⁣This documentary about Sgt Pepper’s Lonely Hearts Club Band picks up where Ron Howard left off – without any of the band’s music or even images
It’s not easy to make a documentary about the greatest album in history when you don’t have access to a single note of the music, but this documentary forges on and cashes in regardless, perhaps assuming its target audience already knows the band’s back catalogue (or won’t realise there’s no Beatles music in it). It cannily picks up the story where last year’s “official” doc – Ron Howard’s Eight Days a Week – left off: the pivotal year of 1967, when the band gave up touring, recorded Sgt Pepper and met the Maharishi.
This history is raked over by greying, second-tier talking heads in granular detail, right down to the design of the “get well soon” card John Lennon drew for George Harrison’s sister-in-law. But without the supporting music, or even images, there’s a dancing-about-architecture feel to the whole exercise. A good 10 minutes is devoted to the album’s iconic sleeve design, for example, without ever showing the sleeve itself.
... as 2023 gathers pace, we have a small favour to ask. A new year means new opportunities, and we're hoping this year gives rise to some much-needed stability and progress. Whatever happens, the Guardian will be there, providing clarity and fearless, independent reporting from around the world, 24/7.
Times are tough, and we know not everyone is in a position to pay for news. But as we’re reader-funded, we rely on the ongoing generosity of those who can afford it. This vital support means millions can continue to read reliable reporting on the events shaping our world. Will you invest in the Guardian this year?
Unlike many others, we have no billionaire owner, meaning we can fearlessly chase the truth and report it with integrity. 2023 will be no different; we will work with trademark determination and passion to bring you journalism that’s always free from commercial or political interference. No one edits our editor or diverts our attention from what’s most important.
With your support, we’ll continue to keep Guardian journalism open and free for everyone to read. When access to information is made equal, greater numbers of people can understand global events and their impact on people and communities. Together, we can demand better from the powerful and fight for democracy.
REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2017/may/26/it-wa

⁣We're at a tipping point in history, the hidden technology that could change everything has been suppressed for decades. Dr. Steven Greer presents mind-blowing information along with never before seen access into the crusade behind disclosure. Retired FBI special agent John Desouza, Aerospace Historians James C, Goodall along with Michael Schratt breakdown the implications of the cover-up, and the false UFO narrative created by the major media.
How much does the President of the United States really know about the UFO phenomenon, and the Above Top Secret projects involved with exotic technology? Billy Carson presents the real motivation behind the major media, and the U.S. Military role out of the UAP phenomenon.
Multi award filmmakers Blake and Brent Cousins travel across the country to find the real answers to everyone's questions whether we are alone in the universe, and expose the above top secret projects involved with ET recovered craft not of this world. Is they're an Alien threat among us, or is the real threat human in nature? Above Top Secret the technology behind disclosure will change the way you think about UFOs, and the world of suppressed technology.

⁣Zeitgeist: Moving Forward, by director Peter Joseph, is a feature length documentary work which will present a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society.
This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical “life ground” attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a “Resource-Based Economy”. This film will feature experts in the fields of public health, anthropology, neurobiology, economics, energy, technology, social science and other relevant subjects which relate to social operation and culture.
The three central themes of the work are Human Behavior, Monetary Economics, and Applied Science. Put together the work creates a model of understanding the current social paradigm; why it is critical to move out of it - coupled with a new, radical, yet practical social approach based on advanced understandings which would resolve the current social woes facing the world today.
One of the unique attributes of this work, which separates it in style from most documentaries, is that it has a parallel dramatic/cinematic theme, with notable actors, which abstractly play out various gestures related to the overall message of the film. The work also vigorously employs numerous 2d and 3d visual abstracts/animations, while returning to the standard, traditional documentary orientation as the foundation.

⁣The second documentary film of the series, Zeitgeist: Addendum, attempts to locate the root causes of this pervasive social corruption, while offering a solution.
Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organisation for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.
The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues. Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.
The director, producer, writer, cinematographer, composer, editor and narrator of the work, Peter Joseph, was inadvertently brought into recognition within the documentary film community with his award winning, controversial, 2007 work “Zeitgeist: The Movie” which obtained over 100,000,000 views online during the first year of its publication.
Since that time, he continues to focus on media related expressions, including music composition, performance & film production, each with the focus on affecting society for the better. He has also lectured around the world on the topics of social sustainability and filmmaking and has been featured in the New York Times, Russia Today, TedX, CineFuturo and many other outlets. His film series have earned dozen of awards and have been screened in virtually every country and in over 40 languages. For more about The Zeitgeist Film Series and its history: www.zeitgeistmovie.com

⁣The original Zeitgeist was actually not a “film”, but a performance piece, which consisted of a vaudevillian style multi-media event using recorded music, live instruments and video. The event was given over a 6-night period in New York City and then, without any interest to professionally release or produce the work, was “tossed” up on the Internet arbitrarily. The work was never designed as a film or even a documentary in a traditional sense - it was designed as a creative, provoking, emotionally driven expression, full of artistic extremity and heavily stylized gestures. However, once online, an unexpected flood of interest began to generate. Within 6 months over 50 Million views were recorded on Google Video counters. Suddenly “Zeitgeist” the event, became “Zeitgeist: The Movie”.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.
Chapter 1, “The Greatest Story Ever Told”, presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.
Chapter 2, “All the World’s a Stage”, presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.
Chapter 3, “Don’t Mind the Men Behind The Curtain “, presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.” The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

⁣The History of the Devil is wickedly good, informative and concise. A no-frills Welsh film produced in association with SBS Australia and distributed by Siren Visual, it’s roughly 52 minutes in length and packs a fair dinkum amount of history into its slender running time.


The documentary itself is made up entirely of mostly still images alternating sporadically with talking heads; religious scholars, theologians and reverends.


Directed by Greg Moodie and written and produced by Dave Flitton, it was researched by Eibhleann Ni Ghriofa, Deirdre Learmont and Craig McGregor.
It’s an impressive and very open-minded account and offers some fantastic insight into the evolution; the hows and whys the specter of the Devil has existed and morphed through the ages from the dawn of civilization through to the new millennium.


So despite its relatively low-fi approach, the richness and diversity of its imagery; the historical plaques, plates, engravings, illustrations, paintings, drawings, and the occasional staged re-enactment (some dude dressed up in rather bemusing demonic attire), keeps the documentary at a high level of beguilement.

⁣ibiru conspiracy theories about the end of the world have been circulating online for more than two decades, with the latest dubious prophecy predicting the apocalypse - September 23, 2017.
Planet X, or Nibiru, refers to a mythological planet in our solar system that will supposedly crash into Earth and wipe out the human race, however it has been consistently dismissed by Nasa and other experts as an internet hoax.
Despite absolutely no scientific evidence to back up the suggestions of a rogue planet getting rapidly closer to Earth, myths about Planet X continue to be perpetuated online.
Of course, this isn't the first time time harbingers of doom have predicted the end of time; Nasa also had to deny the existence of Nibiru in 2012.
Throughout history there have been similar claims, but thankfully none of them so far have been proved correct.
How did conspiracy theories about Planet X start?
Online chatter about Nibiru began back in 1995 when Wisconsin native Nancy Lieder created the alien-conspiracy website ZetaTalk.
Ms Lieder claims to be a conduit for aliens from the Zeta Reticuli star system, 39.17 light years from Earth, who have warned her about the Nibiru catastrophe.
The conspiracy theory hasn’t gone away, with so-called Christian numerologist David Meade claiming Planet X is heading in our direction.
Meade believes October could see the start The Rapture and a seven-year tribulation period of widescale natural disasters.
Why September 23?

It has been claimed an unusual celestial arrangement mirroring signs from the Bible’s Book of Revelation, September 23, will signal the start of the end of the world.
However, the EarthSky blog notes there will be “nothing unique” about the sun, moon and planets on the date.

“In the past 1,000 years, this same event has happened at least four times already, in 1827, 1483, 1293, and 1056,” explains astronomer Christopher M. Graney.
Haven’t we been here before?

Mars, with Earth visible in background CREDIT: Getty
This isn't the first time the apocalypse has been predicted:
1844
American Baptist teacher William Miller first shared publicly his belief in the coming Second Advent of Jesus Christ in 1833, predicting he would return in the year 1843.
The Millerites were his followers and Millerism became a national movement, however when Jesus didn’t arrive, October 22, 1844, became known as the Great Disappointment.
1997
Twenty years ago, 29 members of Heaven’s Gate, a UFO religious millenarian group, committed suicide with the aim of boarding a UFO they believed was hiding behind the Hale-Bopp comet before the supposed end of the world.
2003
Planet X was also supposedly discovered by the ancient Sumerian people and was meant to hit Earth in 2003, but never arrived.
“This catastrophe was initially predicted for May 2003, but when nothing happened the doomsday date was moved forward to December 2012 and linked to the end of one of the cycles in the ancient Mayan calendar at the winter solstice in 2012,” say Nasa.
2011
The end of the world was also supposed to arrive on 21 May 2011, with Christian doomsday prophet Harold Camping predicting the Rapture would begin at 18:00 in each of the world's time zones, wiping out nay-sayers with rolling earthquakes as believers ascended to heaven.
2012
Nasa had to debunk an ancient Maya prophecy theory about the world ending back in 2012.
The Mayan connection “was a misconception from the very beginning,” astrophysicist Dr. John Carlson said at the time.
“The Maya calendar did not end on Dec. 21, 2012, and there were no Maya prophecies foretelling the end of the world on that date."
2015
Chris McCann, leader and founder of the eBible fellowship, said the world would be engulfed and destroyed by a great fire on October 7.
McCann said he was "surprised" by the outcome and wrote a blog post entitled: "A response to being incorrect with the prediction that, in all likelihood, the world would end on October 7."
What does Nasa say this time?

Nasa is confident the world won't end CREDIT: AFP
Nasa has definitively dismissed wild theories about Nibiru as pseudoscience, issuing a number of statements denying its existence.
“Various people are ‘predicting’ that world will end on September 23 when another planet collides with Earth,” say Nasa.
“The planet in question, Nibiru, doesn't exist, so there will be no collision. The story of Nibiru has been around for years (as has the 'days of darkness' tale) and is periodically recycled into new apocalyptic fables.”
They add: “Nibiru and other stories about wayward planets are an internet hoax. There is no factual basis for these claims. If Nibiru or Planet X were real and headed for an encounter with the Earth … astronomers would have been tracking it for at least the past decade, and it would be visible by now to the naked eye. Obviously, it does not exist.
“Eris is real, but it is a dwarf planet similar to Pluto that will remain in the outer solar system; the closest it can come to Earth is about 4 billion miles.”
Nasa fake news and the days of darkness tale
A fake news story being widely shared online suggests Nasa has confirmed Earth will experience 15 days of complete darkness in November 2015.
Another fake news video claims that Nasa has found Nibiru and confirmed it is heading straight for us.
Debunking website Snopes explains the “days of darkness” tale is a “bit of fake news lifted from an older viral rumour”
They say that it “had already been around the online block several times before,” adding, “it has long since become an evergreen online hoax — a jape that is typically resurrected a few times a year by dubious websites that simply update the time span for the alleged ‘period of darkness’ and send it winging around the internet again.
What do other experts say?
Nick Pope, who used to investigate UFOs and other mysteries for the Ministry of Defence, says “Nibiru doesn't exist”.
He adds: “The world won't end on September 23. Shame on the people promoting this hoax in the name of evangelical Christianity.”
Mr Pope told The Telegraph: “I'm certain Nibiru doesn't exist because if there really was a rogue planet heading for Earth, due to hit on Saturday, it would be visible to the naked eye by now.
“Furthermore, astronomers would have been aware of its presence for years, both through direct observation and through gravitational effects on other planets in the solar system.”
Why are some people so keen to promote this conspiracy?
“The people promoting this prediction seem to be doing so because of religious belief, tenuously linking the recent eclipse with Biblical passages, including one from the Book of Revelations,” Pope says.
“I suspect the reasons include self-publicity and the desire to promote their particular brand of evangelical Christianity.”
Is there anything we should be worried about?
“All this isn't to say that there aren't some existential threats out there, but if people want to worry about something, they should probably worry about North Korean missiles, or about Iran acquiring nuclear weapons, not about Nibiru,” Pope adds.
“There have been countless previous predictions of the end of the world. Self-evidently all these predictions were false. September 23 will pass without incident, just as we safely negotiated all the previous dates that had been put forward as doomsday.”

⁣The Rothschild family (/ˈrɒθ(s)tʃaɪld/ ROTH(S)-chylde, German: [ˈʁoːt.ʃɪlt]) is a wealthy Ashkenazi Jewish family originally from Frankfurt that rose to prominence with Mayer Amschel Rothschild (1744–1812), a court factor to the German Landgraves of Hesse-Kassel in the Free City of Frankfurt, Holy Roman Empire, who established his banking business in the 1760s. Unlike most previous court factors, Rothschild managed to bequeath his wealth and established an international banking family through his five sons, who established businesses in London, Paris, Frankfurt, Vienna, and Naples. The family was elevated to noble rank in the Holy Roman Empire and the United Kingdom. The family's documented history starts in 16th century Frankfurt; its name is derived from the family house, Rothschild, built by Isaak Elchanan Bacharach in Frankfurt in 1567.

During the 19th century, the Rothschild family possessed the largest private fortune in the world, as well as in modern world history. The family's wealth declined over the 20th century, and was divided among many descendants. Today, their interests cover a diverse range of fields, including financial services, real estate, mining, energy, agriculture, winemaking, and nonprofits. Many examples of the family's rural architecture exist across northwestern Europe. The Rothschild family has frequently been the subject of conspiracy theories, many of which have antisemitic origins.

⁣Mike Tyson explains to Dan Le Batard the spiritual awakening he underwent after smoking DMT, a psychedelic drug that occurs naturally in some plants and animals. Tyson also shares how his ego has shaped his life, and he goes in depth about his relationship with Cus D'Amato.

Let me know your thoughts in the comments?


More videos here👍⁣
1. Documentary Archive: https://rumble.com/DocumentaryArchive
2. Pandemic Dilemmas: https://rumble.com/c/PandemicDilemmas
3. New World Order: https://rumble.com/c/NewWorldOrderAgenda
4. Disclosure Channel: https://rumble.com/c/c-1016954

Feel free and share wherever you can. :-)

⁣If you’re not familiar with the name Alain Johannes, there’s a good chance he’s had something to do with an album in your collection. Whether he played on it, recorded it, or mixed it, Johannes has been a major contributor to such bands as Queens of the Stone Age, Them Crooked Vultures, Mark Lanegan, Puscifer, Eagles of Death Metal, Arctic Monkeys, and PJ Harvey – to mention only a few. His staggering list of credits as either a producer, session musician, or touring band member is only one aspect of his notable career in modern music.


Perhaps the most important credit in his career is the six albums he produced with wife Natasha Shneider and their alternative rock band Eleven. Criminally underrated, Eleven earned some decent exposure in the 90’s supporting Soundgarden and Pearl Jam on tour, but their sound just never fit into the trends of the decade. Johannes and Shneider would continue with Eleven, while also finding themselves as highly sought after session musicians and producers. Most notably, the pair were recruited to play on and co-produce Chris Cornell’s debut solo album Euphoria Morning and later they would make significant contributions to the Queens album Songs for the Deaf.
Johannes’s relationship with Shneider was one of music and love that’s difficult to describe. Indeed, as I began drafting this review, I found myself struggling to avoid cliches.


Soulmates is such a trite term, but finding an equivalent synonym to describe the couple is futile. Aside from being in love with each other, they shared – as Soundgarden/Pearl Jam drummer Matt Cameron describes – a “telepathic musical relationship.” Indeed, many who appear in Unifinished Plan marvel at how the two worked together. The bond of their romantic relationship and the music they created was intertwined. Needless to say, it was nothing less than heartbreaking – for Johannes and everyone who knew the couple – when Shneider succumbed to Cancer in 2008.


A devastated Johannes would go on to produce a solo album, 2010’s Spark, as a love letter and thank you to Shneider. Nevertheless, this cathartic effort marks only the beginning of Johannes’s journey without her. The Chilean born musician would go on to visit his home country to meet his estranged Father for the first time and reconnect with his roots. This journey would include forming a band with Chilean musicians to perform Eleven songs.


Directed by Rodolfo Gárate, Unfinished Plan: The Path of Alain Johannes presents the story of Johannes much better than my meager summary. Beautifully shot and full of footage of Johannes and Shneider (with and without their band Eleven), Garate skillfully charts Johannes’s life with the reverence. Throughout the film, appearances by the members of Soundgarden (Chris Cornell, Kim Thayil, Matt Cameron, Ben Shepherd), Josh Homme (Queens of the Stone Age), Alex Turner (Arctic Monkeys), and Mark Lanegan are important as they discuss the musical genius of Johannes, but also because each of them were deeply affected by Johannes and Shneider, not just as musical peers, but close friends. Thus these interviews, alongside those with Johannes’s sister and other family members, present Johannes as a human, not just a ridiculously talented musician. For this, Gárate should be praised. While it’s difficult to separate Johannes from his music – for how intensely they were connected – Gárate delicately balances the films narrative. Unfinished Plan is a touching and emotionally engaging film, one that will appeal to anyone, not just music lovers or fans of Johannes.
– J. Kevin Lynch

REVIEW RESOURCE: https://thevoidreport.com/2018..../12/12/film-review-u

⁣Seaspiracy is absolutely shocking. It’s a damning and illuminating documentary that lifts the shiny veil clinging to our oceans to expose a rotten and corrupt core. Behind the sustainable promises from big corporations and plastic straw campaigns worldwide, the real truth is left hidden. Under this plastic layer of deception though is an industry that’s literally killing our oceans.

This 90 minute documentary is an unflinching look at the damage done to our blue planet. Well-researched and hard-hitting, what begins as an examination into whaling soon spirals into so much worse. Pest control, deceptively coloured salmon and sea piracy are but a few topics discussed here, and the longer the film goes on the more horrifying the truths are.

A lot of the time buzz words like “must-see” and “shocking” are thrown around the entertainment industry and lose their credibility. Honestly though, this film deserves both those labels. Every part of this industry is mired in corruption and greed, right the way through to the non-profit organizations that serve as wolves in sheep’s clothing.
What’s particularly interesting here though is just how much the buck is passed around. No one seems able to answer simple questions and as the film progresses, this becomes more and more apparent.

This globe-trotting documentary examines all forms of ocean corruption, from salmon farms in Scotland across to Shark Fin markets in China. A lot of these scenes are shot with either shaky handheld or spy cameras, backing up the threat these filmmakers face in doing this. In fact, one scene shows the camera crew forced to scramble out a building mid-interview thanks to a police tip off.

Alongside this fly-on-the-wall approach are a lot of facts that use great comparisons to show the devastation of the damage done to our oceans. Understanding the sheer scale of this through diagrams or expository text laid over establishing shots works really well to hammer home the message.

Sure, some people will go into this and write it off as sensationalist or conspiratorial but to be honest, the fact Ali Tabrizi and his team had so many issues interviewing higher-ups to explain themselves is pretty telling.
The final 15 minutes of this documentary changes tone slightly, with a poignant, sombre reminder of what’s happening to our oceans. With the water bleached a sickly shade of red, these scenes depict a form of whaling called Grind. The sound design here in particular is harrowing, and coupled with the images themselves, make for an incredibly difficult watch.

REVIEW RESOURCE: https://www.thereviewgeek.com/....seaspiracy-movierevi

⁣Kampania nakłaniająca do wzięcia udziału w eksperymencie medycznym.
⁣Reportaż dotyczy kampanii reklamowej przeprowadzonej w szeroko dostępnych publicznych mediach związanej z presją społeczną, polityczną oraz koncernów farmaceutycznych przekonującą polskie społeczeństwo do wzięcia udziału w globalnym eksperymencie medycznym polegającym na przyjęciu zastrzyku zawierającego substancję o nieznanym składzie oraz nieznanych negatywnych skutkach zdrowotnych.

Publikuję ten film gdyż jestem zwolennikiem szczepień i ich pozytywnego wpływu na ochronę populacji przed zagrożeniami związanymi z wszelkimi wirusami.

Film tylko w języku polskim.

Proszę o rozpowszechnianie tego filmu gdzie tylko jest to możliwe.

============================================================
The report concerns an advertising campaign conducted in widely available public media related to social and political pressure and pharmaceutical companies convincing Polish society to take part in a global medical experiment consisting in receiving an injection containing a substance of unknown composition and unknown negative health effects.

I am publishing this video because I am a supporter of vaccination and its positive impact on the protection of the population against the risks associated with all viruses.

Only Polish version - sorry.

Feel free to distribute and share this video wherever possible.
Let me know your thoughts in the comments?

⁣This documentary from Jamie Roberts on the evacuation of the airport at Kabul in August 2021 feels more like a lengthy news segment.

Airing on HBO a little more than a year after the American withdrawal from Afghanistan, “Escape From Kabul” presents a detailed account of the chaotic evacuation at the Kabul airport in August 2021. Directed by Jamie Roberts, whose “Four Hours at the Capitol” premiered just nine months after the Capitol riot, “Escape From Kabul” in some ways feels more like a lengthy news segment than a feature documentary.
The stories — and types of footage — will be familiar to anyone who sat glued to the television that August. We hear from Marines who were at the airport; from Afghans who got out and who didn’t; and from Taliban members who moved on Kabul. At least one acts surprised that women and children might be terrified of their arrival.


There is talk of the crushing size of the crowds and the squalid conditions at the airport. Lt. Col. Christopher R. Richardella describes logistical difficulties at various stages. Staff Sgt. Maria G. Solis explains how eerily normal it became for American troops to be passed babies by women trying to escape. Afghans like Hasina Safi, then the country’s acting minister for women’s affairs, and Malalai Hussainy, a first-year university student at the time, discuss their fears of brutality and a lack of education for women under Taliban leadership.

The movie lays out a clear timeline and is good at conveying the conflicted feelings that Afghans had about leaving their homes and that American troops had as they tried to maintain control of the situation. Still, “Escape From Kabul” is a short-term recap. A more robust movie, following these witnesses over several years, is still waiting to be made.

REVIEW RESOURCE: https://www.nytimes.com/2022/0....9/21/movies/escape-f

⁣FILM ASKS HARD QUESTIONS ABOUT FAILURE OF ENVIRONMENTAL MOVEMENT TO HALT CLIMATE CHANGE AND SAVE PLANET

Directed by Jeff Gibbs and Executive Produced by Moore, film examines if we’ve been on “wrong road” with so-called “green energy” that is anything but green.

Charges environmental leaders have “lost their way” and “sold out to corporate interests.”

“As we suffer through one health and environmental crisis after another, it is clear we can no longer simply solar-panel-and-windmill our way out of this emergency,” say Moore and Gibbs.


Released on the eve of the 50th anniversary of Earth Day and in the midst of the global Covid-19 pandemic, Planet of the Humans takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street.



The film is the debut movie from Jeff Gibbs, whom Moore calls “a brave and brilliant filmmaker whose new voice must be heard.” Gibbs is a lifelong environmentalist and longtime collaborator of Moore’s with whom he co-produced Bowling for Columbine and Fahrenheit 9/11. Planet of the Humans first screened as a work in progress at the most recent Traverse City Film Festival where it was a huge audience favorite.

Moore and Gibbs decided that with the American public – and much of the world – confined to their homes and suddenly having to consider the role humans and their behavior have played in our fragile ecosystems, the moment was too urgent to wait until later this year for the film’s planned release.



“We have ignored the warnings, and instead all sorts of so-called leaders have steered us away from the real solutions that might save us,” says Moore, who holds the all-time box office record for documentaries. “This movie takes no prisoners and exposes the truth about how we have been led astray in the fight to save the planet, to the point where if we don’t reverse course right now, events like the current pandemic will become numerous, devastating and insurmountable. The feel-good experience of this movie is that we actually have the smarts and the will to not let this happen – but only if we immediately launch a new environmental uprising.”



Jeff Gibbs, the writer/editor/director of Planet of the Humans, has dared to say what no one will – that “we are losing the battle to stop climate change because we are following environmental leaders, many of whom are well-intentioned, but who’ve sold out the green movement to wealthy interests and corporate America.
”This film is the wake-up call to the reality which we are afraid to face: that in the midst of a human-caused extinction event, the so-called “environmental movement’s” answer is to push for techno-fixes and band-aids. “It’s too little, too late,” says Gibbs. “Removed from the debate is the only thing that might save us: getting a grip on our out-of-control human presence and consumption. Why is this not the issue? Because that would be bad for profits, bad for business.”


“Have we environmentalists fallen for illusions, ‘green’ illusions, that are anything but green, because we’re scared that this is the end — and we’ve pinned all our hopes on things like solar panels and wind turbines? No amount of batteries are going to save us, and that is the urgent warning of this film.”

This compelling, must-see movie – a full-frontal assault on our sacred cows – is guaranteed to generate anger, debate, and, hopefully, a willingness to see our survival in a new way—before it’s too late.



RESOURCE: https://planetofthehumans.com
Let me know your thoughts in the comments

⁣An exposé on how Hollywood and the mainstream media manipulate the multitudes by spreading propaganda throughout their content.
The movie is banned most of the media.
The Out Of Shadows documentary lifts the mask on how the mainstream media & Hollywood manipulate & control the masses by spreading propaganda throughout their content. Our goal is to wake up the general public by shedding light on how we all have been lied to & brainwashed by a hidden enemy with a sinister agenda.



This project is the result of two years of blood, sweat and tears by a team of woke professionals. It’s been independently produced and funded and is available on many different platforms for FREE for anyone to watch. Patriots made this documentary with the sole purpose of getting the truth out there. If you like the documentary, please share this video.


Official website: www.outofshadows.org

Carl Colby’s smart, fact-packed film “The Man Nobody Knew” operates on many levels, all riveting. Primarily an account of the career of his father, William Colby, director of the Central Intelligence Agency from 1973 to 1976, it traces a history ending in 1996, when his body washed ashore eight days after he embarked on a late-afternoon solo canoe outing in Maryland.

While reviewing the turbulent period spanning Vietnam and President Richard M. Nixon’s resignation, we also witness the arc of a marriage, the death of a daughter and the seeming disillusionment of a selfless, if steely-eyed and implacable, civil servant.William Colby was molded by the Office of Strategic Services in World War II, when he aided anti-Nazi insurgents in France and Norway. Working closely with the Vatican he fought the postwar Communist ascendance in Italy and helped coordinate the coup against President Ngo Dinh Diem of South Vietnam. As C.I.A. director he embraced covert activities until “the family jewels“ — memos revealing the agency’s domestic wiretapping and foreign assassination attempts, among other sordid pursuits — were leaked.

After disclosing details on such programs (several preceding his tenure) in Congressional hearings, he was replaced by George H. W. Bush.The Beltway insiders interviewed include the former national security adviser Brent Scowcroft, the journalist Seymour Hersh and, at his most smugly cynical, former Defense Secretary Donald H. Rumsfeld. Carl Colby’s mother, Barbara, meanwhile, is the embodiment of diplomatic poise and eloquence. Conspiracy theorists can have a field day with William Colby’s death, but “The Man Nobody Knew” suggests that the culprit may have been no more than a cold warrior’s crumbling facade.Directed by Carl Colby; edited by Jay Freund; music by Michael Bacon; produced by Mr. Colby, David Johnson and Grace Guggenheim; released by First Run Features. At the Lincoln Plaza, Broadway at 62nd Street. Running time: 1 hour 44 minutes. This film is not rated.

REVIEW RESOURCE: https://www.nytimes.com/2011/0....9/23/movies/man-nobo out the documentary channel: https://rumble.com/DocumentaryArchiveLet me know your thoughts in the comments.

If you like it support the band buying it at : http://thearistocrats.spinshop.....com/Home/details/23

Guthrie Govan - Guitars
Brian Beller - Bass
Marco Minnemman - Drums

A compilation of profound and powerful speeches from: Alan Watts, Chris Cornell, Robin Williams, John Frusciante, Bob Dylan, David Bowie, Wim Hof, Sadhguru, Kyle Cease, David Foster Wallace, Brad Corrigan, Dan Pink, Carl Jung, Vishen Lakhiani, and Roger Waters.
See below for for more information on the speakers and speeches

#T&H #alanwatts #compilation

“We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infinitesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality.”
- Alan Watts (1915 - 1973)

Speaker: Alan Watts
Audios sourced from: “Alan Watts -Alan Watts: Season 1, Program 6 - Time"
Follow the Alan Watts Organization:
YouTube: https://www.youtube.com/c/alanwattsproject
Facebook: https://www.facebook.com/alanwattsofficial
Instagram: https://www.instagram.com/alanwattsorg/

Speaker: Chris Cornell (1964 - 2017)
Learn more:
https://chriscornell.com/
https://en.wikipedia.org/wiki/Chris_Cornell
https://www.instagram.com/chriscornellofficial/

Speaker: John Frusciante
Learn more:
https://en.wikipedia.org/wiki/John_Frusciante
https://open.spotify.com/artis....t/7rN3Agir6FaZNfhf5V

Speaker: Robin Williams (1951 - 2014)
Learn more:
https://www.imdb.com/name/nm0000245/
https://en.wikipedia.org/wiki/Robin_Williams

Speaker: Bob Dylan
Learn more:
https://www.bobdylan.com
https://twitter.com/bobdylan
https://en.wikipedia.org/wiki/Bob_Dylan

Speaker: David Bowie (1947 - 2016)
Learn more:
https://www.davidbowie.com/
https://open.spotify.com/artis....t/0oSGxfWSnnOXhD2fKu
https://en.wikipedia.org/wiki/David_Bowie

Speaker: Roger Waters
Learn more:
https://rogerwaters.com/
https://twitter.com/rogerwaters?s=20
https://en.wikipedia.org/wiki/Roger_Waters

Speaker: Wim Hof
Learn more:
https://www.wimhofmethod.com/
https://www.instagram.com/iceman_hof
https://en.wikipedia.org/wiki/Wim_Hof

Speaker: Kyle Cease
Learn more:
https://kylecease.com/
https://www.youtube.com/user/kylecease
https://www.instagram.com/evolvingoutloud/

►Speaker: Sadhguru
🌐 https://www.youtube.com/sadhguru
🌐 Facebook - https://facebook.com/sadhguru
🌐 https://instagram.com/sadhguru
🌐 https://twitter.com/SadhguruJV
🌐 https://t.me/Sadhguru
🌐https://www.quora.com/q/sadhguru

Speaker: David Foster Wallace
Learn more:
http://www.davidfosterwallacebooks.com
https://en.wikipedia.org/wiki/David_Foster_Wallace

Speaker: Brad Corrigan
https://www.instagram.com/bradcorrigan/
https://www.instagram.com/lovelightandmelody/
lovelightandmelody.org

Speaker: Carl Jung (1875 - 1961)
Learn more:
https://en.wikipedia.org/wiki/Carl_Jung

Speaker: Daniel Pink
Order Dan's New Book: The Power of Regret: https://amzn.to/3o66dMI
https://twitter.com/danielpink
https://www.facebook.com/danielhpink
https://www.danpink.com/

Speaker: Vishen Lakhiani
Learn more:
https://www.mindvalley.com/
https://www.vishen.com/
https://en.wikipedia.org/wiki/Vishen_Lakhiani
https://www.instagram.com/vishen

Speeches: Various

Produced and Edited by T&H Inspiration

►Follow T&H:
Mindset App: https://link.mindsetapp.com/THMotivation
Instagram: https://www.instagram.com/tandhinspiration/
Facebook: https://www.facebook.com/THinspirationMotivation/
Podcast: https://linktr.ee/tandhinspiration
YouTube: https://www.youtube.com/user/tradgedyandhope

T&H Inspiration is on a mission to share inspiring wisdom. The goal is to have you pause, think, and reflect. Many of our videos revolve around the extraordinary teachings of Alan Watts that we produce with permission from the Alan Watts Electronic University.

T&H also films and releases original interviews with iconic people who have experienced successes, while also persevering through life's highs and lows. We look forward to sharing more of these perspectives and insights.

Our hope with these videos is to push your thinking. As Alan Watts said “No one is more dangerously insane than one who is sane all the time: he is like a steel bridge without flexibility, and the order of his life is rigid and brittle.” – Alan Watts.