⁣Niniejszy film jest wykładem dr n. med. Jerzego Jaśkowskiego dotyczącym szczepień.
W filmie poruszane są tematy toksyczności szczepień, składników dodatkowych w szczepionkach, epidemii, pandemii, świńskiej i ptasiej grypy, badań i statystyk dotyczących zachorowalności, skutków ubocznych szczepień, nowej ustawy dotyczącej szczepień, powiązaniach pomiędzy rządem a korporacjami i instytutami, korupcji urzędników i wiele innych...


RESOURCE: ⁣https://www.prisonplanet.pl/mu....ltimedia/toksyczne_s

⁣How did we get here? What happened to us? What’s really going on?
These are a few of the questions I asked myself, which led to the creation of my latest movie, The Great Awakening.

Those who believe they are in charge have hijacked our human nature on both ends: Our survival-based fear response AND our compassion for our fellow man.

Who are the puppet masters? Plenty of people ask me this, and the honest answer is – we may never know. What I do know is that most of the people forwarding the new anti-human ideologies and policies, as Mattias Desmet shares in this clip, are hypnotized themselves.

“Mass formation” is a condition akin to mass hypnosis. Much of the human population is literally under a spell. Breaking that spell is the first step to an awakening. What is your best method for waking up friends and family?

Mikki Willis
Father / Filmmaker

See the Plandemic series and download the Plandemic book for FREE at: www.PlandemicSeries.com

⁣⁣There is an urgent need for global stakeholders to cooperate in simultaneously managing the direct consequences of the COVID-19 crisis. To improve the state of the world, the World Economic Forum is starting The Great Reset.

The World Economic Forum is the International Organization for Public-Private Cooperation. The Forum engages the foremost political, business, cultural and other leaders of society to shape global, regional and industry agendas. We believe that progress happens by bringing together people from all walks of life who have the drive and the influence to make positive change.

⁣An Interview withJohn Shipton -Julian Assange’s father


⁣The pacifist John Shipton is Julian Assange’s father. Robert Cibis interviews him exclusively about the judicial decision to extradite his son to the US. This discussion reveals political interference in the legal system. How far will Western governments go to set themselves apart from their pre-set values?
RESOURCE: https://www.oval.media/en/75fc....7f35-8fb4-4db2-a399-
Let me know your thoughts in the comments below 👇

‘THE END OF MEDICINE’ INVESTIGATES LINK BETWEEN DISEASE AND ANIMAL CONSUMPTION

While Joaquin Phoenix and Rooney Mara have starred in many movies together, they’ve now teamed up to make a movie. The duo–who are as equally respected by Hollywood as they are by the animal rights community–lend their influence to a new feature-length investigative documentary called The End of Medicine. As executive producers, Phoenix and Mara team up with BAFTA-winning director Alex Lockwood (73 Cows) and producer Keegan Kuhn (Cowspiracy, What The Health) to expose a disturbing, dirty little secret that the food industry has been trying to conceal for decades.
In a swift 73 minutes, The End of Medicine draws attention to the underreported link between global disease–pandemics and antibiotic resistance included–and our (mis)use of animals. The film gets its momentum from whistleblower Dr. Alice Brough, a young vet who first grew intolerant toward the industry’s “acceptable” practices of animal agriculture. As we see, Dr. Brough risks her professional career and livelihood to denounce the corruption within the industry by sharing insider information about the reality of factory farming and animal disease. Through her tears, we can clearly see how distressed she is as she talks directly to the camera, remorseful for her contributions to the industry in the past.

Where to watch: ‘The End of Medicine’ is available on VOD May 10th.
While Joaquin Phoenix and Rooney Mara have starred in many movies together, they’ve now teamed up to make a movie. The duo–who are as equally respected by Hollywood as they are by the animal rights community–lend their influence to a new feature-length investigative documentary called The End of Medicine. As executive producers, Phoenix and Mara team up with BAFTA-winning director Alex Lockwood (73 Cows) and producer Keegan Kuhn (Cowspiracy, What The Health) to expose a disturbing, dirty little secret that the food industry has been trying to conceal for decades.
In a swift 73 minutes, The End of Medicine draws attention to the underreported link between global disease–pandemics and antibiotic resistance included–and our (mis)use of animals. The film gets its momentum from whistleblower Dr. Alice Brough, a young vet who first grew intolerant toward the industry’s “acceptable” practices of animal agriculture. As we see, Dr. Brough risks her professional career and livelihood to denounce the corruption within the industry by sharing insider information about the reality of factory farming and animal disease. Through her tears, we can clearly see how distressed she is as she talks directly to the camera, remorseful for her contributions to the industry in the past.

In typical call-to-action-type documentaries, The End of Medicine provides an overwhelming number of facts that are meant to shock the viewer into making immediate lifestyle changes. Industry insiders, government advisors, politicians, scientists, and leading doctors share unnerving statistics that at times, feel more hopeless than optimistic.
One claim that caused me to sit up a little straighter was hearing that 3 out of 4 emerging infectious diseases come from an animal source. This tends to happen because an animal’s immune system is lowered when they’re stressed, and they’re stressed because they’re so densely packed in cages in unsanitary conditions. It’s easy for the animal, then, to catch an infection and spread it to the rest of their cage-mates and eventually, the humans who consume them. Not surprisingly, COVID was used as an example: We socially distance ourselves from other sick humans but are doing the exact opposite to animals. This film asks, “Why?”
The End of Medicine has one goal in mind, and that is to get its audience to think twice about consuming animal products. Ideally, Phoenix and Mara would be able to convince all of us to go completely vegan (but it may take a few more documentaries for that to happen). While the note the film ends on isn’t the most optimistic in tone, aside from the standard “transform yourself to transform the world”, its intentions are pure and worthwhile. Films like these are important, and if The End of Medicine causes you to pause before ordering the burger–even for a moment–then it’s done its job.


REVIEW RESOURCE: https://cinemacy.com/the-end-of-medicine-review/

⁣ALFRED Bielek died in October 2011 but he will forever be associated with mysterious experiments allegedly conducted by the United States government known as the Montauk Project.
Not much is known about the highly secretive military experiments which supposedly took place during the Cold War era, but the conspiracy theories that surround them make the idea that the Moon landing was faked sound like child’s play.
The Montauk Project is an alleged series of secret experiments conducted at Camp Hero or Montauk Air Force Station in Long Island, New York.
With the help of scientists like John von Neumann and the work of Nikola Tesla, military officials sought to conduct experiments for the purpose of developing psychological warfare techniques and carry out exotic research into time travel, or so the story goes.
According to the tin foil-hat wearing true believers, during the tests a man named Alfred Bielek travelled through time and reached a confidential test site in 1983.
It’s a story he himself spent many years trumpeting from the late 1980s after Mr Bielek claimed he uncovered memories of his involvement in the experiments that had been suppressed to assure confidentiality.

The radar dish at the mysterious Camp Hero US Army base near, Montauk, New York.
It goes without saying that such conspiracy theories need to be taken with more salt than you should probably ingest in your lifetime but despite the crazy ramblings of a mad man, there are many questions about the alleged Montauk Project that remain unanswered today.
Camp Hero, the US army base built in World War II to defend the coast, sits in 400 acres of woodland near Montauk. During the Cold War, the top secret base was the centre of a series of radars trained on the Atlantic to detect any incoming Russian attacks.
But after closing in 1981, it became shrouded in mystery as rumours of secret government experiments in mind control and telekinetic powers emerged as people claimed to have been abducted as children and subjected to violent beatings and forced drug-taking to test the limits of the human mind.

⁣SUPPRESSED SECRET TECHNOLOGIES Med Beds, Replicators, Free Energy, Stargates & Antigravity
Top secret Advanced Technologies involving; Advanced Healing Devices, Replicators and Free Energy. Featuring Emery Smith and Corey Goode.
If you don't like what I like, just remember that it's not my problem and that I never signed a contract with you to take responsibility over your happiness - you do you, boo, and leave the rest of us to our rights to be true to our own realities which you have no rights over.

⁣An alternative take on the 1969 lunar landing presents a different picture of the event that governments may be secretly covering.
Absolute Documentaries brings you the best of entertaining and fascinating documentaries for free. Whether you’re into true crime, stories from around the world, family and social life, science or psychology, we’ve got you covered with must-see full-length documentaries every week.
From: Aliens On The Moon

⁣This documentary brings up several questions about the secret space program: what it is, who is behind it and why Is there a human civilization living off-world with highly advanced technology and knowledge about the existence of aliens Why are we being kept in the dark?

The moovie exposes the fact that the NASA space program is actually a continuation of the Space Projects funded by the Royal-Bavarian Elite, who, under the custodianship of Hitler and Himmler planned to voyage to the Moon and create a LUNAR BASE. Project Paperclip, the Van Allen Radiation Belts and literally dozens upon dozens of UFO clips filmed from aboard the flight-deck of the SPACE SHUTTLE by NASA astronauts makes this motion picture documentary a special collector's item.
…as David Icke, Jaime Maussan, Marcus Allen and Valery Uvarov spoke, the veil of secrecy at NASA, the sordid history of the ex NAZI SS Officers at the heart of the Apollo Space Missions and the interplay of Masonic symbolism in the names of rockets and spacecraft all started to become frighteningly clear. Chris Everard presents what can only be described as the most startling UFO footage ever seen.

The Space Serpents flying around the upper atmosphere have to be seen to be believed. What’s more, is that all the UFO clips come direct from NASA – filmed by astronauts aboard the Space Shuttle! I must admit that I originally thought the premise for this film was ridiculous. Two hours later, I found myself staring blankly at the end credits. My phone rang unanswered. I lit my first cigarette for 20 years and realised that some kind of Alien Invasion is happening. Colonel Philip Corso was right. They’re Here!”

Let me know your thoughts in the comments below 👇

⁣Kevin Macdonald's three fictional movies have taken him to Idi Amin's Uganda, Washington DC and the northern reaches of Roman Britain. They're all thrillers of various kinds, as are Touching the Void and One Day in September, the tightly focused, feature-length documentaries that preceded them. Touching the Void centres on a dangerous expedition by two British climbers in the Peruvian Andes in 1985 and uses interviews with the real participants and simulated scenes played by actors. One Day in September is about the massacre of Israeli athletes by Arab terrorists at the 1972 Olympics and, in addition to interviews and archive footage, employs computer graphics to explain the course of events.
His new film, a cinebiography of Bob Marley is a bigger, baggier and simpler thing. It's the story of a man who lived an extraordinarily full yet oddly mysterious life and died a world figure 30 years ago, shortly after reaching the age of 36. It is, however, told without any reconstructions or impersonations and neither Sidney Poitier nor Morgan Freeman was called in to deliver a rousing commentary explaining the man's contradictions, achievements and significance.
The picture begins in West Africa at an old fortress on the Gold Coast (now Ghana). Through its "Door of No Return" leading to the sea passed many of the millions of shackled slaves who were shipped across the Atlantic. This was the journey made by his ancestors that shaped Marley's life, identity and music and the belief system that drew them together.
He was born in the remote Jamaican village of Nine Mile in 1945 and Macdonald takes us there in a lyrical aerial shot across the steep, wooded hill country. His mother, Cedella, was black and 16. His father, Norval Marley, a white man aged 65, was employed by the forestry commission to prevent the theft of timber. He rode around the countryside like a seigneurial Cossack and styled himself Captain, though there's no evidence he'd held any commissioned rank or served in any war. In the only known photo of Norval, he's on horseback attempting to look authoritative and his family refused to recognise Bob when he once called on them for help.
Macdonald sees Bob as a man who felt rejected by both the black and the white communities, an outsider who was to find a symbolic home in Africa through embracing Rastafarianism, a style of personal independence and social defiance, and a mission to bring people together in a grand international, inter-racial brotherhood.
Marley grew up in extreme poverty, first in the countryside, then in the slums of Kingston's Trenchtown, where the first photograph of him was taken at the age of 12. The documentation of the early life is thin, but Macdonald is able throughout to draw on the colourful testimony of his formidable mother, his friends, fellow musicians, a variety of female companions (Marley had nine or 10 children by six or seven different women) and later some businessmen, politicians and gangsters.
There are splendid anecdotes about survival, about Bob and his band, the Wailers, developing a new kind of music that fused local and international forms into a distinctive form of reggae, and the zig-zagging of a career that took Marley to the United States, where his mother had relocated, to Europe and to Africa. Much of what we hear from Jamaican witnesses is spoken in a beguiling, if sometimes obscure, patois and there are the kind of contradictions in the individual assessments of his character and the accounts of the fraught progress of the Wailers that one would expect. This is Rashomon territory.
But there are compromises and concessions of a different kind that have come about through the need to secure interviews, musical rights and other necessary forms of co-operation. These are reflected in the names of several family members and various close business associates listed in the credits as producers. Some of these people provide the finest testimony.
Among them are Bob's Cuban-born wife Rita, who worked in his backing group and recalls seeing stigmata on Haile Selassie's hand during his triumphant visit to Jamaica; Bob's three children by her (Cedella, Ziggy and Stephen); the beautiful, spirited Cindy Breakspeare, his trophy companion and former Miss World who bore him a child but refused to embrace Rastafarianism; and the laidback British impresario Chris Blackwell of Island Records.
If Marley ultimately remains something of a mystery (he gave few interviews and in none was particularly forthcoming), we nevertheless get a vivid impression of a career that included a brief stint on a Chrysler production line in Delaware, a long period of apprenticeship as a composer (initially working with homemade instruments) and a rise to local and international stardom. Gradually, the dreadlocks, the music and the cloud of ganja smoke come together to form as recognisable an image as that of the equally short-lived Che Guevara.
He was, however, altogether less militant than Che, virtually apolitical, which did not prevent competing forces seeking his allegiance or seeing him as a valuable symbol for their causes. In 1976, an assassination attempt in Jamaica drove him into exile. It wasn't, however, a bullet that did for him but the stud of a boot during a game of his beloved football in a London park, triggering the melanoma in his foot that eventually consumed his body.
We hear of a beautiful moment in a wintry Bavarian clinic where Bob's mother read the Book of Job to the emaciated singer, his dreadlocks lost to chemotherapy, shortly before he flew across the Atlantic to die in Miami in May 1981.
Perhaps this impressive, thoughtful portrait should have ended there. Instead, it concludes with a succession of Marley's hits being sung in a various languages by cheerful young people on every continent. That's all a little too "I'd Like to Teach the World to Sing" Coca-Cola-ish for my tastes.

REVIEW RESOURCE: https://www.theguardian.com/fi....lm/2012/apr/22/bob-m

⁣⁣UNVAXED is a documentary presents the world seen by the unvaccinated individuals.
This film combines several clips from across the Internet in efforts to form the narrative.
Based on actual events.

⁣For most of the naysayers, it wasn't so much the actual music that got their collective goat as it was the way the band portrayed themselves.

“This is a song Charles Manson stole from The Beatles. We’re stealing it back.”
Those were the first words uttered by Bono in the 1988 U2 rockumentary Rattle and Hum before the band ignited a sold-out McNichols Sports Arena in Denver with a rendition of “Helter Skelter” so electric Manson himself might’ve felt its vibes through the walls of San Quentin. Thirty years later, Manson is dirt in the ground and “Helter Skelter” is 12 minutes long on the 50th anniversary edition of The White Album coming out this November. Yet the critical disdain for both the Rattle and Hum film and its chart-topping soundtrack remains the same as it ever was. Upon the release of the Jimmy Iovine-produced album (Oct. 10) and the film (Oct. 27), Rattle and Hum was met with largely complacent and downright hostile reviews.

“By almost any rock & roll fan’s standards, U2’s Rattle and Hum is an awful record,” wrote Tom Carson in The Village Voice. “But the chasm between what it thinks it is and the half-baked overweening reality doesn’t sound attributable to pretension so much as monumental know-nothingness.”
In The New York Times, Jon Pareles accused the band of trying to “grab every mantle in the Rock-and-Roll Hall of Fame” before scowling “what comes across in song after song is sincere egomania.”
“This is a mess with a mission,” wrote David Fricke in his year-end review of Rattle in the Dec. 15-29, 1988, issue of Rolling Stone. “But a mess nevertheless.”
For most of the naysayers, it wasn’t so much the actual music that got their collective goat as it was the way the band portrayed themselves to filmmaker Phil Joanou, who was only 26 when he directed Rattle and Hum (it was his second feature film behind the 1987 high school black comedy Three O’Clock High). At its root, it’s a highly stylized concert film culled from U2’s blockbuster tour in support of their breakthrough fifth LP The Joshua Tree — the album that catapulted Bono, The Edge, Adam Clayton and Larry Mullen, Jr. into a new stratosphere of superstardom. In between performances, however, were scenes of the group traversing through American cities crucial to the fabric of rock n’ roll’s history.

They went to San Francisco to play the “Save the Yuppies” concert in Justin Herman Plaza, where they dazzled the impromptu crowd with a version of “All Along the Watchtower” which served as the perfect middle ground between Bob Dylan‘s original and Jimi’s fiery takeover of the song. They visited Harlem, where they cut a gospel version of their Billboard Hot 100 No. 1 single “I Still Haven’t Found What I’m Looking For” with the New Voices of Freedom choir and caught the renowned street blues duo Satan and Adam busking on 125th St. They headed down to Memphis to visit Graceland and cut some songs at Sun Studio, including “Angel of Harlem” featuring the legendary Memphis Horns and references to Billie Holiday, John Coltrane and Miles Davis, and “Love Rescue Me,” a co-write with Bob Dylan which, along with the Daniel Lanois-produced Oh Mercy, helped many U2 fans get hip with Zimmerman. They also recorded “When Love Comes to Town” at Sun, a song that helped many young U2 fans find their way to the catalog of the song’s soulful co-captain B.B. King and such blues classics as Live at the Regal and Indianola, Mississippi Seeds.

These were the scenes that drew the ire of music critics, who were unfairly convinced that U2’s motives came from somewhere other than honest admiration and appreciation. But for a 14-year-old in 1988 in the first weeks of his freshman year of high school, Rattle and Hum — both the film and its soundtrack — proved to be an eye-opening introduction to music beyond my narrow scope of MTV and rock radio at the time. It was the first time I ever heard about A Love Supreme or experienced the string arrangements of Van Dyke Parks, who along with Benmont Tench on pump organ, provided the sweep of heartbreak that imbues the album and film’s closing number “All I Want Is You,” still very much considered U2’s greatest ballad. I never truly, honestly felt the shimmy of the Bo Diddley beat before I listened to “Desire,” a song that earns the distinct honor of being the first single to simultaneously top the mainstream and modern rock Billboard charts (and scored the group a Grammy in 1989). “God Part II” gave me a deeper appreciation for the solo work of John Lennon, particularly Plastic Ono Band, whose key track “God” U2 were responding to as Bono defends John and Yoko by taking a shot at controversial biographer Albert Goldman with the line — “I don’t believe in Goldman, his type like a curse/Instant karma’s gonna get him, if I don’t get him first.” The atmospheric beauty of “Heartland” — featuring Brian Eno on keyboards — was a perfect gateway to the more esoteric moments on The Unforgettable Fire and The Joshua Tree, especially for someone who went into the Rattle and Hum experience as something of a U2 skeptic.

RESOURCE: https://www.billboard.com/musi....c/rock/u2-rattle-and

⁣In this lecture, 04 and 05 combined, I discuss the relationship between the initiatory structure characteristic of shamanism and the process of radical personality transformation, self- or therapy-induced. The basic structure is order/paradise, chaos/the fall, re-establishment of order/paradise. Since all paradises fall, however, the true paradise is identification with the process of transformation itself.

A very interesting insight from the professor when it talks about the mystical experiences of DMT (when you skip the lecture to 2h: 30m), professor Peterson talks about the mystical experience people tend to have after taking substances like Ayahuasca. These experiences can result in permanent personality transformations.


Jordan Bernt Peterson is a Canadian professor of psychology, clinical psychologist, YouTube personality, and author. He began to receive widespread attention in the late 2010s for his views on cultural and political issues, often described as conservative.

Born and raised in Alberta, Peterson obtained bachelor's degrees in political science and psychology from the University of Alberta and a PhD in clinical psychology from McGill University. After teaching and research at Harvard University, he returned to Canada in 1998 to permanently join the faculty of psychology at the University of Toronto.

In 1999, he published his first book, Maps of Meaning: The Architecture of Belief, which became the basis for many of his subsequent lectures. The book combined information from psychology, mythology, religion, literature, philosophy, and neuroscience to analyze systems of belief and meaning.

⁣Is this how it all started? The mystery of human origins. Where did we come from? With many leading explanations being highly improbable.. Could this be the missing piece to the puzzle?
The 5th Kind Presents: Improbable Cause - A Film & Animation by Giovanni Lodigiani. Music Credits: https://www.trax4pro.com/ - Pro Tracks Available for Licence and use your own Projects. Visit the website for more information.

RESOURCE: https://www.5thkind.tv/

⁣Geoengineering Chemtrails Expert Rosalind Peterson - Alex Jones Infowars Documentary,
⁣United States citizen scientist, researcher, and anti-geoengineering activist, Rosalind Peterson of Mendocino, California, proved both pioneer and prophet.

She helped catalyze a global grassroots anti-geoengineering movement through her decades-long work crusading for clearer skies, cleaner water, healthier trees and plants, and a more resilient planet free of geoengineering fallout. Peterson combined scientific data collection and research, publishing, public speaking, and political advocacy to educate the world about the many negative environmental consequences of clandestine geoengineering.

Founder of the California Skywatch in 2002 and the Agricultural Defense Coalition in 2006, Peterson built an extensive collection of multimedia materials over three decades, now being archived and curated through Our Geoengineering Age for public use by the global scientific community. As an initial “sort” of her extensive archival collection reveals, Peterson proved a tenacious and courageous citizen scientist who wore many hats: environmentalist, photographer, field scientist/researcher, writer, speaker, and activist/publicist.

Peterson’s decades-long effort to uncover the myriad toxic environmental impacts of clandestine geoengineering also provides a compelling, scientifically researched alternative to the widely accepted theory advanced by the United Nations’ Intergovernmental Panel on Climate Change (IPCC) that global warming is primarily caused by anthropogenically released carbon dioxide.

⁣A superconductor or a high-temperature superconducting ceramics is an alloy of oxides of yttrium, barium and copper in proportions (which you see on the screen) YBa2Cu3O7-x and abbreviated as YBCO. In order to demonstrate the properties of this object let’s conduct an experiment.

First, let’s take a small piece of ceramic and then put a piece of styrofoam and a powerful neodymium magnet on top of it. Next, the superconductor is cooled with liquid nitrogen down to -196 degrees Celsius. After the ceramic is cooled, take a piece of styrofoam out from underneath of the magnet. The effect of levitation is caused by the ceramics cooling down to the critical temperature, it then becomes a superconductor, as well as a perfect diamagnetic.

This means that it can repel any magnetic field, as well as create its own when being near a strong magnetic field. The phenomenon is called the Meissner effect.
If the magnet is lifted the conductor next to it begins to lift with it as well. The magnet and the superconductor are almost like "frozen" together in space.

RESOURCE: https://commons.wikimedia.org/....w/index.php?title=Fi

⁣AERS cancer reports are 5 X higher in just 18 months for the Covid shots compared to all other products in the entire history of VAERS


3000 hits for the term ‘cancer’ in all previous (pre Covid injection) VAERS reports
15,000 hits for the term ‘cancer’ for Covid injections in just 18 months
Here we have such aggressive and fast moving cancers that people are clearly associating them with these shots


The median age for deaths after these injections is about 10 years lower than the median age for deaths before these injections were rolled out
The median age of deaths from Covid was 82 (above average life expectancy) and with these shots the median age of deaths is 72

⁣This speech does not require a single word of comment. Only one thing I would suggest is please take a comfortable seated position because standing up you may not be able to bear the weight of exposed facts.

Peter Daszak's quote:
“We need to increase public understanding of the need for medical countermeasures such as a pan-coronavirus vaccine. A key driver is the media, and the economics will follow the hype. We need to use that hype to our advantage, to get to the real issues. Investors will respond if they see profit at the end of the process.”
Source: National Academy of the Press Feb 12, 2016
I hope that the contemporary dr. Josef Mengele known as dr. Fauci - will never get out of the prison.

⁣A very important message

Before you decide to make up your mind about taking a vaccine that could change your life forever, I recommend that you watch these short presentations. After that, you may be able to break free of all-embracing propaganda and make your own independent decision to opt out of participating in the global medical experiment.

⁣I reviewed materials from Pfizer and Moderna in regard to the preclinical assessments of reproductive toxicities from recently obtained documents from FOIA lawsuits.


The results indicate shocking disregard to safety and potential for reproductive harm that will span generations. Pfizer's published data is here:
https://www.sciencedirect.com/....science/article/pii/


Note the study is authored by Pfizer employees with extremely biased interpretation of their results, so you should read the methods and results sections yourself.