⁣Alternative channel: https://www.youtube.com/channe....l/UCsiwv99k0t62ARYwD
Contact to Gerard: freenaturalenergy@gmail.com
Everything is reversed from Nikola Tesla.
I challenge everyone to watch this video thoroughly and try and understand what I'm really doing. If you feel you are being tricked, then please explain exactly how.
Go ahead, make my day punks.
Thank you to Kevin MacLeod over at www.incompetech.com for the music.

⁣Executive Order 14067 ⁣Explained in 15 min.
⁣Executive Order 14067, officially titled Ensuring Responsible Development of Digital Assets, was signed on March 9, 2022, and is the 83rd executive order signed by U.S. President Joe Biden. The ultimate aim of the order is to develop digital assets in a responsible manner. The executive order addresses the potential national security implications of cryptocurrencies.

⁣(2002 LEAKED DOC) Secret Covenant of the Illuminati - Satanic Globalist Evil SECRET PLAN
The document was anonymously sent to the email of bankindex.com in June of 2002.

⁣How to generate homemade infinite energy with a washing machine motor and an engine.
This channel is the home of crazy inventions. I guarantee you will not be disappointed with the videos uploaded because there are some best videos that no one has done.

Contact to Author: kenhmrche@gmail.com

⁣Kevin Macdonald's three fictional movies have taken him to Idi Amin's Uganda, Washington DC and the northern reaches of Roman Britain. They're all thrillers of various kinds, as are Touching the Void and One Day in September, the tightly focused, feature-length documentaries that preceded them. Touching the Void centres on a dangerous expedition by two British climbers in the Peruvian Andes in 1985 and uses interviews with the real participants and simulated scenes played by actors. One Day in September is about the massacre of Israeli athletes by Arab terrorists at the 1972 Olympics and, in addition to interviews and archive footage, employs computer graphics to explain the course of events.
His new film, a cinebiography of Bob Marley is a bigger, baggier and simpler thing. It's the story of a man who lived an extraordinarily full yet oddly mysterious life and died a world figure 30 years ago, shortly after reaching the age of 36. It is, however, told without any reconstructions or impersonations and neither Sidney Poitier nor Morgan Freeman was called in to deliver a rousing commentary explaining the man's contradictions, achievements and significance.
The picture begins in West Africa at an old fortress on the Gold Coast (now Ghana). Through its "Door of No Return" leading to the sea passed many of the millions of shackled slaves who were shipped across the Atlantic. This was the journey made by his ancestors that shaped Marley's life, identity and music and the belief system that drew them together.
He was born in the remote Jamaican village of Nine Mile in 1945 and Macdonald takes us there in a lyrical aerial shot across the steep, wooded hill country. His mother, Cedella, was black and 16. His father, Norval Marley, a white man aged 65, was employed by the forestry commission to prevent the theft of timber. He rode around the countryside like a seigneurial Cossack and styled himself Captain, though there's no evidence he'd held any commissioned rank or served in any war. In the only known photo of Norval, he's on horseback attempting to look authoritative and his family refused to recognise Bob when he once called on them for help.
Macdonald sees Bob as a man who felt rejected by both the black and the white communities, an outsider who was to find a symbolic home in Africa through embracing Rastafarianism, a style of personal independence and social defiance, and a mission to bring people together in a grand international, inter-racial brotherhood.
Marley grew up in extreme poverty, first in the countryside, then in the slums of Kingston's Trenchtown, where the first photograph of him was taken at the age of 12. The documentation of the early life is thin, but Macdonald is able throughout to draw on the colourful testimony of his formidable mother, his friends, fellow musicians, a variety of female companions (Marley had nine or 10 children by six or seven different women) and later some businessmen, politicians and gangsters.
There are splendid anecdotes about survival, about Bob and his band, the Wailers, developing a new kind of music that fused local and international forms into a distinctive form of reggae, and the zig-zagging of a career that took Marley to the United States, where his mother had relocated, to Europe and to Africa. Much of what we hear from Jamaican witnesses is spoken in a beguiling, if sometimes obscure, patois and there are the kind of contradictions in the individual assessments of his character and the accounts of the fraught progress of the Wailers that one would expect. This is Rashomon territory.
But there are compromises and concessions of a different kind that have come about through the need to secure interviews, musical rights and other necessary forms of co-operation. These are reflected in the names of several family members and various close business associates listed in the credits as producers. Some of these people provide the finest testimony.
Among them are Bob's Cuban-born wife Rita, who worked in his backing group and recalls seeing stigmata on Haile Selassie's hand during his triumphant visit to Jamaica; Bob's three children by her (Cedella, Ziggy and Stephen); the beautiful, spirited Cindy Breakspeare, his trophy companion and former Miss World who bore him a child but refused to embrace Rastafarianism; and the laidback British impresario Chris Blackwell of Island Records.
If Marley ultimately remains something of a mystery (he gave few interviews and in none was particularly forthcoming), we nevertheless get a vivid impression of a career that included a brief stint on a Chrysler production line in Delaware, a long period of apprenticeship as a composer (initially working with homemade instruments) and a rise to local and international stardom. Gradually, the dreadlocks, the music and the cloud of ganja smoke come together to form as recognisable an image as that of the equally short-lived Che Guevara.
He was, however, altogether less militant than Che, virtually apolitical, which did not prevent competing forces seeking his allegiance or seeing him as a valuable symbol for their causes. In 1976, an assassination attempt in Jamaica drove him into exile. It wasn't, however, a bullet that did for him but the stud of a boot during a game of his beloved football in a London park, triggering the melanoma in his foot that eventually consumed his body.
We hear of a beautiful moment in a wintry Bavarian clinic where Bob's mother read the Book of Job to the emaciated singer, his dreadlocks lost to chemotherapy, shortly before he flew across the Atlantic to die in Miami in May 1981.
Perhaps this impressive, thoughtful portrait should have ended there. Instead, it concludes with a succession of Marley's hits being sung in a various languages by cheerful young people on every continent. That's all a little too "I'd Like to Teach the World to Sing" Coca-Cola-ish for my tastes.

REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2012/apr/22/bob-m

⁣Geoengineering Chemtrails Expert Rosalind Peterson - Alex Jones Infowars Documentary,
⁣United States citizen scientist, researcher, and anti-geoengineering activist, Rosalind Peterson of Mendocino, California, proved both pioneer and prophet.

She helped catalyze a global grassroots anti-geoengineering movement through her decades-long work crusading for clearer skies, cleaner water, healthier trees and plants, and a more resilient planet free of geoengineering fallout. Peterson combined scientific data collection and research, publishing, public speaking, and political advocacy to educate the world about the many negative environmental consequences of clandestine geoengineering.

Founder of the California Skywatch in 2002 and the Agricultural Defense Coalition in 2006, Peterson built an extensive collection of multimedia materials over three decades, now being archived and curated through Our Geoengineering Age for public use by the global scientific community. As an initial “sort” of her extensive archival collection reveals, Peterson proved a tenacious and courageous citizen scientist who wore many hats: environmentalist, photographer, field scientist/researcher, writer, speaker, and activist/publicist.

Peterson’s decades-long effort to uncover the myriad toxic environmental impacts of clandestine geoengineering also provides a compelling, scientifically researched alternative to the widely accepted theory advanced by the United Nations’ Intergovernmental Panel on Climate Change (IPCC) that global warming is primarily caused by anthropogenically released carbon dioxide.

⁣Is this how it all started? The mystery of human origins. Where did we come from? With many leading explanations being highly improbable.. Could this be the missing piece to the puzzle?
The 5th Kind Presents: Improbable Cause - A Film & Animation by Giovanni Lodigiani. Music Credits: https://www.trax4pro.com/ - Pro Tracks Available for Licence and use your own Projects. Visit the website for more information.

RESOURCE: https://www.5thkind.tv/

⁣In this lecture, 04 and 05 combined, I discuss the relationship between the initiatory structure characteristic of shamanism and the process of radical personality transformation, self- or therapy-induced. The basic structure is order/paradise, chaos/the fall, re-establishment of order/paradise. Since all paradises fall, however, the true paradise is identification with the process of transformation itself.

A very interesting insight from the professor when it talks about the mystical experiences of DMT (when you skip the lecture to 2h: 30m), professor Peterson talks about the mystical experience people tend to have after taking substances like Ayahuasca. These experiences can result in permanent personality transformations.


Jordan Bernt Peterson is a Canadian professor of psychology, clinical psychologist, YouTube personality, and author. He began to receive widespread attention in the late 2010s for his views on cultural and political issues, often described as conservative.

Born and raised in Alberta, Peterson obtained bachelor's degrees in political science and psychology from the University of Alberta and a PhD in clinical psychology from McGill University. After teaching and research at Harvard University, he returned to Canada in 1998 to permanently join the faculty of psychology at the University of Toronto.

In 1999, he published his first book, Maps of Meaning: The Architecture of Belief, which became the basis for many of his subsequent lectures. The book combined information from psychology, mythology, religion, literature, philosophy, and neuroscience to analyze systems of belief and meaning.

⁣For most of the naysayers, it wasn't so much the actual music that got their collective goat as it was the way the band portrayed themselves.

“This is a song Charles Manson stole from The Beatles. We’re stealing it back.”
Those were the first words uttered by Bono in the 1988 U2 rockumentary Rattle and Hum before the band ignited a sold-out McNichols Sports Arena in Denver with a rendition of “Helter Skelter” so electric Manson himself might’ve felt its vibes through the walls of San Quentin. Thirty years later, Manson is dirt in the ground and “Helter Skelter” is 12 minutes long on the 50th anniversary edition of The White Album coming out this November. Yet the critical disdain for both the Rattle and Hum film and its chart-topping soundtrack remains the same as it ever was. Upon the release of the Jimmy Iovine-produced album (Oct. 10) and the film (Oct. 27), Rattle and Hum was met with largely complacent and downright hostile reviews.

“By almost any rock & roll fan’s standards, U2’s Rattle and Hum is an awful record,” wrote Tom Carson in The Village Voice. “But the chasm between what it thinks it is and the half-baked overweening reality doesn’t sound attributable to pretension so much as monumental know-nothingness.”
In The New York Times, Jon Pareles accused the band of trying to “grab every mantle in the Rock-and-Roll Hall of Fame” before scowling “what comes across in song after song is sincere egomania.”
“This is a mess with a mission,” wrote David Fricke in his year-end review of Rattle in the Dec. 15-29, 1988, issue of Rolling Stone. “But a mess nevertheless.”
For most of the naysayers, it wasn’t so much the actual music that got their collective goat as it was the way the band portrayed themselves to filmmaker Phil Joanou, who was only 26 when he directed Rattle and Hum (it was his second feature film behind the 1987 high school black comedy Three O’Clock High). At its root, it’s a highly stylized concert film culled from U2’s blockbuster tour in support of their breakthrough fifth LP The Joshua Tree — the album that catapulted Bono, The Edge, Adam Clayton and Larry Mullen, Jr. into a new stratosphere of superstardom. In between performances, however, were scenes of the group traversing through American cities crucial to the fabric of rock n’ roll’s history.

They went to San Francisco to play the “Save the Yuppies” concert in Justin Herman Plaza, where they dazzled the impromptu crowd with a version of “All Along the Watchtower” which served as the perfect middle ground between Bob Dylan‘s original and Jimi’s fiery takeover of the song. They visited Harlem, where they cut a gospel version of their Billboard Hot 100 No. 1 single “I Still Haven’t Found What I’m Looking For” with the New Voices of Freedom choir and caught the renowned street blues duo Satan and Adam busking on 125th St. They headed down to Memphis to visit Graceland and cut some songs at Sun Studio, including “Angel of Harlem” featuring the legendary Memphis Horns and references to Billie Holiday, John Coltrane and Miles Davis, and “Love Rescue Me,” a co-write with Bob Dylan which, along with the Daniel Lanois-produced Oh Mercy, helped many U2 fans get hip with Zimmerman. They also recorded “When Love Comes to Town” at Sun, a song that helped many young U2 fans find their way to the catalog of the song’s soulful co-captain B.B. King and such blues classics as Live at the Regal and Indianola, Mississippi Seeds.

These were the scenes that drew the ire of music critics, who were unfairly convinced that U2’s motives came from somewhere other than honest admiration and appreciation. But for a 14-year-old in 1988 in the first weeks of his freshman year of high school, Rattle and Hum — both the film and its soundtrack — proved to be an eye-opening introduction to music beyond my narrow scope of MTV and rock radio at the time. It was the first time I ever heard about A Love Supreme or experienced the string arrangements of Van Dyke Parks, who along with Benmont Tench on pump organ, provided the sweep of heartbreak that imbues the album and film’s closing number “All I Want Is You,” still very much considered U2’s greatest ballad. I never truly, honestly felt the shimmy of the Bo Diddley beat before I listened to “Desire,” a song that earns the distinct honor of being the first single to simultaneously top the mainstream and modern rock Billboard charts (and scored the group a Grammy in 1989). “God Part II” gave me a deeper appreciation for the solo work of John Lennon, particularly Plastic Ono Band, whose key track “God” U2 were responding to as Bono defends John and Yoko by taking a shot at controversial biographer Albert Goldman with the line — “I don’t believe in Goldman, his type like a curse/Instant karma’s gonna get him, if I don’t get him first.” The atmospheric beauty of “Heartland” — featuring Brian Eno on keyboards — was a perfect gateway to the more esoteric moments on The Unforgettable Fire and The Joshua Tree, especially for someone who went into the Rattle and Hum experience as something of a U2 skeptic.

RESOURCE: https://www.billboard.com/musi....c/rock/u2-rattle-and

⁣In the spring of 2019 we started creating a short film series, “PIONEERS OF SCIENCE” with the Sacopee Valley Middle’s School’s 8th grade science class taught by Steve Bridges about Wi-Fi and its potential health risks.
The students have been amazing to work with and the first experiment we did exposing cress seeds to Wi-Fi was incredibly powerful and thought provoking. We’re looking forward to running a number of experiments and documenting our different discoveries.

RESOURCE: http://pioneersofscience.org/

⁣⁣UNVAXED is a documentary presents the world seen by the unvaccinated individuals.
This film combines several clips from across the Internet in efforts to form the narrative.
Based on actual events.

⁣Covered the big topics very, well. Amazing how much you covered in such a short time. Great collaboration. It is definitely a unique film/documentary that covers issues rarely covered. Compared to a national geographic film on the same topic, this one is a much better piece. Great cinematics, use of drone footage, excellent camera work and great sound too.

⁣Demons are real, demon possessed people walk among us. For those that may not know what Nihilism is, it is a philosophy, or family of views within philosophy, that rejects generally accepted or fundamental aspects of human existence, such as knowledge, morality, or meaning.

⁣There is no doubt that the covid-19 pandemic has been planned and successfully implemented in most countries around the world.
- How could it come to this?
- How is it possible that 90% of the population fell for such a fake game?
- Who spent the money on this project?
- Who has benefited most from this massive scam?

⁣Cliff 'Em All is a compilation of video footage, and the first video album by the American heavy metal band Metallica. It was released on November 17, 1987, as a tribute to Metallica's bassist Cliff Burton, who died in a tour bus accident on September 27, 1986, at the age of 24, near Ljungby, Sweden, during the European leg of their Master of Puppets world tour. Its title is derived from Metallica's debut album, Kill 'Em All. The home video also features a performance with former guitarist Dave Mustaine on March 19, 1983, shortly before his ousting from the band.

The video is a retrospective on the three and a half years that Cliff Burton was in Metallica, presented as a collection of bootleg footage shot by fans, some professional filming and TV shots that were never used and some of his best bass solos, personal photos and live concerts. Photos and narrations by the band (Lars Ulrich, James Hetfield and Kirk Hammett drinking beer) are placed between songs, which focus on Burton before fading into a title card of a performance. The video ends with the melodic interlude of "Orion" as pictures of Burton are shown.
With this video, the band tries to show the unique personality and style he had. While ostensibly the film focuses on Burton, it also has given fans a rare glimpse of Metallica's less-documented early career. This contrasts sharply with the 'Metallica business' represented in the feature film Metallica: Some Kind of Monster.
The back of the case reads "Well, we finally went and did what we always talked about not doing. Releasing a vid[eo]! Before you throw up in disgust, let us (except K.) tell you the idea behind this." The "K" is presumably short for Kirk, explaining why he is on the bottom of the cover.

⁣⁣Agenda 21 & 2030 Exposed by Insider - UN Global Goals Build Back Better Agenda
Real Great Awakening Daily QANON, Trump & PLANdemic News! Join Our Community On Telegram Here: https://t.me/greatawakeningworld

It's Time For Everyone To Wake Up!
The Globalists Deep-State & Plandemic Secrets You Need To Know ASAP. Visit And Share: https://greatawakening.world

⁣Certainly one of the best interviews of the series, this interview with epidemiologist and biostatician Knut Wittkowski is hard hitting and touching. We interviewed him on a hot July day in 2020 in a corner of the park and later in front of an empty great lawn, which normally has 1000 people on it in a midsummer day. He is a caring and thoughtful man that is highly alarmed by the turn of events of this last year. He has a tremendous amount of courage to speak out and a big heart. This all comes through.

Watch more full interviews and educate yourself!
https://planetlockdownfilm.com/full-interviews/
Please share and enjoy!

⁣This is a non profit project, the aim is to have all anti-propaganda information in one place connected to one map, helping people understand the big picture.
The map is based on that created by The World Economic Forum, our platform will be populated by the general public as well as experts in the field, with a self regulating model.
It's time we stick to facts, and have a scientific and methodical approach in creating real change in the world.
Disclaimer: We DO NOT receive any revenue from YouTube, and we give away all copyrights, so you are free to use the content and share it.
REOURCE: The Mirror Project

⁣⁣What you hear in this video, now known as "The Secret Covenant of the Illuminati" surfaced on the web in 2002. Sent from a broken email address to someone that ran (or possibly still runs) a conspiracy info website.
Some conspiracy researchers believe that this secret covenant was written by a member of the Illuminati. Others, including me, believe anyone could have wrote this and it most likely wasn't anyone from a secret society. We could be wrong, but the fact is that, this is exactly what's happening.

⁣This is a non profit project, the aim is to have all anti-propaganda information in one place connected to one map, helping people understand the big picture.

The map is based on that created by The World Economic Forum, our platform will be populated by the general public as well as experts in the field, with a self regulating model.
It's time we stick to facts, and have a scientific and methodical approach in creating real change in the world.

Disclaimer: We DO NOT receive any revenue from YouTube, and we give away all copyrights, so you are free to use the content and share it.

REOURCE: The Mirror Project