a long line of ancestors who were willing to walk the extra mile.

Why do penguins behave in this manner? Because it works for them, and their environment gives them little alternative. They are Darwinism embodied. But their life history is so strange that until the last century, it was not even guessed at. The first Antarctic explorers found penguins aplenty, but had little idea where they came from, where they went to, and indeed whether they were birds or mammals.

The answers to those questions were discovered by a man named Apsley Cherry-Garrard, in one of the most remarkable books ever written, The Worst Journey in the World (1922). He was not writing about the journey of the penguins, but about his own trek with two others through the bitter night to their mating grounds. Members of Scott's 1910-1912 expedition to the South Pole, they set out in the autumn to follow the march of the penguins, and walked through hell until he found them, watched them, returned with one of their eggs. Cherry-Garrard retired to England, where he lived until 1959; his friends felt the dreadful march, and the later experience of finding the frozen bodies of Scott and two others, contributed to his depression for the rest of his life.

For Jacquet and his crew, the experience was more bearable. They had transport, warmth, food and communication with the greater world. Still, it could not have been pleasant, sticking it out and making this documentary, when others were filming a month spent eating at McDonald's. The narration is a little fanciful for my taste, and some of the shots seem funny to us but not to the penguins. When they fall over, they do it with a remarkable lack of style. And for all the walking they do, they're ungainly waddlers. Yet they are perfect in their way, with sleek coats, grace in the water and heroic determination. It's poignant to watch the chicks in their youth, fed by their parents, playing with their chums, the sun climbing higher every day, little suspecting what they're in for.

REVIEW RESOURCE: https://www.rogerebert.com/rev....iews/march-of-the-pe