⁣THE PLAN shows the official agenda of the World Health Organization to have ten years of ongoing pandemics, from 2020 to 2030. This is revealed by a WHO virologist, Marion Koopmans. You will also see shocking evidence that the first pandemic was planned and abundantly announced right before it happened. Make sure to watch, and share this everywhere.


The WHO has planned for 10 years of infetious dieseases, from 2020 to 2030. So be prepared for NEXT PANDEMIC step.


More information, and to see all the documents in THE PLAN, go to: https://www.stopworldcontrol.com/proof

⁣In this film Dr. David Martin gives an education in the history of the United States where we went wrong and what are the mechanisms of that deviation of the grand experiment.

In American R/Evolution, David tells the story of the financial and commercial history of the United States. He revisits the vision for America that was postulated by Thomas Jefferson, and explains where this vision was derailed. The film delivers a message that challenges existing paradigms and inspires viewers to engage their communities in a greater capacity.
Our financial history is a subject typically distorted beyond comprehension. But through the film, Dr. David Martin narrates it in a way that is approachable, entertaining, and utterly mind-blowing for people of all walks of life.

“We believed in a world where there was always something beyond. We believed in a world where somehow our fear of death needed to change how we live. We believed in a world where we had to look to ourselves rather than look to our neighbours and to our network to support us. We believed in a world where we wanted to surrogate our responsibility because even though we got rid of a monarch, we got rid of a pope… We still believed that someone somewhere else was responsible for our lives.“
David Martin


⁣Dr Martin's Youtube channel => https://www.youtube.com/@DavidMartinWorld
Official website => https://www.davidmartin.world/

⁣They knew of many of these risks and adverse events… and yet never formally disclosed them to patients,” says mRNA vaccine pioneer Dr. Robert Malone. “I think there are many in the legal profession that are looking at this and raising questions about whether, in fact, this does meet the criteria of fraud in terms of withholding information.”

I sit down with Dr. Malone, co-founder of the International Alliance of Physicians and Medical Scientists, to discuss the Global COVID Summit’s recent declaration to “end the national emergency, restore scientific integrity, and address crimes against humanity.”

⁣JFK to 911 is already a global phenomenon, having began as a Youtube video which achieved over a billion hits by becoming the first documentary in human history to untangle all the establishment lies and reveal the entire truth about the Kennedy Assassination and 911.

These disclosures so frightened the powers-that-be that President Trump and the Queen of England took the joint decision to ban it altogether, so that if you read this book, you will be learning the most cardinal secrets which your government would much rather you did not know.

Nearly all intelligent people these days are wary of what we are being told by the mainstream media, but fewer are aware that the very notion of 'fake news' began with the words on these pages, and that all government policy in recent times has been an ongoing effort to hold back the increasing enlightenment these words have inspired.

Legions of people have taken the trouble to go online so that they could tell the world about how learning that absolutely everything is a rich man's trick--the justice system, the education system, the economic system, and most importantly, the media.

Francis Richard Conolly is extremely hopeful that the people who have made a movie which he originally gave them for free such a central part of their existence will now buy this book in order to build the revenues which he needs to make the sequel which everyone wants to see.

REVIEW RESOURCE: https://www.catch.com.au/produ....ct/jfk-to-911-everyt

Let me know your thoughts in the comments below 👇

⁣Is there a connection between UFOs, alien abductions, channeling spirits, demonic possessions, the new age movement, secret societies, and satanism?

In Age of Deceit: Fallen Angels and the New World Order, we investigate why the New World Order and the Global Elite are tirelessly working to form a One World Government and who they are getting this instruction from.

A biblical look at the history of fallen angels and it's relationship to the New World Order and the new age movement.
Topics covered are the fall of mankind, the pre-flood world as Atlantis, the new age through theosophy, the fallen angels and their origin of planting the seeds to society, UFOs, ETs and abduction cases, demonic possession, channeling, and more.

⁣Dr. Robert Malone is the controversial inventor of the mRNA gene therapy technology that is now being utilized in the Covid-19 vaccinations. He is an outspoken critic of regulatory capture and industry influence over regulators. He comes from the heart of the vaccine industry and was kind enough to sit down with us to discuss and answer a variety of questions we had about his thoughts and perspectives on what we are currently experiencing.


Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/

⁣The History of the Devil is wickedly good, informative and concise. A no-frills Welsh film produced in association with SBS Australia and distributed by Siren Visual, it’s roughly 52 minutes in length and packs a fair dinkum amount of history into its slender running time.


The documentary itself is made up entirely of mostly still images alternating sporadically with talking heads; religious scholars, theologians and reverends.


Directed by Greg Moodie and written and produced by Dave Flitton, it was researched by Eibhleann Ni Ghriofa, Deirdre Learmont and Craig McGregor.
It’s an impressive and very open-minded account and offers some fantastic insight into the evolution; the hows and whys the specter of the Devil has existed and morphed through the ages from the dawn of civilization through to the new millennium.


So despite its relatively low-fi approach, the richness and diversity of its imagery; the historical plaques, plates, engravings, illustrations, paintings, drawings, and the occasional staged re-enactment (some dude dressed up in rather bemusing demonic attire), keeps the documentary at a high level of beguilement.

⁣Dick Johnson Is Dead is a 2020 American documentary film directed by Kirsten Johnson and co-written by Johnson and Nels Bangerter.

A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book — staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever.


The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison.


Cast:
Kirsten Johnson
Charles Richard "Dick" Johnson


Development:
Director Kirsten Johnson at the Miami Film Festival


Kirsten Johnson was inspired to make the film after having a dream in which "there was a man in a casket and he sat up and said, 'I'm Dick Johnson and I'm not dead yet'". When she pitched the idea to her father, she asked him, "Dad, what if we make a movie where we kill you over and over again until you really die? And he laughed".
The film incorporates Johnson family photographs and home movies, including that of Richard Johnson's wife who died from Alzheimer's disease in 2007.


Release:
The film premiered on January 25, 2020 at the 2020 Sundance Film Festival. It was released on October 2, 2020 via Netflix.
RESOURCE: www.dickjohnsonisdead.com

⁣The second documentary film of the series, Zeitgeist: Addendum, attempts to locate the root causes of this pervasive social corruption, while offering a solution.
Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organisation for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.
The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues. Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.
The director, producer, writer, cinematographer, composer, editor and narrator of the work, Peter Joseph, was inadvertently brought into recognition within the documentary film community with his award winning, controversial, 2007 work “Zeitgeist: The Movie” which obtained over 100,000,000 views online during the first year of its publication.
Since that time, he continues to focus on media related expressions, including music composition, performance & film production, each with the focus on affecting society for the better. He has also lectured around the world on the topics of social sustainability and filmmaking and has been featured in the New York Times, Russia Today, TedX, CineFuturo and many other outlets. His film series have earned dozen of awards and have been screened in virtually every country and in over 40 languages. For more about The Zeitgeist Film Series and its history: www.zeitgeistmovie.com

⁣The people interviewed for "Kedi," Ceyda Torun's documentary about the teeming street cat population in Istanbul, are not experts, or talking heads, or academics. They are citizens, moving through their lives, interacting with the cats in their neighborhoods, and their comments are casually contemplative, off-the-cuff and profound. The human beings take it upon themselves to care for the cats, feed them, and—even more tellingly—just enjoy observing them. They note each cat's personality quirks, likes and dislikes. They freely admit what these cats bring to their own lives. I am a cat owner, I admit, but even I was surprised at the power of "Kedi." Where did all that emotion come from? It's because what Torun really captures in her unexpectedly powerful film is kindness in its purest form.

The cats of Istanbul are everywhere. They curl up on stoops, car hoods, and cafe benches, they sit on piers and in doorways. They sneak beneath tables at flea markets and leap on scraps outside the fish markets. Torun's film profiles seven individual cats, each with its own distinct life, routine and personality. Considering the sneaky crepuscular habits of cats, following these beasts must have been quite a feat. The footage is astonishing. The film opens with a tabby cat stalking with purpose down a crowded city street, looking for food to bring back to her litter of kittens (stashed in a stairwell). Torun's camera is low to the ground, on the cat's level, following the tabby's determined progress. Watching "Kedi" is like lying down on a quickly-moving skateboard. Cats are wily creatures, and when they don't want to be found, they are not found. But Torun finds them!


There's one cat who hangs out at a restaurant by the water, taking care of the mice. (There's a hilarious night-vision section showing the cat creeping through a drain pipe, eyes ablaze.) There's a cat who dominates the area in front of a busy cafe, fighting off interlopers, harassing her "husband" (pushing him out of the way so she can eat first), and chasing off the floozy cats vying for her man's attention. ("She's the neighborhood psychopath," says a neighborhood resident.) One woman spends a day cooking fresh chicken and then wanders her neighborhood, leaving food for the cats, who swarm around her. She says that she has a lot of pain and the cats are helping her heal. There's one cat who sits outside a bakery, and bats on the windows frantically when it gets hungry. There's a freeform style of communication between cats and humans. They share space. Some cats adore being petted. Others can't abide it. A man who owns a textile store demonstrates that the cat who hangs out in his shop likes pats only when they're rough. Gentle pats drive her crazy. "She gets so much pleasure she almost passes out," he says, and then there's footage of her sprawled on the floor, lost in the sensations. One cat shows up at a woman's window every day for a visit. She lets him in, he strolls around, he eats, and then he clambers back down the tree.


The focus is on the cats, but "Kedi" is really a portrait of community. Torun gives a sense of life in Istanbul, its diversity and beauty, its storefronts and waterfronts, its people. Why there are so many cats in Istanbul, and how they all came to be there, is not explained (except for a casual comment from an interview subject). Political upheaval and turmoil is not addressed at all, although there are disturbing signs everywhere, thrumming underneath the everyday routines. One woman says that it is very difficult to be a woman in Turkey, and that the cats in her neighborhood remind her of what is good in being feminine. There is a lot of concern expressed about the brutal knocking down of old neighborhoods to make way for high-rises. Gentrification disrupts entire ways of life, and the residents worry about that but they also worry about the cats. Where will they go? What will become of them? It can be a heartless world. Caring for one another and caring for animals may seem like a small thing, but Torun's affectionate portrait of these cats—and the people who love them—makes it seem like the most important thing in the world. A restaurant owner keeps a tip jar on the counter, and the money goes into a fund for vet visits for the cats who hang around outside. Imagine that. Torun combines her up-close-and-personal footage of the cats with transcendent drone shots of Istanbul in all its moods and weather.

⁣The story of Martin Armstrong
Can a computer model predict the world economy?

The year is 2014: Europe is stumbling from one emergency summit to the next. America has gone crashing through the 15-billion-dollar debt ceiling. People are taking to the streets across the world because they have realised that something has been thrown off kilter; that the market economy is tearing a vast rift between the super rich and the masses; that the banks have spiralled out of control; that governments have lost their grip on public debt.

And after eleven years off the radar, a man resurfaces in Philadelphia, a man who used a computer model and the number pi in the nineties to predict economic turning points with astounding precision: Martin Armstrong predicted the exact date of the October crash in 1987, the demise of the Japanese bull market in 1990, the turning point for the US and European markets in July 1998 and the Nikkei crash in 1989. He was one of the wealthiest Wall Street market analysts and was named economist of the decade and fund manager of the year in 1998. But he refused to play along with the bankers’ game and warned his customers that “the club” was manipulating currency and silver markets. He quickly made powerful enemies: New York investment bankers, hedge funds managers, Salomon Brothers, Goldman Sachs. The FBI and SEC, US Securities and the Exchange Commission, started to show interest in his computer model. In 1999 he was arrested on charges of fraud which he still disputes to this day. He was incarcerated for seven years for contempt of court. After time in solitary confinement and threats against his mother, he signed a partial confession and was sentenced to a further four years.

This documentary film portrays a man returning to his life after eleven years in prison. It follows him as he meets his old partners for the first time and depicts his first public speech to people who are still prepared to travel from across the globe and pay handsome sums to hear him speak. The film shows him attempting to prove his innocence and expose the power of the New York banks.

Martin Armstrong’s career thus began with a complete error of judgement. Even at this young age, he tried to understand the system, to grasp the logic according to which each boom was followed by a bust. Was Niccolo Machiavelli right in his belief that history repeated itself because man’s passions remain the same? He analysed the financial markets, studied the history of business cycles, stock market crashes and global monetary systems. He visited libraries and collected historical data: gold prices, exchange rates. He played around with figures and dates, he divided the time span between the Rye House Plot in 1683 and the year of the bankers’ panic in 1907 (224 years) by the number of market crashes during this period (26) and ended up with an average of 8.6

Eight point six – the global economy appeared to be based on this 8.6-year cycle. He multiplied the cycle by six which gave him 51.6 years and once again it all fitted perfectly: Black Friday in 1869, the commodity panic in 1920, and the Second and Third Punic Wars. He divided, subtracted and multiplied and established that 8.6 years equalled three thousand one hundred and forty-one days: 3,141, the magic number pi times a thousand. Did pi perhaps also govern the markets or the actions and moods that manifested themselves in these markets?

Armstrong was sure of one thing: there is a geometry of time. He may not be able to explain why, but there is some order to the chaos that exists around us.

Martin Armstrong had just published the secrets of pi when FBI men stormed his office. Soon his accounts and those of his partners in London, Australia and Japan had been frozen. They were not to meet for twelve years. “Is financier Armstrong a Con man, a crank or a genius” asked the New Yorker headline in an eight-page article written as Armstrong was in a maximum security wing in New York. What are the judicial facts, the legal peculiarities and the juristic doubts involved here? And who could have profited from Martin Armstrong’s lengthy sentence behind US bars? And: what does all this say about a system on which we are all dependent in one way or another?

12 years after the demise of Princeton Economics Martin Armstrong is released from prison after he signed a coerced guilty plead. His new life commences with a “World Economic Conference” in Philadelphia. Only three months after his release, he’s back again. As if nothing had happened. As if there’d been no twelve years where he was deprived of the world. Martin Armstrong lectures to 350 people, who travelled especially to Philadelphia to see him. He speaks of his initial approach towards solving the global financial crisis, which he compares to the fall of the Roman Empire. And twelve years later, some of his former partners are back to perhaps resume operations where they’d left off. Will Martin Armstrong and his former partners join forces and re-establish Princeton Economics to make their distinctive mark on the desolate landscape of the financial sector?

WITH
(IN ORDER OF APPEARANCE)
OFER COHEN
VICKY ARMSTRONG
DANIELLE WHITE
LARRY EDELSON
IDA ARMSTRONG
SAM COLAVITA
ANTHONY GODIN
MICHAEL CAMPBELL
BARCLAY LEIB
NIGEL KIRWAN
JUSTIN PFEIFFER
NEILL MACPHERSON
JANA ASPRAY
DAVID GLOVIN
TOMAS V. SJOBLOM
LESSLIE MACPHERSON
GEORG SPERBER
OLIVER BROWN

⁣If you want to understand that the virus can be sent like simple email you have to watch this documentary.

Water is the key element of life, but new information is coming to light on the element which we thought we were so familiar with: information which could potentially reimagine our tree of life.
That is the belief shared by the advocates of a surprising theory called "water memory". For Prof. Luc Montagnier, water has the ability to reproduce the properties of any substance it once contained. Water would have the ability to retain a memory of the properties of the molecules.

What if Alzheimer's, Parkinson's, autism, HIV and even cancer could be treated thanks to this controversial theory?

Prof. Montagnier is President of the World Foundation for AIDS Research and Prevention, which he founded in 1983 together with Federico Mayor, former General Director of the United Nations Educational, Scientific and Cultural Organization (UNESCO).

Luc Montagnier contributed to the creation of many biotech companies in the United States and in France.

He has been awarded the CNRS Silver Medal, the Rosen Prize of Cancerology (1971), the Lasker Award (1986), the Gairdner Award (1987), the Gallien Prize (1985), the Jeantet Prize, the Prize of Japan (1988) and the King Faisal International Prize (1993), the Amsterdam Foundation Prize (1994), the Warren Alpert Prize (1998), the Prince of Asturias Prize (2000) and the introduction to the National Invention Hall of Fame (2004). He is also Grand Officer in the Order of the Légion d’Honneur and Commander in the National Order of Merit (1986).

Let me know your thoughts in the comments?

⁣A documentary record of Talking Heads in concert, using material from three shows in Hollywood, December '83. Apart from what artifice the Heads themselves allow on stage, Demme restricts himself to a cool, almost classic style, with the camera subservient to the action.

Building from David Byrne performing a solo acoustic 'Psycho Killer', to the full nine-piece leaping through 'Take Me to the Water', its distinction is more what it omits than what it includes. Tacky rock theatre razzle is stripped down to humorously 'minimal' conceits of staging, lighting and presentation. Apart from a few moments of incongruous boogieing, the allegedly over- intellectual Heads are revealed to be human, warm-hearted, and possessed of a sizeable humour. A quietly large achievement.

David Byrne walks on to a bare stage with a portable cassette tape player and an acoustic guitar. He introduces "Psycho Killer" by saying he wants to play a tape, but in reality a Roland TR-808 drum machine starts playing from the mixing board. The gunshot-like beats cause Byrne to stagger "like Jean-Paul Belmondo in the final minutes of 'Breathless,' a hero succumbing, surprised, to violence that he'd thought he was prepared for."


With each successive song, Byrne is joined by more members of the band: first by Tina Weymouth for "Heaven" (with Lynn Mabry providing harmony vocals from backstage), second by Chris Frantz for "Thank You for Sending Me an Angel", and third by Jerry Harrison for "Found a Job". Performance equipment is wheeled out and added to the set to accommodate the additional musicians: back-up singers Lynn Mabry and Ednah Holt, keyboardist Bernie Worrell,
percussionist Steve Scales, and guitarist Alex Weir. The first song to feature the entire lineup is "Burning Down the House", although the original 1985 RCA/Columbia Home Video release (which featured three additional songs in two performances edited into the film) has the entire band (minus Worrell) performing "Cities" before this song. Byrne leaves the stage at one point to allow the Weymouth–Frantz-led side-band Tom Tom Club to perform their song "Genius of Love". The band also performs two songs from Byrne's soundtrack album The Catherine Wheel, "What a Day That Was" and (as a bonus song on the home video release) "Big Business".


The film includes Byrne's "big suit", an absurdly large business suit that he wears for the song "Girlfriend Is Better". The suit was partly inspired by Noh theatre styles, and became an icon not only of the film – as it appears on the movie poster, for instance – but of Byrne himself. Byrne said: "I was in Japan in between tours and I was checking out traditional Japanese theater – Kabuki, Noh, Bunraku – and I was wondering what to wear on our upcoming tour. A fashion designer friend (Jurgen Lehl) said in his typically droll manner, 'Well David, everything is bigger on stage.' He was referring to gestures and all that, but I applied the idea to a businessman's suit." Pauline Kael stated in her review: "When he comes on wearing a boxlike 'big suit' – his body lost inside this form that sticks out around him like the costumes in Noh plays, or like Beuys' large suit of felt that hangs off a wall – it's a perfect psychological fit." On the DVD he gives his reasoning behind the suit: "I wanted my head to appear smaller and the easiest way to do that was to make my body bigger, because music is very physical and often the body understands it before the head."

⁣Man Spends 30 Years Turning Degraded Land into Massive Forest
The incredible story of how degraded gorse-infested farmland has been regenerated back into beautiful New Zealand native forest over the course of 30 years..
Fools & Dreamers: Regenerating a Native Forest is a 30-minute documentary about Hinewai Nature Reserve, on New Zealand’s Banks Peninsula, and its kaitiaki/manager of 30 years, botanist Hugh Wilson. When, in 1987, Hugh let the local community know of his plans to allow the introduced ‘weed’ gorse to grow as a nurse canopy to regenerate farmland into native forest, people were not only skeptical but outright angry – the plan was the sort to be expected only of “fools and dreamers”.

Now considered a hero locally and across the country, Hugh oversees 1500 hectares resplendent in native forest, where birds and other wildlife are abundant and 47 known waterfalls are in permanent flow. He has proven without doubt that nature knows best – and that he is no fool.
Host a screening of the film:
While we've made this film free to watch on YouTube, if you're holding a public screening you'll need a license. We've made the fees very low to be accessible to all communities and we'll be splitting the income with Hinewai Reserve. Check out http://foolsanddreamers.com to learn more about the film and screening licenses. Thank you for your support!

More about Hinewai Reserve
https://www.hinewai.org.nz
https://www.facebook.com/hinewai.org.nz/
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Film credits
Directed by Jordan Osmond & Antoinette Wilson Written by Antoinette Wilson, Jordan Osmond, and Nick Tucker Producer: Antoinette Wilson Executive producer: Quatro Trust Cinematography: Jordan Osmond & Jason Hosking Editing: Jordan Osmond Sound recording: Anna Veale Original score: Karl Steven and Ariana Tikao Sound mixing: James Henderson Color grade: Mike Kelland
We love that so many people have translated for our films here on YouTube. If you’d like to be part of that community you can contribute by clicking the "..." below the video and selecting "Add translations" from the dropdown menu.

⁣One of the most iconic musicians of the century speaks about his experience during the past 18 months. (COVID Operation)

⁣A superconductor or a high-temperature superconducting ceramics is an alloy of oxides of yttrium, barium and copper in proportions (which you see on the screen) YBa2Cu3O7-x and abbreviated as YBCO. In order to demonstrate the properties of this object let’s conduct an experiment.

First, let’s take a small piece of ceramic and then put a piece of styrofoam and a powerful neodymium magnet on top of it. Next, the superconductor is cooled with liquid nitrogen down to -196 degrees Celsius. After the ceramic is cooled, take a piece of styrofoam out from underneath of the magnet. The effect of levitation is caused by the ceramics cooling down to the critical temperature, it then becomes a superconductor, as well as a perfect diamagnetic.

This means that it can repel any magnetic field, as well as create its own when being near a strong magnetic field. The phenomenon is called the Meissner effect.
If the magnet is lifted the conductor next to it begins to lift with it as well. The magnet and the superconductor are almost like "frozen" together in space.

RESOURCE: https://commons.wikimedia.org/....w/index.php?title=Fi

⁣The Architects of Western Decline - A Study on the Frankfurt School and Cultural Marxism
A Study on the Frankfurt School and Cultural Marxism

The Cloward Piven Strategy was written in 1966 by a pair of radical socialist professors from Columbia University, Richard A. Cloward & Frances F. Piven. Their plan was to overburden government systems by reducing employment and increasing the welfare state to the point of social & economic collapse. At which time America would have to accept socialism & then communism.

This is the long-overdue study of the Frankfurt School and Cultural Marxist philosophy which now controls Western intellectualism, politics, and culture. It was by design; it was created by an internationalist intelligentsia to eradicate Western values, social systems, and European racial groups in a pre-emptive attempt to spark a global, communist (think liberal) revolution.

⁣Soaked in Bleach. 2015. Directed by Benjamin Statler. Written by Donnie Eichar, Richard Middleton, and Benjamin Statler.
Starring Tyler Bryan as Kurt Cobain, Sarah Scott as Courtney Love; featuring, as themselves, Tom Grant, Brett Ball, Max Wallace, and Norm Stamper.

Admittedly, even though I’ve always thought Courtney Love is bat shit crazy, I never believed she (or anyone else) might’ve been covering anything up or hiding information concerning Kurt Cobain’s suicide. As much as I loved Cobain, worshiped Nirvana as a young musician with a bad attitude and even worse fashion sense, I just took what the media fed me about his depression and how he’d always seemed suicidal, that he took his I.D out and put it on his wallet so that when he shot himself they’d be able to identify his body easily… and so much more.
After watching this, the other reviews and articles touting this documentary as a ‘conspiracy theory’ are way off base. There’s too much in this film to deny, from actual police documents, the tapes Private Investigator Tom Grant has with Courtney Love on it saying some downright incriminating things and even some with Rosemary Carroll (the Cobain/Love lawyer) saying things against Love. See for yourself. Judge on your own. But here’s my take:

The first thing we hear is a conversation between Tom Grant and Courtney. She hired him to investigate after Kurt went missing, this was only briefly before his alleged suicide. On this first tape, Grant questions Courtney about where she’d found some other letter, supposedly from Kurt, and she is telling him it was under the pillows on her bed. Grant, being there the night before Kurt was found dead, knew different; he’d tossed the bed and found Rohypnol, which Kurt had a prescription for. He knew the difference, and yet Courtney tried sticking to her guns even when Tom told her otherwise. So right off the bat, we get this very real, raw version of Courtney – outside of the media, outside of other celebrities and what they think of her or the general public and their view – right from a tape. It’s damning.

From there, we learn a little about Grant whose life story reads much like a lot of police/military officers. The thing I kept wondering is, for those who don’t believe the man or doubt he is credible – what does he have to gain from this? He’s pretty much haunted with what he sees as the facts. He’s not exactly a celebrity himself because of Kurt or Courtney; most people pass him off as just another conspiracy theorist. Yet, as he mentions later, Tom still gets letters, e-mails, all sorts of communication asking about Kurt, wondering why nothing has been done when there’s actually a lot of evidence suggesting he did not die by suicide. It isn’t only Tom who believes, but unfortunately the police seem to be the real roadblock.

It becomes very clear that police negligence really had a hand in what came to pass. On top of that, Courtney Love set the stage for this “suicide” – when she hired Tom Grant, filed a police report (and did so in fake fashion using Cobain’s own mother’s name – the media promptly reported his mom was worried he was suicidal and filed a Missing Persons), and then perpetuated the myth of Cobain being frequently suicidal. What really troubles me is this idea of the myth – that Kurt really wasn’t a suicidal person. Yes, he was depressed. Yes, he had killer stomach pains that put him in agony. But he was happy with his friends and people around him. After the stomach pains were cleared up and doctors put him on the correct medication after many stressful years, Cobain himself told an interviewer he felt the best he’d ever felt and he was plenty happy. Sure, no one knows what’s going on in the mind of someone behind closed doors – ultimately, we never know. I had a friend who killed himself and none of us in our circle of friends ever expected it. Yet so many close friends claim Kurt never ever talked about suicide once.

Furthermore, he’s not in the movie but Buzz Osborne knew Kurt, and the rest of Nirvana, from the beginning – he and Kurt went to high school together, he knew him before and after Nirvana hit the bigtime. Buzz claims Kurt was never suicidal, it was all a lie. He has harsh words for the other Cobain documentary that recently came out, Montage of Heck, because aside from the suicide myth it portrays other stories that are not actually true (the story that Kurt supposedly had sex with an overweight, mentally handicapped girl when he was young is a total fabrication, according to King Buzzo). So during Soaked in Bleach, we get a lot of other opinions from people very close with Cobain that jive with that of Osborne – that Kurt could be quiet, shy, but the idea that he was a suicide case is untrue.
What really drove this home is Courtney Love. When Cobain accidentally overdosed on his Rohypnol prescription after having a glass of champagne, the incident was not called a suicide at the time. At first people speculated it was an attempt, but it was confirmed as being accidental afterwards. Love did not, at the time, claim Kurt tried to kill himself. Nobody did. Then, after Kurt was found dead, immediately Courtney began telling the media how he tried it in Rome, he tried before, so it wasn’t exactly a surprise. This is categorically untrue. Max Wallace brings up the fact they even talked with the doctor who attended to Kurt that night in Rome, and the doctor also denies to the bone it was a suicide attempt confirming it was most certainly an accidental overdose. It isn’t hard to see Love helped the media run with the image of Kurt as a suicidal persona.

Once things get to the real down and dirty faces, looks at the crime scene and all that, it’s even more of an affirmation that Tom Grant is not just some ‘conspiracy nut’. The tapes are one thing, hearing Courtney go on about how maybe Kurt disappearing and all that before his death would be good for publicity on Hole’s next album and hearing her just lie to Grant over and over, but the crime scene is a whole other beast. I don’t want to say too much more because the evidence is some of the real knock-out stuff in this film.
I did like the little drama recreations they did with actors playing Love, Grant, Cobain, and others involved. Some of it was pretty decent. Not that she doesn’t deserve it after seeing this movie, but they really went hard at Love with their portrayal. However, I don’t see it as being that far off base. If you didn’t think Love was crazy before, you absolutely will after watching this. It’s hard not to.

A lot of the evidence presented makes you wonder how this case isn’t being re-opened and investigated again. Truly. This was an eye-opener of a documentary. Even worse, it’s coming out that apparently Courtney Love has bought Twitter followers, et cetera, to help tank ratings on websites for the film; IMDB is usually bad for ratings, but the skewed low rating for this was ridiculous as about 1,000 ratings of 1 before the release drove it down. Suspicious? Make up your own mind.

This is absolutely a 5 star documentary. I love Cobain, his music, all of it, but to see this was truly fascinating. I can’t get over it, honestly. I want to watch it again several times just to take in all the information. The whole thing is spooky. I’ll say no more other than – the directing is great, this whole film is put together well, and Tom Grant is a saint for offering himself up all these years as “that conspiracy guy” who has actually been fighting the fight for real justice.

One thing resonated with me deeply. Tom brought up how there have been tons of suicides that have been copycats of Kurt – either they did what he did exactly, or their suicide notes quoted Nirvana and related to the late rockstar – and he just wants the truth out there. Because it’s a shame for any kid to kill themselves, but if it’s partly due to the fact Kurt supposedly did, when he might not have, then there is a real need to have the truth known. Not only for all those kids, future kids possibly, but also for Kurt, for Frances Bean, and for all the people of a generation who related to him through his music.

REVIEW RESOURCE: https://fathersonholygore.com/....2015/06/15/soaked-in

⁣It has been said that the Rockefeller family has affected modern society to a degree but what most do not realize is just how much they have made an impact. The family name has now been linked to the suppression of naturalmedicine to found big pharmaceutical companies and make big money.
The West Has the Best and Most Profitable Healthcare in the World
The west is home to some of the best healthcare in the world. Anyone in an emergency which needs prompt medical treatment is better off than those living elsewhere. In the west, people receive healthcare that is much better than what is offered in an establishing nation. However, it is often overlooked that healthcare is now a multi-trillion dollar industry in the west.

The mainstream medicine of today is based on treating people who are ill with drugs, radiation, and operations that are very pricey. What many people do not realize is that the Rockefeller family was the first to recognize the opportunity to take full advantage of what has become an ecosystem with huge profits.

Anyone Questioning Big Pharma Is Branded a Quack and Conspiracy Theorist
Today we live in a world of social media censorship, and anyone who even dares to question the intentions of any of the big pharmaceutical companies is branded insane and given the label of a crazed conspiracytheorist. Any information brought forward about recovery residential or commercial properties of holistic practices and plants that cannot be patented are branded phony news as they are considered to threats to the drugs of the big pharmaceutical companies.
John D. Rockefeller realized the opportunity first. He was an oil mogul who was the first person in the USA to become a billionaire. By the start of the 20th century, he had 90% control over oil refineries in the US with his company Standard Oil. In 1900, researchers came across petrochemicals, and they found out that it was possible to make many chemicals out of oil. The first plastic, which was Bakelite, was made in 1907 from oil.

Turning Point Came On Realization Pharmaceutical Drugs Could Come From Oil
The turning point came when researchers found out that vitamins could be produced from oil and presumed pharmaceutical drugs. This was a financially rewarding opportunity for Rockefeller as he concluded that he could monopolize not only the oil business but also chemical and medical industries. Petrochemicals were a new discovery that could be patented and which would bring about maximum revenues. The only thing stopping Rockefeller was the fact that herbal and natural remedies were popular in the USA at that time. About half of the medical professionals in the US were practicing holistic medicine, based on understandings from Europeans and Native Americans.

This meant that Rockefeller had to get rid of what was significant competition. He made use of a strategy that was time-proven, problem-reaction-solution. The concept works when developing an issue that would bring terror to people and then offer them a solution that was pre-planned. He got the help of Andrew Carnegie; he had made lots of money monopolizing the steel industry. The Carnegie Foundation sent Abraham Flexner on a trip around the nation, and he was given the task of reporting the status of medical facilities along with the medical colleges in the United States. This led to the Flexner Report, and this eventually led to modern medication of today.

Flexner Report Led To Practitioners of Holistic Medicine Jailed
The report stated that a revamp was needed along with the centralization of medical institutions. Following the report, half of the medical colleges were closed down. Natural medications and homeopathy were rubbished, and some of the medical professionals who practiced holistic medicine were sent to prison. Rockefeller gave over $100 million to medical facilities and colleges to help with the transition and to try to change the minds of doctors and researchers. The General Education Board was also founded.

Not long after medical colleges became homogenized and structured and students realized that medicine utilized drugs that were patented. Scientists were also given huge grants to study recovery residential or commercial properties of different plants, and how they were able to cure diseases. What they were really doing was finding the chemicals in the plants and then recreating the compound so that it could be patented.

Cures for Illnesses Such As Cancer Would Be Bad For Business
100 years later and medical colleges produce doctors who do not know anything about holistic practices or the many benefits that herbs have to offer. The government in the United States invests 15% of the Gross domestic item in mainstream health care. This is a system focusing on symptoms, and it produces a flurry of repeat paying clients that is never-ending.

Despite much advancement in medicine, there is still no cure for cancer, diabetes, autism, asthma or even the common cold. Cures for any of these illnesses would only be bad for business. John D. Rockefeller was even behind the establishment of the American Cancer Society in 1913.

RESOURCES:
https://plandemicseries.com/
https://drcharlesinkala.wordpr....ess.com/2019/03/02/h

⁣Man on Wire tells the story of how Philippe Petit planned and carried out what has been called the greatest artistic crime of the 20th century. On 7 August 1974, Petit strung a 60-metre tightrope wire 450 metres above the ground between the Twin Towers of the World Trade Centre and walked across it, nine times.

Through interviews and re-enactments, the movie depicts the relationships between Philippe and his then girl friend Annie Allix, close friend Jean-Louise Blondeau and co-conspirators David Forman, Barry Greenhouse, Jim Moore and Alan Welner. The movie shows archival footage of Philippe walking between the spires of Notre Dame Cathedral in Paris and between the pylons of the Sydney Harbour Bridge. Philippe and his co-conspirators describe how they spied for weeks on the Twin Towers, tricked their way in using fake ID cards and hauled nearly one ton of equipment to the top floor.

The movie contains no live footage of the walk or re-enactment of it. Instead, the event is represented through still images and commentary by Philippe and the team members. Following the walk Philippe is arrested, taken for psychiatric evaluation and then released. The media hail Philippe a hero. We hear accounts from eyewitnesses telling how watching Philippe walk the wire was a once-in-a-lifetime gift. The movie ends with the main characters discussing how both the event itself and the resulting fame caused the breakdown of friendships and relationships.