⁣It’s a commonplace to hear people say movies changed their life, but with Owen Suskind that statement is meaningful in an unexpectedly profound way. His remarkable story is so unusual you would dismiss it out of hand if it were fiction, but the documentary “Life, Animated” demonstrates that it’s completely true.


Not just any films changed Suskind’s life, but rather the classic animated features from the Walt Disney Company. Films like “Dumbo,” “Bambi,” “Peter Pan,” “The Lion King” and “Aladdin.” You’ve probably watched them yourself. But Owen Suskind has not just watched them, he’s absorbed them so completely he’s practically lived them.
As directed by Roger Ross Williams (who won Sundance’s documentary director prize) and based on the bestselling book by Owen’s father, Ron Suskind, “Life, Animated” joins Owen’s life at a pivotal moment and shows us where he’s been and what his future looks like.
At 23, Owen Suskind is a cheerful and energetic young man who wears his autism lightly. He has a girlfriend, is just finishing school and is nervous and excited about living by himself for the first time in an assisted living facility on Massachusetts’ Cape Cod.


Owen talks to himself when he’s anxious, but almost exclusively in the dialogue of Disney films. He has seen them so many times he’s memorized every word, and no wonder. They have proved to be a lifeline that has brought him back to the world and helped him make sense of it.
When we first meet Owen, it’s in a family home movie, an antic 2-year-old being read to by his father. Then, without warning, at age 3, this lively boy stopped talking entirely.


“His language processes broke down,” says his mother, Cornelia, who still tears up at the memory, while father Ron says it was as if his son “vanished,” adding “it was like looking for clues to a kidnapping.”
Doctors were initially baffled as well, eventually diagnosing “pervasive developmental disorder,” where the world and its noise become too intense.


One of the only things the Suskinds, including older brother Walt, could still do as a family was watch the Disney family movies Owen had always loved, and they did.


The specific circumstances and episodes of how Owen returned to speech are so remarkable they’re best left to be discovered in the film, but though he did return, it did not mean that things would always go smoothly for him, either as the child he was or the young adult he now is.


No matter what Owen is dealing with, starting with childhood bullying when he “walked the halls of fear” or more adult problems that make him wonder “why is life so full of unfair pain and tragedy,” he uses his Disney animation fascination to work through it.


As a child, for instance, he created an entire cartoon universe he called “The Land of the Lost Sidekicks” and cast himself as the protector of sidekicks against the evil Fuzzbutch. One of “Life, Animated’s” loveliest touches is a beautiful animated sequence, created by France’s Mac Guff Animation, that brings that world completely to life.
Better even than the animation, however, is the sense of the people involved that the film provides, especially of Owen, a remarkable young man who, as director Williams says, “has raw emotions - he doesn’t have filters.”
Williams, whose last feature-length documentary was the very different “God Loves Uganda,” an exposé of how evangelical fundamentalists demonized homosexuality, spent two years on this project, and the trust everyone involved placed in him allowed for an emotional honesty that is “Life, Animated’s” greatest strength.
By the time Owen says, “the future? I’m still searching for it,” we feel his life is in very good hands. His own


REVIEW RESOURCE: https://www.latimes.com/paid-posts/?prx_t=qU4HAx95SAfYAQA&ntv_acpl=1081469&ntv_acsc=2&ntv_ot=2&ntv_gsscm=853*5;839*16;2008*8;842*6;&ntv_ui=e1f13dc5-f00b-45a6-ab12-cb9178ba0059&ntv_ht=FvEkZAA

⁣One of the most iconic musicians of the century speaks about his experience during the past 18 months. (COVID Operation)

⁣Documentary filmmakers Joe Berlinger and Bruce Sinofsky had begun a professional relationship with Metallica while making their 1996 film Paradise Lost: The Child Murders at Robin Hood Hills, about the West Memphis Three. Moved by the story of the West Memphis Three, Metallica, who normally did not allow their music to be used in films, allowed Berlinger and Sinofsky to use their songs in Paradise Lost for free.

The band and the directors kept in touch, discussing the possibility of working on a larger project together. Berlinger split from Sinofsky to direct Book of Shadows: Blair Witch 2 (2000), which was critically panned and made little money. After this experience, he contacted Sinofsky and Metallica about revisiting their plans for a film.

The year 2000 had been, in the words of bassist Jason Newsted, "possibly the highest-profile year for Metallica ever." The band had released the live album S&M in late 1999, then played a New Year's Eve show with Ted Nugent, Sevendust, and Kid Rock. In February they won a Grammy Award for Best Hard Rock Performance for their cover version of "Whiskey in the Jar" (from their 1998 covers album Garage Inc.).

The following month, they filed a highly-publicized lawsuit against file sharing service Napster. In May they released the new single "I Disappear" from the Mission: Impossible 2 soundtrack; they performed the song at the 2000 MTV Movie Awards in June, and its music video was nominated in five categories at the 2000 MTV Video Music Awards that September. Metallica spent June through August on the Summer Sanitarium Tour, playing 20 shows with Korn, Kid Rock, Powerman 5000, and System of a Down. During the tour, singer and rhythm guitarist James Hetfield was injured in a jet ski accident and had to miss three shows.

Bassist Jason Newsted, pictured in 2013. His departure from Metallica, and its after-effects, form part of the narrative of Some Kind of Monster.
The band took a break beginning that fall, which turned into the longest hiatus from touring and recording they had ever taken.

⁣The first authorized documentary film exploring David Icke's work and life. He is the famed conspiracy theorist, known as the “mad man” who has been proved right time and time again.

David Icke has been warning the public for almost three decades about the coming global Orwellian state in which a tiny few would enslave humanity through New World Order tactics. Methods such as control of finance, government, media, and a military-police Gestapo overseeing 24/7 surveillance of a microchipped population. He has said that “physical reality is an illusion" and that the "world" really is a holographic simulation created by a non-human force to lockdown human perception in ongoing servitude.

He has been subjected to decades of ridicule and dismissal over his theories. However, now his books are read all over the globe and his speaking events are watched by thousands. Why? Because what he foretold is playing out in world events and even some mainstream scientists are concluding that reality is indeed a simulation or "Matrix."

REVIEW RESOURCE: https://www.gaia.com/video/ren....egade-life-story-dav

⁣⁣Agenda 21 & 2030 Exposed by Insider - UN Global Goals Build Back Better Agenda
Real Great Awakening Daily QANON, Trump & PLANdemic News! Join Our Community On Telegram Here: https://t.me/greatawakeningworld

It's Time For Everyone To Wake Up!
The Globalists Deep-State & Plandemic Secrets You Need To Know ASAP. Visit And Share: https://greatawakening.world

⁣Martin Miller
Session Band plays Dark Side of the Moon by Pink Floyd. Recorded live at
Weltklang Studio, Plauen on 10th August 2017.
Track List:
1. Speak to Me
2. Breathe
3. On the Run
4. Time
5. The Great Gig in the Sky
6. Money
7. Us and Them
8. Any Color You Like
9. Brain Damage
10. Eclipse
Martin Miller - Guitar & Vocals (http://www.martinmillerguitar.com)
Felix Lehrmann - Drums
Benni Jud - Bass (https://www.bennijud.com/)
Marius Leicht - Keyboards & Vocals
Special Guests:
Jenny Marsala - Vocals (
/ jennymarsala
http://www.instagram.com/jenny_marsala)
Michal Skulski - Saxophone
Studio: Weltklang Studio, Plauen (Germany)
https://www.facebook.com/Weltklangton...
André Gorjatschow - Director & Camera
Dirk Meinel, Christian Roscher - Audio Engineering
Matthias Prokop, Morgan Reid, Susanne Bartels, Josh McMorran - Camera
Ulrich Wichmann - Camera Assistant
Audio mix & video edit - Martin Miller
Additional Guitars - Martin Miller
Additional Keyboards - Marius Leicht
Background Vocals - Matthias Prokop & Martin Miller
Spoken Words - Levi Clay, Cheryl Harford, Fenn Alexander, Mike McLaughlin

⁣I reviewed materials from Pfizer and Moderna in regard to the preclinical assessments of reproductive toxicities from recently obtained documents from FOIA lawsuits.


The results indicate shocking disregard to safety and potential for reproductive harm that will span generations. Pfizer's published data is here:
https://www.sciencedirect.com/....science/article/pii/


Note the study is authored by Pfizer employees with extremely biased interpretation of their results, so you should read the methods and results sections yourself.

⁣Dark To Light - The Great Awakening by EyeDropMedia.com
Dark to Light is a visual journey through darkness into the light. As we continue watching the greatest show in history and welcome in a new earth together...always remember - 'Where we go one, we go all'.

⁣“Ayahuasca & the Path of the Shaman” is a 94 minute documentary that investigates the healing properties of the Peruvian Plant Medicine, Ayahuasca. Driven by a need to heal from his own depression, Dave, travels from his home outside Vancouver, Canada, to Peru in search of this spiritual plant, where he eventually is taught by a Shipibo Master how to work with it. The film's narrative unfolds through a series of storylines: We follow Shannan, as she begins her journey with Dave and this medicine, uncovering child-hood trauma buried deep inside her sub-conscious.


We hear from Lisa, a recovering heroin and crack addict that worked as a prostitute in the streets of Toronto. We also hear from Gabor Mate, whom through talk therapy, helps participants uncover how their experiences with Ayahuasca relate to their daily lives. And finally we hear from Libby. Who starts her journey with this plant by leaving a suicide message on her phone that thankfully never gets delivered.

⁣The Pyramid Code is a made-for-television documentary series of 5 episodes that explores the pyramid fields and ancient temples in Egypt, as well as ancient megalithic sites around the world, looking for clues to matriarchal consciousness, ancient knowledge and sophisticated technology in a golden age.
The ancients knew about an Earth grid of powerful energies and believed they coalesced in designated patterns. Learn how such knowledge translated into an extraordinary mathematical precision, as revealed in monuments including the great pyramids of Egypt, Stonehenge, Teotihuacán and many others.
The series is based on the extensive research done in 25 trips to Egypt and 51 other countries around the world by Dr. Carmen Boulter. The Pyramid Code features interviews with more than a dozen prominent scholars and authors in multidisciplinary fields.

Episode 2
44 mins
High Level Technology
High Level Technology shows evidence that the ancient Egyptians used sophisticated engineering and high science to construct pyramids and temples.

⁣Geoengineering Chemtrails Expert Rosalind Peterson - Alex Jones Infowars Documentary,
⁣United States citizen scientist, researcher, and anti-geoengineering activist, Rosalind Peterson of Mendocino, California, proved both pioneer and prophet.

She helped catalyze a global grassroots anti-geoengineering movement through her decades-long work crusading for clearer skies, cleaner water, healthier trees and plants, and a more resilient planet free of geoengineering fallout. Peterson combined scientific data collection and research, publishing, public speaking, and political advocacy to educate the world about the many negative environmental consequences of clandestine geoengineering.

Founder of the California Skywatch in 2002 and the Agricultural Defense Coalition in 2006, Peterson built an extensive collection of multimedia materials over three decades, now being archived and curated through Our Geoengineering Age for public use by the global scientific community. As an initial “sort” of her extensive archival collection reveals, Peterson proved a tenacious and courageous citizen scientist who wore many hats: environmentalist, photographer, field scientist/researcher, writer, speaker, and activist/publicist.

Peterson’s decades-long effort to uncover the myriad toxic environmental impacts of clandestine geoengineering also provides a compelling, scientifically researched alternative to the widely accepted theory advanced by the United Nations’ Intergovernmental Panel on Climate Change (IPCC) that global warming is primarily caused by anthropogenically released carbon dioxide.

⁣The WEF plan for '15 minute cities' is already rolling out to keep you from driving and leaving a certain radius. Now cities in England and launching these new lockdowns. The fallout from the #twitterfiles continues with new reports of government collusion with executives at Twitter. Dutch farms are set to have their farms taken from them. We talk with academic research Ralph Schoelhammer about this tyranny.


These videos are for entertainment purposes ONLY. IF stocks or companies are mentioned, we MAY have an ownership interest in them -- DO NOT make buying or selling decisions based on these videos. If you need advice, please contact a qualified CPA, attorney, insurance agent, contractor/electrician/engineer/etc., financial advisor, or the appropriate professional for the subject you would like help with. Linked items may create a financial benefit for our company.

⁣Watch DIED SUDDENLY - FULL Documentary watch HERE => ⁣https://vajratube.com/v/FFG3pv

RESOURCE: https://rumble.com/c/Redacted

⁣A very important public speech by a doctor with 25 years of medical internship in several specialisations and an expert in the field of vaccines. (June 2021)
⁣S⁣enate committee hearings and other Capitol events are posted to this page soon after they are announced, and removed at the end of the day. You are invited to revisit this page often for the most current version. For links to individual Senate committee websites, please visit the Senate's Committee portal.

For live, streaming video broadcasts of committee hearings and other events within the Capitol complex you may visit the Senate Live Video Broadcasts page. Official Senate hearings and events are archived and can be accessed from the Senate Audio/Video Archives page or from the individual committee pages.
Events listed on this page will be carried live on the Senate Live Broadcasts page unless otherwise noted. Due to technical limitations, most out-of-town committee hearings and all "desk meetings" held on the Senate floor can not be carried live. For such events, audio recordings will be posted to the main Audio/Video Archives, as well as the relevant committee pages, as soon as possible.
A complete Senate room reservation schedule may be be found at
https://roomsched.senate.texas.gov/

Original resource: https://tlcsenate.granicus.com..../MediaPlayer.php?cli

⁣Werner Herzog, Documentary, Timothy Treadwell, Alaska, Tragedy, Tragicomedy, Home Video, Nature

Tragicomedy is an overworked word. Yet nothing else will do. Werner Herzog, that connoisseur of extreme figures in far-off places, has made an inspired documentary about the gonzo naturalist Timothy Treadwell, who in 2003 ended up as lunch for the bears he lived with in the remote Alaskan wilderness.
It is poignant, it is beautiful, and it is absolutely hilarious. Herzog didn't even have much work to do, what's more, because Treadwell - gifted, untrained film-maker that he was - had done almost everything himself, leaving behind hundreds of hours of videotape that he had shot at extreme and indeed fatal risk to himself. They contain sublime, dramatic shots of the bears and footage of his own mad and posturing rants to camera, wearing combats and a bandana - part surfer-dude, part drama-queen. Poor Mr Treadwell. He loved those bears. And they loved him. Yum, yum!

Timothy Treadwell was a mixed-up kid from Long Island in the US who wanted to be an actor. He auditioned for Cheers, but the shock and disappointment of coming second to Woody Harrelson sent him over the edge into drink and drug crises. He came out the other side clean and sober, but with a new passion: the grizzly bears of Alaska. Every summer, he went camping out there with his video camera and his attitude problem, regularly breaking the US park rangers' rule not to come within 100 yards of a bear. Timothy got up close and personal, giving them cute names like "Mr Chocolate" and "Sgt Brown", patting them on the nose, and becoming obsessed with gaining the bears' respect for his courage in doing so. His opening rant to camera is a comic classic, influenced, I very much suspect, by Dennis Hopper in Apocalypse Now: "I am a kind warrior! I will not die at their claws and paws! I will be a master!"

Bizarrely, his macho extreme-sports persona often alternates with something screamingly camp. Treadwell yoo-hoos wildly like Robin Williams at the bears who lope up to him: "Oh hi! Hiya! Oh he's a big bear! He's a surly bear!" And Treadwell is often very funny - a reality TV natural who never got his own show. There are too many choice moments to describe here, but among the classics is his sudden zooming-in on an immobile bumble bee on a flower, which he tearfully describes: "Isn't this so sad? A bumble-bee expired while it was doing the pollen thing. It's beautiful . . . it's sad . . . it's tragic . . . it's . . . WAIT! The bee just MOVED! Is it . . . is it just SLEEPING?" Later, Treadwell films a full-on macho-bear fight between Micky and Sgt Brown over a female called Saturn, whom Treadwell describes as the "Michelle Pfeiffer of bears".

His mission was to teach the world about these animals, and this he certainly did, according to his lights, touring schools and giving illustrated talks to kids without accepting a fee. But he also angrily claimed, in some of his looniest soliloquies, that he was "protecting" the bears from poachers or even the federal authorities. The awful truth was that he did not add anything to our knowledge of bears, and that any supposed danger these animals were in, living as they did in a protected national park, existed only in Treadwell's over-heated, self-dramatising imagination.

Treadwell's over-the-top persona is in contrast to the cool, deadpan drone of Herzog himself, who pays tribute to his intuitive skills as a film-maker, but repudiates Treadwell's Disneyfied view of nature, seeing in it only colossal coldness and indifference. Herzog appears on camera just once, listening through headphones to Treadwell's final screams - and those of his luckless girlfriend - as they are both eaten. It is only audio, as Treadwell was attacked before he could remove the lens-cap; in a masterstroke of restraint, Herzog does not let us hear this sound, and sorrowfully advises Treadwell's former girlfriend, Jewel, to burn the tape. I wonder if she has.
Was Timothy Treadwell an inspired radical operating outside the academic naturalist establishment - or a pain in the neck with personal issues? A little of both, of course. He was certainly a brilliant performer and director who, by crossing the taboo line (by as it were impaling himself on the taboo line's barbed wire) vividly demonstrated the alien-ness of nature, and therefore its strange and terrible beauty, more than anything I've ever seen by David Attenborough. It is a superb documentary, because Treadwell has not been coerced or set up; he was enough of an amateur to be relaxed and unselfconscious, yet enough of a professional to generate all this outstanding footage, and quite rightly Herzog declines to patronise or make fun of him. If we didn't already know Timothy Treadwell's awful fate, it would be enough to say: a star is born.

REVIEW RESOURCE: https://www.theguardian.com/culture/2006/feb/03/1

⁣Dr. David Martin: Not novel, No pandemic, No variants...Campaign of Coercion & Terror!
This is a bombshell video conference between Dr David E Martin and Reiner Fuellmich that should fatally debunk the official COVID narrative, if you send this to everybody you know who still watches cable news.
David makes a tight case, backed by mountainous evidence that COVID-19 wasn’t a lab leak. It is a US bioweapon, as is the so-called vaccine. The primary motive is money.
Everything David says can be used in a court of law and is backed by over 20 years of research, patent filings and FOIA documents, including Anthony Fauci’s recently-released emails. David does not speculate about anything. He doesn’t get into any ulterior motives beyond what he has seen in official or verified documents. What he can definitively prove is that COVID-19 is a financially-motivated scam more than 20 years in the making.
Furthermore, he says “SARS-CoV-2” is not novel. It’s the same old SARS (SARS-CoV-1) bioweapon targeted for human lung epithelium that Anthony Fauci commissioned the University of North Carolina to create and which was patented on April 19th 2002, months before what he calls the “alleged” outbreak in Asia.
David then goes through the CDC’s patent filing for SARS coronavirus on April 25th, 2003, followed three days later by a filing by Sequoia Pharmaceuticals for the treatment of same, in a patent on anti-viral agents of control of infections by coronavirus. Sequoia Pharmaceuticals (subsequently, AB Links Pharmaceuticals) was later rolled-up into the proprietary holdings of Pfizer, Crucell and Johnson & Johnson.
David says this is a RICO case. “And the RICO pattern, which was established in April 2003 for the first coronavirus was played out to exactly the same schedule, when we see SARS-CoV-2 show up, when we have Moderna getting the spike protein sequence by phone from the Vaccine Research Center at NIAID – prior to the definition of the novel subclade. How do you treat a thing before you actually have the thing?”
The goal of all of this has been to institute an aggressive “pan-coronavirus” vaccine schedule for adults, that seeks to replace our natural immune system with synthetic mRNA biology. This goal and the means to achieve it is encapsulated in a statement made by Wuhan Institute Gain-of-Function contractor, Peter Daszak in 2015: “We need to increase public understanding of the need for medical countermeasures, such as a pan-coronavirus vaccine. A key driver is the media and the economics will follow that hype. We need to use that hype to our advantage to get to the real issues. Investors will respond if they see profit at the end of the process.”
David says, “Peter Daszak, the head of EcoHealth Alliance; Peter Daszak, the person who was independently corroborating the Chinese non-lab leak non-theory, because there wasn’t a lab leak. This was an intentional bioweapon of spike proteins, to inject into people, to get them addicted to a pan-coronavirus vaccine. This has nothing to do with a pathogen that was released and every study that’s ever been launched to try to verify a lab leak is a red herring…
“It’s always been all about money. And just to answer a question that was asked slightly earlier, the script for this was written first January 6th, 2004.”
Reiner asks, “January 6th, 2004. Who wrote the script?”
“Merck, at the conference called SARS and Bioterrorism. ‘Bioterrorism and emerging infectious diseases, antimicrobials and immune modulators.’ Merck introduced the notion of what they called the ‘New Normal’, which is the language that became the branded campaign that was adopted by the World Health Organization, the Global Preparedness Monitoring Board, which was the board, upon which the Chinese Director of the Centers for Disease Control, Bill Gates’ Dr Elias of the Gates Foundation and Anthony Fauci sat together on that Board of Directors but the first introduction of the New Normal campaign, which was about getting people to accept a universal pan-influenza, pan-coronavirus vaccine was actually adopted January 6th, 2004.”
As to the vaunted Delta and Lambda “variants” that we’ve been hearing about lately, David says, point-blank, “There is no evidence that the Delta Variant is somehow distinct from anything else on GISAID. The fact that we are now looking for a thing doesn’t mean that it is a thing, because we are looking at fragments of things…Because of the way in which we currently sequence genomes, which is actually a compositing process – it’s what we’d call in mathematics, an interleaving – we don’t have any point of reference to actually know whether or not the thing we’re looking at is, in fact distinct from either clinical or even genomic sense…It’s just an alteration and a stop-and-start of what you call the ‘reading frame’. There is no ‘novel’ anything.”
As the head of an organization that monitors all breaches of biological weapons treaty violations, that publishes lists of names and contact information and that identifies who is financing these breaches, David says, “For us, it wasn’t hard to figure out that this was not a public health crisis, this was an opportunistic marketing campaign to address a stated objective. And that’s why this is Occam Razor, it’s the easiest thing to describe, because they’re the ones that said it. The Occam’s Razor reality is that they said they needed to get the public to accept a pan-coronavirus vaccine countermeasure and they needed to the media to create the hype and investors would follow where they see profit.
“You do not have anything else you need to rely on to explain the events of the past 20 months than the actual statement of the actual perpetrator. I don’t do the navel-gazing exercise of going in to try to understand whether there were ‘mommy issues’ behind a bank robber. If they’re holding a bag of money outside of a bank, I actually make the crazy assumption that maybe they’re a bank robber.
“Similarly, if I have somebody who says ‘We need to use the media to hype the medical countermeasure,’ which is actually the injection of a synthetic, recombinant, chimeric protein developed off a computer simulation, if I’m actually going to listen to the motivation for why that might be being done, I will listen to the person doing the simulation, who says, ‘Investors will follow where they see profit.’ I don’t need more explanation.”
4,000 PATENTS PERTAINING TO SARS
David begins by telling Reiner that his team has reviewed the over 4,000 patents pertaining to the SARS coronavirus and done a comprehensive analysis of the financing of all of the manipulations which gave rise to SARS as a subclade of the Beta Coronavirus family.
David’s team took the reported gene sequence of the so-called “novel” coronavirus, as indicated by the ICTV (the International Committee on the Taxonomy of Viruses of the World Health Organization) and compared this gene sequence with those in the patent records as of early 2020 and what they found were over 120 patented pieces of evidence to suggest that the declaration of a novel coronavirus was “entirely a fallacy.”
David says, “There was no novel coronavirus. There are countless very subtle modifications of coronavirus sequences that have been uploaded. But there was no single identified novel coronavirus, at all. As a matter of fact, we found records in the patent records of sequences attributed to novelty going to patents that were sought as early as 1999. So, not only was this not a novel anything…it’s not been novel for over two decades.”
David then takes us on a short journey through the patent landscape.
“The first vaccine ever patented for coronavirus was actually sought by Pfizer…which was specifically this ‘S’ spike protein – so the exact same thing that allegedly we have rushed into invention – the first application was filed on January 28, 2000, twenty-one years ago.
“So the idea that we stumbled on the way to ‘intervene’ on vaccines is not only ludicrous it is incredulous, because Timothy Miller, Sharon Klepfer, Albert Paul Reed and Elaine Jones, on January 28th, 2000 filed what ultimately was issued as US Patent #6372224, which was the spike protein virus vaccine for the canine coronavirus, which is actually one of the multiple forms of coronavirus.
“But as I said, the early work, up until 1999 was largely focused in the area of vaccines for animals. The two animals receiving the most attention were probably Ralph Baric’s work on rabbits and the rabbit cardiomyopathy that was associated with significant problems among rabbit breeders and then, canine coronavirus, in Pfizer’s work to identify how to develop ‘S’ and spike protein vaccine target candidates, giving rise to the obvious evidence that says that neither the coronavirus concept of a vaccine, nor the principle of the coronavirus, itself as a pathogen of interest, with respect to the spike protein’s behavior is anything novel, at all. As a matter of fact, it’s 22 years old, based on patent filings.
“What’s more problematic, actually the most egregious problem is that Anthony Fauci and NIAID found the malleability of coronavirus to be a potential candidate for HIV vaccines.
SARS IS A MAN-MADE BIOWEAPON
“SARS is actually not a natural progression of a zoonotic modification of coronavirus. As a matter of fact, very specifically in 1999, Anthony Fauci funded research at the University of North Carolina, Chapel Hill specifically to create – and you cannot help but lament what I’m about to read, because this comes directly from a patent application filed on April 19th, 2002…where the NIAID built an infectious, replication-defective coronavirus. It was specifically targeted for human lung epithelium.
“In other words, we made SARS. And we patented it on April 19, 2002, before there was ever any alleged outbreak in Asia, which as you know, followed that by several months.
“That patent was issued as #7279327. That patent clearly lays out, in very specific gene sequencing, the fact that we knew that the ACE receptor, the ACE-2 binding domain, the S1 spike protein and other elements of what we have come to know as this ‘scourge pathogen’ was not only engineered, but could be synthetically modified in the laboratory using nothing more than gene sequencing technologies; taking computer code and turning it into a pathogen or an intermediate of the pathogen.
“And that technology was funded exclusively, in the early days as a means by which we could actually harness coronavirus as a vector to distribute HIV vaccine…
“So it gets worse. My organization was asked to monitor biological weapons treaty violations in the very early days of 2000. You’ll remember the anthrax events in September of 2001. And we were part of an investigation that gave rise to the Congressional inquiry into not only the anthrax origins but also what was unusual behavior around Bayer’s Ciprofloxacin drug, which was a drug used as a potential treatment for anthrax poisoning. And throughout the fall of 2001, we began monitoring an enormous number of bacterial and viral pathogens that were being patented through NIH, NIAID, USAMERIID, the USArmed Forces Infectious Diseases program and a number of agencies internationally that collaborated with them.
“And our concern was that coronavirus was being seen not only as a potential manipulatable agent for potential use as a vaccine vector, but it was also very clearly being considered as a biological weapon candidate. And so our first public reporting on this took place prior to the SARS outbreak in 2001, so you can imagine how disappointed I am, to be sitting here 20 years later, having 20 years earlier pointed out there was a problem looming on the horizon with respect to coronavirus.
“But after the alleged outbreak. And I will always say, ‘alleged outbreak’, because I think it’s important for us to understand that coronavirus, as a circulating pathogen inside the viral model we have is actually not new to the human condition and it is not new to the last two decades, it’s actually been part of the sequence of proteins that circulates for quite a long time.
“But the alleged outbreak that took place in China in 2002, going into 2003 gave rise to a very problematic April 2003 filing by the United States Centers of Disease Control and Prevention. And this topic is of critical importance to get the nuance very precise. Because, in addition to filing the entire gene sequence on what became SARS coronavirus – which is actually a violation of 35 US Code Section 101 – you cannot patent a naturally-occurring substance, the 35 US Code Section 101 violation was Patent #7220852. Now, that patent also had a series of derivative patents associated with it. These are patent applications that were broken apart, because they were of multiple, patentable subject matter.
“These include, US Patent #46592703P, which is actually a very interesting designation, US Patent #776521. These patents not only covered the gene sequence of SARS coronavirus, but also covered the means of detecting it, using RTPCR.
“Now, the reason why that’s a problem is if you actually both own the patent on the gene, itself and you own the patent on its detection, you have a cunning advantage to being able to control 100% of the provenance of not only the virus, itself but also its detection, meaning you have entire scientific and message control.
“And this patent, sought by the CDC, was allegedly justified by their public relations team as being sought so that ‘everyone would be free to be able to research coronavirus’. The only problem with that statement is it’s a lie. And the reason why it’s a lie is because the Patent Office not once but twice rejected the patent on the gene sequence as ‘unpatentable’, because the gene sequence was already in the Public Domain.
“In other words, prior to CDC’s filing for a patent, the Patent Office found 99.9% identity with the already-existing coronavirus recorded in the Public Domain and over the rejection of the Patent Examiner, and after having to pay an appeal fine in 2006 and 2007, the CDC overrode the Patent Office’s rejection of their patent and ultimately, in 2007, got the patent on SARS coronavirus.
“So every public statement that CDC has made, that said this was in the public interest is falsifiable by their own paid bribe to the Patent Office. This is not something that’s subtle. And to make matters worse, they paid an additional fee to keep their application private. Last time I checked, if you’re trying to make information available for the public research, you would not pay a fee to keep the information private.

⁣Certainly one of the best interviews of the series, this interview with epidemiologist and biostatician Knut Wittkowski is hard hitting and touching. We interviewed him on a hot July day in 2020 in a corner of the park and later in front of an empty great lawn, which normally has 1000 people on it in a midsummer day. He is a caring and thoughtful man that is highly alarmed by the turn of events of this last year. He has a tremendous amount of courage to speak out and a big heart. This all comes through.

Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/
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⁣The film documents Becker's rise to near-stardom, following him from the first time he touched a guitar as a five-year-old to when he was drafted into The David Lee Roth Band as lead guitarist at the age of 19. In 1990, this was considered perhaps the most coveted rock guitar gig on the planet, as Becker would be following in the footsteps of acclaimed guitarists Eddie van Halen and Steve Vai, both of whom played with David Lee Roth as lead guitar player. It was shortly after that Becker was diagnosed with Amyotrophic Lateral Sclerosis, more popularly known as Lou Gehrig's disease, and given just 3 to 5 years to live. Becker was able to finish the recording of Roth's third full-length studio album A Little Ain't Enough but was unable to make the tour due to his physical decline.

Despite his diagnosis, Becker continued to write music even after losing all the ability to move and speak. Becker would go on to write and record two full-length studio albums Perspective (1996) and Collection (2008). Becker communicates exclusively via an eye pattern chart invented by his father, artist and poet, Gary Becker.

Although the film examines Becker's physical decline and his missed shot at rock superstardom, the film is a positive account of Becker's strength and survival for the past 22 years of his life.

The film makes extensive use of Becker's family archives through photographs, Super 8mm film and VHS footage. The film features interviews with Becker's family and friends as well as notable guitarists Joe Satriani and Steve Vai.


<img src="https://m.media-amazon.com/images/I/91nMvT2XrLL._AC_SY741_.jpg" alt="Poster" />

Buy Original DVD <a href="https://www.amazon.com.au/Jason-Becker-Not-Dead-Yet/dp/B009CSVQ7C" target="_blank" >here</a>

⁣The Altman Report - What You Need To Know About COVID Vaccines (17.10.2022)

Dr. Phillip Altman exposes the entire Australian medical/political nexus. He warns against so-called Covid mRNA vaccine and puts the political party duopoly right in his sights. Without doubt the best homespun doco we have seen from a highly qualified doctor who deserves a medal. What he talks about in this video applies to the whole world....
Dr Altman is a well-known Australian authority on clinical trials and regulatory affairs with more than 40 years of experience in designing, managing and reporting of clinical trials and in working with the Australian Therapeutic Goods Administration in gaining new drug approvals.
He has worked in senior managerial positions for several multinational companies including Merrell-Dow, Hoechst, Roussel and GD Searle.

He established Australia’s first contract research organisations (CROs), where he served as a Senior Industry Consultant for more than half of the pharmaceutical companies present in Australia.
His career has seen him involved in more than one hundred clinical trials (Phase I through IV). He has been personally responsible for the market approval of numerous new drugs since joining the pharmaceutical industry in 1974.

A graduate of Sydney University with an Honours degree in Pharmacy, Master of Science and Doctor of Philosophy (pharmacology and pharmaceutical chemistry) degrees, he co-founded and is a Life Member of the largest professional body of pharmaceutical industry scientists involved in clinical research and regulatory affairs (Association of Regulatory and Clinical Scientists to the Australian Pharmaceutical Industry Ltd. - ARCS). ARCS presently has more than 2000 members.
More recently Dr. Altman has presented to the Cross Party Covid Inquiry held in Brisbane and has provided expert reports in relation to both the Australian and NZ Judicial Review and High Court cases in relation to the Covid vaccines.

RESOURCES:
- https://amps.redunion.com.au/c....ovid19_evidence_base
- https://www.news.com.au/techno....logy/science/human-b
- https://www.phillipaltman.com.au/about

⁣Zeitgeist: Moving Forward, by director Peter Joseph, is a feature length documentary work which will present a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society.
This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical “life ground” attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a “Resource-Based Economy”. This film will feature experts in the fields of public health, anthropology, neurobiology, economics, energy, technology, social science and other relevant subjects which relate to social operation and culture.
The three central themes of the work are Human Behavior, Monetary Economics, and Applied Science. Put together the work creates a model of understanding the current social paradigm; why it is critical to move out of it - coupled with a new, radical, yet practical social approach based on advanced understandings which would resolve the current social woes facing the world today.
One of the unique attributes of this work, which separates it in style from most documentaries, is that it has a parallel dramatic/cinematic theme, with notable actors, which abstractly play out various gestures related to the overall message of the film. The work also vigorously employs numerous 2d and 3d visual abstracts/animations, while returning to the standard, traditional documentary orientation as the foundation.

⁣It is now beyond doubt that strange, anomalous objects filling our skies and caught on camera are the real deal. Even the Pentagon admits it’s true. These seemingly intelligently controlled craft are operating above the clouds, in our oceans and in our orbit – travelling at hypersonic speeds far beyond any known human technology and completing manoeuvres unknown to science.


The subject of conspiracy and derision for years, UFOs are now the hottest topic in Washington and the world.
Five-time Walkley Award-winning investigative journalist Ross Coulthart – who has been investigating the phenomena for the past two years – led the 7NEWS Spotlight team across the US, amassing never-before-seen compelling evidence and speaking to the key players behind an event that will change the course of history.
Featuring interviews with the highest echelons of military defence and intelligence officials, leading researchers, scientists and witnesses in America and Australia, this mind-blowing documentary years in the making seeks to answer the most fundamental question there is: are we alone?


The US director of national intelligence is expected to hand down an unclassified report next month that will change our understanding of life itself. On Spotlight, we reveal what is in that report.
7NEWS Spotlight: The UFO Phenomenon unearths startling new evidence of Australian Government cover-ups and extraordinary vision of unidentified aerial phenomena in Western Australia, Victoria and Queensland – all credible and important additions to the worldwide data being accumulated by the US.


For Coulthart, the project has become the most fascinating and challenging of his career, becoming the focus of his new book 'In Plain Sight', available now in Australia and soon in other territories:


Australia: https://7news.link/3AuawFz