⁣The Architects of Western Decline - A Study on the Frankfurt School and Cultural Marxism
A Study on the Frankfurt School and Cultural Marxism

The Cloward Piven Strategy was written in 1966 by a pair of radical socialist professors from Columbia University, Richard A. Cloward & Frances F. Piven. Their plan was to overburden government systems by reducing employment and increasing the welfare state to the point of social & economic collapse. At which time America would have to accept socialism & then communism.

This is the long-overdue study of the Frankfurt School and Cultural Marxist philosophy which now controls Western intellectualism, politics, and culture. It was by design; it was created by an internationalist intelligentsia to eradicate Western values, social systems, and European racial groups in a pre-emptive attempt to spark a global, communist (think liberal) revolution.

⁣An Interview withJohn Shipton -Julian Assange’s father


⁣The pacifist John Shipton is Julian Assange’s father. Robert Cibis interviews him exclusively about the judicial decision to extradite his son to the US. This discussion reveals political interference in the legal system. How far will Western governments go to set themselves apart from their pre-set values?
RESOURCE: https://www.oval.media/en/75fc....7f35-8fb4-4db2-a399-
Let me know your thoughts in the comments below 👇

⁣THRIVE II explores breakthrough innovations from around the world, unpacks the principles they have in common and offers insights, tools and strategies for reclaiming our lives and our future.
Note: While we do vouch for the efficacy of the technology that we vetted as seen in THRIVE II, Foster Gamble and Clear Compass Media make no claims about the on-going technical efficacy or the business reliability of Saith Group or any other inventors. We are not involved in their business dealings and are not responsible for any contractual outcomes.
As of mid-June 2021, Saith Group is seriously delinquent on delivery of devices internationally. Therefore, we recommend that potential customers and licensees wait on commitment of resources until there is evidence that these prior orders are fulfilled.
We will update this page if and when we hear that he has successfully fulfilled on his current obligations.
For more information from Foster Gamble, visit: www.freetothrive.com
RESOURCE: https://closed.thrivemovement.com

⁣From the authors: THRIVE is an unconventional documentary that lifts the veil on what's "really" going on in our world by following the money upstream - uncovering the global consolidation of power in nearly every aspect of our lives.
Weaving together breakthroughs in science, consciousness and activism, THRIVE offers real solutions, empowering us with unprecedented and bold strategies for reclaiming our lives and our future.
From the Odyssey Magazine: THRIVE is more than a documentary relevant to the times. It is more than a well-researched and alarming insight into who really controls how the world works.
It is a recipe and blueprint for how we can, each and every one of us, thrive in the way that the rest of nature does – easily, naturally and with expansive grace. For this last point alone, it is more than worth the time to see.


RESOURCE: https://closed.thrivemovement.com

⁣In this lecture, 04 and 05 combined, I discuss the relationship between the initiatory structure characteristic of shamanism and the process of radical personality transformation, self- or therapy-induced. The basic structure is order/paradise, chaos/the fall, re-establishment of order/paradise. Since all paradises fall, however, the true paradise is identification with the process of transformation itself.

A very interesting insight from the professor when it talks about the mystical experiences of DMT (when you skip the lecture to 2h: 30m), professor Peterson talks about the mystical experience people tend to have after taking substances like Ayahuasca. These experiences can result in permanent personality transformations.


Jordan Bernt Peterson is a Canadian professor of psychology, clinical psychologist, YouTube personality, and author. He began to receive widespread attention in the late 2010s for his views on cultural and political issues, often described as conservative.

Born and raised in Alberta, Peterson obtained bachelor's degrees in political science and psychology from the University of Alberta and a PhD in clinical psychology from McGill University. After teaching and research at Harvard University, he returned to Canada in 1998 to permanently join the faculty of psychology at the University of Toronto.

In 1999, he published his first book, Maps of Meaning: The Architecture of Belief, which became the basis for many of his subsequent lectures. The book combined information from psychology, mythology, religion, literature, philosophy, and neuroscience to analyze systems of belief and meaning.

⁣Demons are real, demon possessed people walk among us. For those that may not know what Nihilism is, it is a philosophy, or family of views within philosophy, that rejects generally accepted or fundamental aspects of human existence, such as knowledge, morality, or meaning.

⁣Once a sleepy farming region, Silicon Valley is now the hub of a global industry that is transforming the economy, shaping our political discourse, and changing the very nature of our society.


So what happened? How did this remarkable change take place? Why is this area the epicenter of this transformation? Discover the dark secrets behind the real history of Silicon Valley and the Big Tech giants in this important edition of The Corbett Report.


TRANSCRIPT AND SOURCES: https://www.corbettreport.com/siliconvalley/

Watch PART 1 (One) here => ⁣https://vajratube.com/v/SXRrCw
⁣After a long summer of feasting, their bodies stately and plump, the emperor penguins of Antarctica begin to feel, toward autumn, a need to march inland to the breeding grounds "where each and every one of them was born." They are all of a mind about this, and walk in single file, thousands of them, in a column miles long. They all know where they are going, even those making the march for the first time, and when they get there, these countless creatures, who all look more or less the same to us, begin to look more or less desirable to one another. Carefully, they choose their mates.

This is not a casual commitment. After the female delivers one large egg, the male gathers it into a fold of his abdomen, plants his feet to protect the egg from the ice below, and then stands there for two months with no food or water, in howling gales, at temperatures far below zero, in total darkness, huddled together with the other fathers for warmth. The females meanwhile, march all the way back to the sea, now even more distant, to forage for food, which they will bring when the spring comes, if they know it must. When the females return to the mass of countless males, they find their mate without error and recognize the cries of chicks they have never seen.

"March of the Penguins" is simply, and astonishingly, the story of this annual cycle. It was filmed under unimaginable conditions by the French director Luc Jacquet and his team, including the cinematographers Laurent Chalet and Jerome Maison. There is not much to choose from in setting up their shots: On the coldest, driest and (in winter) darkest continent on Earth, there is snow, and there is ice, and there are penguins. There is also an ethereal beauty.

Although the compulsion to reproduce is central to all forms of life, the penguins could be forgiven if they'd said the hell with it and evolved in the direction of being able to swim to Patagonia. The film's narrator, Morgan Freeman, tells us that Antarctica was once a warm land with rich forests that teemed with creatures. But as the climate grew colder over long centuries, one lifeform after another bailed out, until the penguins were left in a land that, as far as they can see, is inhabited pretty much by other penguins, and edged by seas filled with delicious fish. Even their predators, such as the leopard seal, give them a pass during the dark, long, cold winter.

"This is a love story," Freeman's narration assures us, reminding me for some reason of Tina Turner singing "What's Love Got to Do With It?" I think it is more accurately described as the story of an evolutionary success. The penguins instinctively know, because they have been hard-wired by evolutionary trial and error, that it is necessary to march so far inland because in spring, the ice shelf will start to melt toward them, and they need to stand where the ice will remain thick enough to support them.

As a species, they learned this because the penguins who paused too soon on their treks had eggs that fell into the sea. Those who walked farther produced another generation, and eventually every penguin was descended from a long line of ancestors who were willing to walk the extra mile.

Why do penguins behave in this manner? Because it works for them, and their environment gives them little alternative. They are Darwinism embodied. But their life history is so strange that until the last century, it was not even guessed at. The first Antarctic explorers found penguins aplenty, but had little idea where they came from, where they went to, and indeed whether they were birds or mammals.

The answers to those questions were discovered by a man named Apsley Cherry-Garrard, in one of the most remarkable books ever written, The Worst Journey in the World (1922). He was not writing about the journey of the penguins, but about his own trek with two others through the bitter night to their mating grounds. Members of Scott's 1910-1912 expedition to the South Pole, they set out in the autumn to follow the march of the penguins, and walked through hell until he found them, watched them, returned with one of their eggs. Cherry-Garrard retired to England, where he lived until 1959; his friends felt the dreadful march, and the later experience of finding the frozen bodies of Scott and two others, contributed to his depression for the rest of his life.

For Jacquet and his crew, the experience was more bearable. They had transport, warmth, food and communication with the greater world. Still, it could not have been pleasant, sticking it out and making this documentary, when others were filming a month spent eating at McDonald's. The narration is a little fanciful for my taste, and some of the shots seem funny to us but not to the penguins. When they fall over, they do it with a remarkable lack of style. And for all the walking they do, they're ungainly waddlers. Yet they are perfect in their way, with sleek coats, grace in the water and heroic determination. It's poignant to watch the chicks in their youth, fed by their parents, playing with their chums, the sun climbing higher every day, little suspecting what they're in for.

REVIEW RESOURCE: https://www.rogerebert.com/rev....iews/march-of-the-pe

⁣Man Spends 30 Years Turning Degraded Land into Massive Forest
The incredible story of how degraded gorse-infested farmland has been regenerated back into beautiful New Zealand native forest over the course of 30 years..
Fools & Dreamers: Regenerating a Native Forest is a 30-minute documentary about Hinewai Nature Reserve, on New Zealand’s Banks Peninsula, and its kaitiaki/manager of 30 years, botanist Hugh Wilson. When, in 1987, Hugh let the local community know of his plans to allow the introduced ‘weed’ gorse to grow as a nurse canopy to regenerate farmland into native forest, people were not only skeptical but outright angry – the plan was the sort to be expected only of “fools and dreamers”.

Now considered a hero locally and across the country, Hugh oversees 1500 hectares resplendent in native forest, where birds and other wildlife are abundant and 47 known waterfalls are in permanent flow. He has proven without doubt that nature knows best – and that he is no fool.
Host a screening of the film:
While we've made this film free to watch on YouTube, if you're holding a public screening you'll need a license. We've made the fees very low to be accessible to all communities and we'll be splitting the income with Hinewai Reserve. Check out http://foolsanddreamers.com to learn more about the film and screening licenses. Thank you for your support!

More about Hinewai Reserve
https://www.hinewai.org.nz
https://www.facebook.com/hinewai.org.nz/
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Film credits
Directed by Jordan Osmond & Antoinette Wilson Written by Antoinette Wilson, Jordan Osmond, and Nick Tucker Producer: Antoinette Wilson Executive producer: Quatro Trust Cinematography: Jordan Osmond & Jason Hosking Editing: Jordan Osmond Sound recording: Anna Veale Original score: Karl Steven and Ariana Tikao Sound mixing: James Henderson Color grade: Mike Kelland
We love that so many people have translated for our films here on YouTube. If you’d like to be part of that community you can contribute by clicking the "..." below the video and selecting "Add translations" from the dropdown menu.

⁣How does the Internet work? What energy does it use?
May it be that the Internet is not as magic, as clean, as one thought?

This films explores the hidden face of the web: huge data-centers that rely on cheap and reliable energy: coal. Our emails, our tweets, our messages on Facebook could be responsible of the destruction of the mountains in Virginia, unless the big players of the internet decide to change their mindset...


Genre: Documentary | Produced In: 2015 | Story Teller's Country: France

⁣Exit Through the Gift Shop: A Banksy Film is a 2010 British documentary film, directed by street artist Banksy. It tells the story of Thierry Guetta, a French immigrant in Los Angeles, and his obsession with street art.
The film charts Guetta's constant documenting of his every waking moment on film, from a chance encounter with his cousin, the artist Invader, to his introduction to a host of street artists with a focus on Shepard Fairey and Banksy, whose anonymity is preserved by obscuring his face and altering his voice, to Guetta's eventual fame as a street artist himself. It is narrated by Rhys Ifans. The music is by Geoff Barrow. It includes Richard Hawley's "Tonight The Streets Are Ours".


The film premiered at the 2010 Sundance Film Festival on 24 January 2010, and it was nominated for the Academy Award for Best Documentary Feature.
Since its release, there has been extensive debate over whether the documentary is genuine or a mockumentary, although Banksy answered "Yes" when asked if the film is real.


Thierry Guetta is a French immigrant living in Los Angeles who runs a vintage clothing shop. He also has an obsession with carrying a camera everywhere and constantly filming his surroundings. On a holiday in France, he discovers his cousin is Invader, an internationally known street artist. Thierry finds this fascinating, and accompanies Invader and his friends, including the artists Monsieur André and Zevs on their nocturnal adventures, documenting their activities.


A few months later, Invader visits Thierry in LA, and arranges a meeting with Shepard Fairey. Thierry continues filming Fairey's activities even after Invader has returned home to France. While Fairey is confused by Thierry's enthusiasm, Thierry states that he wishes to make a complete documentary about street art, and the two cross the nation, filming other artists at work, including Poster Boy, Seizer, Neck Face, Sweet Toof, Cyclops, Ron English, Dotmasters, Swoon, Azil, Borf and Buff Monster. What Guetta fails to tell Fairey is that he has no plan to compile his footage into an actual film, and never looks at his footage.


Archival footage The film's opening montage includes archival footage from the following street art films: Dirty Hands: The Art and Crimes of David Choe, Infamy, Megpoid, Next, Open Air, The Lyfe, Popaganda: The Art and Crimes of Ron English, Rash, Restless Debt of the Third World, Spending Time, Turf War, Elis G The Life of a Shadow, Memoria Canalla, C215 in London, Beautiful Losers.

⁣⁣You’ve read the lies, now hear THE TRUTH

Roger Waters sat down with Double Down News to set the record straight on him being ‘cancelled’ and addresses that he is not Anti-Semitic.
He explains the themes used during The Wall theatrical bits in his current This Is Not A Drill show and The Wall shows from 1980/81, 1990 and the 2010-2013 tour.


⁣Keys: Roger Waters, MassMedia, Misinformation, Fake News, Racism, Pink Floyd

⁣Take a journey around the world and back in time with anthropologist Dr. Niobe Thompson, and discover the miracle of our species.
Three-part documentary series and interactive web documentary The Great Human Odyssey explores the unlikely survival and the miraculous emergence of Homo sapiens as the world’s only global species. Ancient climate research has revealed that we evolved during the most volatile era since the extinction of the dinosaurs. Just like the many other kinds of human who once shared our world, we should have died away. Instead, our species survived to populate every corner of the planet, against all the odds.
Over 18 months of filming, Niobe followed in the footsteps of our ancestors across locations on five continents, working with 22 Canadian, American and South African cinematographers, including aerials, underwater, and ultra-slow motion specialists. Equipped with the next generation of ultraHD 4K cameras, film crews worked in some of the most hostile environments on Earth, including Arctic Siberia, remote South Pacific islands, tropical rainforests and African deserts.

On Papua New Guinea’s Sepik River, Niobe witnessed the extremely rare skin cutting initiation of the Crocodile People. His crew was the first in film history to visit the Badjao – the world’s last breath-hold diving nomads – in their war-torn homeland in the southern Philippines. In Russia, they filmed over the course of a full year in a closed border zone on the Bering Strait, eventually succeeding in their goal of capturing a traditional Inuit nest raid on 200-meter high sea cliffs.
At the same time, their cameras had privileged access to one of the world’s leading ancient DNA laboratories, where research on early human remains is explaining the mysteries of our survival, including the enigma of our ancestral interbreeding with Neanderthals.
The Great Human Odyssey boasts a live symphonic and choral score by Darren Fung, recorded with members of the Edmonton Symphony Orchestra and ProCoro Canada at one of North America’s leading acoustic spaces, Edmonton’s renowned Winspear Opera Hall.
After watching the series, immerse yourself in a virtual reality experiment, walking in the shoes of Kalahari Bushmen, Chukchi reindeer herders or Badjao free-divers, through the interactive web documentary. A parallel crew of cinematographers and web developers worked alongside the film crew on location to animate these fascinating cultures through POV video interactions.

You can also travel back in time to the origins of our species, 4m years ago, and see how our planet’s shorelines, deserts and glaciers changed at key points in evolutionary history. Working with Columbia University’s Lamont Doherty Earth Sciences Lab, this animated visual representationof climate change is a first-ever.
The Great Human Odyssey site is packed with interviews, mini-documentaries, image galleries and text information to give audiences a rich and visually exciting tour of the science and filmmaking techniques behind The Great Human Odyssey.

⁣In this ground-breaking original series, experts explore the history and use of psychedelic plants including political ambitions, the perceived shadow side and the proper environment to experience these substances.
From the origins of Shamanism to the spiritual expression of modern awakenings, discover the role of sacred medicine as a gateway to expanded consciousness, and its continued influence on humanity.
“Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window. Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.” ― Terence McKenna

RESOURCE: https://www.gaia.com/seeking-t....ruth/original-progra