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⁣Urgent address by Egon Cholakian to all people following his recent participation in a joint session of the Nobel Committee and the National Academy of Sciences in Washington.

In his address, Egon Cholakian reveals the true and shocking reasons behind global climate change, climatic anomalies, and catastrophes that are escalating worldwide. Egon Cholakian explains the pattern of recurring climate catastrophes that we are currently experiencing. This pattern is reflected in a unique mathematical model indicating a geometric progression in the growth of climate catastrophes, which could lead to the demise of humanity in the coming years. As Egon Cholakian stated, "Our planet is on the brink of self-destruction, and humanity has only a few years left to prevent the impending catastrophe."

Egon Cholakian proposes the only viable and scientifically substantiated solution available today that can save us from a global climate catastrophe. Action must be taken soon while we can still change the situation. This information is being revealed for the first time.
Egon Cholakian, is a qualified Particle Physicist, affiliated with the preeminent CERN particle physics laboratory as a Future Circular Collider technology developer. Collaborates in the arrangement of NASA’s NISAR mission. A member of the International Association of Intelligence Educators and an international tax Law professional. Served as a Legislative Tax Analyst attached to the President's Commission on International Trade and Investment Policy under President Nixon and President Ford. Worked with the Reagan Kitchen Cabinet, and Reagan White House within President Reagan’s Strategic Defense Initiative project. In total, Egon Cholakian worked with four U.S. Presidents. Currently serves as a federal lobbyist at The U.S. Congress and White House. Egon Cholakian has emerged as a prominent voice on climate change and national security-related matters.

For more detailed information about the project for establishing a unified scientific center, you can visit the website http://earthsavesciencecollaborative.com
For inquiries: egoncholakian@earthsavesciencecollaborative.com

Reproduction, distribution, and utilization of this video in part or in full are permitted through any means without distorting the information, provided that proper attribution is given to the source:
http://earthsavesciencecollaborative.com

⁣This is a message from Dr. Anne McCloskey from Londonderry. She speaks about the traumatised people that she comes across. Most double jabbed with an experimental genetic therapy.
These people might have been bribed, bullied, coerced, because of the removal of their basic human rights.
The hospitals are full of double jabbed people and increasingly younger people - and next they are coming for the children.
Let me know your thoughts in the comments?
Check out my other channels as well:
RESOURCE: https://plandemic.co/2021/08/2....2/a-message-from-ann

⁣Moment of Contact is an exploration of extraterrestrial encounters, this one centered on a series of events in 1996 when citizens of Varginha, Brazil, reported seeing one or more strange creatures and a UFO crash. A number of locals, including a group of girls ranging in age from 14-21, had a close encounter with a being described as about 4 feet tall, with brown oily skin, a large head and huge red eyes.


The town of Varginha was cordoned off by military and emergency response teams and two creatures were captured. Local military policeman Marco Cherese died under mysterious circumstances after allegedly handling one of the creatures.


Fox’s documentary features interviews with key eyewitnesses, experts and officials including nuclear physicist and professional ufologist Stanton Friedman, Brazilian Air Force General Jose Carlos Pereira, and Brazilian ufologist Ademar Jose Gevaerd.

⁣Man Spends 30 Years Turning Degraded Land into Massive Forest
The incredible story of how degraded gorse-infested farmland has been regenerated back into beautiful New Zealand native forest over the course of 30 years..
Fools & Dreamers: Regenerating a Native Forest is a 30-minute documentary about Hinewai Nature Reserve, on New Zealand’s Banks Peninsula, and its kaitiaki/manager of 30 years, botanist Hugh Wilson. When, in 1987, Hugh let the local community know of his plans to allow the introduced ‘weed’ gorse to grow as a nurse canopy to regenerate farmland into native forest, people were not only skeptical but outright angry – the plan was the sort to be expected only of “fools and dreamers”.

Now considered a hero locally and across the country, Hugh oversees 1500 hectares resplendent in native forest, where birds and other wildlife are abundant and 47 known waterfalls are in permanent flow. He has proven without doubt that nature knows best – and that he is no fool.
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Film credits
Directed by Jordan Osmond & Antoinette Wilson Written by Antoinette Wilson, Jordan Osmond, and Nick Tucker Producer: Antoinette Wilson Executive producer: Quatro Trust Cinematography: Jordan Osmond & Jason Hosking Editing: Jordan Osmond Sound recording: Anna Veale Original score: Karl Steven and Ariana Tikao Sound mixing: James Henderson Color grade: Mike Kelland
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⁣We are being given a second chance to say no to the psychopathic criminals in our government
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⁣Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax!. Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci.
Dr. Willner and found a few interesting things happened after he began speaking out: Deadly Deception. Filmed Dec. 7th, 1994. Shortly after Dr. Robert Willner started speaking out they took away his medical license. Four months after he made this video he died of a heart attack. Following are some quotes from this lecture:

1990 Dr. Willner has his medical license suspended.
1994 This talk happens (the talk in the above video) and Willner injects himself with the blood of an HIV positive man.
1994 Dr. Willner's book Deadly Deception is published.
1995 Dr. Willner sadly passes away after having a heart attack.

Criminal History Of Fauci And Birx as told by Dr Robert Willner (1994) who revealed the HIV Hoax! Deadly Deception Dr Willner Corona virus they are using same game plan in 2020 with Faucci
HOW THE LIE BEGAN In 1980, Dr. Robert Gallo, a retrovirologist with the National Cancer Institute, discovered the first human retrovirus (HTLV-I). A retrovirus is distinguished from an ordinary virus by virtue of the fact that its RNA is converted to DNA by an enzyme called reverse transcriptase. Its replication and survival is totally dependent on the viability of the host cell. If the host cell dies, the virus is finished. Dr. Gallo knew this basic fact; however, he would soon purposely ignore this fact in order to serve his own needs by claiming that the virus was very "mysterious".
Somehow it would mysteriously survive while mysteriously slaughtering T-cells by the millions (this has never been observed). He had contended in the past, but failed to prove, that the very same retrovirus (HTLV-I) caused a specific type of leukemia which was occuring in Japan. The power of position, that of being a top government official and scientist, has allowed the erroneous label of "leukemia virus" to remain intact even though it was rejected by the scientific community.

In 1981, it was proposed that an acquired immune deficiency was the basis for a new syndrome of diseases (AIDS) that appeared to be surfacing amongst promiscuous male homosexuals and intravenous drug users. Dr. David Durack, of Duke University, a recognized expert on infectious diseases and the immune system, though admitting the prevalence of drug use (particular "poppers" or amyl nitrites) and repeated multiple infections, ignored these well-known causes of immune deficiency and announced that this "truly new syndrome" must be due to "some new factor".
Continuously this group of scientists has resorted to theory, not fact, as to how the AIDS virus supposedly accomplishes its dirty deeds. The words, "it is thought", are constantly used in casual conversations or in the non-scientific articles and popular magazines and books. In the scientific journals or at lectures the theory is presented as established fact although there are no facts involved. It is portrayed as an established truth and therefore is accepted as such by most scientists, including physicians.

The so-called HIV virus is still referred to as a "new" virus in spite of the indisputable evidence to the contrary. Incorrectly, the virus has been characterized as "attacking" or "infiltrating" the immune system, when in reality this is impossible because it is not alive and does not invade. Retroviruses are engulfed by the cells and incorporated into the cell's life processes.

⁣Dave Grohl takes another step toward Renaissance-man status with “Sound City,” his likable debut as a documentary director.
Mr. Grohl has already had considerable success as a drummer, guitarist and vocalist in groups like Nirvana and Foo Fighters and has shown a boundless curiosity with various side projects. (Yes, that was him in a cameo in the 2011 movie “The Muppets.”) Directing “Sound City,” about the recording studio of that name, now defunct, in the San Fernando Valley of California, he shows a decent grasp of how to pace a documentary and how to push nostalgia buttons, avoiding the marsh of smarminess most — though not quite all — of the time.


But “Sound City” is not merely a those-were-the-days eulogy for the studio, which closed in 2011. It’s really three films. The first third is a pleasant, somewhat glossy-feeling look back at the albums that were made there and the stars who made them, with anecdotes from Fleetwood Mac, Rick Springfield and many others that will be candy to several generations’ worth of rock fans. The studio, an unimposing-looking place to say the least, had a knack for turning out a big album just when it seemed on the brink of failure: Fleetwood Mac’s self-titled 1975 album and “Rumours” two years later, Mr. Springfield’s “Working Class Dog” in 1981, Nirvana’s seminal “Nevermind” in 1991.
The film then becomes a chronicle of the slow death of the studio, an analog operation whose heart was a Neve soundboard that recorded on tape, which by the 1980s had begun to be supplanted by digital technology. Mr. Grohl has become something of a musical preservationist, and he and others lament the loss of the human element of the analog era and the emergence of music created and manipulated on computers. It’s not an antidigital argument — Trent Reznor of Nine Inch Nails makes a case for digital technology as a creative tool — so much as an antiblandness argument.

And then Mr. Grohl turns his attention to making some new music. He bought the Neve board when Sound City closed and installed it in his own studio, and we see him and others putting it to use.
The big draw is Paul McCartney, who is shown recording a song called “Cut Me Some Slack,” seemingly making it up on the spot. It’s a little incongruous to hear Mr. Grohl advocate for a quick-and-dirty approach — “Do it,” he says. “Make it simple. Make it fast. Don’t overthink it.” — while working with Mr. McCartney, whose résumé includes some beloved Beatles songs that were painstakingly assembled track by track. But hey, don’t overthink it.
Mr. Grohl has put a lot of affection into this film, and it shows. One of the nicest touches may go unnoticed. Over the ending credits a catchy song called “Sound City” plays. The vocals are credited to Doug Deep and Paula Salvatore — Ms. Salvatore having been the manager of the studio in the 1980s. Earlier in the film she had spoken wistfully about having dreamed of her own musical career.

REVIEW RESOURCE: https://www.nytimes.com/2013/0....1/31/movies/sound-ci

⁣FILM ASKS HARD QUESTIONS ABOUT FAILURE OF ENVIRONMENTAL MOVEMENT TO HALT CLIMATE CHANGE AND SAVE PLANET

Directed by Jeff Gibbs and Executive Produced by Moore, film examines if we’ve been on “wrong road” with so-called “green energy” that is anything but green.

Charges environmental leaders have “lost their way” and “sold out to corporate interests.”

“As we suffer through one health and environmental crisis after another, it is clear we can no longer simply solar-panel-and-windmill our way out of this emergency,” say Moore and Gibbs.


Released on the eve of the 50th anniversary of Earth Day and in the midst of the global Covid-19 pandemic, Planet of the Humans takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street.



The film is the debut movie from Jeff Gibbs, whom Moore calls “a brave and brilliant filmmaker whose new voice must be heard.” Gibbs is a lifelong environmentalist and longtime collaborator of Moore’s with whom he co-produced Bowling for Columbine and Fahrenheit 9/11. Planet of the Humans first screened as a work in progress at the most recent Traverse City Film Festival where it was a huge audience favorite.

Moore and Gibbs decided that with the American public – and much of the world – confined to their homes and suddenly having to consider the role humans and their behavior have played in our fragile ecosystems, the moment was too urgent to wait until later this year for the film’s planned release.



“We have ignored the warnings, and instead all sorts of so-called leaders have steered us away from the real solutions that might save us,” says Moore, who holds the all-time box office record for documentaries. “This movie takes no prisoners and exposes the truth about how we have been led astray in the fight to save the planet, to the point where if we don’t reverse course right now, events like the current pandemic will become numerous, devastating and insurmountable. The feel-good experience of this movie is that we actually have the smarts and the will to not let this happen – but only if we immediately launch a new environmental uprising.”



Jeff Gibbs, the writer/editor/director of Planet of the Humans, has dared to say what no one will – that “we are losing the battle to stop climate change because we are following environmental leaders, many of whom are well-intentioned, but who’ve sold out the green movement to wealthy interests and corporate America.
”This film is the wake-up call to the reality which we are afraid to face: that in the midst of a human-caused extinction event, the so-called “environmental movement’s” answer is to push for techno-fixes and band-aids. “It’s too little, too late,” says Gibbs. “Removed from the debate is the only thing that might save us: getting a grip on our out-of-control human presence and consumption. Why is this not the issue? Because that would be bad for profits, bad for business.”


“Have we environmentalists fallen for illusions, ‘green’ illusions, that are anything but green, because we’re scared that this is the end — and we’ve pinned all our hopes on things like solar panels and wind turbines? No amount of batteries are going to save us, and that is the urgent warning of this film.”

This compelling, must-see movie – a full-frontal assault on our sacred cows – is guaranteed to generate anger, debate, and, hopefully, a willingness to see our survival in a new way—before it’s too late.



RESOURCE: https://planetofthehumans.com
Let me know your thoughts in the comments

⁣A documentary featuring Steven Greer, apostle of the alien-visitation disclosure movement, has tantalising "sightings," but reveals that ET obsession is now the mother ship of conspiracy theory.
Supporting actors: Adam Michael Curry, Joe Martino, Jan Harzan, Dr. Russell Targ
Producers: Dr. Steven Greer, Grant Ibrahim, Jim Martin, Philip James
Studio: 1091
Rating: Not Rated
Content advisory: Drug use, foul language, violence
In the old days, you would check in on an alien-visitation shlock-TV documentary (or an episode of “Unsolved Mysteries”) all to catch those grainy home-movie glimpses of alien spaceships. On that score, “Close Encounters of the Fifth Kind” is nothing less than an all-you-can-eat banquet of UFO porn. There are vintage clips of “sightings” shot in 8 and 16mm, but most of them are from the home-video and cell-phone-camera era, all tagged with important-sounding datelines.


CE5 event, March 16, 2017, Newport Beach, Calif. (five shimmering green lights in the sky!). CE5 Event, Sept. 21, 2019, Vancouver, B.C. (purple lights ringed like an X-ray of bottom teeth!). There are shaky-cam videos of glowing discs that hover and vanish into the ether and what look like a pair of suns that appear on an ocean horizon. There are mysterious lights, sometimes three (in a triangle), sometimes five (in a cluster), or 10 in the shape of a V. As always, these you-are-there images cast a spell, though the most spine-tingling element is often the reactions of the people shooting the video, who always say something like “Ho-lee shit” in a way that makes it sound like they’re witnessing the uncanny.


Of course, after you’ve seen 30 or 40 of these clips, they begin to acquire a certain more-is-less quality. Look, it’s one more set of lights hovering in the sky! One more saucer-shaped thingy! Another blip, another blob, another fuzzy pulsating orb, another streak of light too crooked to be a comet trail. Are these really alien ships? Or are they close encounters of the WTF kind?
“Close Encounters of the Fifth Kind” is the third documentary, following “Sirius” (2013) and “Unacknowledged” (2017), to be centered around Dr. Steven Greer, the apostle of the alien-visitation “disclosure” movement. “Unacknowledged” was a kind of extraterrestrial manifesto, and it’s a movie that can suck you in and give you that down-the-rabbit-hole experience, so that as you watch the footage and scan the hidden government documents and hear the testimonials, you may find yourself on the precipice of feeling that you…believe. In “Close Encounters of the Fifth Kind,” we see Steven Tyler on “The Joe Rogan Experience,” repeating to his host, “You’ve got to see ‘Unacknowledged,'” as if watching that movie would change your life. And that, in a way, is the point of all UFO porn: to provide a conversion experience. (I was blind, and now I believe in ETs!)


But “Close Encounters of the Fifth Kind” treats alien visitations as a given. That is, it totally takes for granted that there’s a technologically advanced, mystically benevolent world of extraterrestrial beings, light-years beyond ours in development and consciousness (though they still walk on two legs and have big bulgy heads like the Martians in ’50s sci-fi movies), who for all their cosmic distance from earth still had enough concern to show up in 1947 to save us from the specter of the nuclear age.
Taking this as undeniable fact, “Close Encounters of the Fifth Kind” is a conspiracy documentary built around the thesis that the “national security state” has concealed it from all of us. It has kept these close encounters hidden in the darkness — and just as deceptively, it has advertised, through the mainstream media and Hollywood movies, the notion that if life beyond earth exists, it must surely be hostile. More “War of the Worlds” than “E.T. the Extra-Terrestrial.” The national security state has done all this for its own world-dominating purposes. “Close Encounters of the Fifth Kind” is two hours of fantasy propaganda attacking reality-based propaganda. It can make your eyes widen and your head hurt at the same time.
With his pockmarked face and broad shoulders, Dr. Steven Greer, who was born in 1955 (and claims to have seen a flying saucer when he was nine), is like a ’70s computer nerd played by John Waters with a touch of Guy Pearce. He’s compellingly articulate, with a thousand points of information and a kind of name-dropping “I was at this meeting at the CIA…” cockiness that lends his statements a patina of authority. With his books, films (this one, like “Unacknowledged,” was directed by Michael Mazzola), and his privately curated group sighting tours, he’s become the science-whiz P.T. Barnum of alien visitation, a role he seems to relish all the way to the bank.
Does he believe everything he says? Part of the strange psychology of our time involves people with vast platforms stating things that aren’t true as if they were true, and doing it often enough that they believe it themselves. When Greer chokes up into an “Oprah” moment and weeps on camera at the thought of all the people on his team who’ve either committed suicide or been assassinated (yes, he says this), you’re seeing a man who will go the extra mile to sell his snake oil. Steven Greer seems sincere and intelligent, but he’s also got a prattling-on-at-the-mouth touch of New Age narcissism, and the narrative he spins is so extreme that you either buy it or you don’t. I’ve always watched those clips of sightings feeling as if alien ships could be real (though what I tend to think is: they’re some form of defense craft), yet Greer, in his way, does a version of what Trump does, taking the fake-news accusations that were once leveled against alien believers and projecting them onto the skeptics. If, like me, you’re not a believer, then you’re perpetuating the lie. You’re part of the conspiracy.
And as “Close Encounters of the Fifth Kind” makes clear, the mythology of alien visitation has become the mother ship of all conspiracy theories, mutating with the times, soaking up other conspiracies like a sponge. The new alien theology is a hydra that keeps sprouting new (paranoid) heads.


There was the original incident, and cover-up, at Roswell. (Several raging military figures who claim to have been there testify, in the movie, that they saw the alien bodies.) There’s the idea — and this goes back to the stories of George Adamski, the founding voice, in the early ’50s, of the alien-contact movement, and also to the classic 1953 movie “The Day the Earth Stood Still” — that aliens have arrived, and they’ve come to be friends, but the government can only see them as a hostile force.


To that idea, Greer now adds a layer of deep-state treachery, claiming that it’s all an underground plot that even the U.S. president has no power over. And this is all linked to the environmental movement — or, in fact, to the systematic squelching of it. One key reason for the cover-up, you see, is that the aliens possess technology that could solve the energy crisis with the snap of an ET finger, nixing the need for oil or even solar panels. (It would all happen with advanced alien tech magic, lending new meaning to the phrase “little green men.”) But naturally, the American fossil-fuel complex will have none of this. Believe it or not, even the death of Marilyn Monroe has been glommed onto the conspiracy. According to Greer, the reason Marilyn was “killed” is that, in the midst of her affairs with JFK and RFK, she was about to say something in public about the government’s alien secrets.
What’s more, remember all those stories in the ’80s about alien abduction — all the folks who looked like future Trump voters who claimed to have been taken aboard alien spaceships and probed while under a state of hypnosis? According to the movie, that’s now part of the conspiracy. The abductions, it turns out, were all staged as an act of counterintelligence. Richard Doty, a sleazy-impish retired agent of the Air Force Office of Special Investigations, claims that it was his job to hoax UFO researchers (there’s a whole documentary about Doty, entitled “Mirage Men”), in part to make them look like wackjobs.


In the ’70s, people got off on the sheer wish-fulfillment awesomeness of close encounters, the whole religious “Whoa!” factor of it. But what the science-fiction-is-real circus of “Close Encounters of the Fifth Kind” is selling is the dream that aliens could save us from the darkness of America. They’ve become sci-fi versions of Jesus crossed with Noam Chomsky. (And does this movie, as it implies, really think that the Russians or the Chinese would be any more humane about it? Vladimir Putin would eat an alien for breakfast.) The movie is predicated on a kind of emotional formula in which deep-state secrecy equals cover-up, and if there’s a cover-up then there must have been something to cover up. The film works like a drug, or maybe the cakes Alice eats in “Alice in Wonderland.” It says to its audience: Experience this movie, and it will clear your mind of the disinformation, laying bare the glowing nugget of revelation under the conspiracy.


But as it goes on, this all becomes a marketing hook for an increasingly flaked-out fantasy. In the midst of his anti-government screed, Steven Greer slips in that there have been many, many extraterrestrials captured and killed, and that in the desert of Arizona “there’s an underground facility where there are nine different ET craft that are there with all the autopsy bodies.” His proof? “There’s a man on my team who used to work in that facility.” He goes on to compare the aliens who’ve visited the earth to Gandhi. And that’s before the movie, in its windy second half (ESP, the physics of teleportation, aliens as mystical avatars of a one-universe consciousness), threatens to become a quantum version of “Koyaanisqatsi.”


The ultimate oddity ­of “Close Encounters of the Fifth Kind” is that it pushes a rabidly pro-environmental, anti-corporate, flower-child agenda, yet it does so with the kind of huckster aggression that has allowed left-wing conspiratorial thinking to mutate into right-wing paranoia. Put another way: The belief in alien visitation, as presented here, is actually congruent with the Trump agenda — the idea that America could be restored in one fell swoop by an acceptance of the otherworldly saviours who are already in our midst. That sounds, in its way, distressingly familiar: a promise to fix the world with fairy tales.

Resource: https://variety.com/2020/film/....reviews/close-encoun

⁣They knew of many of these risks and adverse events… and yet never formally disclosed them to patients,” says mRNA vaccine pioneer Dr. Robert Malone. “I think there are many in the legal profession that are looking at this and raising questions about whether, in fact, this does meet the criteria of fraud in terms of withholding information.”

I sit down with Dr. Malone, co-founder of the International Alliance of Physicians and Medical Scientists, to discuss the Global COVID Summit’s recent declaration to “end the national emergency, restore scientific integrity, and address crimes against humanity.”

The Premise
Watts began the lecture noting that the extension of the network by electronics may abolish individual privacy. During the lecture, he made some astonishing predictions about the world we live in today.

The Approximate Time and Place
Watts died in 1973, it is safe to say that the lecture that this information was summarized from was delivered to a group of people, in the afternoon sometime in the late ‘60s or early ’70s near a military base. The author is vague about the year but specific on the time of day only because of clues heard in the recording. At the beginning of the talk Watts states that during a lecture that morning the subject of privacy had come up and he was going to address it now. In the middle of the lecture, a jet is heard to roar overhead. Followed by silence then Watts exclaims, “Complete with bombs!”

The Predictions
Watts with the help of some futurist and possibly advertising from Bell Telephone Watts predicted a few familiar devices we use every day and some still futuristic devices and processes. Some predictions were very accurate, some are still waiting for the right time to appear.

Your Information is Out There
Even in the 1960s insurance agencies, credit agencies, law enforcement, and all manner of the establishment were collecting information on people and reducing the information into computer data. Watts warned that an enormous amount of information can be instantly known. At the time that progress was made using keypunch operators and very little networking. Watts never imagined the information we would freely divulge instantenously today.

Desk Top Computers
Watts described the desktop pretty accurately as a box on your desk with a TV screen and a dial. With this, you could send a code to the Library of Congress and Read any Book ever written. If he added a typewriter to the equation he would have had everything correct.

Mobile Telephones
Alan Watts just about nailed this, here are his words:
“…they project that not many years hence the ordinary telephone will disappear and every individual will carry it around with him a thing about the size of the old pocket watches one side of it will be a TV screen and a speaker the other side of it will be a set of buttons over which you just place your finger to activate them you will be able to dial world information who will give you the number of any given individual if he doesn’t answer he’s dead…”

Holograms or Zoom Meetings
Watts had great hope for perfect holograms that he described as TV with laser beams. He noted that if reproduction could become technically perfect, that will be a new kind of confusion.
“We can easily take this a step further when we develop a form of electronic communication such that you don’t even need to take a plane you want to see supposing I want to see my father in England we both have these laser beam TV jobs and just like that I can recreate in front of him myself and my exact environment everything around just if he was sitting in the room and I can do that with his set on the other end so that eventually we don’t need to take the plane…”

Replacement Organs
Plastic was the future in the 1960s according to the movie, The Graduate, and Watts thought this would be the answer to providing new organs as the old ones wore out.
If everything is replaced are you the same individual?

Not a Fan of Uber Eats
Watts noted:
“…you can conceive as some science fiction writers have what seems to us a rather appalling situation where you never never need to leave the place
where you’re sitting all food supplies and everything is automatically
delivered you just dial what you want.”
He was probably thinking more of something approximating food arriving through a tube rather than a mildly ‌warm dish from your favorite restaurant arriving by car.

More than 3 Channels
Watts discusses that with electronic communications everyone sees the same thing on NBC and ABC news at 6:00 PM. He called this temporary, the more we develop microelectronic machinery, the greater discrimination on the dial. As technology becomes more perfect you can get an enormous number of stations. With a videotape machine costing $6,000 and a Sony television camera costing $250, you can do a tv show with only one technician. The average television show produced in a studio takes 14 technicians. There can be an increasing variety of the type of material presented.

The Real Message
Alan Watts was not a futurist, he was a philosopher who captured audiences on the West Coast with Eastern Thought through writings, radio, public television, and lectures. His recorded talks before audiences and broadcasts have survived and have found new life on YouTube.
In the 55 minute lecture, Watts uses predictions to support his thoughts on the nature of privacy and humanity.

Pros and Cons Regarding the Loss of Privacy
Pro: how great to have nothing to hide and to give up all worries of ownership. No worry about possessions, no worries about dirty little secrets.
Con: the more we do this with everyone thinking the same thing and owning nothing, then everyone becomes the same. It is the phenomena of each city looking just like the other with the same stores and restaurants.

Technology as an Extension of Humanity
Just as the wheel and all forms of technological transportation are extensions of the human ability to move. The radio, telephone, television and the computer is an extension of the human nervous system.

The Human as a Pattern
An old-established university will retain the same name through the decades even though the buildings, grounds, and people change. The pattern retains an identifiable continuity. A person is the same, changing throughout the years, but the soul remains the same, only the bodily expression keeps changing. “We are electronic echoes of ourselves being perpetuated through the ages.”
We will come to the astonishing conclusion that that is what we already are. We are the most remarkable electronic patterns from the standpoint of physics

The Etheralization of Humans
…Every need is eventually supplied through electronic stimulation until you finally have to get rid of the black box, the electronic gadget, you have become Etherealized. By then all privacy is gone, your thoughts are easily read. Humanity is converted to an anthill, this is to be dreaded.

Are Your Thoughts Really Your Own?
In your head lives thoughts that are not yours because you think in the English language and that was given to you by other people along with the prejudices that are inherent. You are in the sphere of public influences. Think of the tone of your thoughts and you will hear the tone of others that have told you those things. Myriads of voices and influences work on you even when you are alone. So you are not as private as you think you are. You influence others as well as they influence you, so your voice lives in the heads of other people. We are the sum total of all of society, and the reactions of people to you. You know who you are in terms of your relations with others.

Enjoy the View
He ends with a description of how living a plugged-in existence is not that different from an old Italian woman enjoying watching life flow by on the street below. There is something fundamentally good about that. but you see that that sort of thing of watching an ever-varying panorama of life is not completely excluded by electronic technology.

Alan Watts-Privacy, Surveillance, Transhumanism & Singularity.
If you would like to hear the lecture in its entirety it can be found at the link below.
The link was removed due to copyright restrictions, however, just use your favorite search engine and look for Alan Watts and predictions.

https://therecoveringeducator.....medium.com/the-futur

⁣Koyaanisqatsi is a visual concert of images set to the haunting music of Phillip Glass. While there is no plot in the traditional sense, there is a definite scenario. The film opens on ancient native American cave drawings, while the soundtrack chants "Koyaanisqatsi" which is a Hopi Indian term for "life out of balance".

The film uses extensive time lapse photography (which speeds images up) and slow motion photography to make comparisons between different types of physical motion. In one of the first examples, we see cloud formations moving (sped up) inter-cut with a montage of ocean waves (slowed down) and in such a way we are able to see the similarities of movement between these natural forces.

This technique of comparison exists throughout the film, and through it we learn more about the world around us. The film progresses from purely natural environments to nature as affected by man, and finally to man's own man-made environment, devoid of nature yet still following the patterns of natural flow as depicted in the beginning of the film, yet in chaos and disarray. Through this the film conveys its key message, which is Koyaanisqatsi: life out of balance; crazy life; life in turmoil; life disintegrating; a state of life that calls for another way of living.

Director: Godfrey Reggio
Writers: Ron Fricke(scenario)Godfrey Reggio(scenario)Michael Hoenig(scenario)
CAST: Edward Asner(archive footage)Pat Benatar(archive footage)Jerry Brown(archive footage)

⁣Officially declare yourself as TransVax - Not Vaccinated but identify as the vaccinated person.


⁣I am an unvaccinated person but my body identifies very strongly as a person triple dose vaccined and each subsequent dose.
We have all matured to officially introduce the newest from the wide range of genders. This time the new sex will be called TransVax and at the same time I demand from everyone the same tolerance as Transgender ect
https://www.urbandictionary.co....m/define.php?term=Tr

⁣This documentary follows Aubrey Marcus and company through a powerful Ayahuasca ceremony at Spiritquest Sanctuary in Peru. Under the guidance of Don Howard and his team of ayahuasca shamans, Aubrey and his tribe experience deeply vulnerable transformational experiences. This beautifully cinematic journey is directed by Mitch Schultz, the director of DMT the Spirit Molecule, with an original soundtrack by Poranguí.

Aubrey first began speaking about Ayahuasca on the Joe Rogan Experience podcast in 2011. Since then he has appeared in dozens of other documentaries and media outlets commenting on Ayahuasca. The documentary seeks to help the viewer answer the following questions for themselves:

What is Ayahuasca?
What is it like to take Ayahuasca?
What visions do you have while on Ayahuasca?
What emotional breakthroughs occur during an Ayahuasca ceremony?
Should I take ayahuasca?

Let me know your thoughts in the comments?

⁣A true twentieth-century trailblazer, Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world. The Oscar-winning The Times of Harvey Milk, directed by Robert Epstein and produced by Richard Schmiechen, was as groundbreaking as its subject.
One of the first feature documentaries to address gay life in America, it’s a work of advocacy itself, bringing Milk’s message of hope and equality to a wider audience. This exhilarating trove of original documentary material and archival footage is as much a vivid portrait of a time and place (San Francisco’s historic Castro District in the seventies) as a testament to the legacy of a political visionary.
This documentary examines the political life of the self-proclaimed "Mayor Of Castro Street," N.Y. stockbroker turned San Francisco activist Harvey Milk, the first openly gay politician elected to public office in California. Milk was elected to a City Supervisor position in the '70s, when a successful gay politician was an anomaly, but Milk made the most of his brief time in power. When Dan White killed Milk and Mayor George Moscone, the loss experienced by Milk's supporters was profound.
White robbed the gay-rights movement of a charismatic leader and eloquent voice, but he accidentally gave it something a smart political operative like Milk would surely have appreciated the power and value of: a bona fide martyr.

⁣Welcome to Futureunity, where we explore the fascinating world of science, technology, and the universe! From the inner workings of the human body to the outer reaches of space, we delve into the latest and most interesting discoveries that are shaping our world. Whether you're a science buff or just looking for some mind-blowing facts, we've got you covered. Join us as we uncover the mysteries of the world around us and discover new frontiers in the fields of science and technology. Get ready for a journey that's both educational and entertaining!

Disclaimer Fair Use:
1. The videos have no negative impact on the original works.
2. The videos we make are used for educational purposes.
3. The videos are transformative in nature.
4. We use only the audio component and tiny pieces of video footage, only if it's necessary.
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing.

Disclaimer:
Our channel is based on facts, rumors & fiction. We are not anonymous and we are not associated with anynymous in any way. Purely made for entertainmed purposes.

⁣It would be easy to dismiss an hour-long film adaptation of Peter Schweizer’s book about the charitable-political-nonprofit complex of Bill and Hillary Clinton as nothing more than conservative propaganda. But sitting in a Manhattan screening room late Wednesday, it quickly became clear that conservatives weren’t the intended audience for Clinton Cash.
Environmentalists. Anti-nuke activists. Gay-rights advocates. Good-government folks. They’re all going to find themselves increasingly uncomfortable over claims that the likely Democratic nominee, in the film’s words, takes cash from the “darkest, worst corners of the world.”

The 60-minute indictment of the Clintons will soon find its way to an awful lot of televisions ahead of November’s elections. Based on a heavily researched book by the same name, Clinton Cash is careful in laying out a series of facts that are mostly true, though both the book and the movie sometimes draws connections and conclusions that aren’t as solid as their evidence.
“When it comes to the Clintons, you have to follow the money,” Schweizer says in a rough-cut previewed for TIME.
No doubt, there are many places where dotted lines are smudged into solid ones, and some assumptions are made where concrete evidence of quid pro quo is impossible to prove. But as a work of persuasion, the movie is likely to leave on-the-fence Clinton supporters who see it feeling more unsure about casting a vote for her. Made by the conservative Breitbart News’ executive chairman, Stephen K. Bannon, and director M.A. Taylor, this film rises above the traditional campaign hit job.

“This film is not to re-litigate Benghazi or the 1990s,” Bannon said.
The 1990s were, in fact, dealt with during Clinton’s last campaign. Hillary: The Movie was broad and provocative, dealing with the various scandals during Bill Clinton’s presidency. That movie had little influence on the 2008 campaign, but it ended up becoming inadvertently influential when a case about it led the Supreme Court to overturn campaign finance restrictions in the Citizens United case, ushering in the era of super PACs.
Unlike Hillary, Clinton Cash is a more narrowly focused production with a clear-cut thesis that it repeats through a litany of perceived shifty associations. One alleges that that the Clintons helped the Russian nuke agency get control of 20% of American uranium as part of a deal that involves a Canadian billionaire, Kazakhstan mining officials and Vladimir Putin. Another claims that the Clintons got into bed with African strongmen with horrendous human rights records. “Paul Kigali is a friend of Bill Clinton’s,” the film tells audiences of Rwanda’s leader and suggests the Clintons are engaging in neo-colonialism in exploiting African countries’ natural resources.
The film also accuses Hillary Clinton of flip-flopping on the Keystone XL pipeline after an investor booked Bill Clinton for lucrative speeches. Schweizer also says Clinton’s State Department spared Sweden’s Ericsson of troubles over selling technology to Iran after it, too, booked Bill Clinton for a paid talk. The list goes on: that Bill Clinton pocketed KGB money, a mining company put Hillary brother, Tony Rodham, on its board after it won concessions.

The individual facts are largely true and based on widely reported events and public documents. The conclusions, however, are not as cut-and-dried as the film makes them out to be when assembled together. In general, the film’s reasoning is that if one thing followed another, it was a case of cause-and-effect.
Clinton campaign officials did not respond to a request for comment about the film, but they were harshly critical of its source material. “A new book by Republican operative and friend of the Koch brothers, Peter Schweizer, makes a number of wild accusations about Hillary Clinton—so wild that even the author admits he has no evidence to support them,” the campaign said last year.

There are a lot of leaps of logic in the film, but the insinuations, told through a pattern of favorable results following cash to Clintons, make for a disheartening watch. For instance, Clinton pal Joe Wilson, a former U.S. Ambassador at the center of the Bush-era controversy over weapons of mass destruction, allegedly got a leg up for his investment firm with help from the Clintons in South Sudan. Then there is a $100 million pledge to the Clintons that coincided with favorable contracts in Nigeria and a $1.4 million speaking fee for Bill Clinton personally. Investor Marc Rich, who received a controversial last-minute pardon in 2001, even makes an appearance.

This is not a movie that is going to dissuade the #imwithher crowd from supporting Clinton. But it is a movie that might keep disaffected liberals at home, energize the Sanders supporters to keep up the fight even after their preferred candidate bows to reality and serve up new fodder for conservative talking heads on cable news. This isn’t a game-changing movie, but one that could keep some less enthusiastic voters on the sidelines.
The film carefully curates reality in way to boost anti-Clinton voices. For instance, discussion of Bill Clinton’s role in post-2010 Haiti earthquake completely ignores that George W. Bush also helped raise cash in the wake of the disaster, nor does it acknowledge that one character, the founder of Canadian TD Bank’s sister corporation, TD Ameritrade, also funded Republican Gov. Scott Walker’s super PAC. The film doesn’t mention other reasons why Hillary Clinton may have made particular decisions, leaving the viewer with a narrow understanding. And it blurs the line between Bill and Hillary Clinton’s actions, treating them as essentially the same person.

REVIEW RESOURCE: https://time.com/4328254/clint....on-cash-movie-hillar

⁣‘The Truth Illusion’ investigates one of the most profound questions that philosophers through the ages have tried to address. From Plato to Immanuel Kant to Gilles Deleuze, thinkers have asked: what can we prove to be the truth?

The investigation examines these questions in the context of United States today. Is it possible, in such a deeply divided society, for people to view different "realities"?

The documentary by Al Jazeera’s Investigative Unit features commentary from philosophers, psychologists, social scientists and political commentators who discuss how the U.S. is now riven by radically differing views on what is real, and what is not.

Let me know your thoughts in the comments

⁣he film focuses on the historic files of the Disclosure Project and how UFO secrecy has been ruthlessly enforced-and why. The best evidence for extra-terrestrial contact, dating back decades, is presented with direct top-secret witness testimony, documents and UFO footage, 80% of which has never been revealed anywhere else.
The behind-the-scenes research and high-level meetings convened by Dr. Steven Greer will expose the degree of illegal, covert operations at the core of UFO secrecy. From briefings with the CIA Director, top Pentagon Generals and Admirals, to the briefing of President Obama via senior advisor John Podesta, chairman of the Hillary Clinton Campaign, we take the viewer behind the veil of secrecy and into the corridors of real power where the UFO secrets reside.
The viewer will learn that a silent coup d'état has occurred dating back to the 1950s and that the Congress, the President and other world leaders have been sidelined.