⁣BOMBSHELL: Dr. Clare Craig Exposes How Pfizer Twisted Their Clinical Trial Data for Young Children.

STORY AT-A-GLANCE
- The trial recruited 4,526 children aged six months to four years old. 3,000 of these children did not make it to the end of the trial. Why was there this drop off?
- There were six children aged two to four who had severe covid in the vaccine group but only one in the placebo group. So on that basis, the likelihood that this vaccine is actually causing severe covid is higher than the likelihood that it isn’t.
- The only child who was hospitalized in the trial for a fever and a seizure was vaccinated.
- In the three week period, after the first vaccine dose, thirty-four of the vaccinated children got covid and only thirteen in the placebo group which worked out as a 30% increased chance of catching covid in that three week period if you were vaccinated.
- They ignored that data and then there was an eight week gap between the second dose and the third dose where again, children were getting plenty of covid in the vaccine arm. They ignored that data.
- There was then several weeks after the third dose which they also ignored, which meant that in the end they had ignored 97% of the covid that occurred during the trial and they compared three children in the vaccine arm who had covid with seven in the placebo arm and they said that this showed the vaccine was effective.
- The children who would have been placebo, the control group, were followed up for an average of six weeks and then unblinded and given the vaccine. That’s your safety control gone forever.
- Emergency Use Authorization is meant for a situation where there’s a risk of serious injury or death. Children under five are not at risk of serious injury or death from covid.

MORE RESOURCES:
https://organicconsumers.org/b....ombshell-dr-clare-cr
https://telegra.ph/BOMBSHELL-D....r-Clare-Craig-Expose

⁣‘Aids and Abet: The Truth About AIDS’ is a lengthy documentary that unveils the crimes and frauds that were committed by the medical establishment, completely disproves the ‘HIV=AIDS’ model, and conveys the truth regarding the real reason why people developed the symptoms that are commonly associated with ‘AIDS.’

‘Aids and Abet: The Truth About AIDS’ is part of our new series - The Real Cause Of Disease - RealEyesation Specials. Obscurations of modern vested interests have mislead the world into believing the lies that pertain to the causes of disease.

The real causes however, do not relate to any foreign invaders, as the Germ Theory has postulated for a great many years. In this series we will go through each and every commonly known disease and we will unravel the truth that lies beneath the consensual narrative. Whereby you will be able to apply the principle of Ockham’s Razor, and understand the truth for yourself.

Articles and resources mentioned in the video:

• https://www.cdc.gov/mmwr/previ....ew/mmwrhtml/rr5710a2
• https://www.fda.gov/media/73256/download
• http://www.theperthgroup.com/C....ONTINUUM/Papadopolou
• https://academic.oup.com/jid/a....rticle/194/10/1450/8
• https://www.cdc.gov/mmwr/previ....ew/mmwrhtml/june_5.h
• https://archives.drugabuse.gov..../sites/default/files
• https://www.nejm.org/doi/full/....10.1056/NEJM19811210
• http://www.ummafrapp.de/skanda....l/haart/the_failure_
• https://pubmed.ncbi.nlm.nih.gov/12799487/
• https://www.nejm.org/doi/full/....10.1056/NEJM19870723

Recommended books:

Virus Mania, by Torsten Engelbrecht & Claus Köhnlein:
https://www.goodreads.com/book..../show/2498755.Virus_

The Aids War, by John Lauritsen:
https://www.goodreads.com/book..../show/1399719.The_AI

The Contagion Myth, by Dr. Tom Cowan & Sally Fallon Morell:
https://www.goodreads.com/book/show/54786062-the-contagion-myth?from_search=true&from_srp=true&qid=U8vnoLsstn&rank=1

Inventing The AIDS Virus, By Dr. Peter Duesberg:
https://www.goodreads.com/book/show/79375.Inventing_the_AIDS_Virus?from_search=true&from_srp=true&qid=wZYgnlKZqE&rank=1

And The Band Played On, by Randy Shilts:
https://www.goodreads.com/book/show/28212.And_the_Band_Played_On?from_search=true&from_srp=true&qid=QyVEvKdAR7&rank=1

Good Intentions, by Bruce Nussbaum:
https://www.goodreads.com/book/show/2421929.Good_Intentions?from_search=true&from_srp=true&qid=lr3aXbu5Gp&rank=2

More info on the blogs at:
https://realeyesation.com/status-quo/ and discover more about the world of esoteric philosophy!

Status Quo, What is Healthy Nutrition?:
https://realeyesation.com/blog....-en/what-is-healthy-

Music I use:https://artlist.io/Alexander-2922097

Let me know your thoughts in the comments below 👇

⁣From the authors: THRIVE is an unconventional documentary that lifts the veil on what's "really" going on in our world by following the money upstream - uncovering the global consolidation of power in nearly every aspect of our lives.
Weaving together breakthroughs in science, consciousness and activism, THRIVE offers real solutions, empowering us with unprecedented and bold strategies for reclaiming our lives and our future.
From the Odyssey Magazine: THRIVE is more than a documentary relevant to the times. It is more than a well-researched and alarming insight into who really controls how the world works.
It is a recipe and blueprint for how we can, each and every one of us, thrive in the way that the rest of nature does – easily, naturally and with expansive grace. For this last point alone, it is more than worth the time to see.


RESOURCE: https://closed.thrivemovement.com

⁣The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.
Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

⁣Werner Herzog, Documentary, Timothy Treadwell, Alaska, Tragedy, Tragicomedy, Home Video, Nature

Tragicomedy is an overworked word. Yet nothing else will do. Werner Herzog, that connoisseur of extreme figures in far-off places, has made an inspired documentary about the gonzo naturalist Timothy Treadwell, who in 2003 ended up as lunch for the bears he lived with in the remote Alaskan wilderness.
It is poignant, it is beautiful, and it is absolutely hilarious. Herzog didn't even have much work to do, what's more, because Treadwell - gifted, untrained film-maker that he was - had done almost everything himself, leaving behind hundreds of hours of videotape that he had shot at extreme and indeed fatal risk to himself. They contain sublime, dramatic shots of the bears and footage of his own mad and posturing rants to camera, wearing combats and a bandana - part surfer-dude, part drama-queen. Poor Mr Treadwell. He loved those bears. And they loved him. Yum, yum!

Timothy Treadwell was a mixed-up kid from Long Island in the US who wanted to be an actor. He auditioned for Cheers, but the shock and disappointment of coming second to Woody Harrelson sent him over the edge into drink and drug crises. He came out the other side clean and sober, but with a new passion: the grizzly bears of Alaska. Every summer, he went camping out there with his video camera and his attitude problem, regularly breaking the US park rangers' rule not to come within 100 yards of a bear. Timothy got up close and personal, giving them cute names like "Mr Chocolate" and "Sgt Brown", patting them on the nose, and becoming obsessed with gaining the bears' respect for his courage in doing so. His opening rant to camera is a comic classic, influenced, I very much suspect, by Dennis Hopper in Apocalypse Now: "I am a kind warrior! I will not die at their claws and paws! I will be a master!"

Bizarrely, his macho extreme-sports persona often alternates with something screamingly camp. Treadwell yoo-hoos wildly like Robin Williams at the bears who lope up to him: "Oh hi! Hiya! Oh he's a big bear! He's a surly bear!" And Treadwell is often very funny - a reality TV natural who never got his own show. There are too many choice moments to describe here, but among the classics is his sudden zooming-in on an immobile bumble bee on a flower, which he tearfully describes: "Isn't this so sad? A bumble-bee expired while it was doing the pollen thing. It's beautiful . . . it's sad . . . it's tragic . . . it's . . . WAIT! The bee just MOVED! Is it . . . is it just SLEEPING?" Later, Treadwell films a full-on macho-bear fight between Micky and Sgt Brown over a female called Saturn, whom Treadwell describes as the "Michelle Pfeiffer of bears".

His mission was to teach the world about these animals, and this he certainly did, according to his lights, touring schools and giving illustrated talks to kids without accepting a fee. But he also angrily claimed, in some of his looniest soliloquies, that he was "protecting" the bears from poachers or even the federal authorities. The awful truth was that he did not add anything to our knowledge of bears, and that any supposed danger these animals were in, living as they did in a protected national park, existed only in Treadwell's over-heated, self-dramatising imagination.

Treadwell's over-the-top persona is in contrast to the cool, deadpan drone of Herzog himself, who pays tribute to his intuitive skills as a film-maker, but repudiates Treadwell's Disneyfied view of nature, seeing in it only colossal coldness and indifference. Herzog appears on camera just once, listening through headphones to Treadwell's final screams - and those of his luckless girlfriend - as they are both eaten. It is only audio, as Treadwell was attacked before he could remove the lens-cap; in a masterstroke of restraint, Herzog does not let us hear this sound, and sorrowfully advises Treadwell's former girlfriend, Jewel, to burn the tape. I wonder if she has.
Was Timothy Treadwell an inspired radical operating outside the academic naturalist establishment - or a pain in the neck with personal issues? A little of both, of course. He was certainly a brilliant performer and director who, by crossing the taboo line (by as it were impaling himself on the taboo line's barbed wire) vividly demonstrated the alien-ness of nature, and therefore its strange and terrible beauty, more than anything I've ever seen by David Attenborough. It is a superb documentary, because Treadwell has not been coerced or set up; he was enough of an amateur to be relaxed and unselfconscious, yet enough of a professional to generate all this outstanding footage, and quite rightly Herzog declines to patronise or make fun of him. If we didn't already know Timothy Treadwell's awful fate, it would be enough to say: a star is born.

REVIEW RESOURCE: https://www.theguardian.com/culture/2006/feb/03/1

⁣What’s it like to be cajoled, threatened and blackmailed by a sexual predator who has power, history and society on his side?

Untouchable: The Rise and Fall of Harvey Weinstein (BBC Two), directed by Ursula MacFarlane, is a film of halting testimonies, long pauses, lips pressed tightly together and eyes filling with tears. Of women struggling to articulate what they have left unsaid sometimes for decades, and what has gone unsaid by our sex – en masse – throughout history, until now.
You probably know the basic story – by osmosis if nothing else - so heavily was the media mogul’s eventual fall covered when the weight of evidence finally became too much for a man of even his resources to withstand.

It shows the uniformity of the women’s responses to suddenly finding themselves in terrifying situations

MacFarlane tells the story well. She gives due recognition to the journalists, especially Megan Twohey and Jodi Kantor, who broke the story in the New York Times, and Ronan Farrow’s gathering of 13 witness accounts in the New Yorker after painstaking investigations. But, like Dream Hampton’s Surviving R Kelly, Untouchable prioritises the victims’ stories (regardless of their personal celebrity or lack thereof – here “names” such as Rosanna Arquette simply slip in next to those without public profiles) and fills in the perpetrator’s to explain his relative power or position at the time. As with the R Kelly film – thought to have been instrumental in the R’n’B star’s latest arrest on federal sex trafficking charges – a pattern of predatory behaviour emerges, painted stroke by painful stroke by those who found themselves first charmed and cajoled by one version of Weinstein, then confronted with a very different one behind closed doors.

Whether we should be profoundly glad, deeply sad or simply exhausted to be living in a time where “examination of the lives of serial sexual predators unmasked after years of hiding in plain sight” is on the verge of becoming a recognised TV genre, let alone one taking up the slack left by uninterested police and legislative forces, I leave to you to decide. But we are where we are. Which is, waiting to see who gets their Jeffrey Epstein production off the blocks first.
Beyond a specific modus operandi – Weinstein’s involved hotel suites, towelling robes, forcible massages, volcanic rage and threats such as: “Do you really want to make an enemy of me for five minutes of your time?” – as an insight into one man’s apparent prelude to rape or assault (Weinstein denies all claims), such documentaries render a more valuable service in demonstrating, relentlessly and unavoidably, two things.

The first is how perfectly our world is built for predators to function. Of Weinstein’s staff who admit they knew something – something – was happening, a common refrain is that they assumed “some sort of agreement” had been reached between the would-be actors and the mogul. If you live in a society that already believes in the casting couch, because the concept of young women as more-or-less sexual resources to be exploited is so embedded in the psyche, half your work – to normalise your predilections, to secure complicity – is done. With the likes of the gossip columnist AJ Benza out there – “You put a light on the porch,” he says of Weinstein’s power, “you’re gonna get a lot of moths” – the world is yours to do with as you will.


The second, perhaps even more valuable, service it renders is to show the uniformity of the women’s responses to suddenly finding themselves in terrifying situations, and how far they deviate from “common sense” or “natural” expectations (words defined almost entirely by men, who have least need of them). They don’t fight. They compute their chances against a much taller, heavier opponent (“He’s huge, you know,” says Hope d’Amore, who worked for him in the early days and says she was assaulted in 1978) and they go still. “The freeze thing kicks in,” says the actor Caitlin Delaney. “You just want it to be over.” They maximise their chances of survival (“I felt leaving would be worse,” says actor Erika Rosenbaum, when she saw a smashed and bloody toilet seat in his bathroom) and try and leave in other ways instead. Actor Paz de la Huerta remembers “hovering over my body” as, she says, Weinstein raped her. “I definitely went somewhere else,” says Delaney. Rosenbaum remembers hoping that if she kept still enough she would somehow disappear.
Almost every woman watching will understand. Some men will, too. If these films add to their number, maybe we can begin to change the world.

REVIEW RESOURCE: https://www.theguardian.com/tv....-and-radio/2019/sep/

⁣Filmmaker Morgan Spurlock features as the guinea pig in this film about the fast food industry. Inspired by America’s obesity epidemic, he goes on a diet of McDonald’s three times a day for thirty days straight in order to examine the effects of fast food consumption on the body and mind. The effects of the trial are harrowing: His body mass increases by 13%, his cholesterol levels skyrocket, fat accumulates in his liver, and he experiences mood swings and loss of libido. Super Size Me will completely change the way you think about eating and living.

Super Size Me accomplishes the feat of being both entertaining and horrifying. It investigates how the fast food culture in American schools, corporations and politics is driving nationwide obesity. In between meals, Spurlock drives across the country and interviews a host of health and nutrition experts, lawyers, school workers, and a surprisingly trim man who has eaten over 19,000 Big Macs yet maintains a healthy cholesterol level. We also meet an industry lobbyist who states that consumers need to be educated about nutrition and perplexingly proclaims that “we’re part of the problem and part of the solution”.

The film investigates the industry’s political lobbying and advertising campaigns. We learn about some of the disturbing strategies McDonald’s uses to acquire customers. It is particularly effective at getting children hooked at an early age through mediums they love, such as birthday parties, toys, clowns and playgrounds. In certain areas, the McDonald’s playground is the only one the community has. In one of the most shocking scenes of Super Size Me, Spurlock shows pictures of Jesus, George Washington and Ronald McDonald to a group of first graders, and Ronald is the only one that all of them can identify.

Spurlock is a likeable host, both witty and engaging. Despite his criticism of the fast food industry, he does not place the blame solely on corporations, and at one point asks the rhetorical question of where personal responsibility stops and corporate responsibility begins. Towards the end of the experiment, he is a changed man. The exuberant and healthy host we meet at the beginning of the film has transformed into a puffy, weary and depleted man. He has experienced first-hand the damaging effect of junk food on the nation. All in all, Super Size Me is a fascinating and informative insight into the fast food industry and its link to the American obesity epidemic.

⁣The documentary “Second Opinion: Laetrile at Sloan-Kettering” examines a brief period in the 1970s when a respected doctor’s research into the unconventional, often-banned and quack-labeled therapy laetrile — a modified chemical substance found in apricot pits — appeared to promise a remedy for cancer patients. (Results showed slower tumor growth in mice.)
The movie’s central figure is Ralph W. Moss, who recounts his stint as Memorial Sloan Kettering’s head public relations guy and his bristling at the New York institute’s effort to squelch the findings of Dr. Kanematsu Sugiura, a 60-year veteran of the center and a pioneer in the use of chemotherapy to treat cancer.
Moss took the whistle-blower route, first secretively (starting an underground publication called Second Opinion) and then openly, which cost him his job, and it’s all director Eric Merola can do to give this story the feeling of “The Insider.”
It’s an intriguing tale, for sure, but “Second Opinion” isn’t journalism, because only Moss, his family and a supportive cohort or two are interviewed. We don’t hear from anyone on the other side of the story. The film isn’t history either, since little else about the long campaign to legitimize laetrile is explored. This one’s for the conspiracy-minded only.
Ralph W. Moss PhD, a young and eager science writer, was hired by Sloan-Kettering's public relations department in 1974 to help brief the American public on the center's contribution to the War On Cancer. One of his first assignments was to write a biography about Dr. Kanematsu Sugiura, one of the Center's oldest and leading research scientists as well as the original co-inventor of chemotherapy.

REVIEW RESOURCE: https://www.latimes.com/entert....ainment/movies/la-et

⁣It’s a commonplace to hear people say movies changed their life, but with Owen Suskind that statement is meaningful in an unexpectedly profound way. His remarkable story is so unusual you would dismiss it out of hand if it were fiction, but the documentary “Life, Animated” demonstrates that it’s completely true.


Not just any films changed Suskind’s life, but rather the classic animated features from the Walt Disney Company. Films like “Dumbo,” “Bambi,” “Peter Pan,” “The Lion King” and “Aladdin.” You’ve probably watched them yourself. But Owen Suskind has not just watched them, he’s absorbed them so completely he’s practically lived them.
As directed by Roger Ross Williams (who won Sundance’s documentary director prize) and based on the bestselling book by Owen’s father, Ron Suskind, “Life, Animated” joins Owen’s life at a pivotal moment and shows us where he’s been and what his future looks like.
At 23, Owen Suskind is a cheerful and energetic young man who wears his autism lightly. He has a girlfriend, is just finishing school and is nervous and excited about living by himself for the first time in an assisted living facility on Massachusetts’ Cape Cod.


Owen talks to himself when he’s anxious, but almost exclusively in the dialogue of Disney films. He has seen them so many times he’s memorized every word, and no wonder. They have proved to be a lifeline that has brought him back to the world and helped him make sense of it.
When we first meet Owen, it’s in a family home movie, an antic 2-year-old being read to by his father. Then, without warning, at age 3, this lively boy stopped talking entirely.


“His language processes broke down,” says his mother, Cornelia, who still tears up at the memory, while father Ron says it was as if his son “vanished,” adding “it was like looking for clues to a kidnapping.”
Doctors were initially baffled as well, eventually diagnosing “pervasive developmental disorder,” where the world and its noise become too intense.


One of the only things the Suskinds, including older brother Walt, could still do as a family was watch the Disney family movies Owen had always loved, and they did.


The specific circumstances and episodes of how Owen returned to speech are so remarkable they’re best left to be discovered in the film, but though he did return, it did not mean that things would always go smoothly for him, either as the child he was or the young adult he now is.


No matter what Owen is dealing with, starting with childhood bullying when he “walked the halls of fear” or more adult problems that make him wonder “why is life so full of unfair pain and tragedy,” he uses his Disney animation fascination to work through it.


As a child, for instance, he created an entire cartoon universe he called “The Land of the Lost Sidekicks” and cast himself as the protector of sidekicks against the evil Fuzzbutch. One of “Life, Animated’s” loveliest touches is a beautiful animated sequence, created by France’s Mac Guff Animation, that brings that world completely to life.
Better even than the animation, however, is the sense of the people involved that the film provides, especially of Owen, a remarkable young man who, as director Williams says, “has raw emotions - he doesn’t have filters.”
Williams, whose last feature-length documentary was the very different “God Loves Uganda,” an exposé of how evangelical fundamentalists demonized homosexuality, spent two years on this project, and the trust everyone involved placed in him allowed for an emotional honesty that is “Life, Animated’s” greatest strength.
By the time Owen says, “the future? I’m still searching for it,” we feel his life is in very good hands. His own


REVIEW RESOURCE: https://www.latimes.com/paid-posts/?prx_t=qU4HAx95SAfYAQA&ntv_acpl=1081469&ntv_acsc=2&ntv_ot=2&ntv_gsscm=853*5;839*16;2008*8;842*6;&ntv_ui=e1f13dc5-f00b-45a6-ab12-cb9178ba0059&ntv_ht=FvEkZAA

⁣Based on the book by environmentalist lawyer Robert F. Kennedy Jr., The Real Anthony Fauci is a two-part documentary directed by Kala Mandrake.

When the coronavirus outbreak happened, one face became known to the American public as the one standing for “the science.” That man was NIH Director Anthony Fauci and he continues to haunt the media. However, who is this man? Where did he come from? How has he worked at the NIH for so long? Kennedy explores Fauci’s hidden past, revealing corruption, conflicts of interest, and even a disregard for ethics.

One of the most illuminating parts of the documentary was how Fauci peddled ADZ as a treatment for the AIDs epidemic. Any dissenting voices to his official press release were mocked and disregarded. There is a similar pattern in regard to coronavirus. Fauci did not meet a camera he did not want to yell at and that could be his downfall.

Unlike the glowing propaganda film that Disney put out, this documentary was fearless in its pursuit of the truth behind what is going on behind the scenes with government regulators who are supposed to be protecting Americans when it comes to healthcare.

The tail end of it does sort of veer into a commercial for Ted Kennedy Jr.s organization, but it is his documentary, so I’ll let it slide. There were a few topics I do not agree with Kennedy on, but this issue of Fauci’s fraud overrides those issues.

With this in mind, I went into this skeptical but I came out wondering how the federal health “experts” get away with so much. Fauci has gotten it wrong so many times and somehow he is the highest-paid government official. It is one of the most bizarre things to happen, but it seems in politics, you can fail upwards.

The documentary is an impressive look at the evidence not to mention a feature from which Americans can learn a great deal.

REVIEW RESOURCE: https://studiojakemedia.com/20....22/10/26/the-real-an

⁣Oil. From farm to pharmaceutical, diesel truck to dinner plate, pipeline to plastic product, it is impossible to think of an area of our modern-day lives that is not affected by the petrochemical industry. The story of oil is the story of the modern world.

Parts of that story are well-known: Rockefeller and Standard Oil; the internal combustion engine and the transformation of global transport; the House of Saud and the oil wars in the Middle East.
Other parts are more obscure: the quest for oil and the outbreak of World War I; the petrochemical interests behind modern medicine; the Big Oil money behind the “Green Revolution” and the “Gene Revolution.”
But that story, properly told, begins somewhere unexpected. Not in Pennsylvania with the first commercial drilling operation and the first oil boom, but in the rural backwoods of early 19th century New York State. And it doesn't start with crude oil or its derivatives, but a different product altogether: snake oil.

“Dr. Bill Livingston, Celebrated Cancer Specialist” was the very image of the traveling snake oil salesman. He was neither a doctor nor a cancer specialist; his real name was not even Livingston. More to the point, the “Rock Oil” tonic he pawned was a useless mixture of laxative and petroleum and had no effect whatsoever on the cancer of the poor townsfolk he conned into buying it.

He lived the life of a vagabond, always on the run from the last group of people he had fooled, engaged in ever-more-outrageous deceptions to make sure that the past wouldn't catch up with him. He abandoned his first wife and their six children to start a bigamous marriage in Canada at the same time as he fathered two more children by a third woman. He adopted the name “Livingston” after he was indicted for raping a girl in Cayuga in 1849.
When he wasn't running away from them or disappearing for years at a time, he would teach his children the tricks of his treacherous trade. He once bragged of his parenting technique: “I cheat my boys every chance I get. I want to make ’em sharp.”

A towering man of over six feet and with natural good looks that he used to his advantage, he went by “Big Bill.” Others, less generously, called him “Devil Bill.” But his real name was William Avery Rockefeller, and it was his son, John D. Rockefeller, who would go on to found the Standard Oil monopoly and become the world's first billionaire.
The world we live in today is the world created in "Devil" Bill's image. It's a world founded on treachery, deceit, and the naïveté of a public that has never wised up to the parlor tricks that the Rockefellers and their ilk have been using to shape the world for the past century and a half.

⁣It is now beyond doubt that strange, anomalous objects filling our skies and caught on camera are the real deal. Even the Pentagon admits it’s true. These seemingly intelligently controlled craft are operating above the clouds, in our oceans and in our orbit – travelling at hypersonic speeds far beyond any known human technology and completing manoeuvres unknown to science.


The subject of conspiracy and derision for years, UFOs are now the hottest topic in Washington and the world.
Five-time Walkley Award-winning investigative journalist Ross Coulthart – who has been investigating the phenomena for the past two years – led the 7NEWS Spotlight team across the US, amassing never-before-seen compelling evidence and speaking to the key players behind an event that will change the course of history.
Featuring interviews with the highest echelons of military defence and intelligence officials, leading researchers, scientists and witnesses in America and Australia, this mind-blowing documentary years in the making seeks to answer the most fundamental question there is: are we alone?


The US director of national intelligence is expected to hand down an unclassified report next month that will change our understanding of life itself. On Spotlight, we reveal what is in that report.
7NEWS Spotlight: The UFO Phenomenon unearths startling new evidence of Australian Government cover-ups and extraordinary vision of unidentified aerial phenomena in Western Australia, Victoria and Queensland – all credible and important additions to the worldwide data being accumulated by the US.


For Coulthart, the project has become the most fascinating and challenging of his career, becoming the focus of his new book 'In Plain Sight', available now in Australia and soon in other territories:


Australia: https://7news.link/3AuawFz

⁣Critically Thinking with Dr. Sherri Tenpenny and Dr. Lawrence B. Palevsky, Dr. Carrie Madej, Dr. Lee Merritt, Dr. Christiane Northrup.
⁣Ever since reports have surfaced in recent days that people who have chosen NOT to receive the experimental COVID-19 shots but have been exposed to those who have received them, and have suffered what appear to be infections coming from these fully "vaccinated" people, affecting mainly women who have reported menstruation difficulties, heavy bleeding, miscarriages, and reduction of breast milk, I have been watching my newsfeed to see if any of the dissenting doctors and scientists we feature regularly here at Health Impact News would address these issues.

Fortunately, a team of 5 doctors in the U.S., all of whom we have featured in the past here at Health Impact News and are highly qualified to address this topic, just held a round-table discussion a couple of days ago to address these issues.

The issues they discuss affect ALL of us in the U.S. (and around the world) right now, and it is imperative that you take 79 minutes of your time to watch this video.

Not only do these highly qualified doctors discuss why they think this is happening, they also give practical advice at the end about what we can be doing right now to protect ourselves and stop this attack on the human race by the Globalists seeking to reduce the world's population.

Every single one of these doctors believe that these shots are NOT vaccines, but bioweapons designed to kill human beings.


Whatever else you are doing when you come across this video, it is highly unlikely that anything else you do the rest of your day will be more important than watching this video so you can be informed of the evil effects of these injections that are being censored in the corporate media and Big Tech social media.

Then share this video with as many people as you can.

⁣VIBRATION IS JUST ANOTHER WORD FOR ENERGY."
"Music is vibration. If we expose water to music, it's crystal structure will change."
"Watch what happens when we play Mozart." Beethoven.
Dvorak, "From the New World."
"THE HEXAGONAL CRYSTAL REPRESENT THE LIFE FORCE OF MOTHER NATURE."
=========================
THE WATER CRYSTAL FROM THE WATER, EXPOSED TO THE WORD "LOVE AND GRATITUDE" - Welcome to the Masaru Emoto’s Hado World - https://hado.com/ihm/
About 30 [now 37] years ago, Masaru Emoto discovered a world of Hado and he published more than 10 titles about Hado in Japan. He treated more than 10,000 clients with a Hado measuring device and water and he helped to heal a lot of people who had different kind of problems mentally and physically. He knew that water can memorize information then he came up with the water crystal photography to prove his theory and he succeeded. Water crystal photography tells that water reacts to any information (vibration) given by showing the different design. He has gained worldwide acclaim through his groundbreaking research and discovery which were published in his books, “Messages from Water” and “The Hidden Messages in Water” and a lot of people resonated with his claim which is “water is deeply connected to our individual and collective consciousness.” Since then, he went out to the world to tell people the importance of human consciousness, truth of water, and principal of Hado.
At some time, his mission was turned out to be “world peace” specially after his grand
children were born. He believed that we will be able to achieve the world peace by understanding the truth of water because water is telling a lot of meaningful things.
Unfortunately, he past away on October 17th, 2014 but his work and message will never die.
This is the website to introduce his work and also new findings by his successors.
“Hado reates words:
Words are the vibrations of nature
Therefore beautiful words create beautiful nature
Ugly words create ugly nature
This is the root of the universe.” by Masaru Emoto
Hado: The intrinsic vibrational pattern at the atomic level in all matter
What U really know is Possible already in your hearts frequency
en.wikipedia.org/wiki/Masaru_Emoto
Quantum physics
Science Experiment (try this experiment )
When we bless our water before drinking and say it or think it!
Thank you for coming into my life!
Bless the water you drink with love and it will help to raise your vibration and energy!
Bless the water you drink and it will light up the cells of your body.
Sometimes it will take 7 days before you will notice something.
Science of quantum physics!
Blessings and love!
Music
Beethoven – Moonlight Sonata
https://vimeo.com/179075852
=============
MASARU EMOTO (1943-2014)
“Dr.
Masaru Emoto, the Japanese scientist who revolutionized the idea that our thoughts and intentions impact the physical realm, is one of the most important water researchers the world has known. For over 20 years
until he passed away in 2014, he studied the scientific evidence of how the molecular structure in water transforms when it is exposed to human words, thoughts, sounds and intentions.”
“He undertook extensive research of water around the planet, not so much as a scientific
researcher, but more from the perspective of an original thinker. At length, he realized that it was in the frozen crystal form, that water showed us its true nature.
He has gained worldwide acclaim through his ground-breaking research and discovery, that water is deeply
connected to our individual and collective consciousness
He is the author of the best-selling books Messages from Water, The Hidden
Messages in Water, The True Power of Water and Love Thyself. He has now
also authored two children’s books, The Secret of Water for the children
of the world, and The Message from Water children’s version.”
Website: https://www.masaru-emoto.net/en/ (check “Masaru Emoto” & “gallery”)
Download FREE children’s book: http://www.emotopeaceproject.n....et/picture-books/458
-----
His research is also shown in the movie: What the “Bleep” Do We Know!? (2004)
https://rumble.com/v26z8cc-wha....t-the-do-we-know-200
Masaru Emoto's Experiment in Gratitude
https://www.youtube.com/watch?v=SDNhH8deZPg
-----
There are many videos on YouTube about him and his experiments, also people trying the “Rice experiment”.
THE IMPOSSIBLE RICE EXPERIMENT
https://www.youtube.com/watch?v=zvShgttIq7I
-----
DISCLAIMER:
All
the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might
otherwise be infringing.
=================

⁣⁣What you hear in this video, now known as "The Secret Covenant of the Illuminati" surfaced on the web in 2002. Sent from a broken email address to someone that ran (or possibly still runs) a conspiracy info website.
Some conspiracy researchers believe that this secret covenant was written by a member of the Illuminati. Others, including me, believe anyone could have wrote this and it most likely wasn't anyone from a secret society. We could be wrong, but the fact is that, this is exactly what's happening.

⁣(2002 LEAKED DOC) Secret Covenant of the Illuminati - Satanic Globalist Evil SECRET PLAN
The document was anonymously sent to the email of bankindex.com in June of 2002.

⁣A very important public speech by a doctor with 25 years of medical internship in several specialisations and an expert in the field of vaccines. (June 2021)
⁣S⁣enate committee hearings and other Capitol events are posted to this page soon after they are announced, and removed at the end of the day. You are invited to revisit this page often for the most current version. For links to individual Senate committee websites, please visit the Senate's Committee portal.

For live, streaming video broadcasts of committee hearings and other events within the Capitol complex you may visit the Senate Live Video Broadcasts page. Official Senate hearings and events are archived and can be accessed from the Senate Audio/Video Archives page or from the individual committee pages.
Events listed on this page will be carried live on the Senate Live Broadcasts page unless otherwise noted. Due to technical limitations, most out-of-town committee hearings and all "desk meetings" held on the Senate floor can not be carried live. For such events, audio recordings will be posted to the main Audio/Video Archives, as well as the relevant committee pages, as soon as possible.
A complete Senate room reservation schedule may be be found at
https://roomsched.senate.texas.gov/

Original resource: https://tlcsenate.granicus.com..../MediaPlayer.php?cli

⁣Dick Johnson Is Dead is a 2020 American documentary film directed by Kirsten Johnson and co-written by Johnson and Nels Bangerter.

A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book — staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever.


The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison.


Cast:
Kirsten Johnson
Charles Richard "Dick" Johnson


Development:
Director Kirsten Johnson at the Miami Film Festival


Kirsten Johnson was inspired to make the film after having a dream in which "there was a man in a casket and he sat up and said, 'I'm Dick Johnson and I'm not dead yet'". When she pitched the idea to her father, she asked him, "Dad, what if we make a movie where we kill you over and over again until you really die? And he laughed".
The film incorporates Johnson family photographs and home movies, including that of Richard Johnson's wife who died from Alzheimer's disease in 2007.


Release:
The film premiered on January 25, 2020 at the 2020 Sundance Film Festival. It was released on October 2, 2020 via Netflix.
RESOURCE: www.dickjohnsonisdead.com

⁣The Rain Song - Led Zeppelin cover
Thanks for listening!

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⁣Based upon Theosophy (the Secret Doctrine) this documentary focuses on the evolution of consciousness over millions of years while revealing the secret chronology of human history from ancient Lemuria and Atlantis to our current root race, while following the natural cyclic deluges between races.